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Message 1 of 50 on the subject |
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Hathor
De Wikipedia, la enciclopedia libre
Escultura de Hathor como vaca con los símbolos del disco solar, uraeus, collar y corona.
Hathor fue una divinidad cósmica, diosa nutricia, diosa del amor, de la alegría, la danza y las artes musicales en la mitología egipcia. Su nombre significa "El templo de Horus" o "La morada de Horus", para identificarla como madre del mismo y, a veces, su esposa.
- Nombre egipcio Hut-Hor (Ḥwt Ḥr). Nombre griego: Hathor. Deidad griega: Afrodita. Deidad fenicia: Astarté. Deidad semita: Astoret.
[editar] Iconografía
Hathor es comúnmente representada como una diosa vaca con cuernos que sujetan un disco solar con uraeus. En otras representaciones es simplemente una mujer con orejas de vaca o una vaca (a veces con manchas en su pelaje). En períodos posteriores, a veces porta plumas gemelas y un collar menat.
Hathor en su representación más primitiva podría ser la diosa vaca de la Paleta de Narmer y de una urna de piedra que datan de la dinastía I, que sugieren un papel de diosa celeste y su relación con Horus, quien, como dios sol, es "alojado" en ella.
Su atributo era el sistro, un tallo de papiro y es de las pocas diosas que puede portar el cetro uas.
[editar] Mitología e Historia
Considerada hija de Ra, ojo de Ra y esposa del dios Horus, aunque en algunas representaciones ceremoniales aparezca como madre del dios asociada a Isis. Según la mitología egipcia juntos vengaron la muerte del padre de Horus, el dios Osiris.
Alimenta y da vida del árbol celestial. Con la imagen de vaca, acoge y protege a los difuntos, ofreciendo alimentos a los muertos y ayudándolos para no sufrir.
[editar] Sincretismo
Su veneración proviene ya de la época predinástica, donde pudo ser un desarrollo de los primitivos cultos a la fertilidad y a la naturaleza en general, representados por una vaca o una diosa celeste (no confundir con Nut) con aspecto de vaca con piel manchada de estrellas. Muy pronto se la asimiló con la antigua diosa Bat y más tarde se la conocería como Bat-Hathor.
Tardíamente se le identificó con Isis, quien la reemplazó como madre de Horus.
Se han podido identificar alrededor de doscientos epítetos de Hathor a lo largo de la historia. Un himno a Hathor dice:
- Eres la Señora de la alegría, la Reina de la danza, la Maestra de la música, la Reina de la tañedora del arpa, la Dama de la danza coral, la Reina de la tejedora de guirnaldas, la señora de la borrachera sin fin.
- "La Señora del occidente", "La Señora benefactora de los difuntos" o "Diosa de la montaña occidental" como señora de los muertos y alimentadora de los difuntos en su viaje al Más Allá.
- "La Señora de la llama de oro", como fuego que consume el amor y diosa de la alegría y los placeres.
- "La Dorada que está en los estanques rebosantes de aves, en los lugares placenteros", como símbolo de la alegría de vivir.
- "La Señora del sicomoro", que habita en los árboles, identificando la dura madera del sicomoro, árbol endémico de Egipto, con la confección de sarcófagos y sus higos con la nutrición, siendo representada a veces con un sicomoro amamantando al rey, transmitiéndole la divinidad.
- "La Vaca que asoma entre los papiros", como parte de los rituales al recolectar papiros.
- "La Señora del Punt", por la expedición que se realizó en época de Hatshepsut al país del Punt.
- "La Señora de la turquesa", como venerada por los trabajadores de las minas de turquesa en Serabit el-Jadim en el suroeste de la península del Sinaí.
- "La Señora de Biblos", donde probablemente absorbería una divinidad local de Biblos.
- "La Señora de los rizos", por sus sacerdotisas, que llevaban pelucas de este tipo.
Su principal centro de culto estuvo en Iunu y en época más tardía pasó al importante Templo de Hathor en Dendera como diosa del amor, la maternidad, la belleza juvenil, la alegría y el erotismo. Fue diosa del nomo XXII del Alto Egipto, III del Bajo Egipto y de varios del Egipto Medio.
El matrimonio Horus-Hathor era venerado en el Alto Egipto, sobre todo en la zona de Tebas donde tenían lugar las fiestas anuales en honor a ambas deidades.
Además de los anteriores, tuvo templos dedicados en Abu Simbel –identificada con Nefertari–, File, Deir el-Medina, Deir el-Bahari, Serabit el-Jadim (Sinaí), Gebelein y otras ciudades denominadas Afroditópolis.
[editar] Capitel hathórico
La imagen de la cabeza de la diosa fue esculpida en los capiteles de las columnas de varios templos y capillas erigidos en su honor: son los denominados capiteles hathóricos. Era la única diosa egipcia representada de tan singular manera.
[editar] Hathor en la península del Sinaí
Según las inscripciones, los trabajadores de las minas del Sinaí veneraban a Hathor. El templo principal de Hathor fue construido por Sethy II hacia 1200 a. C. junto a las minas de cobre de Timna, en el Seir edomita. Serabit el-Jadim (en árabe: سرابت الخادم) es una localidad en el suroeste de la península del Sinaí donde fueron extraídas turquesas desde la antigüedad, principalmente para los egipcios. Excavaciones arqueológicas iniciadas por Flinders Petrie revelaron explotaciones mineras y un templo de Hathor.
Hay teorías que indican que el becerro de oro mencionado en la Biblia pudiera ser una imagen artística del culto a Hathor (Exodo 32:4-6) en estos lugares.
http://es.wikipedia.org/wiki/Hathor
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Message 36 of 50 on the subject |
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Message 37 of 50 on the subject |
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Escrito por tradicion-de-brujas 20-06-2007 en General. Comentarios (20)
La Diosa tiene muchos nombres, puedes llamarla de muchas formas distintas, puedes invocarla cambiando su nombre según tu necesidad, las diosas son muchas y son tres.
Muchas culturas del pasado le han dado distintos nombres a la Madre Tierra, a la Diosa Luna, protectora y sabia, aquí expongo algunos nombres su procedencia y su cualidad.
Esta lista en concreto esta sacada de un libro llamado “Montarse en una escoba de Plata”, de una bruja americana conocida como “Silver Ravenwolf” (ediciones Obelisco).
- · Afrodita: griega, diosa del amor sexual y pasional. Atrae energías amorosas.
- · Aradia: italiana, Reina de las brujas, hija de Diana. Entidad muy poderosa y protectora de las brujas en general.
- · Arianrhod: celta, diosa de las estrellas y la reencarnación. Ayuda con los recuerdos del pasado y obstáculos.
- · Artemisa: griega, diosa de la luna.
- · Astarté: griega, diosa de la fertilidad. Ayuda a tener hijos.
- · Atenea: griega, diosa guardiana y protectora. Invocar a esta diosa cuando existen personas que molestan.
- · Bast: egipcia, diosa de la protección y de los gatos. Excelente para ayudar en viajes.
- · Brígida: celta, diosa guardiana y protectora. Es fuerte y sabia, invocarla en situaciones difíciles.
- · Ceres: romana, diosa de la cosecha.
- · Cerridwen: celta, diosa de la luna y de la cosecha. Muy poderosa en hechizos lunares.
- · Deméter: griega, es la Gran Madre, excelente diosa que protege en los nacimientos y niños pequeños.
- · Diana: romana, diosa de la luna y de la caza, posee muchas virtudes.
- · Dríadas: griegas, no son diosas, pero son espíritus femeninos de los árboles muy poderosos.
- · Flora: romana, diosa de la primavera y del nacimiento protectora de la tierra y sus frutos.
- · Fortuna: romana, invocarla para favorecer el destino.
- · Freya: escandinava, diosa luna y señora de las valkirias.
- · Hathor: egipcia, protectora de las mujeres, el espejo de Hathor es un instrumento mágico muy potente.
- · Hécate: griega, diosa de los matrimonios, pero también de las venganzas, hay que tener cuidado al invocarla.
- · Hestia: griega, diosa de la casa y el hogar, seguridad y unidad familiar.
- · Inanna: sumeria, representa a la Gran Madre.
- · Isis: egipcia, poderosa diosa.
- · Kali: hindú, diosa destructiva y creadora, protege a las mujeres maltratadas y posee un poder sorprendente.
- · Lilith: hebrea, diosa de la inteligencia superior, fue la primera esposa de Adán (quizás por ser más inteligente que él y no desear doblegarse a sus deseos, fue expulsada y ultrajada).
- · Maat: egipcia, diosa de la justicia y el orden divino, representa el equilibrio, solo defenderá causas justas, por lo que hay que tener cuidado al invocarla.
- · Morgana: celta, diosa del agua y de la magia, protectora de las brujas.
- · Musas: griegas, diosas de la inspiración.
- · Nephtys: egipcia, diosa de la sorpresa.
- · Nornas: celta, las tres hermanas Word, las tejedoras del destino.
- · Noche: egipcia, madre del cielo.
- · Perséfone: griega, diosa de los infiernos y de la cosecha.
- · Selene: griega, diosa de la luna y de las soluciones, invocarla para conocer las respuestas a nuestras dudas.
- · Valquirias: escandinavas, guardianas que se llevaban las almas de los guerreros muertos.
- · Venus: romana, diosa del amor y el romance.
- · Vesta: romana, diosa del fuego.
Con estos nombres termina esta relación de diosas, hay algunas muy interesantes que no están descritas aquí, espero poder hacer artículos sobre ellas, merece la pena conocer sus historias y sus poderes, que como diosas están en nuestro interior.
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Message 38 of 50 on the subject |
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Este nombre era común para todas las tribus porque la cosecha de fresas se realiza durante éste mes, sin embargo, en Europa se la llegó a conocer como la Luna de la Rosa.
OTROS NOMBRES:
Luna de la Rosa, Luna caliente, Luna de plantación, Luna de la fuerza solar.
SITUACIÓN MITOLÓGICA:
Junio nos trae la luna de la fuerza solar, es una Luna de energía poderosa. El Dios Sol se acerca a su máximo reinado y con él toda su fortaleza y vitalidad. Está asociado a la festividad de Litha y al Solsticio de Verano, que ha sido muy importante en distintas culturas del mundo. En la Luna llena, los egipcios celebraban la fiesta de Edfu, en honor a la diosa Hathor. Los cuernos de la vaca en su cabeza representan la Luna Creciente. Cada año en la Luna Nueva, la estatua de Hathor era llevada desde su templo en Dendera y transportada en bote hasta el templo del Gran Dios Horus en Edfu al acercarse la Luna Llena. Entonces celebraban la unión de ambas deidades. Era tiempo de grandes festejos y se celebraban numerosas uniones entre parejas, pues consideraban que la unión sería afortunada.
El Solsticio de Verano es el día más largo del año y, según la tradición, es propicio para el encuentro con hadas, elfos y seres elementales. En Europa, en la víspera de San Juan, se frotaban los ojos con un poco de verbena para ver a las hadas.
ORIGEN DEL NOMBRE DEL MES:
Este mes era el cuarto en el primitivo calendario romano y recibió el nombre que lleva según algunos en honor de Junio Bruto fundador de la República romana, mas otros creen que era llamado así por estar dedicado a la juventud y no falta quien opina que tomó su nombre de la diosa Juno.
En iconografía, se le representa bajo la figura de un joven desnudo que señala con el dedo un reloj solar para dar a entender que el sol empieza a bajar y teniendo en la mano una antorcha encendida como símbolo de los calores de la estación.
Hay una probable etimología para Juno en la raíz protoindoeuropa *yeu-, ‘fuerza vital’. Aunque tal derivación podría ser consistente con un origen como Diosa Madre, es más probable que esta raíz se usara en el mismo sentido que otras palabras latinas derivadas de ella, como iuvenis (‘hombre joven’, con derivados tales como «juvenil» o «rejuvenecer»), sin embargo, la absorción romana del mito griego reemplazó características primitivas de Juno con otras de Hera, extendiendo su dominio del nacimiento al matrimonio y promocionándola al papel de esposa de Júpiter y reina de los dioses. También podía arrojar rayos como éste.
DIOS Y LUGAR TOLTECA ASOCIADO AL RUMBO:
Huitztlampa. Rumbo del Agua Preciosa.
Esta dualidad corresponde a la primera «casa» del decimosegundo trecenario, ze cuetzpalli ‘uno lagartijo’, masculino, del rumbo del sur, rumbo de Huitzilopochtli ‘lector seguidor del camino del colibrí’, nuestra voluntad logradora, nuestra perseverancia profesional. Está presente Itztlacoliuhqui ‘cuchillo de obsidiana’, también llamado Iztaccoliuhqui ‘gancho torcido blanco’, lo cual nos da una gran capacidad para percibir el espacio sin necesidad de nuestros ojos. En este trecenario somos capaces de adentrarnos no sólo en las cosas que viven, percibimos aquello que pertenece al más allá, al reino de los difuntos. Esto nos permite ver con toda claridad el amanecer de lo que queremos, nuestra palabra permite que los demás descubran la esencia de lo que desean. Este trecenario permite descubrir la esencia de de aquello que tenemos necesidad de superar éticamente para unirnos a nuestros semejantes.
Honro y agradezco al Viento del Sur, invoco las Fuerzas Cósmicas de la Luz, para que se ilumine el camino de la humanidad y guié sus pasos hacia la perfección del ser.
CORRESPONDENCIAS:
Color: Rojo, naranja
Piedras: Topacio, Agata
Dirección: Sur
Plantas: Roble, lavanda, orquídea, jazmín.
Elemento: Agua
Divinidades: Huitzilopochtli, Isis, el Hombre Verde, Neith, Cerridwen, Bendis, Ishtar
Animales: Colibrí, serpiente, lobo.
PALABRAS CLAVE A TRABAJAR DE ESTA LUNA LLENA A LA SIGUIENTE:
- Energía Luminosa
- Protección.
- Fortaleza.
- Las características propias de cada uno de los animales de poder y divinidades que se mencionan.
EJERCICIO DE LA LUNA LLENA DE LA FRESA
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Message 39 of 50 on the subject |
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http://tomkenyon.com/orchidium
27 Jun 2013 ... A Hathor Planetary Message through Tom Kenyon. Earth's passage through the summer Solstice of 2013 was an energetic marker for the ...
http://thesiriusproject-sp.blogspot.com/2011/07/hathor-of-dendera-eye-of-ra.html
2 Jul 2011 ... I would like to share with you a brief introduction to Hathor of Dendera and .... Although the summer solstice was celebrated (or acknowledged) ...
http://moonpathcuups.org/rituals/sekhst05.htm
I call it 'Mid Summer' because the start of summer is the Summer Solstice and the start of ... On many of the pyramid and temple walls, Hathor and Sekhmet are ...
http://www.patheos.com/blogs/starandsnake/2014/06/summer-solstice-the-sun-in-thelemic-ritual/
17 Jun 2014 ... In honor of the summer solstice, here is a survey of some of the ways in ... At sunrise the sun is addressed as Ra, at noon as Ahathoor (Hathor), ...
http://www.shiftfrequency.com/tag/hathor/
28 Jan 2014 ... A Hathor Planetary Message through Tom Kenyon ... Earth's passage through the summer Solstice of 2013 was an energetic marker for the ...
http://www.thewhitegoddess.co.uk/the_goddess/hathor_-_eye_of_ra.asp
Hathor, was the daughter of Re, the Sun God, and was at times known as the " Eye of Re", and identified as an avenging ... Summer Solstice: 21st June 10:51.
http://www.crystalinks.com/floodingnile.html
At the ancient temple of Isis-Hathor at Denderah, is a beautiful statue of Isis, ... It would occur close to the Summer solstice and the time of the Nile's inundation.
http://www.andrewmckiernan.com/mediagallery/media.php%3Fs%3D20090819122029837
Depiction of the Egyptian goddess Hathor, for Summer Solstice card. Image 5 of 6 20090819122029837, Wednesday, August 19 2009 @ 12:20 PM EST.
http://www.keyofsolomon.org/gatesOfTheSun.php
When the Sun resides on the gates of the Sun at an equinox or solstice, it represents a ... Egyptologists explain that the solar God Ra (and Horus) required a boat because they .... Pleiades as a way shower to the summer solstice Sun of 1998
http://www.youtube.com/watch%3Fv%3DT886xajZE5Y
2 May 2014 ... Litha Song - Summer Solstice Song - By Ruth Calder Murphy (Arciemme) .... Flora , Habondia , Lugh , Greenman , Oak roi , Bast , Brigit, Hathor
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Message 40 of 50 on the subject |
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Annual Flooding of the Nile
The Flooding of the Nile refers to an annual flooding cycle in Egypt that dates back to ancient times. Today it is celebrated by Egyptians as an annual holiday for two weeks starting August 15, known as Wafaa El-Nil. It is also celebrated in the Coptic Church by ceremonially throwing a martyr's relic into the river, hence the name, Esba' al-shaid ('The Martyr's Finger'). Ancient Egyptians believed that the Nile flooded every year because of Isis's tears of sorrow for her dead husband, Osiris.
The three stages of the Egyptian flood cycle were Akhet, the time of the Nile flood, Peret, the sowing time, and Shemu, the time of harvest. Without this cycle people would die from starvation.The flood cycle was so predictable that the Egyptians even based their ancient calendar on it. Akhet was the first season of the year, between the months of June and September. Peret or the Egyptian Autumn season marked the time when their crops grew in the fields and were harvested, running from October to mid-February. Shemu was the third and last season of the Egyptian year which ran from mid-February until the end of May; it essentially signaled the spring season of the Egyptian calendar.
Were it not for the Nile River, Egyptian civilization could not have developed, as it is the only significant source of water in this desert region. Its other importance was the fact that it was their gateway to the unknown world. The Nile flows from south to north, to its delta on the Mediterranean Sea. It would flood each year, bringing in silt-laden waters; when the waters receded the silt would stay behind, fertilizing the land,the silt would be helpful for growing crops. If a flood was to large it would wash over mud dykes protecting a village. A small flood or no flood at all would mean famine. A flood must be of just the right intensity for a good season.
The ancient Egyptians did not realize that the flood in fact appeared due to rains on the mountains to the south, and it was seen as the annual coming of the god Hapi. The rains would swell the different tributaries and other rivers that joined to become the Nile River.
In 1970, with the completion of the High Dam at Aswan, the annual flooding cycle in Egypt came to an end. Today, farmers must use fertilizers to keep their land productive, as the deposits of silt no longer occur each year.
Sirius Connections
Sirius was a very important star to the ancient Egyptians, who called it the Star of Isis or the Nile Star. About 5,000 years ago, the helical rising of Sirius occurred earlier, around June 25. When the Egyptians saw Sirius rising just before the Sun they knew it would soon be time for the flooding, or inundation of the Nile River, around which all Egyptian life was woven. They depended upon the flooding of the Nile for the fertility of their lands.
It was up to the Egyptian priests, who attended to the calendar, to sight the first rising of Sirius. At the ancient temple of Isis-Hathor at Denderah, is a beautiful statue of Isis, located at the end of an aisle flanked by large columns. The statue was oriented to the rising of Sirius and priests would place a jewel in the goddess' forehead so that the light from the returning star would fall on the gem. When the Egyptian priests saw the light of Sirius upon the gem on the statue of Isis they would announce to the people that the New Year had begun.
According to Lockyear, in 3285 BCE Sirius had replaced Draconis as the star marker of the Summer Solstice and the beginning of the Egyptian New Year. The star was used as an orientation point especially at Thebes and became identified with Isis. The Temple of Isis/Hathor at Dendera constructed in 700 BCE is oriented to this star through the northern opening of the central passage. On the temple wall is a zodiac square which shows the star. This is the period of time Sirius disappears from the sky - sequenced in the myth when Isis is hiding until the birth of her son, Horus - eventually the star reappears after Horus is born - resurrection. It is time.
The first time each year in which Sirius appears is called the heliacal rising of Sirius. In Egypt this would be in the month of Thoth. It would occur close to the Summer solstice and the time of the Nile's inundation. The helical rising marked the beginning of the New Year which was held to be controlled by Isis.
Solar Barge and Wormholes
Sirius was revered as the Nile Star, or Star of Isis, by the ancient Egyptians. Its annual appearance just before dawn at the Summer Solstice, June 21, heralded the coming rise of the Nile, upon which Egyptian agriculture depended. This helical rising is referred to in many temple inscriptions, where the star is known as the Divine Sepat, identified as the soul of Isis. In the temple of Hathor at Dedendra, Egypt, appears the inscription, "Her majesty Isis shines into the temple on New Year's Day, and she mingles her light with that of her father on the horizon." For 35 days before, and 35 days after the Sun conjuncts it on July 4, the star Sirius is hidden by the Sun's glare. The ancient Egyptians refused to bury their dead during the 70 days Sirius was hidden from view, because it was believed Sirius was the doorway to the afterlife, and the doorway was thought to be closed during this yearly period.
The dog Sirius is one of the watchmen of the Heavens, fixed in one place at the bridge of the Milky Way, keeping guard over the abyss into incarnation. The Dog Star is a symbol of power, will, and steadfastness of purpose, and exemplifies the One who has succeeded in bridging the lower and higher consciousness. Located just below the Dog Star there exists a constellation called Argo, the Ship. Astrologically that area in the sky has been known as the river of stars which is a gateway to the ocean of higher consciousness.
The Arabic word Al Shi'ra resembles the Greek, Roman, and Egyptian names suggesting a common origin in Sanskrit, in which the name Surya, the Sun God, simply means the "shining one."
In ancient Chaldea (present day Iraq) the star was known as the "Dog Star that Leads," or it was called the "Star of the Dog."
In Assyria, Sirius was said to be the "Dog of the Sun."
In still older Akkadia, it was named the "Dog Star of the Sun."
In ancient Greece, Aratus referred to Canis Major as the guard-dog of Orion, following on the heels of its master, and standing on its hind legs with Sirius carried in its jaws. Manilius called it the "dog with the blazing face." Canis Major (large dog) seems to cross the sky in pursuit of the hare, represented by the constellation Lepus under Orion's feet. The concept of the mind slaying the real can be seen in the tales which relate the dog as the hunter and killer - the hound from hell.
Another myth says Sirius is the dog given by Zeus to Europa, whose son Minos, King of Crete passed it on to Procris, daughter of Cephalus. The dog was presented to Procris along with a javelin that could never miss. Ironically Cephalus accidentally killed her with it while out hunting. Cephalus inherited the dog, and took it with him to Thebes, north of Athens, where a vicious fox was ravaging the countryside. The fox was so swift that it was destined never to be caught - yet Laelaps the hound was destined to catch whatever it pursued. Off they went, almost faster than the eye could follow, the inescapable dog in pursuit of the uncatchable fox. At one moment the dog would seem to have its prey within grasp, but could only close its jaws on thin air as the fox raced ahead of it again. There could be no resolution of such a paradox, so Zeus turned them both to stone and the dog he placed in the sky without the fox.
The association of Sirius with a celestial dog has been consistent throughout the classical world; even in remote China, the star was identified as a heavenly wolf. There is a remarkable analogy in the Chinese double meaning of the word Spirit and the word Sing (star). The words for soul and essence in Chinese, Shin and Sting, are often interchangeable, as they are in the English language. It is said that the fixed stars, and their domain, contain the essences or souls of matter ... a living soul is a higher essence of matter, and when evolved may also be called a star. These stars and essences become gods. Like souls, stars are regarded as having divine attributes. Stars look down from regions of chaotic, violent, purity on the world of humanity and influence the energies of mankind invisibly, but most powerfully.
The Chinese knew this place as the bridge between heaven and hell, the bridge of the gatherer, the judge. In the higher mind are gathered the results of the experiences of the personality. Between each life the soul judges its past progress, and the conditions needed to aid its future growth. As long as it is attached to desire, sensation, and needs experiences, it takes a body. The soul cannot pass over the "bridge" until it is perfected.
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Message 41 of 50 on the subject |
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Hathor - Eye of Ra
Hathor - Eye Of Re
Hathor's many titles include, "The Eye Of Re", "Lady of the West", "The Mistress of Heaven", "The Lady of the Stars", "The gold that is Hathor", "Lady Of Denderah", "Lady of the Sycamore" and "The Golden One".
Hathor, was the daughter of Re, the Sun God, and was at times known as the "Eye of Re", and identified as an avenging deity in the form of a lion called Sakhmet. Sent out by Re, in the form of a large all seeing eye, to watch over mankind, When she was too fiercely aroused she could become savage and destructive. Hathor, was probably the origin of the concept of the 'evil eye'. The Ankh, is thought to have been derived from Hathor's Eye and is a symbol of good luck, keeping fortune dwelling on the inside.
Hathor was a cow-goddess of ancient origin, as "Mistress of Heaven", she was seen as the celestial cow, whose four legs supported the vault of heaven and her star spangled belly was the sky itself. In Predynastic Egypt, however, it is uncertain if a cult was dedicated to Hathor or Bat as the most likely candidate for the cow-heads on the Narmer Palette (approx 3000BC).
She is also a mother goddess and closely associated with the kings and pharaohs, at the temple at Deir el-Bahri, she is shown as the heavenly cow suckling the pharaoh. Royal ladies often took the title 'priestess of Hathor' in her honour.
She was also the goddess who protected women during pregnancy and childbirth. As a Goddess of fertility and moisture, she was associated with the inundation of the Nile, in this aspect she is linked to the Dog-star Sothis whose rising above the horizon heralded the annual flooding of the Nile. She ruled the month of Athyr, 17th September (the birthday of Hathor) to 16th October, being the third month of the Inundation Season. As the goddess of music and dancing her symbol was the sistrum.
Hathor, on the column capitals in her shrines is often depicted with the ears of a cow and a crown formed of horns supporting the disc of the Sun. The crown symbol was later adopted by Isis. She is also depicted as the papyrus reed (a ritual of plucking up papyrus stalks was performed in her honour), a snake 'who laughs with Wadjet', or a sistrum (a type of rattle).
The sycamore was sacred to Hathor, this association was later assumed by Isis, who took over most of the associations of Hathor. The sycamore was a sacred tree that offered shade and refreshment to the dead as they undertook their journey from this world to the next.
The entry to the underworld, was thought to be on the western horizon, the place of the setting sun, and the kingdom of the dead was called the "Land of the western Ones", hence her title as "Lady of the West". In the Book of the Dead she is refered to as 'Lady of the headland of Manu' (the western mountains) and is joined by the Sun God Re as he sinks below the horizon. Her protection extends to those deceased in the Underworld, in the form of a garment known as the 'tjesten', which affords a safe path, past enemies dwelling on the Island of Fire.
Hathor as a Goddess of Love, Music and Dance
In ancient Egypt Hathor is seen as the supreme Goddess of sexual love, as a Goddess of Heavenly Charm, it is easy to see how the Greeks, linked Hathor with Aphrodite, the Goddess of Love. In love poetry, she is described as 'golden' or 'Lady of Heaven'.
I built a house for the Goddess,
Made of the wood of the sycamore tree.
Under the leaves of the palm tree,
I eat bread in honour of her.
Hathor, Hawk of the Sky,
Rest in the limbs of my tree.
Hathor, House of the Sun,
Live in my house forever.
The Eye Of Re
"There came a time when the people began to drift away from the worship of the God. Re, in vengeance, sent his daughter, Hathor, in the form of a lion, to punish mankind.
After a time, Re decided that mankind had suffered enough and ordered Hathor to return, she, being sated with blood lust refused. The Sun God ordered a vast quantity of beer to be made, coloured with red ochre, which was then poured into the field where Hathor-Sakhmet lay sleeping. On waking, Hathor seeing the fields reddened with what she thought was blood, began to gorge herself, falling into an intoxicated stupor, Re was able to return her.
To mark the occasion, so that mankind would not forget their narrow escape from annihilation, Re ordered a festival to be held each year in Hathor's honour."
This was a very popular religious festival and was celebrated (August 7th) at New Year, at all the shrines dedicated to Hathor, throughout the kingdom. Hathor was worshiped as the "Seven Hathors": Hathor of Thebes, Heliopolis, Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. Her primary shrine was at Denderah, the "Place of Intoxication", she was also worshipped as principal deity at temples in the modern cities of Atfih and Gebelein. At Edfu, she is the wife of Horus, here her name means "Mansion of Horus", signifying her role as sky Goddess and protector of Horus. At Thebes, Hathor takes on the role of Goddess of the Dead.
The Seven Hathors
In the tomb of Nefertari (Dynasty XIX) and in the Book of the Dead, the Goddess Hathor is depicted as seven cows whose role is to determine the destiny of a child at birth. Each of these different aspects of the Goddess as her own name:
i/ Lady of the universe.
ii/ Sky-storm.
iii/ You from the land of silence.
iv/ You from Khemmis.
v/ Red-hair.
vi/ Bright red.
vii/ Your name flourishes through skill.
Several alternative names for the seven Hathors has been found in papyri concerning Mythology, these are:
i Lady of the House of Jubliation.
ii + iii Mistress of the West.
iv + v Mistress of the East.
vi + vii Ladies of the sacred land.
Hathor's Mirror
Ancient Egyptian mirrors, unlike our modern counterparts, were not constructed from glass and a silver layer, but from a flat oval of polished copper or bronze, with a wooden or bone handle, the handle was often shaped into the form of a Goddess. The metal Copper is still today linked with the Goddess. This same shape can be seen in the Sun Disc symbol that represents Hathor.
Of the nine 'bodies', the Egyptians believed all animals and creatures consisted of, Hathor was associated with Sekhem - the form body, this was the representation of the form of power of a man or woman. It is the vital spark or energy contained within the individual, that can be built up and projected in Magic. Looking into Hathor's Mirror, your own individual power is reflected on one side, while the thoughts or energies of friends/enemies are reflected on the other. Used as a ward of protection, the energies of an attacker is reflected back to themselves, sensing a power from their intended victim equal to the strength that they feel they possess.
Correspondences
Animal: Lynx, sparrow, swan, dove, cow
Astral Body: Sekhem - the form body
Body: Eye
Colour: Emerald, turquoise
Day:
Festivals: Aug 7th, Sept 17th, Festival of Het Heret - November 2nd
Flower: rose, myrtle
Gems: emerald, turquoise
Minerals: Copper
Month: Athyr, 17th Sept - 16th Oct
Musical Instrument: Sistrum
Perfume: benzoin, rose, red sandal, sandalwood, myrtle
Plant: Papyrus
Tarot: The Empress, Sevens
Tree: Sycamore
Weapon: Lamp, Girdle |
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Message 42 of 50 on the subject |
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HATHOR (CASA DE THOR)= PRECESION DE LOS EQUINOCCIOS = TEMPLO DE DENDERA (EGIPTO) = APOCALIPSIS 12 (CONSTELACION DEL DRAGON)- NEXO CON EL SANTO GRIAL
Thor
De Wikipedia, la enciclopedia libre
Thor es el dios del trueno en la mitología nórdica y germánica. Su papel es complejo ya que tenía influencia en áreas muy diferentes, tales como el clima, las cosechas, la protección, la consagración, la justicia, las Lidias, los viajes y las batallas.[1]
Era el dios más venerado de las tribus germánicas al menos desde los primeros registros escritos hasta los últimos bastiones del paganismo germánico en la época vikinga tardía. La mayoría de los mitos germánicos lo mencionan o se centran en sus hazañas y en los relatos de las Eddas cumple el papel de protector del Midgard, el mundo de los hombres.[2]
Su arma es el martillo de guerra arrojadizo, llamado Mjolnir, del cual se hicieron réplicas en miniatura como amuleto que luego se convirtió en un símbolo desafiante de los paganos nórdicos durante la cristianización de Escandinavia.[3]
Durante y una vez que el proceso de cristianización fue completado, la figura de Thor fue demonizada por la creciente influencia de misioneros cristianos. Después de que el cristianismo se cimentara, restos de su fe se conservaron de forma clandestina principalmente en áreas rurales,[4] sobreviviendo así hasta tiempos modernos en el folclore germano y más recientemente reconstruido bajo diversas formas en el neopaganismo germánico.
http://es.wikipedia.org/wiki/Thor
JUAN MARCOS/ VI-KING-O /KING / REY /
DANMARK /DINAMARCA
MARTE/MARTILLO/GRIAL
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Message 43 of 50 on the subject |
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When this happens the manifest being is unable to fulfil the Primal Purpose and maintain the Primal Condition – this is the Fall.
The ‘fall’, due to Metatronic Code Configuration, is the result of excessive misuse of Free Will Choice of Opposite Expression of Divine Intention reaching a point at which it jeopardizes the Perpetual Motion, Eternal Life expression and continued existence of Cosmic Order.
The word metatronic, is actually derived from ‘Metatron’, which is not just a singular ‘Arch-angel’ as taught in most nu-age and qabalistic circles, but is the name of a family collective; a family collective out of an entity. An entity is the first level of Ascended Masters consciousness collective.
The Metatron collective fell, loosing its Krist Code encryption because there is a law of physics that says that if you are an Ascended Master being and send in more than a natural proportion of your energy into the time matrix, say for a salvage mission, if the salvage team you sent in goes down, it takes the whole collective down. I believe this is exactly what happened.
The collective made a decision that it would use its knowledge of Primal Creation Physics, and that it would take over this time matrix. (That was originally what its fallen parts had wanted, and what the rest had tried to stop).
As long as they were able to feed off something else that had its life force connection to Source, they wouldn’t go into implosion. (Molecular Compaction)
They were able to create a way of feeding energy off this time matrix and off the Phantom Matrix into their Time Matrix.
If those two matrices (ours and phantom) were severed, they would go into implosion eventually. They’d get a few billion years of evolution out of it, but, eventually, they would be a deteriorating system. They would become extinct in terms of the race identity that they held. They would go back to Source as space dust, which is, as fragmented units of consciousness (Oblivion) and that was unacceptable to them.
They created artificial light through a particular synthesis of mathematics producing a totally polarized light through this process. In their universe, everything is bi-polar.
The Metatronic bodies that were created through their programming are very interesting structures. They take part of what would be a normal living biological structure, and they take out certain parts of the template that are missing and they plug in certain parts of the template together.
When there’s not 30% left of the original template where you can do bio-regenesis to plug it back in to its natural Divine Blueprint. It creates an atrocity and it creates something that is not compatible with the mathematics or the scalar frequencies of the Christos Divine Blueprint for this Time Matrix or any other one.
So, in making a choice to be immortal, they made a choice to be finite, because their immortality is dependent on sucking energy from living things, living matrices.
They take no responsibility for the fact that they’re the ones that created this blasphemy of science.
They sealed their own destiny when they created the Metatronic distortion. And at this point, they are simply trying to feed on whatever is available. These fallen, finite geometries are the main tools used. These metatronic frequencies are not just an issue here for Earth, but for the whole universe and it’s multi-dimensional anatomy.
It’s not like this pic is going to kill you or anything lol, don’t get me wrong, i actually like it, so long as people are aware of the underlying energetic coding that is present and it’s subtle effects on our own multi-dimensional anatomy.
Prime examples of metatronic geometries and frequencies, that i will share with you but spare you the details are: the un-natural and inorganic ‘Golden Mean(ie)’ spiral, Phi. Any geometry based upon the Fibonacci formula (AKA; Fib-of-no-chi). Proportions used in this pic seem to be aligned with them. The Golden Mean & Fibonacci spirals have no direct connection to their centers. The rectangles & squares being empty have little inner structure. They need external structures to get them going. They are progressively removed from Source.
In it’s early stages the Fibonacci spiral isn’t a proper spiral. As it expands it approximates to the Golden Mean spiral, but only to a scaled down version of it. The Fibonacci spiral doesn’t have in inner spiral, i.e. it’s incapable of converging towards the center.
The Fibonacci sequence features a sequence of numerical expansion in which the “next expansion number” to come is reached by “adding together” or “devouring” the two numbers that come before it.
If we think of each number as a quantum of energy, then the two previous numbers are “added together” and consumed in order to “become the next number,” leaving nothing in their place; the “numbers before” become “finite quanta” that must “disappear or die” in order for the next number to be “born.” Thus the “numbers” within the Fibonacci sequence ALL represent finite energy forms that will be consumed and cease to exist, in order for the next generation to emerge.
Also, there is The Torus, but what i know it by as The Poison Apple, or Gravitron.
The Gravitron is a part of the BeaST (Blank Slate Technology) machine that hold the tilt of planet Earth at it’s un-natural and artificially sustained 23.5 degrees angle and is becoming aligned with the natural Earth’s Staff. First seeded in Density-3 (Harmonic Universe 3, dimensions 7, 8, 9) 570MYA by the Metatrons (Budhara-Shan-tar-eL) and continued by the ThE-tans, the Gravitron vortex networks was linked between our Sun and Earth twisting the Tauren up side down in a unnatural configuration called Demon Seed.The Planetary Reusha-tA spiral is harnessed and turned into a set of vortices (The gravitron) which creates an unnatural artificial gravitational field on this planet and is one of the things that one has to override in order to levitate or fly again. The Gravitron is an electromagnetic harness field that is part of a larger electromagnetic harnessing structure called the Net that anchors at a particular angle in Mexico through the Mayan Temples kicking more storms since it has been progressively activated. (2005)All these Gravitron vortices doing the wrong thing generates the Poison Apple field, which is a configuration of energy that holds the 23.5 degrees tilt on the Earth’s planetary axis. (Staff)These are Black Hole technologies that were orchestrated on purpose by which this planet has been imprisoned for quite a long time. You will see these on an unfortunate and massive uprise as time moves on now (Seen the movie Thrive? a good example)There is also “Metatron’s Cube”, google that if you’ve never heard of it, but beware of any accompanying information which is more likely than not, fallen, biased, spiritual propaganda.
 Below: Template Comparison & Eckasha Holy Trinity Creation Paradigm
What is ‘false’ ascension science?
“False Sacred Science” teachings, and the inorganic environmental and biological consequences created through their use, are built upon convoluted, self-serving perversions of the organic Laws of Multidimensional Physics.
Applications of these “twisted multidimensional science” teachings,historically engaged on Earth throughout different periods over many thousands of years, has taken a terrible toll on human evolution and on the state of our planetary environment.
The “false Sacred Science” teachings emerged from periods in our ancient and pre-ancient past, during the historically ignored “ancient advanced Earth cultures” currently associated with “Atlantean and Lemurian mythology.” During these ancient times, many environmental and biological horrors were created through application of the “false Sacred Sciences”; the technologies that emerged from these teachings represented a perversion of the organic, living multidimensional technologies that were once available through applications of genuine “Sacred Science.”
In ancient advanced cultures, the “false Sacred Science” teachings became known as the “Death Sciences,” because reduction of eternal-life potential to finite-life de-evolution was the eventual result of their applications— regardless of what temporary benefits of finite power such technologies supplied.Since 1999 the MCEO Guardians’ teachings have provided an ongoing, comprehensive study of the “Cosmic Context, Structures and Dynamics” of space-time-matter creation and spiritual evolution, of planetary, galactic and universal “lost history” and of the contemporary “Big Picture Drama.”
The MCEO Freedom Teachings® have also provided a progressive program of studies in advanced multidimensional anatomy,including studies of: 15-Dimensional Anatomy; the 15-Chakra System, Axiatonal & Meridian Lines; the Light Body, Rasha Dark-matter Body, Elum’Eir-adhona Spirit Body, Aah-JhA’ Hydro-acoustic Body and Jha-DA’ Body; fetal integration, Bhardoah, growth cycles, Evolutionary Ascension Cycles, DNA, and much more.
Progressively since 2000, the CDT-Plate translations and MCEO teachings have revealed many long-hidden secrets pertaining to the “Science of Ascension,” which includes the organic processesof interdimensional and trans-dimensional atomic Transmutation, Transfiguration, Translocation and Transmigration.
In our learning of the actual organic processes by which — and cosmic structures through which — the bio-spiritual dynamics of “Ascension” can occur, we have also received an extensive amount of information on the intentional historical distortions of “Ascension Science teachings.” Through learning about the organic intricate structures, genuine processes and Natural Laws of Multidimensional Physics through which actual “Bio-Spiritual Ascension” (for “planets or people”) can take place, the falsehoods carried within “false Sacred Science” teachings became progressively more obvious by comparison.
During the ancient Atlantean period, there was one particular body of “false Sacred Science” teachings that emerged among Earth cultures after one of the GA-MCEO CDT-Plates was stolen and placed in Illuminati hands. The CDT-Plate revealed many advanced teachings of organic “Sacred Science,” which Illuminati-Elder forces then twisted to form a particular “wormhole technology” through which they could seek fulfillment of their “Earth Templar Dominion” agenda. (Historical information on the stealing of the CDT-Plate and resultant ancient dramas is found in Voyagers Volume-2, 2nd Edition.) In ancient cultures, this particular body of advanced twisted “false Sacred Science” teachings that emerged, along with its resultant technologies, from perversion of the CDT-Plate teachings, was casually known as the “Bloom of Doom” technologies.This ancient name was adopted in reference to one of the primary inorganic “energy distortion geometries” used in this “Death Science,” the structure of which, in common respects, resembled a “blossom.” Other characteristic components of distorted mathematics and physics were also inherent to the “Bloom of Doom” Death Science. Components related to the “Bloom of Doom” technologies included a distorted mathematical growth formula for artificial finite life that in later days became known as the “golden mean rectangle” and “Fibonacci spiral & sequence,” both of which were distortions of the “Krystal Spiral & Sequence” organic eternal-life growth ratios illustrated in the GA-MCEO CDT-Plate teachings.
The Krystal Spiral is based on the Kathara Grid.
Kathara Grids rotate around their common Azur-A center and expand from there.
kathara grid: 
Stage 0: 
Stage 1: 
Stage 2: 
This Azur-A center is the center for the Krystal Spiral. The Spiral holds connection to this center at every stage.
The points on the Krystal Spiral are connected to the center by the central vertical lines of the Kathara Grid.
These form arms or radii for the spiral.
The Krystal Spiral expands by √2 = 1.414.. for every 45° or by 2 for every 90° of rotation.
This derives from the height to width ratio (2) of the Kathara Grid. The number 2 is key to the Krystal Spiral.
The Krystal Spiral forms a smooth exponential spiral that looks the same at every scale from the microcosmic to the macrocosmic.
Krystic structures support an open living universe with full higher dimensional connections and direct connection through center to Source.
They derive from the Kryst Code, which embodies original intention for creation as expressed through the Kathara Grid, Krystal Spiral and subsequent structures.
Krystal Spiral Numbers (Krystal Sequence): 
Krystal Spiral: 
1) The ratio between successive numbers is the Krystal Spiral ratio of 2.
2) The Krystal Spiral can be generated by addition as well as by multiplication.
3) This addition / inclusion of all earlier points is a key distinguishing feature for the Krystal Spiral.
4) Every number is the sum of all the previous Krystal numbers plus Unity.
5) The Krystal Spiral has a very regular spiral structure with simple well behaved math.
6) We get the primary number sequence for the Krystal Spiral by adding all the previous numbers, not just the last two, as it’s the case with the Fibonacci spiral which creates a progressively greater separation and isolation from Source.
7) It is symmetrical, centered and aligned with the Kathara Grids that generate it.
In comparison to the Fibonacci sequence of finite life, the numerical expansion of the Krystal Sequence from the CDT-Plate teachings occurs through multiplying the preceding numbers, in specific increments that are based upon the core structures of Kathara Grid rotation, to create the “next expansion, ”leaving the “numbers before” intact; in “energy quantum” terms, the eternal quantum integrity of all previous numbers remains constant, as the quanta of the numbers before are multiplied through self-generated power to “create the next unique number.”
Thus the “numbers” within the Krystal Sequence ALL represent eternal energy forms that will remain to infinity within their own unique individuation, always in relationship to the center-point from which they emerged, and always within the context of what they have “grown to become,” while the “next generation” emerges as a unique quantum expansion born of relative multiplication of the quanta before.
This is “creating new growth through perpetually self-regenerating power,” not growth through “recycling of finite energy,” and thus the mechanics of the Krystal Sequence imply that it represents a growth-expansion formula for organic eternal life, not inorganic finite life. (Molecular Compaction)
The growth-expansion pattern of the Krystal Sequence can be found in nature, within energy structures and biological forms of an organically eternal nature — which includes all life-forms within the Freed Worlds of eternal-life “Ascension Systems.”
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Message 44 of 50 on the subject |
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La Flor de la Vida y los Sólidos Platónicos
Hay muchas creencias espirituales asociadas con la Flor de la Vida. Se considera que la teoría de los 5 Sólidos Platónicos (tetraedro, cubo, octaedro, dodecaedro e icosaedro) podría haber derivado de la Flor de la Vida. Los Sólidos Platónicos son poliedros regulares, convexos donde las caras son polígonos regulares congruentes, con el mismo número de caras en cada vértice. Reciben su nombre en honor al filósofo griego Platón (427 a. C. – 347 a. C.), a quien se atribuye haberlos estudiado en primera instancia. Estos objetos son formas geométricas que, se dice, actúan como una plantilla de la cual brota toda vida.
Sólidos Platónicos
Las propiedades de estos poliedros son conocidas desde la antigüedad clásica. Se les llegó a atribuir incluso propiedades mágicas o místicas; Timeo de Locri, en el diálogo de Platón dice «El fuego está formado por tetraedros; el aire, de octaedros; el agua, de icosaedros; la tierra de cubos; y como aún es posible una quinta forma, Dios ha utilizado ésta, el dodecaedro pentagonal, para que sirva de límite al mundo».
El símbolo de “Fruto de la Vida” está compuesto por 13 círculos tomados desde el diseño de la Flor de la Vida. En el marco del conocimiento esotérico se dice que el Fruto de la Vida es el plano del universo, conteniendo la estructura de cada átomo, molécula y toda forma de vida. Asimismo, se dice que contiene la base geométrica para la delineación del Cubo de Metatron, el cual pone de manifiesto los sólidos platónicos. Si el centro de cada círculo es considerado un “nodo”, y cada nodo está conectado a otro nodo con una sola línea, se crean un total de setenta y ocho líneas, formando un tipo de cubo (El Cubo de Metatron).
El Cubo de Metatrón
En este punto viene al caso agregar que se han encontrado, predominantemente en Escocia, aunque también en Inglaterra e Irlanda, unas misteriosas esferas de piedra tallada geométricamente. Las mismas están hechas de diferentes materiales, desde piedra arenisca a granito, los arqueólogos creen que podrían remontarse al 4000 a.C.
Esferas de piedra
Los patrones simétricos en relieve sugieren que quien haya hecho esos objetos tuvo conocimiento de geometría y puede incluso haber sido capaces de representar los Sólidos Platónicos.
Esferas Talladas Solidos Platonicos
Se desconoce por completo su función y con que tecnología y conocimientos pudieron haberse hecho. Se piensa que pueden haber sido utilizadas para arrojarse como proyectiles con una correa, pero no se encontraron marcas en las piedras que indiquen tal uso, y tampoco hace sentido tanta dedicación en su tallado para luego ser arrojadas. Otras explicaciones incluyen que se utilizaron como pesas para las redes de pesca, pero otra vez, no explica el porque de la complejidad de su elaboración.
La Flor de la Vida y el Toroide (o Torus)
También se ha relacionado a la Flor de la Vida con el modelo de energía toroidal. La Energía Toroidal esta basada en un vórtice de energía, en forma de dona/esfera, en la cual la energía es constantemente traccionada hacia dentro y proyectándose hacia afuera, en una sucesión infinita.
Animación Toroide
Un toroide consta de un eje central por donde fluye la energía, desde un extremo al otro, y un campo circundante coherente. El Toroide es el modelo que utiliza la naturaleza para manifestarse. Está en perpetuo equilibrio, completitud y movimiento.
Toroide
El científico y filósofo Arthur Young, explica que un toroide es el único patrón de energía o dinámica que puede sostenerse a sí mismo (auto-sustentable) y está hecho de la misma sustancia que el entorno – como un tornado, del aire, y un remolino, del agua.
Tierra/Toroide
Su forma varía de tipo rosquilla a tipo esfera, dependiendo del medio en el que se genera. Un anillo de humo en el aire adquiere forma de rosquilla, mientras que una manzana toma una forma más esférica.
Manzana/Toroide
Se denomina “Punto Cero” al instante medio del eje central, en el cual las fuerzas de tracción/expulsión se neutralizan, y del cual surge todo el sistema toroidal.
Punto cero / corte transversal toroide
La idea de lo infinito, con un punto cero donde se neutralizan las fuerzas y donde todo comienza/termina no es en absoluto un concepto nuevo. El Uróboros es un símbolo que muestra a un animal serpentiforme, engullendo su propia cola, conformando con su cuerpo una forma circular o de “8″. El uróboros es un concepto empleado en diversas y distantes culturas ancestrales desde hace por lo menos 3000 años. En algunas de sus representaciones lleva por complemento la inscripción que dice: “el Uno es el Todo”, “Todo parte del Uno y vuelve al Uno, para el Uno, por el Uno y en el Uno”.
Infinito
Los huracanes, los tornados, los campos magnéticos de los planetas y de las estrellas, y galaxias en sí, son todos los sistemas de energía toroidal.
Galaxia/Toroide
Una animación sobre el modelo del toroide como el “patrón universal”:
Desde las estructuras atómicas, hasta el universo en su conjunto, todo se genera de la misma forma toroidal, en constante expansión y contracción produciendo la tensión necesaria para perpetuar el funcionamiento del sistema.
Cuerpo/Toroide
El Universo es una fábrica de toroides que son visibles a varias escalas, revelándose en el campo magnético que envuelve, por ejemplo, tanto a la tierra, como al individuo y al átomo.
Átomo
Un fragmento del documental “Thrive”, el cual particularmente no me fascina ni por su estilo ni por su metodología, pero que hace foco precisamente en los conceptos de la Flor de la Vida y la energía toroidal:
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Message 45 of 50 on the subject |
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HATHOR ES VENUS
La estrella de la caída de la tarde y del amanecer
Hathor y Maat
"Turnábanse para ver la grande estrella que se llamaba Icoquih (Venus) y que sale primero delante del Sol, cuando nace el sol, la brillante Icoquih, que siempre estaba allí frente a ellos en el Oriente, cuando estuvieron allá en la llamada Tulán-Zuiva, de donde vino su dios."
Popol Vuh (Tercera parte, capítulo sexto).
Venus esta asociado a las letras V y F en el Bhet-Luis-Nhion la F – Fearn- el aliso en Futhark Fa ( ). Venus es el planeta regente de los reptiles por ello la F en jeroglífico es la "serpiente cornuda".
Forann o Forãnrenon significa "embarcadero". Venus se asocia a los viajes hacia el otro lado porque el mes regido en el Bhet-Luis-Nion por Fearn es el último de Sirio antes de su descenso anual bajo las aguas del horizonte.
Hathor la Venus egipcia es abecés representada sobre una barca entre lotos, Hathor como igual que Venus aparece al ocaso y al despunte del alba, Hathor de la misma forma era diosa del atardecer y del amanecer, en ningún caso se la ha de relacionar con la noche. Que Hathor sea representada normalmente con una corona en forma de Luna entre dos cuernos es porque Hathor es la dama del cielo y diosa del mundo subterráneo su corona por tanto es una alusión al firmamento nocturno en el que la luna se halla flanqueada por Venus es decir por el atardecer y el amanecer, Hathor es vista por tanto como diosa del este y del oeste.
Hathor es la patrona de las mujeres, Venus es la ventana que separa el mundo de lo masculino el diurno del mundo de lo femenino el firmamento nocturno. Como madres las Vacas y las mujeres están relacionadas por el tiempo de gestación de nueve meses.
En la mitología todo lo que esta al Norte, debajo o al oeste es femenino. Porque son los reinos Lunares y la luna gobierna a la mujer.
En el norte por tanto las mujeres serpiente del otro lado estaban bien consideradas aceptando a la mujer como la creadora no es así en cambio en el Sur donde predominan las razas patriarcales o solares donde la mujer es demonizada a imagen de la maligna Lilit y la culpable Eva.
Los iranios por ejemplo consideraban que todo lo que viene del norte es nocivo, maligno siendo para ellos el demonio más nocivo un espíritu femenino llamado Nasu.
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Empusas Las hijas de Hécate la suprema diosa del averno eran las Empusas, Empusae "violadoras o penetradoras" y las Mormolyceia "las lobas espantosas" que violaban y se nutrían del esperma de los hombres lo mismo que las lamias con sus cuerpos de mujer y gusano. La propia Lilit la primera mujer de Adán tenia cola de serpiente y era considerada como el primer ser vanpirico que azoto la tierra.
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http://www.geocities.ws/el_verbo_crea/15hator.html
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Message 46 of 50 on the subject |
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Por otro lado tenemos al investigador William Henry, que sostiene que en el antiguo Egipto, se conocía la ciencia del viaje entre las estrellas, creando un portal en 2 extremos del universo conectado por un agujero de gusano, una puerta estelar o “Stargate”. Un pliegue del continuo espacio/tiempo, que conecta dos regiones del universo alejadas entre sí.
Para aquellos que no esteis familiarizados con ello, os invito a ver la serie de televisión que acumula más de 10 temporadas y que tiene millones de fans por todo el mundo. En dicha serie se “desclasifica” en forma de ciencia ficción (como habitualmente se hace), buena parte del montaje del viaje interestelar a través de los agujeros de gusano.
Una ciencia avanzada y sagrada que se transmitía solo a aquellos pocos sacerdotes de alto rango, que aunque no comprendían de forma exacta los mecanismos que manipulaban, sí conocían cual era su uso y motivo. Otra vez la realidad superando a la ficción…
A la izquierda “Rayos” de Osiris estirado encima de su agujero de gusano/barca estelar de la eternidad. A la derecha dibujo moderno de un agujero de gusano, un sistema de transporte que comunica lugares y tiempos lejanos. Descubre en que está basada la ciencia espiritual y el por qué la física moderna debe redescubrirla.
Osiris pasea o navega por las estrellas en su barca estelar de la eternidad. Del techo estelar en el templo de Hathor en Dendera. (NOTEN LAS PLEYADES O SIETE ESTRELLAS=EXPERIMENTO FILADELFIA)
El artefacto de Osiris, una torre que alcanzaba las estrellas. Uno de los muchos artefactos tecnológicos representados en los murales y estelas egipcias.
En la pared opuesta de la capilla de Osiris, en Abydos, está el artefacto de Osiris, ampliado. Con el barco de la eternidad, el rey navegando hacia la eternidad como una estrella. Este barco se parece a el dibujo moderno de un agujero de gusano. Merece especial atención Sety, que parece haber transformado su cuerpo en el artefacto de Osiris… o está saliendo de él. Este es un maravilloso momento de transformación y resurrección.
Alegoría mitológica de la descorporeización y recorporeización que se sufre al cruzar una puerta estelar o agujero de gusano.
Un barco con forma de agujero de gusano está asociado al artefacto de Osiris. ¿Es este un antiguo artefacto de escaneo que proyectaba las almas a galaxias distantes o a otras dimensiones?
Diagrama moderno de un agujero de gusano. Nótese las formas de trompeta o de forma de loto de las bocas de entrada y salida.
El añadido del diagrama en forma de agujero de gusano al Pilar de Osiris/Torre de Babel, sugiere que esta escalera al cielo era alguna forma de acelerador de partículas para abrir agujeros de gusano o que actuaba como artefacto de escaneo, que escaneó a Sety átomo a átomo y alimentado con esa información, lo proyectó a través del agujero de gusano para la reconstrucción, reconstitución o “recuerdo” de él, el “recordado” Osiris en el otro extremo (de la puerta estelar).
Ptah a la izquierda en su sepulcro, un portal montado en un agujero de gusano, un barco a la eternidad.
Osiris en su cuerpo KRST (Cristico) de luz, descansa en un agujero de gusano en forma de barco hacia la eternidad.
Ptah como Osiris erguido en su bote. Sostiene un cetro con los símbolos combinados del Ankh (vida), Djed (estabilidad) y Uas (Llave a la Vía Láctea).
Especialmente cautivador, es el dibujo de los dos ojos despiertos y los símbolos de agujero de gusano juntos. Podemos tomar esto como un signo de que estaban despertando en la comprensión de los agujeros de gusano/barcos de los dioses. Los Dioses eran seres de luz que viajaban a traves de los agujeros de gusano.
En la barca de los eones, también conocida como el barco de la eternidad, es la nave con la cual los Dioses de Luz navegaban las corrientes de la Vía Láctea. Como “Osiris” estos dioses realmente se regeneraban en cuerpos lumínicos o seres estelares. Algunos egiptólogos dicen que el sol (aparecido en dibujos, murales,etc) representa meramente al Sol. Podemos aceptar esta interpretación parcial, siempre que vaya acompañada por la concepción antigua del Sol, no solo como la “luz del mundo”, sino también como un tunel estelar o una puerta estelar a través de la cual viajar a los reinos celestiales (otros mundos/civilizaciones más avanzados).
En consonancia, el rio Nilo es la representación del cielo por la que navega este “barco estelar”, la Vía Láctea, el Rio de las Estrellas de la Dama Divina, Isis-Hathor (recordemos que la bombilla de Dendera fue hallada en la tumba de Hathor).
Nuestro Sol es el hijo de la gran madre, la Vía Láctea. Nosotros somos los hijos del Sol.
Con estos conceptos estelares básicos emerge la metafísica de los “stargates” (puertas estelares) del antiguo Egipto. Podemos transformar nuestros cuerpos mortales de luz y navegar a través de los agujeros de gusano del reino de los benditos. Así funciona el antiguo sistema de creencias egipcio. Es la alquimia definitiva del alma.
https://nomasmentiras.wordpress.com/2008/10/20/historia-de-engano-iii-parte/
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Message 47 of 50 on the subject |
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MARDOQUEO/MARDUK ES TIPO DEL SANTO GRIAL-ESTER/ISTAR-EN BABILONIA ISTAR ERA MADRE DE MARDUK-BABILONIA/BABYLON
Puerta de Ishtar, Pergamonmuseum, Berlín
The Ishtar Gate from Babylon; Puerta de Istar; שער עשתר ; بوابة عشتار;
Three names that appear more often as a sacred group of three are …
Ninki - (later became Ishtar) the mother
Enki - (later became Namakh) the father
Marduk the son
ANK = LIBERTAD = JANUKAH =JUAN 10:23 = PUERTA DE SALOMON
11. Juan 10:22: Celebrábase en Jerusalén la fiesta de la dedicación. Era invierno,
271. Juan 10:23: y Jesús andaba en el templo por el pórtico de Salomón.
This Trinity representation evolved a little further. In the ancient ruins in Syria centuries later after the belief had been passed down many generations, long before The Christ, some names were altered for unknown reasons. Perhaps in the same way the name Yeshua, a Hebrew Aramaic name was altered to become Jesus, a more acceptable Roman name after someone of the authority like Emperor Constantine had altered it. The same three Sun gods from Sumer now as follows… from left to right… Marduk the son on a lion, Enki… now as Namakh the father still retaining the bull of Taurus, and Ninki… now as Ishtar on another lion.
254. Ester 2:19: Cuando las vírgenes eran reunidas la segunda vez, Mardoqueo estaba sentado a la PUERTA del rey.
255. Ester 2:21: En aquellos días, estando Mardoqueo sentado a la PUERTA del rey, se enojaron Bigtán y Teres, dos eunucos del rey, de la guardia de la PUERTA, y procuraban poner mano en el rey Asuero.
256. Ester 3:2: Y todos los siervos del rey que estaban a la PUERTA del rey se arrodillaban y se inclinaban ante Amán, porque así lo había mandado el rey; pero Mardoqueo ni se arrodillaba ni se humillaba.
257. Ester 3:3: Y los siervos del rey que estaban a la PUERTA preguntaron a Mardoqueo: ¿Por qué traspasas el mandamiento del rey?
258. Ester 4:2: Y vino hasta delante de la PUERTA del rey; pues no era lícito pasar adentro de la PUERTA del rey con vestido de cilicio.
259. Ester 4:6: Salió, pues, Hatac a ver a Mardoqueo, a la plaza de la ciudad, que estaba delante de la PUERTA del rey.
260. Ester 5:1: Aconteció que al tercer día se vistió Ester su vestido real, y entró en el patio interior de la casa del rey, enfrente del aposento del rey; y estaba el rey sentado en su trono en el aposento real, enfrente de la PUERTA del aposento.
261. Ester 5:9: Y salió Amán aquel día contento y alegre de corazón; pero cuando vio a Mardoqueo a la PUERTA del palacio del rey, que no se levantaba ni se movía de su lugar, se llenó de ira contra Mardoqueo.
262. Ester 5:13: Pero todo esto de nada me sirve cada vez que veo al judío Mardoqueo sentado a la PUERTA del rey.
263. Ester 6:2: Entonces hallaron escrito que Mardoqueo había denunciado el complot de Bigtán y de Teres, dos eunucos del rey, de la guardia de la PUERTA, que habían procurado poner mano en el rey Asuero.
264. Ester 6:10: Entonces el rey dijo a Amán: Date prisa, toma el vestido y el caballo, como tú has dicho, y hazlo así con el judío Mardoqueo, que se sienta a la PUERTA real; no omitas nada de todo lo que has dicho.
265. Ester 6:12: Después de esto Mardoqueo volvió a la PUERTA real, y Amán se dio prisa para irse a su casa, apesadumbrado y cubierta su cabeza.
GATE=33
G=7
A=1
T=20
E=5
7+1+20+5=33
HECHOS 12
486. Hechos 12:10: Habiendo pasado la primera y la segunda guardia, llegaron a la PUERTA de hierro que daba a la ciudad, la cual se les abrió por sí misma; y salidos, pasaron una calle, y luego el ángel se apartó de él.
12:11 Entonces Pedro, volviendo en sí, dijo: Ahora entiendo verdaderamente que el Señor ha enviado su ángel, y me ha librado de la mano de Herodes, y de todo lo que el pueblo de los judíos esperaba.
12:12 Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre Marcos, donde muchos estaban reunidos orando.
487. Hechos 12:13: Cuando llamó Pedro a la PUERTA del patio, salió a escuchar una muchacha llamada Rode,
488. Hechos 12:14: la cual, cuando reconoció la voz de Pedro, de gozo no abrió la PUERTA, sino que corriendo adentro, dio la nueva de que Pedro estaba a la PUERTA.
GATE/PUERTA
HECHOS 12:12 (1+2:1+2/3:3)
| gate in Simple Gematria Equals: 33 |
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12:12 Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre Marcos, donde muchos estaban reunidos orando.
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Message 48 of 50 on the subject |
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Ken McClellan wrote:
How can you use all the right symbols and not see their connection?
WTF are you yakking about again? The connection I have made is the ultimate MACRO-MICRO, heaven above/heaven below metaphor!!!!!!! The SWASTIKA is the KEY to understanding how BOTH invisible and visible objects behave. The SWASTIKA is the KEY to showing how the path of the electron/positron is the same as our SUN.p.s. ....and that is quite the claim Ken. The SWASTIKA is the KEY to understanding the zodiac so that my claim becomes clearer. Just because you fail to plow through my enlightening blogs does not mean I have not made THE ultimate connection dude.
Ken McClellan wrote:
Okay, so you've got two swastikas (clockwise and counterclockwise) and the connection between them is the four royal stars.
Obviously, at some point, the Earth has either gone past them
Sorry but your OBVIOUSLY is lost on me. Which means the following is lost on me too.
Ken McClellan wrote:
....was it your supernova some called Hathor?
And then you jump to a real funny conclusion. HATHOR the SUPERNOVA? WTF are you yakking about now? Because Paul LaViolette mentioned HATHOR when discussing Scorpio and Sagittarius? HATHOR is clearly connected to the MOON or the EVENING STAR, the evening star could be 1/2 of Venus...(btw ... venus was the MORNING and EVENING star) Please show me proof that HATHOR is associated with stars going SUPERNOVA?go ahead make my day dude... I always welcome folks giving me good info to incorporate into my swastika = theory of everything. till now, all you have done is ruin my day, by making me feel the need to respond to your crappy interpretations, and set the record straight... Thanks for playing along though, being a good sport. 
Ken McClellan wrote:
Or ... perchance ... does it reside at the Galactic Center?
We know Scorpio is #8 and Sagittarius is #9 on the ecliptic WHEEL of FORTUNEs? 8 + 9 = 17 BUT now now now this next image makes sooo much more more more sense. Does it not not not not Ken?  8 + 9Count the palm fronds LEFT and RIGHT of CENTER. And what did our buddy Paul LaViolette write about the galactic center...which gases are being introduced in the 8/9 region? I think you have forgotten the science lesson given by our buddy Paul? He claims the instellar helium, interstellar hydrogen and interstellar dust enter our solar system from this 'region'. I find that very interesting Ken. Hydrogen and helium are the two primary elements. The origin of our species so to speak. And as we know 8 + 9 = 17 And as few people know...an 10th century Persian alchemist claimed '17' is the magic number. 17 is connected to the creation of ALL ELEMENTS he believed.
Ken McClellan wrote:
Yes, by all means, write that book. Although, thus far, I'm curious as to how it might be related to 2012.
We have two years to figure out how to save ourselves from both of them.
Or I suppose we can sit around here arguing until it's too late for even a firefighter to help ...
hahaha I am only fighting and arguing with IGNORANT folks who are arguing with themselves. dude WHAT IF I have a really good idea of what ALL OF THIS MEANS?   Polynesian Mattang viewtopic.php?p=127956&sid=cbe9e6721957e18db647fd6a0a371f0c#p127956the solution is simple. the answer can be found in the ancient Mattang... The Mattang is a navigation device that the Polynesians used long ago. It is the KEY to understanding what the collective of humanity must do. UNDERSTANDING WAVES....ALL WAVES BEHAVE THE SAME WAY KEN. Big or small, SUPERWAVES or the puny waves we create when we speak, all share certain similar behaviors. TWO WAVES when they MEET/INTERSECT/COLLIDE do ONE of THREE things Ken. Whether they emanate from OUR galactic center, from a GRB, a CME or bouncing off a LAND MASS and hitting the side of our war canoe or ARK what happens when TWO WAVES intersect? Of course what to expect is all based on the frequencies of those TWO colliding WAVES. WHAT IF THIS IS THE REASON THAT WE ADJUSTED THE note 'A' upward TO 440 HERTZ on the advice of NAZI propaganda minister Joseph Goebbels, about 9 years AFTER WWII ended? THUS OUR EARTHLY KARMA is directly associated with the collective VIBE. Now Ken if we match the SUPERWAVE whether it comes from the galactic center or a GRB does it really matter? HERE IS WHERE WE NOW add a little physics and discuss STANDING WAVES (re:electron) IF there is an incoming WAVE frequency what happens to the WAVE we are putting out? IF we are a higher frequency ... what happens to the incoming WAVE? IF we are a lower frequency ... what happens to the incoming WAVE? IF we match the frequency ... what happens to the incoming WAVE? Thus dude it is very very clear........why folks push the idea of a MONO god...or MONO frequency? Now go ahead knock yourself out KEN...here is WHAT EWE MUST DO. A/ figure out the incoming frequency of the SUPERWAVE/GRB whatever its source, and then.... B/ And then stand up, put your hands over your head just like at a football game, turn this farce into a game dude, initiate the WAVE that goes AROUND the stadium/World.......and get 6 billion spectators to do the proper STANDING WAVE frequency.......and win the game dude!!!!!!!! It becomes clear if everybody is on the same page, singin' the same tune, the result of two waves colliding would be much different than if 6 billion folks were putting out 'altered frequencies'. The SwaStika/S is KEY dude. Don't ever forget it. REMEMBER TO REMEMBER is why EWE are all here.  The Polynesians called the MATTANG a survival tool, its source is actually unknown. All they know is that heralds from a great antiquity. The MATTANG is also PROOF that the Polynesians were sailing the world's oceans before the much touted semitic Phoenicians. namaste
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Einstein |
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Message 49 of 50 on the subject |
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The next four images/screen shots are taken from this 3-part Youtube series
Denderah, The Dawn of Astronomy please do take note that I have added ‘text’ and ‘insight’ to the scenes captured.
Note that first two images are looking down on the temples, followed by two ‘side/front view’ images clearly depicting a narrative, involving alignments between the rising of Sirius, followed by the sun, both in an alignment with the pole star Alpha Draconis.
I do hope you noted the two staircases? One is ‘straight’ and the other one is ‘crooked’ or maybe a spiral, and lo and behold these concepts are found in the Pythagorean table of opposites.
straight is RESTING and good
crooked is MOVING and bad
https://at37.wordpress.com/ |
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Message 50 of 50 on the subject |
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Keep up the good work , I read few posts on this site and I think that your site is rattling interesting and has got sets of fantastic information.
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