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General: MARY MAGDALENE AT NOTRE DAME-EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENC
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Mary Magdalene at Notre Dame
Mary Magdalene at Notre Dame in Paris: See Me!
"See me! See me!" Mary Magdalene spoke into my thoughts as I stood outside the western door of the great Notre Dame Cathedral in Paris two weeks ago. Having just completed our Sacred France tour ‘Rediscovering the Magdalene,’ I was steeped in the legends of her living and teaching in France, mysteries of the bloodline, and the suppression of her importance by the Roman Catholic Church.
Traditionally held beliefs and gnostic Christian teachings in southern France say that Mary Magdalene was the wife of Jesus. After the crucifixion she and her entourage arrived by boat to the village now named Saintes-Maries-de-la-Mer. She was pregnant and some believe may have had her and Jesus’s older children with her. Stories say that Mary Magdalene spread the pure teachings of Jesus in the Languedoc area, sometimes making her home in caves. There was an Order of Templars who pledged themselves to protect Magdalene and the bloodline and to keep the truth alive. The Church wiped out the Cathars, a Christian sect who presumably followed those early teachings in the 1100 and 1200’s. No wonder Magdalene had to be hidden.
In the early Christian church Magdalene was seen as a special partner to Jesus. In 400 A.D. Saint Augustine called her the ‘Apostle to the Apostles.' But this all shifted about 400 years later when Pope Gregory confused Mary Magdalene with another Mary in the Bible, the sinner who washed Jesus's feet. From then on the church saw her as a repentant prostitute. Interestingly, the Orthodox Church never made this mistake, and has always venerated Magdalene as a saint.
Writers such as Kathleen McGowan have said that the name ‘Notre Dame,’ literally 'Our Lady' is actually referring to Mary Magdalene; though the Catholic Church says it is Mother Mary who is ‘Our Lady.’ Magdalene symbology and esoteric teachings are hidden in the magnificent French Gothic cathedrals. Seven of France's ten greatest cathedrals are called ‘Notre Dame,’ attesting to the importance of the Feminine. She will not be pushed aside.
Hidden Symbols of Mary Madgalene
To keep the truth of Mary Magdalene alive the Templars and architects of the great cathedrals hid her in the symbology and art; or under the guise of Virgin Mary. Knowing this, I stood outside the main entrance of Notre Dame de Paris; Mary Magdalene beseeching "See me!" into my mind.
As I look, the clearest representation of Mary Magdalene as a partner to Jesus is in the overall architecture of the massive twin towers of Notre Dame. Magdalene doesn't just mean ‘from Magdala,’ it means ‘tower.’ Here the two towers stand forth against the sky announcing their truth to ‘those with eyes to see and ears to hear’ that both Jesus and Mary are towers.
The Portal of Virgin Mary...Or Mary Magdalene?
The left door of the main or western facade is known as the ‘Portal of Virgin Mary.’ But is it? Could the woman reposing dead, surrounded by the Apostles and Jesus actually be Mary Magdalene? Following the progression of the story upward we see an enthroned Mary and Jesus.
Jesus wears a crown and is giving a scepter to Mary. Angels above are crowning Mary. But which Mary is it? Jesus and Mary crowned and enthroned, look to me like king and queen, husband and wife, equals, Jesus and Magdalene.
The story moves to the right, to the large statue on the tympanum. This time I knew it was Her. A crowned woman holds a banner and a chalice. Magdalene is most often portrayed as holding a vessel of anointing oils. What indicates to me that this represents Mary Magdalene is that a money pouch hangs from her belt. This was used in medieval art to indicate that Mary Magdalene was a financial supporter of Jesus and his work. Above her are buildings—towers? This crowned sculpture is Mary Magdalene as she was— a powerful, regal, Divine Feminine.
Above the main door is a sculpted scene of the Last Judgment. Souls being weighed— a storyline right out of ancient Egypt. The souls that are saved are under the heavenly protection of the angels. The damned, are roped together and led off by devils. Straining my eyes for any hints of the ‘Magdalene heresy’ in the artists’ details, it does seem to me that one of the souls being led off to hell has on a king’s crown, and another wears a hat very similar to that worn by popes. Hmmm…
Again the story moves to the right. I see Her. This sculpted image has haunted me ever since that moment. It is this image that moves my pen now.
It must be Mary Magdalene. Towers are above her. She is wearing the same robes as the magnificent crowned Magdalene to the left. Her money pouch is gone. Her pendant is gone. Her crown has fallen to the ground. Her banner is broken. The top of the banner is a spear. Could it represent the spear the Roman soldier used to pierce Christ’s side on the cross? Perhaps it is a hidden reminder of the injury done to an enlightened one by a Roman— the Roman Church?
This Magdalene is downcast, powerless. She's blindfolded. But the blindfold isn't a strip of cloth—it's a serpent! The snake’s head languishes as if dead on her head. The serpent in mystical traditions represents wisdom, the guardian of the doorways to greater knowing. In Egyptian symbology the live serpent would be projecting from her third eye, the ureas—the symbol of enlightenment. In the small church in Rene le Chateau, made famous by the stories in ‘DaVince Code,’ Magdalene’s skirt folds represent a serpent— a symbol of the Isis lineage of priestesses.
Is this downtrodden statue telling us that the Church’s spear killed the serpent of wisdom? Killed the power of Mary Magdalene? Blindfolded the Divine Feminine?
I couldn’t wait to do an internet search to find if others had seen Magdalene here, especially in the two statues on either side of the main door— one in her power, and the other blindfolded and repressed.
I found nothing. Officially the female images represent Ecclesia and Synagoga, common representations in medieval art. Ecclesia represents the victorious Christian Church. Synagoga represents the defeated Jewish religion. She is blindfolded because she didn’t ‘see’ Jesus as the Messiah.
Perhaps Magdalene’s message from the great door of Notre Dame is that we have all been blindfolded. She asks us to choose for ourselves. Do we stand tall, crowned, awake to wisdom and the Divine Feminine? Or, do we stand blindfolded and defeated?
Now a caveat: I know nothing about Christian art, Gothic architecture or what experts say. I may be all wrong. I only know what I saw on a sunny spring day in Paris as I looked for Mary Magdalene—Our Lady.
https://centerforcreativeconsciousness.com/mary-magdalene-at-notre-dame/
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Pluto, South Node, Magdalene and Notre Dame Filed in Astrology 2019 The astrology of the Notre Dame fire is Plutonic and it involves asteroid Magdalene aka Magdalena. With Pluto on the South Node, occult conspiracy thriller outlines write themselves. Black holes photographed looking like the Eye of Sauron. Iconic churches/mosques on fire in Paris and Jerusalem. When I first saw this, I thought it was a sequel to The Da Vinci Code. Denounce Dan Brown’s pop-occultism as much as you like, his research into the astrological layout of Washington D.C. was fascinating. And, his depiction of the Statue of Liberty as Ishtar? Genius. In his book, he hypothesizes that the Notre Dame is built on a major meridian or dragon-line and that the “Holy Grail” is, in fact, the bloodline of Jesus Christ and Mary Magdalene. It’s all hush-hush as the Church, he says, would wipe them out the way they did the Albigensians. When Pluto Is On The South Node, Conspiracy Thrillers Write Themselves “Rosslyn Chapel’s entrance was more modest than Langdon expected. The small wooden door had two iron hinges and a simple oak sign, Roslin. This ancient spelling, Langdon explained to Sophie, derived from the Rose Line meridian on which the chapel sat; or, as Grail academics preferred to believe, from the ‘Line of the Rose’ — the ancestral lineage of Mary Magdalene…” As a long-time Gnostic Christianity “fan,” I devoured that book in one sitting. And the ancient The Thunder, Perfect Mind still gives me chills to read. I was sent forth from the power… For I am the first and the last .I am the honored one and the scorned one. I am the whore and the holy one.I am the wife and the virgin. …For I am the first and the last.I am the honored one and the scorned one. I am the whore and the holy one.I am the wife and the virgin. The Holy Ghost Is A Goddess Veiled It’s too long to get into here but broadly, they said that the religion we know of as Christianity today was a fork from the original. And that primary belief had a Mrs. God, Sophia, the Wisdom Goddess and that she became the Holy Ghost. The union of Jesus with Mary Magdalene, who may or may not have been a sex worker but definitely worshipped the Egyptian Goddess Isis, was not warmly welcomed by the establishment of the day. He was not crucified. Rather, the pair fled and bred. Hence, the Rose Line. With all that in mind, the astrology of the Notre Dame fire is interesting. Pluto is on the South Node of the Moon. Both are exact trine to asteroid Magdalene. And, Pluto is exact square Eris-Persephone: The Naive Maiden Turned Wise Queen of the Underworld. The Goddess Veiled and literally Ghosted. A priestess of Isis and lover of Christ. An impending stolen Pagan festival that was once linked with Ishtar of Babylon. Whether this fire was deliberate or a weird accident, this astrological signature is just beginning. If it were an occult thriller conspiracy, what would be next? I’d hazard something weird being unearthed or revealed within the next 12 weeks. Thoughts? Images: Notre Dame & Carlo Crivelli- Read more at: https://mysticmedusa.com/2019/04/pluto-south-node-magdalene-and-notre-dame/ |
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“Fox & Friends” host Ainsley Earhardt told viewers that Mary Magdalene brought the biblical Crown of Thorns to Paris. The holy relic, which supposedly was the crown of thorns worn by Jesus during his crucifixion, was saved from Monday’s devastating fire at Notre-Dame de Paris.
Fox & Friends” host Ainsley Earhardt told viewers that Mary Magdalene brought the biblical Crown of Thorns to Paris.
The holy relic, which supposedly was the crown of thorns worn by Jesus during his crucifixion, was saved from Monday’s devastating fire at Notre-Dame de Paris.
“They were able to save the two most hallowed relics the cathedral is famous for, the tunic worn by St. Louis, who was a 13th-century French king,” said co-host Steve Doocy, “and, more importantly, the Crown of Thorns that Jesus is said to have worn. Both of those firefighters went in at the height of the storm to rescue them, and they are currently at the Paris City Hall, safe.”
That’s when Earhardt chimed in to offer anachronism.
“Brought to Paris by Mary Magdalene,” she said.
The Catholic saint was a first-century contemporary of Jesus, and was a witness to his crucifixion, burial and resurrection. The cathedral was built more than a thousand years later.
https://www.alternet.org/2019/04/fox-friends-host-claims-notre-dames-crown-of-thorns-brought-to-france-by-mary-magdalene/ |
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August 23, 2018/
The Golden Section (aka Golden Mean, and Golden Ratio) phys.org
We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.
Using Math in Architecture for Function and Form
We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.
“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509
Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section
Math and Proportion – The Golden Section
Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.
We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.
The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4th century, artists and architects have applied the Golden Section to their work.
The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.
Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.
Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.
Famous Buildings Influenced by Mathematical Principles
Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:
Parthenon
The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.
Parthenon Golden Section
Notre Dame Cathedral in Paris
Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.
Notre Dame Cathedral in Paris
Taj Mahal
Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.
Taj Mahal designed by Ustad-Ahmad Lahori
As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.
https://bleckarchitects.com/math-in-architecture/
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LLAVE DE ORO Y DE PLATA AL IGUAL QUE LA MANZANA
Incendio Notre Dame: Última hora de la catedral de París (15 DE ABRIL)
 Incendio Notre Dame (París), en directo (Bertrand Guay / AFP)
PHI A NOTRE-DAME
A la catredal de Notre Dame hi observem més rectanlges auris: Creat per Mario Pastor 
The DaVinci Code, Notre Dame Cathedral from DaVinci Code
original movie prop
        
August 23, 2018/
The Golden Section (aka Golden Mean, and Golden Ratio) phys.org
We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.
Using Math in Architecture for Function and Form
We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.
“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509
Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section
Math and Proportion – The Golden Section
Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.
We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.
The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4th century, artists and architects have applied the Golden Section to their work.
The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.
Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.
Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.
Famous Buildings Influenced by Mathematical Principles
Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:
Parthenon
The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.
Parthenon Golden Section
Notre Dame Cathedral in Paris
Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.
Notre Dame Cathedral in Paris
Taj Mahal
Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.
Taj Mahal designed by Ustad-Ahmad Lahori
As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.
https://bleckarchitects.com/math-in-architecture/
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Messaggio 8 di 17 di questo argomento |
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Que sacas con dar fechas y fechas..
Que el día de Maria Magdalena es el 22 de Julio..
Que Francia que Inglaterra, que Estados Unidos..
Y que además aderezas con fórmulas absurdas..
Todo lo que escribes no tiene ninguna significación o relevancia espiritual..
En lo particular, nada ni nadie me va a alejar del amor de Dios que es en Cristo Jesús..
Aunque me digan que soy lavado de cerebro que soy borrego..
Que los impíos digan lo que quieran, me resbala
En mi corazón está sellado a fuego el nombre de mi Señor Jesucristo..
Esta fidelidad, el Señor mismo quién la puso en mí..
Saludos
El Ungido
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EL GRAN PROBLEMA QUE TIENE EL UNGIDO, ES QUE EL DIA DEL CEREBRO, ES EL MISMO DIA DE MARIA MAGDALENA.
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22 de julio es el DIA DE MARIA MAGDALENA
TENES EL CEREBRO LAVADO AMIGO UNGIDO
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PARA SEGUIR LAS EXPOSICIONES DEL FORO DIA A DIA |
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LA TORRE DEL RELOJ DE LA MECA ES EL TERCER EDIFICIO MAS ALTO DEL MUNDO |
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LA MECA=TORRES GEMELAS=KABA="MAQUINA DEL TIEMPO"="EXPERIMENTO FILADELFIA" |
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LA MECA=FILADELFIA=ROMA=SIETE COLINAS (CAPITAL DE ARABIA SAUDITA Y DEL ISLAM) |
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31/08/2019 16:21 |
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LA TORRE DEL RELOJ DE LA MECA-EL NEXO ISLAMICO CON EL GRIAL |
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ROYAL CLOCK TOWER MECCA (TORRE DEL RELOJ DE LA MECA) |
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"VOLVER AL FUTURO I Y II" ANTICIPAN EL 11/9 O 9/11-NEXO TRANSFIGURACION |
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31/08/2019 16:17 |
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RUSELL/PLEYADES/GRAN PIRAMIDE (¿RUSELL FUE UN VISIONARIO?) |
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31/08/2019 16:14 |
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TESTIGOS DE JEHOVA TIENEN UN FUERTE NEXO CON EL GRIAL/WATCHTOWER |
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ECONOMISTA ARGENTINO MANUEL ADORNI HACE REFERENCIA A LA "MAQUINA DEL TIEMPO" |
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31/08/2019 16:11 |
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NO DISCUTAS CON UN ESTUPIDO , TE HARA DESCENDER A SU NIVEL-ALBERT EINSTEIN |
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31/08/2019 16:10 |
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JOHN MARK=JESUITAS FUNDACION=RELATIVIDAD DE EINSTEIN |
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31/08/2019 16:09 |
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ALBERT EINSTEIN, JUDIO-ALEMAN, EN FORMA ESOTERICA RECONOCE A MARIA MAGDALENA |
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¿UN FARISEO RELIGIOSO SABE QUE LA RELATIVIDAD DE EINSTEIN ESTA EN LA BIBLIA? |
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¿QUIERE ENTENDER LA LEY DE LA RELATIVIDAD DE EINSTEIN?-ESTUDIE LA BIBLIA |
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31/08/2019 16:08 |
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YHWH TUVO QUE MANDAR UN ALBERT EINSTEIN PARA QUE ENTENDAMOS LA MISA CATOLICA |
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TRANSFIGURACION=TRASLACION EN EL TIEMPO=PEDRO=PIEDRA=VATICANO=EINSTEIN |
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ULTRA SECRETO DEL PORQUE ALBERT EINSTEIN FUE JUDIO (SANTO GRIAL) |
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MIRELE LA CARA A EINSTEIN, ES ALEMAN, PERO NO ES RUBIO Y DE OJOS CELESTES |
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YHWH, LA DIVINIDAD, CONFIRMA NEXO CUBA CON LA LEY DE LA RELATIVIDAD DE EINSTEIN |
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EINSTEIN RELACIONA EN FORMA EXPLICITA A LA RELATIVIDAD CON LA SANTA CENA |
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EINSTEIN=STEIN=STONE=PIEDRA (PIEDRA FILOSOFAL)=SANTA CENA=VIAJES EN EL TIEMPO |
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TABERNACULO JUDIO, ES MASONICO (CONSTRUIDO EN FUNCION A LAS 12 HORAS/SANTA CENA) |
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1+1+2+3+5+8+13=33 (TREINTA Y TRES)-SANTA CENA=33=MANZANA=RELOJ |
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SANTA CENA=911=JACHIN/BOAZ=SOL/LUNA=ORO/PLATA=HOMBRE/MUJER=RELOJ |
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JUAN 16:21 (LA SANTA CENA ES UNA REFERENCIA A LA MISMA MUJER) |
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EL RELOJ MAS MASONICO QUE HE VISTO EN MI VIDA |
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¿SANTA CENA FUE EN LA CASA DE MARIA (JUAN MARCOS)? |
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¿EINSTEIN SABIA ALQUIMIA AL DESCUBRIR LA LEY DE LA RELATIVIDAD? |
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ESTRELLA DE 6 PUNTAS=CUBO=ALQUIMIA=SANTO GRIAL |
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CABALLEROS TEMPLARIOS, LA CRUZ ROJA (SAN JORGE), ALQUIMIA Y EL TIEMPO |
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¿KEYNESIANISMO? ¿MONETARISMO O LIBERALISMO? (¿ALQUIMIA?) |
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¿LA BIBLIA ENSEÑA CIENCIA O ALQUIMIA? |
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NUMERO 144=12*12=SEXTO DIA (144 HORAS)=NUEVA JERUSALEN=12 DE LA SERIE FIBONACCI |
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SAULO DE TARSO, BENJAMINITA (ADONDE ESTABA JERUSALEN) ES LA NUEVA JERUSALEN |
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NOTRE DAME=TABERNACULO=NUEVA JERUSALEN=APOCALIPSIS 21="VIAJES EN EL TIEMPO" |
28 |
BARILOCHENSE6999 |
31/08/2019 15:46 |
|
NUEVA JERUSALEN=MANZANA=PENTAGONO=SANTA CENA=CASTILLO SAN ANGELO (VATICANO) |
65 |
BARILOCHENSE6999 |
31/08/2019 15:45 |
|
VIA LACTEA=MANZANA/PENTAGONO/CASTILLO SAN ANGELO/NUEVA JERUSALEN |
42 |
BARILOCHENSE6999 |
31/08/2019 15:45 |
|
KAABA=MERCURIO=ORION=ISHTAR GATE=SANTO GRIAL=33 |
15 |
BARILOCHENSE6999 |
31/08/2019 15:44 |
|
KAABA=NUEVA JERUSALEN=ALQUIMIA=CUBICACION DE UNA ESFERA=SANTO GRIAL |
45 |
BARILOCHENSE6999 |
31/08/2019 15:44 |
|
TABERNACULO=TEMPLO DE SALOMON=KAABA=GIZE=VATICANO=WASHINGTON D.C=SANTO GRIAL |
204 |
BARILOCHENSE6999 |
31/08/2019 15:44 |
|
JESUCRISTO FUE EL ALQUIMISTA Y EL CIENTIFICO MAS GRANDE DE LA HISTORIA |
1371 |
BARILOCHENSE6999 |
31/08/2019 15:41 |
|
CUBA=CUBO=KAABA=ESTRELLA DE 6 PUNTAS=CRISTO, MARIA MAGDALENA Y JUAN MARCOS |
64 |
BARILOCHENSE6999 |
31/08/2019 15:39 |
|
1 DE REYES 6:20-APOCALIPSIS 21:16-SANTO DE LOS SANTOS=CUBO="MAQUINA DEL TIEMPO" |
68 |
BARILOCHENSE6999 |
31/08/2019 15:39 |
|
1 DE REYES 6:20-APOCALIPSIS 21:16=CUBO/HEXAGONO=ESPACIO/TIEMPO=GUSANO |
13 |
BARILOCHENSE6999 |
31/08/2019 15:38 |
|
NUEVA JERUSALEN=666=CUBO="RELOJ MASONICO" |
63 |
BARILOCHENSE6999 |
31/08/2019 15:38 |
|
YHWH=CUBO=NUMERO 26=SATURNO (YHWH ES EL TIEMPO MISMO) |
127 |
BARILOCHENSE6999 |
31/08/2019 15:38 |
|
LA CAJA DE PANDORA (CUBO DEL LUGAR SANTISIMO)=TRAS LOS PASOS DE MARIA MAGDALENA |
10 |
BARILOCHENSE6999 |
31/08/2019 15:37 |
|
SATURNO=CRONOS=TOROIDE=ANILLO=20 DE ABRIL ("MAQUINA DEL TIEMPO")=CUBO |
407 |
BARILOCHENSE6999 |
31/08/2019 15:37 |
|
WOODY ALLEN IRONIZA A CUBA LLAMANDOLE SAN MARCOS (¿SABE ALQUIMIA?) CUBA=CUBO |
22 |
BARILOCHENSE6999 |
31/08/2019 15:37 |
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