La Gran Pirámide y el espacio

After many years of studying the metrology of ancient monuments around the world, we have recovered what we consider to be significant mathematical correlations between the dimensions geometry, and geographic locations of many of the great sites of antiquity.

The following article is an encapsulation of the framework we presently regard as the Canon of Measure, the basic tool of decoding the monuments. The Canon unifies Time, Distance and Number with the dynamics of Nature. The far reaching implications of the framework from which the Canon is derived are beyond the scope of this brief presentation, however the authors welcome further inquiry into the potentials of its application in many disciplines: art, architecture, ancient literature, and the physical sciences as well.

From all the legends since the days of yore
Saturn, old Chronos, will tell us more.
The measure in the cadence beat
in sound and light makes all compleat!
Saturn, source of measure.
^{— Bernard Pietsch, August 15, 1997}

Saturn, Source of Measure
Of all the planets in the solar system, Saturn is the most rigorous, the most regular and the most stable in its orbit. Its path exhibits the least deviation and is able to absorb the perturbations and disturbances of space more than any other body in the solar system. Saturn is imperturbable.

Also known as Kronos, Saturn is the Time Keeper of the solar family. Saturn's orbital performance provides a dependable gauge against which Earth's fluctuations in space can be observed, for only against a reliable standard can deviation, development, growth, or decline be measured. From our position on Earth, when it appears that Saturn is off schedule, so to speak, we can be fairly certain that it is we who are off. Saturn acts as a good mirror for planet Earth's capricious dance through space.

As we might suspect, Saturn dramatically demonstrates the pervasiveness of the Golden Proportion in our solar system. Known as Phi, 1.618122977 or .618, the Golden Proportion is the framework origin of all Nature. Though only an abstraction, it is through comparison with this mean, that we establish the individuality of any natural event or living geometry. The identity of a plant for example, is recognizable by its individual adaptation to or departure from the Golden Mean—Nature's guarantee of individuality within the law.

Numerically, the Golden Number is expressed as the minutes in Saturn's rotational day, 618. Geometrically it is exemplified on a planetary level by the conjunction period of Saturn and Jupiter. Every twenty years or so, Saturn conjuncts with Jupiter at the phi point or .618 mark of its orbit. In other words, when Jupiter completes one revolution around the Sun plus .618 of its next 360 orbit, it is closely aligned or conjunct with Saturn. From Earth we see Jupiter and Saturn together in the heavens. After twenty more years we will again see them close in the sky but advanced about 222+ degrees or the phi proportion of the orbital circuit of the heavens.

Sacred and Phenomenal Measures
The essentials of the measurement system we are about to unfold could be derived from close observation of any natural event or structure. But our ringed celestial neighbor Saturn is a particularly eloquent model. As a planetary resource it sets the standard of timing for the solar system. From Saturn we will build the system of measures we refer to as the Canon of Measure. (See previous references on website.)

As you can see, the Canon is formulated in perfect units, yet perfect units are not perceivable in the natural world. Like the Golden Number, the Canon is an abstraction against which the physical world can be measured. For example, number concepts like the mean solar day of 1440 minutes, the year of 365 1/4 days, the lunar year of 354 days etc., are average periods. In reality the lengths of these periods vary slightly from day to day and year to year. But without the mean as concept, it would be difficult to establish just how much any one day or any one year does deviate.

Just how the Canon of Measure was transmitted historically,we cannot say. But we can always recover the Canon by going to the works themselves. The works are the evidence: temples, tombs, monuments and other sacred art forms are the repository of the concepts, and they are available to all.

Besides architectural remnants, some ancient literature also conveys sacred measures. Often the form is illusive and indirect. Herodotus for example, 4th Century B.C. Greek historian, exhibits an elaborate facility with words which is at times both circuitous and vexing. In his description of the Lake Moeris in section 149 of Book II The History, we find a coded reference to Saturn's function as the foundation of measure. Herodotus tells us that Lake Moeris, "a work even more astonishing than the Labyrinths," was sixty shones or 3600 furlongs in circumference. After his description of the Lake, Herodotus assigns numerical values to the furlong, the cubit, and the palm. (These figures may have been corrupted in translation, or perhaps Herodotus is trifling with us as he rarely gives significant information directly.)

Using the conventional or phenomenal unit of a furlong, 660 feet, the figure of 3600 furlongs is unengaging. Herodotus' intended communication becomes transparent when the Canon furlong of 657.27 feet is invoked. The numbers become instantly significant when it is seen that the Lake Moeris is a veiled reference to Saturn. The feet in 3600 Canon furlongs divided by ten is equal to the number of miles in Saturn's circumference: 236,617.2 miles. This figure is the numerical basis for developing a system of Earth measures relative to Saturn and its performance. We'll be seeing it again shortly.

The History is filled with literary absurdities and ruse which double as vehicles for coded information. Many of the keys to unveiling Canon values are given right in the language of his accounts, especially in his various and lengthy enumerations. The phrases "well worthy of notice" or "very worthy of mention" or "well deserves to be described" alert the reader to pay close attention to what is about to follow. Directions for manipulating the figures given are often inferred in such words as "subterranean passage," "ditch," or "tunnel" which can mean take the reciprocal of the number just given. The use of the word "generation" refers to the use of multiplication. "Round about" or "all around" indicates use of the circle as degrees or fractions thereof. A phrase concerning a certain number of "days journey" suggests that the total number of hours or minutes during that period may be a significant key figure.

Sacred measures are hidden only in the sense of being obscured by the filter of phenomenal or local observation. They are founded on that which is beyond mere appearance. Because they are relative to a larger framework than that which is visible here on Earth we sometimes refer to Cannon measures as cosmic values.

One of the keys to the domain of the cosmic is represented by the "K" symbol. K represents the ratio with which we part the veil. From the phenomenal world we enter the cosmic realm—a dimension where Time, Distance, Velocity, Number, and Geometry become co-in-ci-dent with one another, where one is an expression of all, where everything is in one thing, and where the law "as above, so below" becomes observable. Here the application and utility of Number in all its forms transcend the limitations imposed upon it by ordinary logic. Here, Number can become Time, distance, angle, ratio, logarithm. We have but to invoke the magic inherent in Number, and all is made available.

K is the number 1.01430555. With it, the first measures to be unveiled are those of Time. The ancients understood the intimate and inseparable relationship of Time with all dimensions. (With K we will reveal the legendary "harmony of the spheres." But first some groundwork must be laid.)

For a number of important reasons we adopt the solar year indicated by the base of Cheops Pyramid as the value 365.15 days which is 36,515 inches around the perimeter of the base. This number divided by K produces the Sacred or Cosmic Year of 360 days. The same length of time is involved but the relationship of the year to the circle of 360 is clearly established. From this ancient Sacred Year we derive the following units:

The derivation of the Sacred Day of 24 hours 20 minutes and 36 seconds is not only a mathematical construction. This is also the day (mean cosmic) responded to by plants and organisms. These circadian rhythms tend to be about 20+ minutes longer than the mean solar day of 24 hours; biological rhythms in humans as well seem to follow this cycle. Also notice the number of minutes in the Cosmic Year: 525816. Dividing this by 100 renders the number for the feet in the Canon Mile. The mile has its origin in sacred time.

Equatorial Earth Measures
Derived from the Circumference of Saturn
How are linear units of Earth measure derived from Saturn? Each unit as standard will reflect some connection with Saturn, and because they are commensurate with each other, all equatorial Earth measures can be derived, from just two primary units:

The number of feet to the ancient Canon mile, 5258.16, and The number of Canon miles in the circumference of the Earth as 25,000.

(The number of miles in the Earth's equator at 25,000 is taken from the Sacred Cubit of 25 inches.) (Clarke Spheroid: 24,901.55 miles @ 5280 feet/mile.)

We begin with the primary unit for measuring the Earth—the second of arc at the Equator. We again look to Saturn for the length of this unit. Saturn's daily rotational period is 10 hours 14 minutes and 35 seconds. Expressed decimally it is the number 10.1430555. Multiply this by 10 to arrive at 101.430555. Taken as feet, we now have the number of feet to the second of arc on the Earth's equator. Notice K within the number?

If we allow the testimony of Herodotus that there were "eight gods who existed before the rest," and that these eight were the gods of Measure, each is represented by one eighth of the circle or 45. Divide the foundation of measure, Saturn's circumference 236617.2 by 45 and we arrive at the ancient value for the number of feet in the Canon mile.

236617.2 / 45 = 5258.16 feet

(Recall that this number, 5258.16 times 100 is also the same as the minutes in the Cosmic Year.)

Using the framework of the 360 circle of 1,296,000 seconds or 21,600 minutes of arc, the number of feet to the second of arc (101.430555) and the number of feet to the Canon mile (5258.16), we can now develop all the Earth Equatorial units:

Canon units of measure are not created, they are derived, from Time. A period of time is also used to represent a unit of length, e.g. 5258.16 feet to the mile has the same number as the minutes in the Canon Year: 525816, a synchronicity which encourages the observation—the mile is inextricably linked to Time.

By juxtaposing distance with time, yet another unit of measure is generated by Saturn's timing—the Canon Meter. Divide the circumference of Saturn, 236617.2 by the number which is also the number of minutes in Earth's mean solar day, 1440, divide by 100, and the result is exactly one-half the measure we identify as the Canon Meter:

236617.2 1440 = 164.3175 x 2 = 3.28635 feet in 1 Canon Meter 100

There are 39.4362 inches in the Canon meter.

This Canon metric value is commensurate with the duodecimal system. When invoked, Canon metrics expose relationships not otherwise apparent. In an almost alchemical fashion, the precipitate of the two systems exceeds the limitations of either. Ideally, the two systems work together and need not be a source of contention. Thomas Jefferson was intuitively correct in resisting adoption of the French meter in the United States. He recognized the importance of endorsing a truly commensurate figure which would unify time, space, and matter. He discerned that the French system did not fulfill this requirement.

ONE CANON METER = 3.28635 feet

39.4362 inches

             1
        ----------- = .0253574127 
        39.4362 

.0253574127 x 100 =2.5374127cm/inch

ONE CANON MILE = 1600 Canon Meters

The ancient measure of the Canon Furlong is also recognizable on Saturn as one degree of its circumference in miles, expressed on Earth in feet as:

236617.2 / 360 = 657.27 This number is now taken as feet to the Canon furlong.

The Canon furlong is exactly 200 meters or 1/8th of a Canon Mile. The furlong times 20,000 it is the number of feet in the circumference of the Earth

657.27 x 20,000 = 131,454,000 feet on the Equator.

As shown, the figure 101430555 has a number of transformations and applications. As it is the multiplier which changes the number of seconds in the circle into the number of CANON feet on the Equator:

1,296.000 x 1.01430555 = 131,454,000 feet

As a divisor it transforms the Sacred Year into the Lunar Year:

360 / 1.01430555 = 354.9226347 days

As 101.430555 it is the number of feet to the second of arc on the Equator.

As 10.1430555 it is the hours in Saturn's day. This day is the period of our "phenomenal"observation. The Canon day for Saturn is 10.3 hours, or 618 minutes.

These various manifestations demonstrate the sychronistic aspects of the Canon system. One number can have different levels. The equatorial second of arc 101.430555 feet for example, is in a sense the first Earth measure. It also embodies what we might term the last measure—the rate of the precession of the equinoxes.

The rate of precession is a finely tuned figure, computed after all the motions, variations, and impressions of all the planets and masses in the solar system have been calculated. The rate of precession will always vary, but it averages to approximately 50.9 seconds of arc per year, also recognizable as 1/2 of .

101.430555 = 50.7152+/- seconds of arc per year.
       2

The Canon value for annual precession is 50.90017909 seconds of arc.

If measures, though abstractions, are based on relevant frequencies or events occurring in the universe, they will be inherently related to one another. The rhythms and cycles of the cosmos abide in all of Nature, whether, mineral, vegetable or animal. The planets resonate in the physiology of the human body.

Because humans evolved in a framework affected by these vibratory rates—diurnal rotations, lunar phases, revolutions around the Sun etc., it is reasonable to infer that the spectrum of these various vibrational frequencies would be designed into what humans have become both as form and process. Mankind is, as is all of Nature, the repository of all the cycles and all the patterns of its developing environment. We are the result of our biological, geophysical, and astronomical heritage. The genetic code contains not only the blueprint of the individual organism, but also the cumulative record of the entire species.

It is from the internal measures of the perfected or harmonized individual—the frequencies and ratios of the heartbeat, the breath, the voice, the orgasmic impulse etc., that the Canon emerges. Physiological events occurring in Time are the ground of the Canon—as the Zen philosophers tell us, "Everything is in one thing." The foundation of measure is the human body itself.

When Canon measuring units are the basis for evaluation, the relationships between above and below arise as pattern. Harmony is observable and deviation from the harmonized is experienced as dis-harmony. Saturn is the source and model of our understanding of harmony, but it is from within that we yield to our relationship with the whole.

In our next installment, we'll see how each of the planets contributes to the harmony of the spheres more specifically, as we continue to link Earth Canon measures to the rhythms of the Solar family.

The relationship between all these CANON measures, and the dynamic linkage with the number of CHAOS, 4.669246833, will satisfy the framework question in a mathematical format which includes the demonstration of variance, everywhere and always. Necessary to the continuance of this presentation, a short primer on the mathematical alchemy will be presented in the next installment.

http://www.sonic.net/bernard/saturn.html

First, let's try to understand who this spiritual entity Ka Ra is.  You won't find any reference to her in the Bible, in the encyclopedia, in ancient Egyptian texts or hieroglyphs.  That is because it is a New Name, constructed from the combination of the Egyptian word Ka with the name of Ra.  Ra is the feminine gender, while Re is the masculine gender.  Ka means spirit in ancient Egyptian.  Thus the name Ka Ra means Spirit of Ra.  If Ra represents the Sun God, then Ka Ra refers to the female aspect of the Sun God.  In addition, the Greek word "kara" means head or top, as in deity.  No coincidences here.

Who was it that was speaking telepathically to John in prison when he wrote what has become known as the Book of Revelation?

Sun God = Son = Jesus = Horus

JESU WATER HOLINESS

E.A  "He Whose Home/Abode is Water"
(Sitchin, Divine Encounters, 1995)

For this exercise, don't get fooled by gender (see Deering, 1996: GOD, was she a man or is he a woman? The politics of religion).  This is the perfect ploy to keep those who think they have eyes, but do not want to see, from finding out the truth.  Follow the trail of clues wherever they may take you.

The hieroglyphic symbol for Ka is represented by a pair of upheld arms while Ra is represented by  the sun disc.  When the symbols for Ka and Ra are combined, one gets Ka Ra.  The hieroglyphs below are from E.A. Wallis Budge: Osiris & the Egyptian Resurrection (1973).  They show these two symbols combined as part of other hieroglyphs, but not as a separate deity called Ka Ra.  The best place to hide something is right in front of someone.  Note that the Ka and Sun Disc symbols are placed at the top of the Tets, symbolizing Kara (head or top).

Tet (Ded) of Life	Tet (Ded) of Osiris

If Jesus = Horus and Lazarus is Greek for Osiris,
what is the meaning of Jesus raising Lazarus from the dead?
Was it a cleverly disguised Egyptian ritual and not a miracle?

The Masonic - Knights Templar Connection

Cornet realized that his late wife Bonnie had grown up in Collingswood, NJ, directly across the Delaware River from Philadelphia.  Ka Ra told him that his wife's childhood home was a piece to the puzzle.  When he studied the Rennes-le-Chteau diagrams in GenIsis, he could not help but notice that the town of Rennes-le-Chteau is located on the west side of the Extended Pentagram, while the town of La-Borde-de-l'Auguste is located on the southeast side of the pentagram.  He realized that the town where he was born, Bryn Mawr, is located on the west side of Philadelphia, while the town of Collingswood, where Bonnie grew up, is located on the southeast side of Philadelphia. Furthermore, La-Borde-de-l'Auguste means "edge of August," and his birth day (31 August) is at one edge of August.  He later discovered that this date on the ancient Egyptian calendar was very special to the Egyptians.  It was the day the Ennad is in festivity, and the day the Hier (to the throne) is established.  When he discovered that Philadelphia means "Womb or Birthplace of Isis", he immediately saw the connection to the Extended Pentagram that Wood (1986) had so thoroughly linked to the Goddess Isis.  He got partial confirmation when he discovered that Bryn Mawr is Welch for "high ground," or "great hill."  Rennes-le-Chteau is located on a high plateau, and therefore is synonymous with high ground.

Image from GenIsis

The Knights Templar became associated with the Valley of Rennes.  The Masons became associated with Philadelphia.  Early Masonic tradition and beliefs hold much in common with those of the outlawed Knights Templar, although the two organizations are very different (see The Miter and the Trowel).  Robinson was correct in his conclusion that there was a strong Templar influence in the early development of Freemasonry (Robinson, 1989).

Wood discovered that various towns and landmarks in the Valley of Rennes were positioned at key points on an invisible set of gigantic esoteric diagrams, which could be seen only in their entirety (if visible) from high above the ground (much like the Nozca lines in Peru). 

Campbell and Wood uncovered additional features of these diagrams which belied any thought that they might be the fruits of vivid imagination.  Andrews and Schellenberger (1996) reveal more data from decoding some of the same esoteric texts.  Their data indicate that the authors of those texts were very much aware of the Sacred Geometry laid out by the positions of towns and landmarks in the Valley of Rennes.  But in order for those towns to have been located where they are, someone had to be the architect and engineer who planned the layout before any construction began.  And that someone had to have the surveying tools with which to accomplish this Herculean task.  The following five figures come from GenIsis (Wood, 1986).

Circle of Churches	Pentagram-Meridian	The Crescents	Temple of  Solomon	The Serpent

Now let's go to Philadelphia, and see what Cornet uncovered using the clues given to him by David Wood and Ka Ra.

The Philadelphia Experiment

In ancient times authority or credibility was carried by royalty and bloodline, while truth was verified by prophecies that came true.  There were many false prophets or prophecies which did not come true.  We usually do not read about them, for they are soon forgotten.  In order for Jesus to command authority and credibility, his followers had to establish both that he descended from royalty and that prophecies about him in the Old Testament or Jewish Torah came true.  Today the situation is different.  Although authority is no longer dependent on blood relationship, authority is still based on a process of official governmental succession.  Truth, however, largely comes from science and the verification of facts by observation and testing.  Prophecies have become a side show entertainment act, while royal bloodlines mean little more than a curiosity to the commoner.  Much of the importance of bloodlines and prophecy have been shoved aside by competition with the Media for entertainment, except where they can command ratings on television shows such as First Wave or The Pretender.

Therefore, if someone wanted to convey a universal message which would be taken seriously today, what tests would have to be met and how would the mathematical verification of those tests convey any authority or credibility?  Bloodlines once were important for proving a relationship with deities or gods, because gods and goddesses were accepted as the ultimate conveyors of authority (i.e. truth).  Today that pantheon of gods and goddesses has largely been replaced by One God or Supreme Being.  Ultimate authority still comes from the highest controlling power, meaning that God has to compete with the official administrative word of man in order for His Word to be taken above that of any governmental body.  No longer are religion and state joined in marriage: They are separate entities.

Science has converted a significant percentage of the world population to agnosticism if not to atheism.  Therefore, proof of a divine connection, or a connection to an invisible superior intelligence, has to come from evidence which defies scientific explanation, meets mathematical tests for confirmation, and goes well beyond the realm of statistical probability, satisfying a confidence level for 'p' (by random chance) of less than 0.001 probability.  Presented below is such a test.  Bruce Cornet was given clues through his date of birth, time of birth, place of birth, and where he lived after birth (along with many dozens of additional clues included here), clues which could exist as clues only if 'p' is less than 0.001, significantly reducing the chance that they can be explained by coincidence.

Cornet took The Crescents diagram of Wood (1986) and changed its size so that he could overlay it upon a city map of Philadelphia and surrounding areas, and so that Rennes-le-Chteau would fall on top of Bryn Mawr, PA, while La-Borde-de-l'Auguste would fall on top of Bonnie Harrington's parent's residence at Collingswood, NJ.  Bonnie is Bruce Cornet's late wife, who goes by the spiritual name KaRa (see The Passion of Bonnie). When he aligned these geographic points, something remarkable happened.  He saw that parts of the outline of the Extended Pentagram were aligned with a number of streets and RR tracks.  The Crescents on the right side of the diagram overlapped Crescent Boulevard (Fig. 1).  In addition, Bonnie Harrington's parent's residence is located next to a triangular-shaped park named Knight Park (click on Fig. 1).

If one considers the Extended Pentagram to symbolize the goddess, and she is facing the observer, her right hand is upon Bryn Mawr (Welch for high ground or great hill), while her left foot rests upon Mt. Ephraim.  The name Mt. Ephraim is derived from the hill country of Israel called Ephraim, which lies to the northwest of Jerusalem, and is said to be fruitful (grape country). Judges 8:2.

But most remarkable is that the position of the womb of Isis lies over the population center of Philadelphia (Fig. 2).  Note that the Paris Meridian in the Rennes diagram passes directly through a town called Roslyn at the top of Figure 2.  Rosslyn Chapel near Edinburgh, Scotland, is a Knights Templar legacy and Masonic inheritance (Wallace-Murphy, 1993).  The pentagram in the picture is not normal; it is irregular with points of unequal length or size.  This is called an Extended Pentagram, and it is a special type of pentagram where all angles are exactly 36 degrees as in the regular pentagram or five-pointed star.  It is a divine symbol for the Goddess.

And the two circles (yellow dots) marked by 1) the junction of the Female and Male axes, and 2) Rennes-les-Baines fit perfectly into the 'S'-shaped curve of the Schuylkill River, which means "hidden river" (Fig. 3), a possible reference to esoteric symbolism and hidden meaning.  The Swedish word "Schuylen" means "to hide."  The letter 'S' was one of the oldest symbols of serpenthood, both in its shape and in its sibilant sound; and the serpent was one of the oldest symbols of female power (see Serpent).  The Universal Harmonics number for DNA is 19, which is the letter 'S'.  Cornet was repeatedly given performances by anomalous lights in the sky at night near Pine Bush, NY, between 1992 and 1997.  His time exposures revealed 'S'-shaped sky glyphs on five occasions between 1993 and 1995 (If here, how would ETI communicate?).  Three of the five sky glyphs closely resemble the shape of the Schuylkill River at Philadelphia by having an enlarged lower curve of the 'S' and a smaller top curve (click on Fig. 3).

The Schuylkill River (pronounced Skull Kill) enters the Rennes diagram in the upper left quadrant, but not before making a semicircular (crescentric) turn south around the town of Seven Stars (a reference to the Pleiades and extraterrestrial influence).  The town named Five Points is also a clue and reference to the Extended Pentagram, symbol of the Goddess Isis.

As it crosses the outline of the Ark Crescent of Nut, the river makes a jog south, then travels straight southeast until it gets to the shoulder level of the symbolic goddess, where it turns sharply south and begins to snake its way down to the Delaware River.  Nut is the goddess of the heavens, and is typically depicted in Egyptian hieroglyphs arching over those below her.  The Ark Crescent of Nut becomes the Crescent Moon in the sky, and is depicted in the Rennes diagram of the Crescents.  In the Rennes-Philadelphia map the Ark Crescent of Nut overlies Crescentville.

Figure 5

In the center of the Extended Pentagram an unusual mound is found, appropriately called Mt. Pleasant.   A reservoir was built on top of that hill.

If one imagines the Schuylkill River between Mt. Pleasant and the Delaware River as a Serpent, with Mt. Pleasant being its head, the Serpent is positioned between the legs of Isis, and can be seen entering the position of her womb.  Even the reservoir takes on special significance, containing the (holy) water for the transmission of  the essence of (code for) intelligence (found in the head).

Just below and to the right of the Serpent's head in the diagram above (click on image for enlargement) is a hill named, Lemon Hill.   Is this a cleverly disquised name for Demon Hill, where the 'D' has been replaced by 'L', the symbol for God?  Could this be an indirect reference to the ruler of this world?

That geographic and cultural features would align themselves like this with a diagram taken from France is remarkable.  The Extended Pentagram had to be rotated clockwise only 3.25 degrees from true North in order for Rennes-le-Chteau and La-Borde-de-l'Auguste to lie directly on top of Bryn Mawr Hospital and Bonnie Harrington's parent's address in Collingswood, NJ, respectively (the Harrington residence is situated across from a triangular park called Knight Park, a possible reference to the Knights Templar).  Bruce Cornet was born at Bryn Mawr Hospital; his birth weight was exactly 3.25 pounds.  Even Collingswood High School uses the Knight theme for its yearbook (note that the decorative hinges on the yearbook have a modified Fleur-de-lis symbol representing the female and the Goddess Isis).  Michael Landon, the star of the TV show, Highway to Heaven, graduated from Collingswood High School.  But it gets even better.

The line in the Rennes diagram which connects La-Borde-de-l'Auguste with Rennes-le-Chteau (line A-B in Figure 8 below), does not divide the left angle of the pentagram evenly.  It divides the 36 degree angle into a 13 degree and a 23 degree angle.  A line drawn from Rennes-le-Chteau (Bryn Mawr) to the center of the head of the Serpent (line A-C in figure below) is a mirror image of line A-B, and also creates 13 degree and 23 degree angles, but in reverse order.  Lines A-B and A-C are separated by 10 degrees.  A line drawn from the junction of major highways to Bryn Mawr (line A-D) bifurcates the left angle of the pentagram into two 18 degree angles.

The place where Bonnie Harrington lived is used to mark the position of La-Borde-de-l'Auguste, a reference to Cornet's birthday.  Bonnie was born on 18 June 1950, making her a Gemini.  Line A-C passes not only through the town of Narberth, but it also passes through the very street address in Narberth where Cornet's parents lived at the time he was born (115 S. Essex Ave.).

Figure 9

That crossing defies chance, and by doing so establishes a mathematical relationship between lines A-C and A-B (Fig. 8).  The median (line A-D) between these two lines birfurcates the 36 degree left angle of the pentagram in half, creating two 18 degree angles.  Twin 18's is a Gemini reference to Bonnie's birthday.  1950 falls at mid-Century, complementing the division of the left angle (June, the sixth month, also falls at mid-year; UHA of June = 50).  Whereas the Gemini reference to Bonnie's birth date is dependent on an association with Bryn Mawr, Cornet's birth date (the edge of August) is associated with the Harrington residence at Collingswood, NJ.  Reciprocals unify (=1) and mutually confirm one another.

Narberth is a strange name, and it sounds like Nar birth, or the birth of Nar.  Nar is the root word for Narcosis, Narcotic, and Narcissism, and means "of the mind".  Therefore Narberth could be translated: Birth of the Mind or Consciousness.  Wood (1986) refers to Intelligence rather than to Consciousness (Sentience).   The address where Cornet and his parents lived (115 S. Essex Ave.) has even more encoded significance.  According to a Universal Harmonics analysis by Norma Smith, 115 is the numerological equivalent of Intelligence.  'S' can stand for Serpent or for Set (Seth), while 'es' is French for 'is'.  Putting the pieces together, one gets "Intelligence derived from the Serpent is transmitted through sex" (S Es sex), implying genetic manipulation.

If the above correlation seems too far fetched, consider the next clue: The tail of the Serpent, where it touches the Delaware River, is opposite Red Bank.  The tail also passes through the Naval shipyard, where the WWII Philadelphia Experiment was conducted.  What are the odds that there would be two Red Banks in New Jersey, and both are connected or linked to Bruce Cornet (the puzzle solver): Cornet lives in the larger Red Bank near Sandy Hook and the New Jersey shore, while the second Red Bank marks the point of origin of the Serpent on its journey North to impregnate Isis.  The address where Cornet lives is 27 Tower Hill Avenue.

Straight lines drawn from the the Serpent's head (C) and from La-Borde-de-l'Auguste (B) to the Right hand of Isis (Bryn Mawr: A) divide the pentagram angle into reciprocal pairs (ratios of 23:13; reducible sum = 9, the esoteric number for pregnancy: Wood, 1986), implying reproduction.  And who is located at the Right hand of Isis?  Horus, her Son (Sun).

How much more obvious do the clues have to be?  In the Black Madonna image below, Horus (Son) sits in the lap of Isis, who is holding the Sun in her Right hand.  Does this mean that Consciousness (i.e. the basis for eternal life) is somehow linked to the Son (Sun)?   Image below from GenIsis.

Figure 10

The Meaning of Red Bank

So what might Red Bank mean?  Using numerics (each letter of the alphabet is numbered) and the method of Universal Harmonics taught by Norma (Master Analyst and Time Keeper),
the number for Red Bank is equal to one.

Red Bank
27  +  28    =  55  (5 + 5) =  10;  1 + 0 = 1

27 Tower Hill Avenue, where Cornet lives, also reduces to one.

27 Tower Hill Avenue
27  +  81  +  41  +  77       =  9 + 9 + 5 + 5 (1 + 4) = 18 + 10 = 28;  2 + 8 = 10 = 1

27 = CODE (UHAnalysis)

1 is symbolized by the Stick or Staff, which is the reciprocal of the Serpent (see A Sticky Point below).  Note: All words begin with the letter 'S'.  The link to the Serpent implies that Red Bank is the place where the Serpent is kept or hidden (recall the code book named, Le Serpent Rouge?).  As evidence for this statement (in this puzzle), the Serpent originates from the Delaware River where the second Red Bank is located.  The Keeper of the Serpent is Ophiuchus, the Greek god of Medicine, associated with healing by medicinal springs or spas.  Jesus is also equated with medicine: healing the sick and raising the dead.  Ophiuchus often reveals himself as a snake or serpent, which is why snakes were kept in his temples, particularly at Cos.  The Zodiac sign for Ophiuchus is the thirteenth house, which is hidden (esoteric).  The astrological name of this constellation is Aesculapius.   It lies between the constellations Scorpio and Sagittarius in an area rich in nebulae.

The number 27 for Red contracts to 9, which according to Wood (1986, p. 214) is the number symbolizing Pregnancy and Death: "A feminine number indicating the period of pregnancy. Revered by the Templars, this is the symbolic number of birth and death, recognized therefore, on the one hand as Osiris and on the other 1 + 8 = 9 or 9 + 9 = 18, a simple concealment of the body and the active principle of Isis. It is the factor which converts the dimension of the Holy of Holies (20) into the radius of the circle of perfection (180)."  According to Joseph Campbell, 9 is the number of the Goddess.  9 is also THAT UNIVERSALITY OF CYCLES WHOSE RHYTHM PATTERN IS THE SHAPE OF TIME (Norma Smith, pers. com. 2001).

The number 28 for Bank is the number symbolizing Nephthys - Goddess of Death and Resurrection (28 contracts to 10, which some suggest represents mathematical perfection or God. It has the power to multiply without changing form: a female function). Wood (1986, p. 217) states: "She possessed magical powers which were almost equal to those of her sister Isis. Together they reconstructed the body of Osiris after it had been dismembered by Set. She was the mother of Anubis the Jackal-headed God of the Dead who escorted souls of the dead to the Underworld."

What other reason could explain why Red Bank was chosen for this puzzle?  Consider the following: Red is the color of Blood.  B is similar to 8 or the symbol for Eternity.  Ank is a contraction of Ankh, which means Life (see Tet of Life hieroglyph above).

Therefore, Red Bank can be translated:

Blood of Eternal Life.

Whose blood, and who gives eternal life?   I'll give you three guesses, and the first two don't count!

The UH number for Red Bank is 55; the UH number for Jesu (Latin version of Jesus) is 55.

    Red Bank depicted as having a portal or gateway to Heaven.

The movie DOGMA was produced by a Red Bank filmmaker, Kevin Smith.  It has a major religious context, and ironically involves Red Bank, NJ, where Bruce Cornet lived until January 2004. It is about two angels from Hell (Loki, played by Matt Damon, and Bartleby, played by Ben Affleck), who want to be forgiven and get out of Hell, but who don't want to pay any price to enter Heaven, so they plan on going to a special Catholic church in Red Bank, where the gates to Heaven are located. If they pass through those gates at a certain time, they have free passage to Heaven.  But if they gain access to Heaven without forgiveness by God, their act will prove God is fallible, and that will be a paradox that will end all of creation.  A human woman and heroine named Bethany (played by Linda Fiorentino, who is also the "last" Sion) is contacted by a black angel from Heaven (he actually drops down from the sky and bounces on the pavement), who was the 13th Disciple (Rufus, played by Chris Rock), not mentioned in the New Testament because Jesus (according to the movie) was black and he didn't want Christians to know he was black, so he did not let it be written about a 13th Disciple or about him being black.  They are contacted by Serendipity (played by Salma Hayek), a heavenly Muse who takes on a human body of a beautiful woman, but all the angels recognize her as really an ancient Muse.  She is a constant reminder that this movie is a comedy.  This team of humans, angel/former disciple, and a muse, along with two unlikely prophets named Jay (played by Jason Mewes) and Silent Bob, are given an assignment by God's angels to stop the two fallen angels from passing through the only gate not guarded to Heaven, which is located at a Catholic church in Red Bank, NJ - St. Thomas.

But in order for the fallen angels to make it, a hotheaded Demon from Hell (played by Jason Lee) has been sent to set up interference.  He manages to lure God, who is a female, and who loves to play a certain human sport (skeetles), to come to Asbury Park Amusement Park, NJ, where She takes on male human form briefly in order to play the Archade game.  Springing the trap, the Demon intentionally injures him and puts him into a coma.  He is then kept sedated at Red Bank's Riverview Hospital by nurses who are really demons.  So long as he/She is kept sedated and in a coma, God cannot break free of Her male human body in order to stop the two fallen angels from ending Her creation.  Lucifer is said not to be involved in any of this, and would try to stop the fallen angels if he knew what was happening, because he would also lose if God's creation is destroyed.

It is a wonderful comedy and spoof on religion, especially on the Catholic church.  Jesus never makes an appearance as such in the movie, but the "Voice of God" does (played by a male, who may represent the Christ, but that is only implied).  When God appears in the last minutes of the film, She is petite, pretty, and does not speak. She lets Metatron (played by Alan Rickman), Her "Voice of God", do all the speaking for Her. She plays like a child, and doesn't take anything seriously, except those who try to destroy or discredit her.  And She destroys the last fallen angel before he can destroy Her creation.  The "last" Sion dies from a stomach wound (martyrdom) after releasing God from the comatose human body in the hospital (a very special effects explosion of light beams, one of which hits Bethany), but God resurrects her at the Catholic church (caution: there is a lot of blood and guts, decapitations, dismemberments, etc. in this movie). After she is resurrected she discovers she is pregnant, and the "Voice of God" tells her that she is no longer the "last" Sion.  God goes dancing through the church garden, doing somersaults.  Then God restores all the dead from the carnage caused by the two fallen angels, who had butchered a large crowd, including Cardinal Glick (George Carlin), gathered on the Catholic church's front steps for a special dedication!  At the end of the movie God grants Bethany an audience by letting the "next to last" Sion ask Her one question - the most poignant words spoken in the entire movie: "Why are we here?"  And God's response is to poke Bethany in the nose and smile, as if to say, "Because you are it (tag)."  In other words, life is a game for God's amusement.

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