...about a cloning conspiracy that could change history, an ancient code and a secret society. It involved the Knights Templar, an alchemist named Mira, and the Black Pope. [...] I am sure you are aware of it, but to make a long story short, in the movie the alchemist (with the help of others) figures out a clue about 'PALINGENESIS'. Palin in Greek, of course, meaning again or anew and GENESIS meaning born. Together, in the movie, they meant, born again or rebirth. With all your talk about birth, PALIN and so forth, I couldn't resist sharing. [...] MIRA in the movie... said PALINGENESIS is an alchemist term meaning life from death...

The starburst on the ISS solar panel represents the North Star. You can infer that from its relative position to the Big Dipper (Ursa Major constellation) depicted next to the American flag. NASA has officially acknowledged this so there is no reason to doubt this. It is, however, reflected on the solar panel, implying some kind of reversal - like, for instance, the North Star becoming the South Star!

South Star? What could be the message there? Indeed, what is the South Star? Turns out, we don't really have one, or not a bright one anyway. What we do have is the Southern Cross ('Crux') constellation nearby which conveniently points to the celestial south pole with its brightest star 'Acrux'. This is why Acrux is a de facto 'South Star'.

Then comes a big 'a ha!' moment: Brazil is a 'Southern Cross nation', and Sao Paulo an 'Acrux city'! And this is factual. Brazil was originally called 'True Cross' (Vera Cruz); the Southern Cross is prominently featured on the Brazilian coat of arms; and each of the stars on the Brazilian flag, including the Southern Cross, officially represents a Brazilian state... Acrux, the 'South Star', represents Sao Paulo! ('Sao Paulo' is a state as well as a city.)

http://www.goroadachi.com/etemenanki/phoenix-poleshift.htm

Rex Deux

Resurrection of the Dragons

By Goro Adachi
March 11, 2002

What the...

Very much aware of the symbolic significance of the Salt Lake City Winter Olympic Games as discussed in The Labour of the Sun, I sat down on the night of February 24 to watch its closing ceremony, an openly ritualistic event, to see if there was any 'clue dropping'. Having recognized the existence of an esoteric undercurrent in the opening ceremony, I was curious as to what kind of encoded 'message' might be present in the second 'ritual'. Of course, my view is that reality itself is an encoded message, or a 'game', so this was not anything new; I'm always scanning for clues. But high-impact world events, accidental or not, I have observed, are usually symbolic expressions of important themes that underlie physical phenomena that surround us, hence my special interest in the international event of the Olympics.

t-rex-2.jpg (14085 bytes)

As the two gigantic T-Rex's at the Olympic stadium were shown on the TV screen, I inevitably went 'what the...' I mean, these were clearly out of place and, simply, bizarre (not to say scary). Of course, the exoteric justification (= 'excuse') was probably that the general region of Utah has large deposits of dinosaur remains, but still those dinosaurs had almost no apparent relevance to the themes of the ceremony and were just... bizarre. To me, this was a 'Hermetic device' having the function of prompting questions consciously or subconsciously. This, in other words, was potentially a 'clue' planted, again consciously or subconsciously, by some intelligence.

Messianic Resurrection

Later in the show, the dinosaurs were revealed to be operated from behind the walls (not really, but that was the story line) by the Osmond brother and sister singing 'We Are Family!...' By this time, I began to get the gist of the shrouded 'message'. T-Rex's are 'kings', as rex means 'king' and they were certainly the king of dinosaurs. And since the term 'dinosaur' means 'terrible lizard', the T-Rex could easily be considered a 'terrible king', or 'King of terror' a la Quatrain X-72 discussed in previous articles.

Century X-72
L'an mil neuf cens nonante neuf sept mois,
Du ciel viendra vn grand Roy d'effrayeur:
Resusciter le grand Roy d'Angolmois,
Auant apres Mars regner par bon-heur.
The year 1999 seven months,
From the sky will come a great King of terror:
To resurrect the great King of Angolmois,
Before after Mars to reign by good luck

At the Olympic stadium in Salt Lake City, then, the 'King of terror' was symbolically 'resurrected' to accord with my previous interpretation that this quatrain, in conjunction with II-41 etc., relates to the 9/11 event and the Winter Olympic Games. Note that this 'King' of the Olympics could also easily be viewed as the 'King of the Rings' -- as the Games are symbolized by the familiar multi-colored five rings -- which may be rephrased as the 'Lord of the Rings'. And The Lord of the Rings is a phrase very much fresh on people's minds today because of the very popular film by the same title that came out late 2001 after the 9/11 event (it was the first of the trilogy, so it's an on-going project). [Update: the second volume/installment of The Lord of the Rings is titled 'The Two Towers' (!) and the third 'The Return of the King' -- needless to say, the correspondence is incredible.] This curious coincidence is compounded by the fact that, in Greek mythology, it is Prometheus, the provider of fire and a version of Saturn-Osiris, that would be considered the 'lord of the ring', as we read that:

Finally [Hercules] reached the Caucasus Mountains, where Prometheus had been fettered for thirty years... Zeus had long repented of his punishment, because Prometheus had since sent him a kindly warning not to marry Thetis, lest he might beget one greater than himself; and now, when Hercules pleaded for Prometheus's pardon, granted this without demur. Having once, however, condemned him to everlasting punishment, Zeus stipulated that, in order still to appear a prisoner, he must wear a ring made from his chains and set with Caucasian stone - and this was the first ring ever to contain a setting... Mankind now began to wear rings in Prometheus's honour... (Robert Graves, The Greek Myths, 133.l-m)

This event, remarkably, is said have taken place during Hercules' journey of the '11th labor', i.e. the very labor we have linked to the current world events, including the Olympics (see The Labour of the Sun). Note also that the Salt Lake City Games had a very Promethean official slogan/theme, 'Light the Fire Within'.

But here we need to take into consideration the idea of 'family' musically attached to the kingly dinosaurs. A 'royal family' -- was this the implication? Or, since the 'King of terror' has been equated with Osiris (see Labour), was it an allusion more specifically to the messianic family, i.e. the family of Jesus, the biblical Osiris? To use Christian terminology, it was a symbolic 'Second Coming'. This association is intriguing as it has been said that Jesus was crucified on a T-shaped cross (the 'tau') (Christopher Knight, et al, The Hiram Key, pp.241-2), and thus Jesus, the 'King of the Jews', may be described congruently as a 'T-king', that is, 'T-Rex'. And then there is the intriguing fact that the messianic bloodline, signified in medieval literature by the Holy Grail (Sangraal, which can also be translated as 'Blood Royal'), is entangled with the myths of the 'Ring', including The Lord of the Rings:

J. R. R. Tolkien's The Lord of the Rings is one of the most enchanting and successful tales of all time. First issued in the 1950s, this famous trilogy could just as well have emanated from the Dark Ages or medieval times, for it has all the qualities and attributes of the most ancient Grail and Ring traditions. (Laurence Gardner, Realm of the Ring Lords, p.1)

To express it esoterically, then, it was an allusion to the return of the wounded 'Fisher King', or King Arthur, the medieval Osirian-messianic character who is inseparable form the Grail romances. It is fitting that the Gaelic word uther, from which the name 'Arthur' apparently derives, means 'terrible' (according to Gardner) and Arthur's father was called 'Uther Pendragon' (actually a title) which would mean 'Terrible head of Dragons' (though it has also been translated as 'Wonderful head of Dragons'). The 'terrible dragons' are, of course, clearly evocative of the dinosaurs, the 'terrible lizards'. Traditionally, 'dragons' are associated with kingship and crocodiles/serpents; in ancient Egypt, for example, pharaohs were anointed with the fat of the holy crocodile, or 'Meseh' from which derives the term 'Messiah', i.e. Jesus/Osiris. Correspondingly, Osiris' death is associated with a crocodile in Egyptian tradition (E.A. Wallis Budge, The Gods of the Egyptians, vol.II, p.358).

Deux Dieux

The messianic family, stemming from Davidic royal lineage and the offspring of Jesus and Mary Magdalene (i.e. Sangraal) according to esoteric tradition, is said to carry the title, Rex Deus, meaning 'King of God' (see Marilyn Hopkins, et al, Rex Deus, 2000). Now, it is curious to notice here that the term 'Deus' (God) closely resembles the word for 'two' in various European languages. As Boyd Rice writes:

The Latin word for God, Deus, seems to retain a vestige of the ancient understanding of the dual nature of deity. In many languages, the word denoting "Two" has either a spelling or a sound very similar to the word Deus, for instance, deux, dos, dua, deuce, and so forth. This becomes even more explicit when examining the specific terms some of the countries apply to God. For example, the French Dieu [or its plural form, Dieux] echoes deux (two) very closely, and the Spanish Dios is derived from the word dos by the mere addition of an "I." (www.dagobertsrevenge.com/articles/undivided.html)

This would then nicely relate to the two T-Rex's of the Olympics and the biblical 'T-Rex', Jesus, being a twin (Judas Thomas/Twin was almost certainly Jesus' twin brother, based on non-canonical sources such as the Acts of Thomas). And, of course, we are reminded here of the twin nature of Hercules, antediluvian pillars, the Sphinx/Horus and such -- underlying all of which is the notion of the Sun/Ark/lion, as explained in The Labour of the Sun. (In terms of Nostradamus -- who, by the way, may well have been a member of 'Rex Deus' -- this motif is potently expressed in our 'two suns' quatrain, II-41.) Indeed, Rex Deus, or the Messianic bloodline, is Davidic which in turn means the bloodline is of the 'lion king' -- as the tribal symbol of King David's, Judah, was the lion. Moreover, the Davidic 'Fisher King' is called in Arthurian literature Anfortas (in fortis) meaning 'in strength', which is also the Latin name for one of the two pillars of the Temple of Jerusalem (i.e. the 'Boaz' pillar). These twin pillars are a version of the antediluvian/Atlantean pillars, the New World version of which was destroyed on 9/11/01. The Catholic theologian Margaret Starbird writes:

The name of this [Boaz] pillar, which is also the name of the ancestor of King David, is a clear and obvious reference to the promises made to the Davidic bloodline, the line of the princes of Judah, that the dominion of its princes would be established forever "in strength," since Judah was the strongest of the twelve sons of Israel's patriarch Jacob. The name Anfortas is thus associated with the broken left pillar of the Temple of Jerusalem, which is symbolic of the broken Davidic succession... [T]he "Fisher King" Anfortas -- that is, the Davidic "Fish-King" Jesus -- can be healed only when the Grail is restored... (The Woman With the Alabaster Jar, p.86)

The reference to the broken succession/pillar here is interesting as it potentially relates to the fact that the Great Sphinx is missing its 'twin' and also to the darkening of the sun (= lion/sphinx/Fisher King) on the day Jesus/Osiris died as per tradition.

All combined, we can derive the symbolic implication that the two towering T-Rex's signified the resurrection of the messianic king, or Osiris-Horus, the fall of which was earlier expressed by the destruction of the WTC twin towers on 9/11.

Proof of the Vikings

Let's take a look at Quatrain VI-97 which I have repeatedly correlated with the world events of our own time including the 9/11 attacks.

Century VI-97
Cinq & quarante degrez ciel bruslera
Feu approcher de la grand cite' neuue
Instant grand flamme esparse sautera
Quand on voudra des Normans faire preuue.
Forty five [or 'five and forty'] degrees the sky will burn,
Fire to approach the great new city
In an instant a great scattered flame will leap up,
When they want to have proof of the Normans.

This quatrain's relevance to 9/11 and related events can be summarized as follows. First, 'five and forty' (cinq & quarante) of Line 1, if interpreted as 40.5, would correspond to the latitude of New York City where the WTC towers stood. And NYC is insinuated by Line 2 mentioning 'the great new city'. The abundant references to burning fire, needless to say, evoke the burning towers still hauntingly fresh on our mind. (The "great scattered flame" is actually even evocative of the grand firework show of the Olympic ceremonies.) What is most remarkable, however, is the implication of Line 4: 'When one will want to want proof of the Normans'.

mars-typical.jpg (10305 bytes) "Normans" is essentially another name for the Vikings (or 'Norsemen'). "Viking," in turn, was the name given to the twin space probes NASA sent to Mars in 1976 (Viking 1 & 2). This Viking mission made the very first successful landing on the Red Planet and, more significantly, it gave us the first pictures of the potentially artificial "monuments of Mars" at Cydonia, an issue still very much controversial and relevant today. This association is particularly important here because the Cydonia region of the 'fire planet' is situated approximately at 5°W. 40°N. -- that is, "five and forty"! The 'monuments' themselves are located on latitude 40.5-41°N., which happens to be the very latitude of NYC _and_ Salt Lake City! As if these weren't enough, the most prominent features of the Cydonia complex are the popular 'Face' and the geometrically sound 'D&M Pyramid'. pentagon_damage.jpg (16765 bytes) The 'Face', as revealed/confirmed in 2001, is of dual nature, having a hominid side and a leonine side, just as does the Sphinx (= sun, Hercules, 'Fisher King') which has a body of the lion and a head of man. (The connection between the two is corroborated by the fact that the tangent of Cydonia's latitude equals the cosine of the latitude of Giza/Sphinx, both equaling e/pi.) The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.

Line 4, 'When one will want to have proof of the [Vikings]', then, would have the implication of people wanting to know the truth about Cydonia and/or more generally about the existence of life on Mars. And, sure enough, presently around the turn of the millennium we are rapidly getting more evidence indicative of the existence of past/present life, as well as intelligently designed structures, on the Red Planet. (Most recently, the Mars Odyssey spacecraft gave us, on 3/1/02, more evidence of water on Mars, more pictures of strikingly artificial-looking features, and amazing confirmation of Richard Hoagland's 'Mars Tidal Model' which I consider a brilliant piece of work.)

As it turns out, the 'Norman/Viking' reference also nicely brings together 9/11 and 'Rex Deus' as we learn that the Viking leader, Rollo (Hrolf), came to France and obtained Normandy (becoming the first Duke of Normandy) in _911_ AD. And Rollo, interestingly enough, was genealogically linked to the 'Rex Deus' clan:

[Rollo] extended his lands by conquest and his influence by alliance and marriage with the leading aristocratic families of the time. He sought to establish strong bonds with the local aristocracy and, in particular, matrimonial links with dynasties of the Rex Deus tradition, such as the families of Chaumont, Gisors, d'Evreaux, Blois, the Counts of Champagne and the ruling House of Flanders, whose younger sons were the Counts of Boulogne. Was he [Rollo himself] also Rex Deux, from a family outside the confines of early Christian Europe? (Hopkins, et al, Rex Deus, p.107)

From this angle, the phrase 'When one will want to have proof of the Normans' would come to mean 'when people become aware, and want proof/'resurrection', of 'Rex Deus' or the 'Grail'/messianic bloodline -- that is, our own time.

Now, the 'resurrection' of this hidden bloodline/tradition would also imply the fall of the Church as its existence today is the result of the Roman Empire 'hijacking' the 'Fisher King' tradition. The Catholic Church or Papacy, in other words, is just a poser on the throne with no legitimacy what so ever. The 'king' is naked and the people have been too conditioned and timid to openly acknowledge this awkward fact. When the true 'Fisher King' is publicly acknowledged, therefore, it would automatically leave the Church and its manipulative doctrine nowhere to go but down. This situation brings us back to Quatrain II-41, the 'two suns' prophecy already applied to the current events, the last line of which indicates the fall/shift of the papacy: "When the great pontiff changes his abode."

In The Labour of the Sun was discussed how Quatrain II-41 pertains to 9/11, the 'King of terror' (Fisher King), and the inevitable end of the reign of Pope John Paul II, the 'Labor of the Sun' pope, in the near future. Since writing the article, it came to my attention that there is one particular date that may be seen as a window through which the smoldering archetypal story line could potentially manifest itself physically because of intense symbolic convergence. The date in question is May 1st -- i.e. 'May Day'. First, notice that just as the date '9-11' numerically had the implication of emergency ('911' being the emergency phone number), 'May Day' is similarly the international radiotelephone code used for indicating trouble and requesting help. Second, in Europe May Day is Labor Day which in the United States is celebrated in September (the month of 9/11) -- 'labor' being a code word for Pope JPII, as well as Hercules' 11th Labor that has been found to closely relate to 9/11 and Prometheus along with his fire and ring. May Day, in fact, is also the festival of Belenus, the Celtic god of fire and the sun, and a pagan festival of rebirth and renewal. The first day of May, therefore, is a time with strong 9/11 resonance and particularly relevant to the 'Labor of the Sun', i.e. Pope JPII, though I am not ready to predict that the papacy will actually suffer a loss on that date.

Update: According US intelligence sources, as reported by The Washington Times (May 13), Islamic terrorists were planning to attack a nuclear power plant and this "was initially scheduled for May 1..." So, there indeed was a high potential for a 9/11-related major incident on May Day 2002.

Echoes of Lost Paradise

Dinosaurs, the kings of the earth at the time, were suddenly wiped out about 65 million years ago. Rocks from outer space, it is often theorized, hit the earth and devastated all life upon the surface. Quite recently, Tom Van Flandern (formerly the Chief of the Celestial Mechanics Branch of the U.S. Naval Observatory) put forward the theory that it was the 'explosion' of what he calls 'Planet V' between Earth's orbit and the Asteroid Belt (which is the remnant of the theoretical 'Planet K' that exploded about 250 million years ago) that caused the extinction of the dinosaurs. The planet Mars, in this radical model, was formerly a satellite of Planet V that survived the catastrophe and became an independent planet. Richard Hoagland's more recent 'Mars Tidal Model' was an extension of Flandern's 'Exploded Planet Hypothesis', and so the new data from the Mars Odyssey probe just released 3/1/02 that dramatically corroborated Hoagland's theory was also confirmatory evidence for Flandern's. By inference, then, it may be postulated that those dinosaurs -- analogous to the 'King of terror', 'Fisher King', etc. -- and the Red Planet have an inseparable historical connection.

The reader may recall that I have previously stressed the intense correlation that exists between the 9/11-related events and the destruction of the antediluvian world, 'Atlantis', in connection with Mars/Cydonia. Here, then, we have the implication that there also is a link between the prehistoric 'dragons' and Atlantis. Remarkably, this strange association actually resonates well with the fact that in ancient traditions the angelic wisdom-providers of the antediluvian paradise, including Osiris, are usually associated with the serpent, i.e. 'dragons'. The coherence is intensified when it is added that the essence of Osiris was equated in ancient Egyptian theology with the Benben Stone (the capstone of the pyramid/obelisk) which in turn was, or represented, a meteorite -- i.e. a rock from outer space (Planet V). Correspondingly, we may recall that, in Mystery, Babylon the Great, the antediluvian tower (Babel) and the Osirian 'fallen angels' (Nephilim) were found to be the embodiment of a heavenly stone. And to top it off, the Nephilim were 'fallen ones' (as in fallen meteorites), and were also called awwin denoting 'serpents' (as in dragons/dinosaurs) and gibborim meaning 'strong ones' (as in Davidic 'Fisher Kings'). The messianic association is echoed strongly by the Holy Grail/Blood Royal: in Wolfram von Eschenbach's Parzival from around 1200, the Grail is called lapsit exillis which, as lapis ex caelis, means 'stone from the heavens'!

So we now have entangled themes involving dinosaurs, Exploded Planet Hypothesis, Mars, Atlantis, heavenly stone, messianic tradition... What does this all mean? While I have my own hypotheses, it is wise at this time to just wonder about it rather than force a shortsighted and linearly conceived conclusion out of the partially disjointed pieces of the puzzle. I have faith in the idea of 'if you ask, the answer will come'. This appears to be how the 'game' is played 'down here'. Truth requires patience, and patience here requires unwavering respect for truth.

Foreshadowing

turin-shroud.gif (3937 bytes) I'd like to end this article by pointing out that the next Winter Olympic Games (2006) will be held in Turin, Italy. Turin is the home of the single most important and controversial relic associated with Jesus -- the Shroud of Turin, the linen cloth in which Jesus was supposedly wrapped after the crucifixion. On the Shroud is seen, somehow, a seemingly photographic image of Jesus. While ostensibly a Christian relic, the Shroud has much to do with the esoteric 'underground' tradition that aligns with the 'Fisher King' rather than with Pauline counterfeit Christianity headed by the Papacy. Indeed, the Shroud first surfaced soon after the suppression of the medieval warrior-monks, the Knights Templar, who were accused, among other things, of worshipping a strange head -- which may well have been the head portion of the Shroud. The first known owner of the relic, Geoffrey de Charney, is in fact thought to be the nephew of Geoffroi de Charney, the Templar preceptor of Normandy who was burned to death with Jacques de Molay, the last Templar Grand Master. And some have theorized, with good reason, that the Shroud was actually created by Leonardo Da Vinci who has been claimed to have been Grand Master of the Priory of Sion, supposedly the parental organization behind the Templar order (see Lynn Picknett, et al, Turin Shroud). The Priory of Sion, extensively discussed in the groundbreaking book Holy Blood, Holy Grail (1982), is practically analogous, or attached, to 'Rex Deus'. This combined with the fact that the Templar knights in the Grail lore are depicted as the guardians of the Holy Grail/Blood Royal which, in theory (based on "heretical" traditions), stemmed from the dynastic 'Sacred Marriage' between Jesus and Mary Magdalene, it may be inferred that the Shroud is in a sense a form of the Grail which in turn represents the hidden messianic succession.

Is it just a coincidence that Turin, the very place where this 'Rex Dues' relic rests, has been selected for the next Winter Olympics? Perhaps. But consider the following. Turin is at latitude 45°N. so as to echo the opening line of the 'Olympic/Martian quatrain', VI-97 ('Forty five degrees the sky will burn'). The last line of the same quatrain, 'When they want to have proof of the Normans', may also now denote 'when people want to find out the truth about the origin of Christianity, about the suppressed messianic legacy, and about the true nature of the Turin Shroud which was first possessed, as far as we know, by the 'Normans' (i.e. the Templar Master of Normandy). The Shroud even resonates with 9/11. The relic, as well as Leonardo/Priory of Sion, is associated with John the Baptist as it is, for example, kept at the Cathedral of St. John the Baptist in Turin. And the saint's birthday was celebrated on the summer solstice just as the date 9/11 corresponded in the early Christian times to the original summer solstice day of the ancient Egyptian calendar.

Also, the demonstrated Martian/Cydonian nature of Quatrain VI-97 incites the thought that the head imprinted on the Shroud might relate to the more or less similar-looking 'Face on Mars'. This is clearly a silly notion -- except there are various clues that are supportive of it. This leads into an area that overlaps my 'other' research that I do not want to discuss yet. But I'll just mention two curious coincidences: the Shroud is called sydoine/sindone/sindon in other languages ('Cydonia' anyone?), and John the Baptist was decapitated and his severed head became an object/idea of great esoteric importance. This is only a small hint. I don't want to open Pandora's Box yet... :) But I will say that Mars/Cydonia anomalies and the Grail-Ark-Shroud-Fisher King theme are to merge in a startlingly direct and elegant way.

The Quest for the Grail is an interplanetary saga.

[Back to main page]

http://www.goroadachi.com/etemenanki/rex-deux.htm

You are right, thanks, this is the standard for the archbishops, anyway what mattered there was the tetractys, so lets analize Pope Ratzinger coat of arms.

On the left we can see Cassiopeia the black Queen of Ethiopia - In Greek means burned face one - encrypts fire on Cassiopeia constellation.
To the right the big bear of Arcadia - Ursa Major - the bear bears our cube and pillar Boaz our B-US, number 6 domain - counterclockwise.
The Shell symbolizes the growing interaction of 9-6 spirals, between both constellations.
The silver key the gate of man in Taurus, and the gold key the gate of the Gods in Ophihchus , between Sagitarius and Scorpius.

A circumpolar star is a star that, as viewed from a given latitude on Earth, never sets (that is, never disappears below the horizon), due to its proximity to one of the celestial poles. Circumpolar stars are therefore visible from said location towards nearest pole for the entire night on every night of the year (and would be continuously visible throughout the day too, were they not overwhelmed by the Sun's glare).
All circumpolar stars are within the circumpolar circle. This was in fact the original meaning of "Arctic Circle", before the current geographical meaning, meaning "Circle of the Bears" (Ursa Major, the Great Bear; and Ursa Minor, the Little Bear), from Greek αρκτικός (arktikos), "near the Bear", from the word άρκτος (arktos) bear.

Whitney Houston as the black Queen of Ethiopia - killed 2 - 11 - 2 = B = Boaz 11 = Solar system coordinates

Number 2 under Boaz, Capricorn constellation - the goat and Devil symbol

http://andrewgough.co.uk/forum/viewtopic.php?f=1&t=3596&sid=5d8ea08966bf13fa657d37f2ccd3705f&start=400

Mr Lincoln may find this of Interest :?:

It has to do with his pentagram theory of Rennes Chateau

Rennes-le-Chateau. Blanchefort. Bezu. Serre de Lauzet. La Soulane.

Five mountains, equal distances apart, they form the shape of a pentagram.

This pentacle points at the North Pole.

As it existed 10000 years ago.

Precession
_________________

The documentary nobody wants to address
My forum Cromleck de Rennes is almost ready.

Thanks Roscoe interesting lyrics...

Don't interrupt the sorrow
Darn right
In flames our prophet witches
Be polite
A room full of glasses
He says 'Your notches liberation doll'
And he chains me with that serpent
To that Ethiopian wall ( Cassiopeia 9 domain s-pira-l coming to us clockwise like Venus, our domain 6 Ursa Major - bears us )

Anima rising
Queen of Queens
Wash my guilt of Eden
Wash and balance me
Anima rising
Uprising in me tonight
She's a vengeful little goddess
With an ancient crown to fight

Truth goes up in vapors
The steeples lean
Winds of change patriarchs
Snug in your bible belt dreams
God goes up the chimney
Like childhood Santa Claus
The good slaves love the good book
A rebel loves a cause

I'm leaving on the 1:15 ( 1 = mon -singularity 15 = 1111 binary )
You're darn right
Since I was seventeen ( 17 summation = 153 fish net of Arqui-medes 1-7 moon mon-key fractal )
I've had no one over me
He says 'Anima rising-
So what-
Petrified wood process
Tall timber down to rock!'

Don't interrupt the sorrow
Darn right
He says 'We walked on the moon
You be polite.'
Don't let up the sorrow
Death and birth and death and birth and death and birth
He says 'Bring that bottle kindly
And I'll pad your purse-
I've got a head full of quandary
And a mighty, mighty, thirst.'

Seventeen glasses
Rhine wine
Milk of the Madonna
Clandestine
He don't let up the sorrow
He lies and he cheats
It takes a heart like Mary's these days
When your man gets weak

Modern European scholars beginning c. 1600[32] have considered the name to be derived from the Greek words aitho "I burn" + ops "face"

Mythology

Main article: Cassiopeia (mythology)

The constellation is named after Cassiopeia, a queen (in Greek Mythology). Cassiopeia was the wife of Cepheus, King of Aethiopia and mother of Princess Andromeda. Cepheus and Cassiopeia were placed next to each other among the stars, the King by his Queen and their daughter Andromeda.

The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production

The Magic Flute is noted for its prominent Masonic elements; Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some, the anti-Masonic Empress Maria Theresa.[6] Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno), ultimately to make "the Earth a heavenly kingdom, and mortals like the gods". ("Dann ist die Erd' ein Himmelreich, und Sterbliche den Göttern gleich." This couplet is sung in the finales to both acts.)

Cassiopeia Whitney Houston Queen of the night, sacrificed, 2-11-2012, 2 Capricorn 11 Taurus
2 = B -oaz tower base
Light blue the heptagram fractal on the galactic center singularity, Cat Eye Nebula constructred from the vesica piscis.
Light green the pentagram - Venus cycle fractal - the forbidden galactic apple.

Nasa seal with Cassiopea and son Andromeda which

http://www.youtube.com/watch?v=rFcnGLFGbL8

Pillars, peacock, chains, God Mercury casque, the wheel of time, etc

Ratzinger coat of arms - Cassiopea and Ursa Major with the singularity S-hell 96 spiral construction

Bonfire Lyrics Performed by Third Eye Blind

A little early in spring
A bonfire ring, she's shivering alone
I bumped into you somehow
You can wear, my duct taped vest
It's my party best, its really all I own
Everything's changing now

And I am high like a star thats flying
Cassiopeia
Everything's changing now
She said it's alright
She said no, don't die alone
There's no goodbyes

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on

If nothing else I am myself
It's all i have to give
Everything's changing now
And we could live like kings if we take the risk
Or we could live with doubt
Everything's changing now
Oh now
Come on, come on

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on

Some girls will break you down
Just to see you come undone
Everythings changing now
Maybe you and I are cursed
Or maybe you and I are one
And thats the universe
Spin round, keep changing

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on and on and on

Following the draconian Alan Parson Ammonia Avenue Cat keys

Year of the Cat is the seventh studio album by Al Stewart, released in 1976 and engineered by Alan Parsons; it is considered his masterpiece,[3] its sales helped by the hit single "Year of the Cat", "one of those 'mysterious woman' songs,"[4] co-written by Peter Wood. The other single from the album was "On the Border". Stewart wrote "Lord Grenville" about the Elizabethan sailor and explorer Sir Richard Grenville (1542–1591).[5]

THE YEAR OF THE CAT

On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre *
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don’t bother asking for explanations
She’ll just tell you that she came
In the year of the cat.

She doesn’t give you time for questions
As she locks up your arm in hers
And you follow till your sense of which direction
Completely disappears
By the blue tiled walls near the market stalls
There’s a hidden door she leads you to
These days, she says, I feel my life
Just like a river running through
The year of the cat

She looks at you so cooly
And her eyes shine like the moon in the sea
She comes in incense and patchouli
So you take her, to find what’s waiting inside
The year of the cat.

Well morning comes and you’re still with her
And the bus and the tourists are gone
And you’ve thrown away the choice and lost your ticket
So you have to stay on
But the drum-beat strains of the night remain
In the rhythm of the new-born day
You know sometime you’re bound to leave her
But for now you’re going to stay
In the year of the cat.

_________________
E.T.A.E

http://andrewgough.co.uk/forum/viewtopic.php?f=1&t=3596&start=550

Peter Dawkins

This midsummer period, 20-24 June 2012, is of exceptional importance for the world. It forms the midpoint or middle pillar of the Royal Arch Gateway to the Golden Age, the side pillars ('Great Pillars')

http://www.peterdawkins.com/

http://watch.pair.com/cancer-antichrist.html

Peter Dawkins is a recognized authority on the Baconian-Rosicrucian philosophies and Ancient Wisdom teachings. He is the author of the Francis Bacon Research Trust Journal Series, Studies in Ancient Wisdom, whose purpose is "to give insight into the complete initiatory path that all the great Religions or Wisdom Traditions have taught from time immemorial, as being the Way, the Truth and the Life." (889:12) Volume 5 of Dawkins' series, Arcadia: The Ancient Egyptian Mysteries, reveals to the 'initiated' the esoteric meaning of the 'Great Bear' and 'Little Bear'. Dawkins promotes the same twaddle as Bullinger and Kennedy about the Bear really being a Sheepfold; however, because he is writing to esotericists, Dawkins discloses its deeper significance—that the Sheepfold is the "heavenly place of enlightenment" to which the initiates of mankind (sheep) are led, presumably by the adepts and masters who are their "shepherds".
"Associated in esoteric knowledge with this role of high kingship is the symbol of the North Pole Star - the 'crown of the world - and the circumpolar constellations. Of these, the Lesser and the Greater Bear are the most important: the former providing the present North Pole Star. The 'Bear' is a veil to the real name, which means 'Dove', or 'Sheepfold', or 'Chariot'. As the Chariot, it is Arthur's vehicle of manifestation, as also the fiery chariot on which Elijah ascended to heaven. Hence Arthur is known as 'the Bear'. As the Sheepfold, it is the heavenly place of peace and enlightenment that Jesus spoke of, to which the 'sheep' (i.e. initiates) of mankind are led, and from which the 'shepherds' (i.e. the adepts and masters) come from. As the Dove, it is known as the vehicle of the Holy Spirit, by means of which that Spirit descends to the earth and governs its kingdom. It is signified by the royal crown of a High King (i.e. a crown with arches) - a halo of light which descends upon a truly worthy and anointed (i.e. illuminated) soul, bestowing full knowledge of Truth. The Great Bear is known as the mother of the Little Bear, which is her son. The Rampant Bear and Ragged Staff emblem...depicts just this - the Bear constellation tied to the Pole of the earth's axis, and dancing around it.

ET IN ARCADIA EGO

"Et in Arcadia Ego" inscribed on the arch between the two bears is an esoteric reference to Arcadia, the Greek city where Danaus and his fifty daughters introduced the worship of the mother goddess. Arcadia represents the Rosicrucian's envisioned Paradise on earth.
"Arcadia was one of the primary mystery names given to the state of the world in a Golden Age, and the whole Arcadian imagery and allegory is that of a Utopia or Paradise on earth that might be achieved. The world is on the threshold of that achievement now, according to the way the evolutionary cycles of divine law work. Jesus Christ and the Buddha prepared us for it in an outstanding way; Francis Bacon...and the Rosicrucian Brotherhood have inaugurated it. All have used Arcadian imagery, the meaning of which pierces deep, right to the heart of all mysteries." - 889:15
According to Holy Blood, Holy Grail, a sacred river flows from Arcadia to the underworld. This underground stream, Alpheus, represents a demonic bloodline to which the the Plantard bloodline belongs.
"Arcadia...is frequently denoted by a fountain or a tombstone, both of which are associated with an underground stream. This stream is usually equated with the river Alpheus—the central river in the actual geographical Arcadia in Greece, which flows underground and is said to surface again at the Fountain of Arethusa in Sicily. From the remotest antiquity to Coleridge's 'Kubla Khan' the river Alpheus has been deemed sacred. Its very name derives from the same root as the Greek word alpha, meaning 'first' or 'source.'...
"...the underground stream...might connote an unacknowledged and thus 'subterranean' bloodline...
"...the Plantard family--lineal descendants of Dagobert II and the Merovingian dynasty. In 1548, the 'Prieuré documents' state, Jean des Plantard had married Marie de Saint-Clair--thus forging another link between his family and that of the Saint-Clair/Gisors...
"...the specific phrase in Poussin's painting—'Et in Arcadia Ego'...appeared in an earlier painting by Poussin, in which the tomb is surmounted by a skull and does not constitute an edifice of its own, but is embedded in the side of a cliff. In the foreground of this painting a bearded water deity reposes in an attitude of brooding moroseness—the river god Alpheus, lord of the underground stream..." - 31:139-140;177,180-2
As an aside, the occult uses rivers and other fresh water sources as sacred sites for their vampire rituals. Apposite to their sin, God will turn fresh water sites into blood during the Tribulation period: And the third angel poured out his vial upon the rivers and fountains of waters; and they became blood... For they have shed the blood of saints and prophets, and you have given them blood to drink; for they are worthy. - Rev. 16:4, 6

In William Taylor Coleridge's famous poem, Kubla Khan, the sacred river Alph descends to the underworld. In a portion of this poem, reprinted below, the god of the underworld, Typhon, is pictured as an erupting volcano, another sacred site of occultists. The imagery is phallic:
Kubla Khan

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea...

So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river... - 781
In Greek Mythology, Typhon was the volcano demon which spewed fiery rocks at the sky: "TYPHOEUS was a monstrous immortal giant who was defeated and imprisoned beneath Mount Aitna by Zeus. This volcano-daimon hurled red-hot rocks at the sky and...boiled forth great storms of fire... Aitna (Mt Etna), where the rock is alight and kettles of fire boil up the hot flare of Typhaon’s bed." –Dionysiaca 13.319 - 867

Attachments:

ROYAL ARCH 1111.JPG [ 124.18 KiB | Viewed 1678 times ]

_________________
E.T.A.E

http://andrewgough.co.uk/forum/viewtopic.php?f=1&t=3596&sid=d226eb6ff7378c79847f6c22a8238c5f&start=675

EN LA LETRA M ESTA CODIFICADA MARIA MAGDALENA

¿PORQUE CRISTO RELACIONA A LA MADRE DE MARCOS CON LA

Kelim/recipiente/copa es sinonimo de la mujer

UTERO FEMENINO TIENE FORMA DE COPA/RECIPIENTE/KELIM

FLOR DE LIS/LIRIOS/CANTAR DE LOS CANTARES

¿QUE RELACION EXISTE ENTRE LA SERPIENTE DE BRONCE Y EL

MAQUINA DE DIOS (ACELARADOR DE PARTICULAS)-MENSAJE

APOCALIPSIS 3:14 (ORIGEN TEOLOGICO DEL DISEÑO DE LA GRAN PIRAMIDE)

CIRCULO/NUMERO PI=3.14=22/7/MARIA MAGDALENA

EL SANTO GRIAL ESTA CODIFICADO EN EL DISEÑO DEL VATICANO

PLEYADES (SIETE PALOMAS)/MAYO/MAIA/MARIA

MARIA MAGDALENA EN EL CATARISMO (CATAROS)

JESUCRISTO (NEO BOOZ O BOAZ) Y MARIA MAGDALENA (NUEVA

GRAN PIRAMIDE DISEÑADA EN FUNCION A LA ASUNCION DE

PIRAMIDOLOGIA MUNDIAL, INDEP. EEUU Y EL CODIGO DA VINCI

ROCKEFELLER CENTER LA ATLANTIDA GLOBAL Y SUS SIMBOLOS

EL SANTO GRIAL CODIFICADO EN LA MISA CATOLICA

Mas pruebas de que Marcos es Hijo de Cristo

ESPAÑA, FUERTE NEXO CON EL GRIAL

gate in Simple Gematria Equals: 33

(

)

GEMATRIA DE GATE ES 33

¿QUE RELACION ESPIRITUAL EXISTE ENTRE LA SERPIENTE DE BRONCE Y EL MAR DE BRONCE?

MAR-IA/MIR-YAM-YAM=MAR=GENTILES O EXTRANGEROS

Juan 3:14: Y como Moisés levantó la SERPIENTE en el desierto, así es necesario que el Hijo del Hombre sea levantado, (Cristo esta haciendo referencia al HIJO DEL HOMBRE EN TERCERA PERSONA. ¿PORQUE?)
Génesis 3:14: Y Jehová Dios dijo a la SERPIENTE: Por cuanto esto hiciste, maldita serás entre todas las bestias y entre todos los animales del campo; sobre tu pecho andarás, y polvo comerás todos los días de tu vida.

CATOLICO/CAT-OLICO/CAT-EDRAL/CAT/GATO-EL OJO DEL GATO TIENE LA MISMA FORMA QUE LA DEL SEXO FEMENINO "VESCICA PISCIS"

NGC 6543 OJO DE GATO

Nebulosa Ojo de Gato

New York City Rockefeller Center 05 Atlas Statue And St Patricks Cathedral

Es una simbología relacionada en parte con España. Según la mitología griega, Hércules en su viaje a la Península Ibérica se atrevió a robar la fruta sagrada que cuidaban las Hespérides, hijas de Atlas, fundador de la Atlántida, cumpliendo así la profecía sobre el fin de ese reino de titanes, como estaba anunciado. Este relieve del Museo de Olimpia muestra maravillosamente este episodio. Hércules sujeta el cosmos ayudado por la diosa Atenea, que le pone un almohadón en la espalda, mientras el mismo Átlas le trae las frutas de las Hespérides. Es una versión muy peculiar del mito, pues Átlas coopera en su propia destrucción, y sitúa en España, Hesperia, ese jardín prohibido.

Durante cincuenta años de su vida, el profesor Schulten efectuó investigaciones históricas y arqueológicas en la Península Ibérica en búsqueda de la Atlántida, y los últimos hallazgos parecen apoyar su hipótesis de que el reino andaluz de Tartessos, desaparecido en el siglo VI antes de Cristo, coincidía con la descripción que nos dejó Platón en el Timeo:

“(…) Sabios reyes habían formado en esta Atlántida una vasta y maravillosa potencia que dominaba toda aquella tierra además de otras muchas islas, y algunas comarcas del continente, apoderándose de todas, desde Libia al Egipto, y de Europa hasta Tirrenia (…) Empero sobrevinieron diluvios y terremotos, y en un solo día y en una sola noche fatal, todos aquellos guerreros fueron tragados por la tierra abierta. Desapareció la Atlántida y he aquí por qué aun hoy no se puede recorrer y explorar aquel mar, encontrando la navegación un escollo en el fangoso lodo que dejó la tierra al abismarse”.

La correlación del Toro y la diosa, incluyendo la sangre del Toro siendo entregada a la Luna para la fructificación, también puede ser explicada a través de la coexistencia de su objetivo del procreativo. Cuando la cabeza del Toro es vista desde una perceptiva frontal, su cráneo y cuernos exhiben un asombroso parecido a los órganos uterinos de la hembra humana.

EL SANTO GRIAL ESTA CODIFICADO EN EL DISEÑO DEL VATICANO

PUSSY CAT/VESCICA PISCIS/SEXO FEMENINO

Vesica piscis

TAURO/TORO/PLEYADES/7 COLINAS DEL VATICANO

Fermentation - nigredo - bread and wine of Christ

La vesica piscis (vejiga de pez en latín) es un símbolo hecho con dos círculos del mismo radio que se intersecan de manera que el centro de cada círculo está en la circunferencia del otro. Esta forma se denomina también mandorla (que significa "almendra" en italiano).

APOCALIPSIS 3:14 (NUMERO PI) (7 IGLESIAS/PLEYADES/TAURO/TORO)

3:14 Y escribe al ángel de la iglesia en Laodicea: He aquí el Amén, el testigo fiel y verdadero, el principio de la creación de Dios, dice esto: (Numero PI=3.14. La iglesia de LA-ODICEA era una de las 7 IGLESIAS/PLEYADES ubicadas en ASIA MENOR/ANATOLIA/MONTE DE ARARAT. LAS 7 IGLESIAS TIENEN UN FUERTE NEXO CON EL ARCA DE NOE. LA GRAN PIRAMIDE ESTA DISEÑADA EN FUNCION AL MONTE DE ARARAT. Incluso observen tambien que LA-ODICEA comienza con la L/ESCUADRA Y A/COMPAS. Osea que en su mismo nombre esta CODIFICADA LA ALQUIMIA, osea la cuadratura de un circulo o cubicacion de una esfera que es la escalera de JACOB. CASA DE DIOS Y PUERTA DEL CIELO. LA GRAN PIRAMIDE, INCREIBLEMENTE, TIENE UN ORIGEN CIEN POR CIENTO CRISTIANO.)

Cuadratura del circulo/Numero 5/Santo Grial/alquimia/Escalera de

SALMOS 45:9/NUMERO DE ORO/1.618033/REINA VESTIDA CON ORO DE O-FI-R

CIRCULO/NUMERO PI=3.14=22/7/MARIA MAGDALENA

1 DE REYES 8

7:21 Estas columnas erigió en el pórtico del templo; y cuando hubo alzado la columna del lado derecho, le puso por nombre Jaquín, y alzando la columna del lado izquierdo, llamó su nombre Boaz.
7:22 (NUMERO PI) Y puso en las cabezas de las columnas tallado en forma de lirios, y así se acabó la obra de las columnas.

FLOR DE LIS/LIRIOS/CANTAR DE LOS CANTARES

7:23 Hizo fundir asimismo un mar de diez codos de un lado al otro, perfectamente redondo; su altura era de cinco codos, y lo ceñía alrededor un cordón de treinta codos.

MAR-IA/MIR-YAM-YAM=MAR=GENTILES O EXTRANGEROS

CIRCULO/NUMERO PI=3.14=22/7/MARIA MAGDALENA

7:24 Y rodeaban aquel mar por debajo de su borde alrededor unas bolas como calabazas, diez en cada codo, que ceñían el mar alrededor en dos filas, las cuales habían sido fundidas cuando el mar fue fundido.
7:25 Y descansaba sobre doce bueyes; tres miraban al norte, tres miraban al occidente, tres miraban al sur, y tres miraban al oriente; sobre estos se apoyaba el mar, y las ancas de ellos estaban hacia la parte de adentro.
7:26 El grueso del mar era de un palmo menor, y el borde era labrado como el borde de un cáliz o de flor de lis; y cabían en él dos mil batos.

FLOR DE LIS/LIRIOS/CANTAR DE LOS CANTARES

Everything is Connected and there are no
coincidences

GOD IS LOVE/DIOS ES AMOR

LA VERDAD OS HARA LIBRE

PAREMOS DE DEMONIZAR AL QUE PIENSA DISTINTO

EEUU ES EL PAIS QUE HAY MAS LIBERTAD EN EL MUNDO

ESTADOS UNIDOS, EL PAIS MAS PROSPERO PORQUE ES EL QUE MAS

CONOZCA EL SECRETO ESOTERICO DETRAS DE BILL GATES

ORIGEN ESOTERICO DE LA PROSPERIDAD Y LIBERTAD DE EEUU

¿ESTADOS UNIDOS ES UN PAIS HISPANO?

ESPAÑA COLABORO EN LA INDEPENDENCIA DE ESTADOS UNIDOS

"DESCUBRIMIENTO DE AMERICA"- LAS LAGRIMAS DE RAQUEL MATEO 2

INTERNET (FUERTE NEXO ESOTERICO CON EL SANTO GRIAL)

LA INFLUENCIA DE ESPAÑA (COLUMNAS DE HERCULES) EN LA INDEPENDENCIA DE EEUU EVIDENCIAN QUE LA MISMA ES LA NUEVA ATLANTIDA. ES POR ESTO QUE DE DICHA NACION SALIO LA MAYOR PREDICACION DEL EVANGELIO A NIVEL MUNDIAL, INCLUIDO EL CODIGO DA VINCI.

The Great Pyramid

Isaiah 19:19 In that day shall there be an altar to the LORD in the midst of the land of Egypt, and a pillar at the border thereof to the LORD.

The great pyramid leaves a good deal of clues about the harvest or ascension at the end of time. In the Bible, we read about the ascension in words, but in the pyramid we read about the ascension in the stones. The various measurements, angles, and the alignments in the pyramids were designed in a way to communicate to people of the future. Words are effective in transmitting information to future generations, but the problem is that languages change overtime. If you really wanted to communicate with a future generation, then you would want to use languages that never change over time. These languages would be mathematics and science, because the rules and laws never change. This is also the languages of choice that we would want to use to communicate with an extraterrestrial civilization.

Another way to communicate with future generations is through interesting stories or myths that are likely to be told and retold throughout time; therefore people would be more apt to write about them in the new languages that develop, as well. If a past civilization wants to pass down to their future generations certain important ideas and concepts, then also it is wise to repeat the stories in more than one way. Therefore they could insure that if one story doesn’t get their attention then perhaps another one will. You would also want to disperse the myths to many different cultures and places around the world, so therefore you wouldn’t be putting all your eggs in one basket. By distributing the same kinds of stories to different cultures and religions, you would be increasing your chances of transmitting information to the future generations.

Myths can survive over languages for shorter periods of times, like centuries, but stone monuments can communicate through millenniums. If you want to really get someone’s attention in the future, then putting the information in stone will be quite effective. You could align it with the stars, which change very slowly over time and are easier to track, and you could align it perfectly with the directional points of the planet. A civilization could encode all kinds of specific numbers that would be recognizable to a future generation that studies the monuments measurements. If they really want to get their attention they could try to encode some scientific laws, as well, and encode some of the myths to catch their eye.

Well, we are the future generations that our ancestors wanted to talk to and they wanted for us to understand their messages perfectly. Encoded within the great pyramid is information about when, how and why they were erected. The whole thing reads like a book and it even tells us a very important story if we knew how to read it carefully. The Christian story of Jesus and the apostles fishing with a net in John 21 is recorded in the book of stone, as well.

First, we must consider the arrangement of the Queen’s chamber and the King’s chamber, and take note of the ascending passageway between the two.

Jesus told the apostles to throw the net over on the right side and so they did and they were able to catch 153 fish. It is interesting to note that the ascending passage has been measured as 153 feet, and that the King’s chamber is 17 by 34 ft. by about 19 ft. high. Those mathematical figures alone seem to echo the 153 fish in the net. This is the exact measurement of the ascending passage way and the sigma of the 17 foot length of the King’s chamber is 153, which means that if you add the first 17 numbers together you will get the number 153. Also, the number of 17 multiplied by 9 is equal to 153.

1+2+3+4+5+6+7+8+9+10+11+12+13+14+15+16+17= 153

17X9=153

The Ascending Passageway to the King's Chamber

I made this animted gif from a virtual tour of the Great Pyramid.

http://www.3dancientwonders.com/3d_khufupyramid_virtualreality.php

That fits perfectly if I am using the old English measurements, which evolved as a combination of the Anglo-Saxon and Roman systems of units. The old Roman measurements probably came from a system even older. So you could say that this would speak specifically to certain parts of Europe, Britain and the Americas. That is where a majority of the Christians live, so using this measurement works out for one religion and one form of measurement. These pyramid measurements would fit the King James Bible just fine; however it may be different in other forms of measurements. The measurement of angles is based upon an ancient measurement of 360 degrees of the circle, which came from the Sumerians. The angles for the Great Pyramid’s sides have been measured at approximately 51° 50' or 51° 51' 14. Again in the ancient Sumerian measurements of the angles we can find a relationship to the 153 number again. The number of 153 is divisible by 51, and so 51 multiplied by 3 gives us 153. It is noteworthy to realize that the numbers in 51 and 3 are also the exact numbers in 153. If you add the numbers of 153, then you will have 9, which also divides into 153 perfectly in 17 times. The number 153 is a unique and a special number mathematically in many different ways, but I am not going to go over all of its characteristics. Jesus used that particular number in the John 21 parable to demonstrate many different things at one time. The fishing net number of 153 also demonstrates the ratio of the vesica piscis, which interestingly enough looks like the fish symbol that is used to represent Jesus Christ.

The geometric ratio of the vesica piscis is 265:153.

The entrance to the great pyramid is at the 17^th level, and of course we know that the sigma of 17 is 153. This number would be the same for every culture and time, because it is a simple counting of the levels of the blocks.

******************************************************************

Both of these figures approximate the actual
( 51 degrees 51 minutes 14 seconds*) and all of these figures approximate the speed of light in miles per second (186,000+) when converted to arc seconds.

51 degrees = 183,600 arc seconds (51 X 60 X 60 = 183,600)
plus 51 minutes = 3060 arc seconds plus
plus 14 arc seconds =186,674

http://www.hol.com/~johnboy/pi.htg/pi.htm

*************************************************************

The angle of the Great Pyramid is 51 degrees 51 minutes and 14 seconds, which approximates the speed of light when it is converted to arc seconds. This isn’t the only connection between the pyramid and light, because there were 144,000 casing stones placed on the outside. They were polished to reflect the light of the sun, and therefore this monument must have appeared to be like a beacon of light when the casing stones were on the pyramid. It would have been easily seen from the mountains of Israel, and perhaps it could have been spotted in the orbit around the Earth.

The 144,000 casing stones were meant to symbolize the 144,000 that sing a new song in Revelation 14, because they are reflecting the light of the son. They are the assistant shepherds to Jesus Christ and have come into this world at this time to prepare mankind for the harvest. The polished stones that once covered the Great Pyramid are a clue to what they are doing here. Each casing stone is an anagram for tones, and so the 144,000 are a beacon of light for this world right now. They have set up the a-tone-ment for all of mankind, and therefore they sing the new song at a higher frequency so that mankind will resonate with their song. They are the net of 153, and they have been thrown from Christ arc into this cosmic sea to catch the fish or mankind for the harvest of souls.

The resonant frequency of the King’s chamber is 441 Hz, and its mirror number is 144 which is the gematrian number for light and the measurements of the wall of New Jerusalem.

The higher dimension that Christ is bringing us into is a world of light, and physical matter will not exist there. We will circumcise the flesh body from our soul and in the higher dimension we will get our new garment of the white light of the Holy Spirit.

The Great Pyramid tells the story of the harvest for those that know how to listen to its story. The corner stone that was rejected is the Holy Spirit and Christ, and so the top capstone is no longer there from the three dimensional perspective.

C = Pi D

Diameter = 2 times the radius

2 times 280 = 560 Royal Cubits
560 times 22 / 7 (astronomical Pi) = 1760 (440 x 4)
or the sum of the 4 base sides.
3.142857143 or (22/7) was the Pi that was incorporated into
The Great Pyramid's grandest expression.

http://www.hol.com/~johnboy/pi.htg/pi.htm

Py-ra-mid

Py is Pi = 3.14 (Also the gematrian number for the Almighty and the archangel Metatron {Metatron’s cube}) -ra (pronounced as ray) ray of light – mid (the middle of the electromagnetic spectrum is visible light)

The missing capstone is only missing from a three dimensional perspective and once we have ascended the capstone will magically appear on the top of the Great Pyramid.

From a symbolic interpretation of the Great Pyramid, it represents the skull. The top three chakras are represented by the King’s chamber, the Queen’s chamber and the subterranean chamber.

The verse of John 19:17 is shown in the King’s chamber, as the measurements are 17 by 34 ft. by about 19 ft. high. This verse was written in the 43^rd book of the Bible and so 34 ft. is the mirror image of 43, which also adds up to the number of the chakra or seal number 7 (3+4=7). Also, if you have broken this seal and have lighted this seventh lamp on your Menorah, then you have become a part of the 153 net (17).

The cone shape of the pyramid also represents the Pineal gland’s shape, which looks like a pine cone. The Pineal gland typically is calcified in adults and is actually more like a stone. If you set up your body temple by the blueprints in the Bible, than you can change your Pineal gland’s structure and turn it into a receiver and transmitter of electromagnetic energy. The Pineal gland when it is acting properly will produce the precious oils to decalcify the Pineal gland.

Numbers 20:10-11

¹⁰And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? (Rebels don’t listen to God, because they haven’t smote the rock and decalcified their Pineal gland.)

¹¹And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. (The oils poured forth from the gland. The rock is Christ and the Holy Spirit is the water.)

¹³This is the water of Meribah; because the children of Israel strove with the LORD, and he was sanctified in them. (Meribah is actually the Merkabah or the light chariot of God. {"Mer" means Light. "Ka" means Spirit. "Ba" means Body} The “I” in the middle of Meribah gets replaced by the Ka or Holy Spirit and so you are now working for God. You sacrifice the “I” or your selfish desires and replaced them with God.)

The pyramids of Giza are in the shape of the belt of Orion, and therefore they are like a mirror image of the constellation of Orion. Robert Bauval and Adrian Gilbert were the first to figure out the puzzle of the bizarre alignment of the pyramids of Giza. Scholars had often questioned why the three pyramids weren’t aligned perfectly, and the reason is that one of the pyramids is offset just like the three stars in the belt of Orion. The offset pyramid represents the star of Mintaka, the Queens Pyramid represents the star Alnilam and the Great Pyramid represents the star of Alnitak.

The Nag Hammadi Library Asclepius 21-29

"Or are you ignorant, Asclepius, that Egypt is (the) image of heaven? Moreover, it is the dwelling place of heaven and all the forces that are in heaven.

http://www.gnosis.org/naghamm/asclep.html

The identification of these three stars as a belt is a very old one. The Arabic names of two of the stars reflect this: Mintaka means 'the belt' and Alnitak means 'the girdle'. (The name of the third star, Alnilam, means 'the string of pearls'.) It has been suggested that the three Belt-stars influenced the placing of the Pyramids at Giza, and it is certainly true that there is a remarkable correspondence of position between the Pyramids and the stars.

http://www.glyphweb.com/esky/constellations/orionsbelt.html

The Arabic names are a big clue as to how the two endocrine glands in the skull and the one in the neck are suppose to work together with the other four glands in the body. All seven chakras, lamps, churches, and seals work together to form a girdle. If this string of pearls is a girdle than the Great Pyramid or the Pineal gland is the pearl of great price that Jesus talked about in the gospels.

Matthew 13:46
Who, when he had found one pearl of great price, went and sold all that he had, and bought it.

There is another clue about this girdle’s function in the book called the “Testament of Job”. It is very different than the “Book of Job” in the Bible, and it kind of tells us what the girdle can do.

Testament of Job

Chapter 11

12 And she went and brought it to him, and he opened it and took out three-stringed girdles about the appearance of which no man can speak. 13 For they were not earthly work, but celestial sparks of light flashed through them like the rays of the sun. 14 And he gave one string to each of His daughters and said: "Put these as girdles around you in order that all the days of your life they may encircle you and endow you with everything good".

17 (153) Or do you not know my children, the value of these things here? Hear then! When the Lord had deemed me worthy to have compassion on me and to take off my body the plagues and the worms, He called me and handed to me these three strings.

22 Rise then and gird these around you before I die in order that you may see the angels come at my parting so that you may behold with wonder the powers of God". 23 Then rose the one whose name was Day (Yemima) and girt herself; and immediately she departed her body, as her father had said, and she put on another heart, as if she never cared for earthly things. 24 And she sang angelic hymns in the voice of angels, and she chanted forth the angelic praise of God while dancing.

25 Then the other daughter, Kassia by name, put on the girdle, and her heart was transformed, so that she no longer wished for worldly things. 26 And her mouth assumed the dialect of the heavenly rulers (Archonts) and she sang the donology of the work of the High Place and if any one wishes to know the work of the heavens he may take an insight into the hymns of Kassia.

27 Then did the other daughter by the name of Amalthea’s Horn (Keren Happukh) gird herself and her mouth spoke in the language of those on high; for her heart was transformed, being lifted above the worldly things. 28 She spoke in the dialect of the Cherubim, singing the praise of the Ruler of the cosmic powers (virtues) and extolling their (His?) glory.

The shafts in the Queen’s chamber and the King’s chamber point to specific stars and constellations. This is another clue for us to notice the message or story that is also being told in the stars or the heavens. The ancient people made sure to point out these constellations that tell the story of the ascension, as well as some other biblical stories. They were the ones that showed Orion to be in the pattern of a great shepherd and they showed us Taurus, which is the bull that is charging towards him. They pointed out these same areas in the Bible and in the pyramids of stone, so that future generations would know what they mean.

In the book “The Orion Mystery” by Robert Bauval and Adrian Gilbert, they found that there is really only one unique star alignment that matches up perfectly back in time. The marker of the Sphinx is the key to unlocking the date that the pyramids were built.

The Sphinx represents the constellation of Leo, but it also represents the Lion of the Tribe of Judah, which Jesus Christ came from this tribe. Using a computer to view the stars back in time shows that that the pyramids of Giza must have been built around 10,500 BC. It was at this specific time that the sun would have rose through the constellation of Leo on the horizon, and the constellation of Orion was at its lowest point on the horizon at exactly a 9 degree angle in the sky.

The analysis by a geologist named Robert Schoch discovered that the Sphinx had to be much older than the Egyptologist had thought, and so he dated it back to an earlier period of time. He thought the erosion of the Sphinx was caused by water and not by the wind, and other geologists are in an agreement with his evaluation. The Giza plateau has not received rain in quite a while, so Schoch dated the carving of the Sphinx to be made at a much later date.

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To make a long story short, I came to the conclusion that the oldest portions of the Great Sphinx, what I refer to as the core-body, must date back to an earlier period (at least 5000 B.C., and maybe as early as 7000 or 9000 B.C.), a time when the climate was very different and included more rain.

http://www.robertschoch.com/sphinxcontent.html

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Robert Schoch tried to take a more conservative estimate on the time the Sphinx was built, but Hancock’s and Bauval’s estimate matches up perfectly with the astronomical alignments of 10,500 BC.

People interpret a different date of the creation of the Earth in the Bible, however the Bible only records a 6,000 year period since Adam and Eve were first put here as the shepherd race. The Earth is far older than just 6,000 years.

http://theascensionpyramid.webs.com/chapter2.htm

LA PRECESION DE LOS EQUINOCCIOS (MOVIMIENTO DE 47 GRADOS) TAMBIEN TIENE UN NEXO KAVALISTICO CON EL SHABBAT (CUARTO MANDAMIENTO/SEPTIMO DIA/NUMERO 47)-DRACO TIENE FORMA DE SERPIENTE

CUARTO MANDAMIENTO-EL SABADO

47 (CUARTO MANDAMIENTO CON REFERENCIA AL SEPTIMO DIA)

EL SIGNO $, EN EL CONTEXTO AL TABERNACULO SIMBOLIZA APARENTEMENTE EL MOVIMIENTO RELATIVO DEL SOL A LO LARGO DE LAS CONSTELACIONES QUE TIENE FORMA DE SERPIENTE. VEMOS QUE LA POSICION DE LA VIRGEN EN EL CENTRO ENTRE LAS DOS COLUMNAS TIENE ORIGEN CIENTIFICO YA QUE LA CURVA CRUZA EL ECUADOR EN PISCIS Y VIRGO.

NGC 6543 OJO DE GATO

Nebulosa Ojo de Gato

Vemos tambien en la grafica que hay un movimiento circular en el centro que es de 47 grados. En este contexto la "PRECESION DE LOS EQUINOCCIOS" TAMBIEN TIENE UN DISEÑO SABATICO Y EN FUNCION AL NUMERO DE ORO ya que sabemos que SABADO=SABIDURIA=SOPHIA=PHI=NUMERO DE ORO. LA CUPULA CATOLICA APARENTEMENTE ES UNA REFERENCIA A LA PRECESION DE LOS EQUINOCCIOS. VEMOS QUE TODO EL SISTEMA TIENE UN FUERTE NEXO SABATICO EN EL CONTEXTO AL CUARTO MANDAMIENTO CON REFERENCIA AL SEPTIMO DIA (47)

CATOLICO/CAT-OLICO/CAT-EDRAL/CAT/GATO-EL OJO DEL GATO TIENE LA MISMA FORMA QUE LA DEL SEXO FEMENINO "VESCICA PISCIS"

PRECESION DE LOS EQUINOCCIOS-PUERTA DE DIOS Y PUERTA DEL HOMBRE

NUMERO 47

EL SHABBAT ES LA NOVIA (EDAD MESIANICA-ATID LAVO)

SEÑAL DE JONAS/REINA DE SABA/ETIOPIA/IGLESIA COPTA/JUAN MARCOS/NILO 33E 19.47N

FATIMA, NEXO MATEMATICO CON INDEPENDENCIA DE EEUU Y EL 11/11/11 (33)

1947=33x59 ROLLOS DEL "MAR MUERTO"-¿NEXO CON LA CONSPIRACION CONTRA MAGDALENA?

VIRGEN DE FATIMA (ANALISIS CIENTIFICO Y ESPIRITUAL)

ULTRASECRETO DETRAS DEL SIGNO $/SERPIENTE/SABIDURIA/SABADO

ULTRA SECRETO DEL 911 (GLORIA A YHWH)

MISTERIO DEL SANTO GRIAL/DESTINO SECRETO DE EEUU

4 DE JULIO DE 1776 DECODIFICADO / YOU TUBE

Eye of the Pheonix: Secrets of the One Dollar Bill

ULTRASECRETO 911 DECODIFICADO (GLORIA A YHWH)

ULTRA SECRETO DETRAS DE LAS DOS COLUMNAS Y LA SERPIENTE DEL SIGNO PESO

SHABBAT CODIFICADO EN EL MISMO SIMBOLO $/SERPIENTE/SABIDURIA/SABADO

YHWH DEMONIZA QUE EL MUNDO HIPOCRITA BUSQUE DINERO PERO NO A EL

SIGNO $/SERPIENTE/SABIDURIA/SABADO/SOPHIA/NUMERO PHI/ALQUIMIA/ORION

Venus cruza el meridiano galactico (19.47) el 4/7/2004/Aldebaran

M47 CUMULO ABIERTO EN LA CONSTELACION PUPPIS

July 4 is aphelion

DRACO TIENE FORMA DE SERPIENTE/$/SNAKE/SABIDURIA/DAN/DINERO/DIANA

SHABBAT LUNAR CODIFICADO EN EL SIGNO PESO/$/SERPIENTE/SABIDURIA/SABADO

SHABBAT LUNAR CODIFIC. EN EL TABERNACULO, TEMPLO DE SALOMON Y TEMPLOS CATOLICOS

EL 4 DE JULIO (4/7)/INDEPENDENCIA DE EEUU Y EL SABADO LUNAR

911=LUNA LLENA EL 2/9/01 EQUIVALE A 11/9 (DIA DEL JUICIO)/ DAN/DINERO/JUICIO

SHABBAT ESTA CODIFICADO EN SU MISMO CUERPO

SALOMON Y LA REINA DE SABA (SEÑAL DE JONAS)

JESUCRISTO (NEO BOOZ O BOAZ) Y MARIA MAGDALENA (NUEVA RUTH/JAKIM)

EL SHABBAT ES LA NOVIA (EDAD MESIANICA-ATID LAVO)

SHABBAT ES SINONIMO DE LA ESCALERA DE JACOB/JUAN MARCOS

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Polemico

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Ignorar usuario para siempre

Iniciado por Asturiano

¿IM qué piensas de esta interpretación?

2- Y la bestia que vi era semejante a un leopardo, y sus pies como de oso, y su boca como boca de león. Y el dragón le dio su poder y su trono, y grande autoridad.” Apocalipsis 13:2

Aquí hay una variedad de animales, y los animales son símbolos de personas o cosas. Sabemos que el dragón se refiere a Satanás. Hay muchas referencias en la Biblia que se refieren a Satanás como un dragón. Y aún en mi área referente a la Agenda Alienígena, sabemos que los dragones son conocidos como Draconianos o Dracos.

En los códigos de la Biblia un leopardo significa terrorismo, terroristas o falso profeta. El oso representa socialismo/comunismo y el león representa a Dios, como uno de sus títulos es el “León de Judá” o puede ser usado para describir una de sus gentes o alguien que le sigue y actúa bajo su autoridad.

El leopardo simboliza a Sem la sangre de Cain - el diseño tiene encriptado el 69 tipo telefono.
En la pelicula de Disney y Dali se usa el telefono como simbolo.

Click para ampliar

La Osa la osa mayor que es la base del espiral 6 o sea nuestro cubo, por ello en Ingles sostener se dice Oso y lo podemos ver en el escudo de armas de Ratzinger junto a Casiopea el espiral 9 que viene hacia nosotros con el fractal de Venus.
Leon, la tribu de Juda, codigo de las puertas de Leo y los Angeles caidos.
El dragon les da su poder, o sea que utilizan su poder para conquistar, es claramente lo que estamos viendo en la actualidad con los bunkers secretos en todo el mundo.
Última edición por IndigoMerovingio; 17-abr-2012 a las 19:00

http://www.burbuja.info/inmobiliaria/conspiraciones/297306-hilo-oficial-indigomerovingio-46.html

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Puertas de la Diosa Europa

Click para ampliar

El oso verde fluo de Caja Madrid, la Osa Mayor en el huevo cosmico, fin del espiral, fractal de Mercurio primer planeta, mayor velocidad, mayor eccentricidad reflejada en la Luna codigo moon mon-key, llave del mono.
En el centro de la galxia Osa menor el osito gominola - Pop star - del mismo color baila en la estrella de ocho puntas.

Click para ampliar

Con obelisco dorado - nueva era - de Calatrava y el Oso verde fluo de Caja Madrid color del azufre quemando, ultima etapa del proceso alquimico.

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Espiral

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Puertas de Europa -Venus entre los cuernos del Toro - Tauro

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Septimo planeta - Urano - eje a 60 grados - reflejo centro de la galaxia
Senectae Decrepitae - Era anciana - la ultima

Sal- a-man-dra
Sal como electrolito
A-Acuario
Man - hombre
dra - dragon

I-N-R-I
Igne - Natura - Renovatur - Integra

Abajo el oso - Ursa Major que sostiene nuestro pilar -cubo

El jeroglífico del fuego, la salamandra es el símbolo, a la vez, del azufre y del Fuego Secreto. El Fuego Secreto, oculto bajo un aspecto de solución salina, es indispensable para que la materia preparada, o el tema de los Filósofos, podrá cumplir su vocación de madre. Cada forma de generación busca la ayuda del agente apropiado. Como los animales nacen de un huevo fecundado, y verduras de una semilla que se ha realizado prolíficas minerales y metales, por lo que tienen su origen en una semilla, un licor metálico, fertilizado por el fuego mineral. El Fuego Secreto espiritual, corporified como una sal, el azufre es oculta, la cual, como señala Maier, es la TinturaFilosófica, y que fija todos los espíritus que vuelan.

La salamandra, que, de acuerdo con las fábulas, vive en el fuego, es el símbolo perfecto de azufre, fuego, espíritu o la luz. La sangre de fuego es la quintaesencia, que cura todos los males de los Tres Reinos.

La salamandra se menciona en el Talmud (Hagiga 27 bis), una criatura que es un producto de fuego, y cualquier persona que está manchado con su sangre será inmune a los daños provocados por el fuego. Rashi (1040-1105), el comentarista principal en el Talmud, se describe la salamandra como uno que se produce por la quema de un incendio en el mismo lugar desde hace siete años