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DESENMASCARANDO LAS FALSAS DOCTRINAS
 
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 YHWH (DIOS PADRE) EL UNICO DIOS 
 JESUCRISTO NUESTRO MESIAS JUDIO 
 LOS DIEZ MANDAMIENTOS DE LA BIBLIA 
 MEJORE SU CARACTER Y SU VIDA 
 YOU TUBE-MAOR BA OLAM-LINKS 
 YOU TUBE-MAOR BA OLAM-LINKS II 
 BIBLIAS/CONCORDANCIA/LIBROS 
 MAYOR ENEMIGO DEL HOMBRE ES UNO MISMO 
 ¿LA TORA ES MACHISTA? -MENSAJE ESOTERICO Y EXOTERICO 
 ¿ES INMORTAL EL ALMA?- FALACIA DE LA ENCARNACION Y REENCARNACION 
 EL ISLAM TIENE ORIGEN UNITARIO ADOPCIONISTA 
 ANTIGUO TESTAMENTO-ESTUDIO POR VERSICULOS 
 NUEVO TESTAMENTO-ESTUDIOS POR VERSICULOS 
 NUEVO TESTAMENTO II-ESTUDIOS POR VERSICULOS 
 NUEVO TESTAMENTO III-ESTUDIOS POR VERSICULOS 
 CRISTO NO TUVO PREEXISTENCIA 
 ¿QUE ES EL ESPIRITU SANTO? 
 
 
  Herramientas
 
General: LA RAZON EN LA BIBLIA TAMBIEN ES UNA FORMA DE LLEGAR A LA VERDAD
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De: BARILOCHENSE6999  (Mensaje original) Enviado: 14/10/2016 00:51
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ROMANOS 1
21. Pues habiendo conocido a Dios, no le glorificaron como a Dios, ni le dieron gracias, sino que se envanecieron en sus razonamientos, y su necio corazón fue entenebrecido.
22. Profesando ser sabios, se hicieron necios,
23. y cambiaron la gloria del Dios incorruptible en semejanza de imagen de hombre corruptible, de aves, de cuadrúpedos y de reptiles.
24. Por lo cual también Dios los entregó a la inmundicia, en las concupiscencias de sus corazones, de modo que deshonraron entre sí sus propios cuerpos,
25. ya que cambiaron la verdad de Dios por la mentira, honrando y dando culto a las criaturas antes que al Creador, el cual es bendito por los siglos. Amén.
26. Por esto Dios los entregó a pasiones vergonzosas; pues aun sus mujeres cambiaron el uso natural por el que es contra naturaleza,
27. y de igual modo también los hombres, dejando el uso natural de la mujer, se encendieron en su lascivia unos con otros, cometiendo hechos vergonzosos hombres con hombres, y recibiendo en sí mismos la retribución debida a su extravío.
28. Y como ellos no aprobaron tener en cuenta a Dios, Dios los entregó a una mente reprobada, para hacer cosas que no convienen;
29. estando atestados de toda injusticia, fornicación, perversidad, avaricia, maldad; llenos de envidia, homicidios, contiendas, engaños y malignidades;
30. murmuradores, detractores, aborrecedores de Dios, injuriosos, soberbios, altivos, inventores de males, desobedientes a los padres,
31. necios, desleales, sin afecto natural, implacables, sin misericordia;
32. quienes habiendo entendido el juicio de Dios, que los que practican tales cosas son dignos de muerte, no sólo las hacen, sino que también se complacen con los que las practican.
DOCTRINA DE LA "DIVINIDAD DE CRISTO" ES LA MADRE DE Q HAYA TANTOS HOMOSEXUALES
9
BARILOCHENSE6999 13/10/2016 21:41
TRINIDAD ES IRRECONCILIABLE CON LA RAZON
5
BARILOCHENSE6999 13/10/2016 21:34
¿EL FILOSOFO Y MATEMATICO LEIBNIZ ANTICIPO LA RELATIVIDAD DEL ESPACIO/TIEMPO?
32
BARILOCHENSE6999 13/10/2016 21:33
LETRA R=RESURRECCION=RAQUEL(OJO DE RA)=RELATIVIDAD=RENACIMIENTO=ESPACIO/TIEMPO
62
BARILOCHENSE6999 13/10/2016 21:29
MARCO VITRUBIO=HOMBRE DE VITRUBIO=VENECIA (NEXO JUAN MARCOS)
12
BARILOCHENSE6999 13/10/2016 21:27
GENESIS 1:1="HOMBRE DE VITRUBIO"=CUADRATURA DEL CIRCULO=GRAN PIRAMIDE
99
BARILOCHENSE6999 13/10/2016 21:17
ULTRA SECRETO MASONICO DETRAS DEL RELOJ
662
BARILOCHENSE6999 13/10/2016 21:12
EL GRIAL, OSEA EL LINAJE, TAMBIEN SE TELETRANSPORTA Y SE TRASLADA EN EL TIEMPO
74
BARILOCHENSE6999 13/10/2016 21:11
SAINT MARY MAGDALENE=CLOCK="MACHINE TIME"=HOLY GRAIL
130
BARILOCHENSE6999 13/10/2016 21:09
VENECIA ES LA LLAVE VENUS / SIRIO / "ESCALERA DE JACOB" PARA ENTENDER EL GRIAL
346
BARILOCHENSE6999 13/10/2016 21:09
OSHANAH RABBAH=SEXTO DIA=SEXO=SISTEMA SEXAGECIMAL=666 (RABA=FILADELFIA)
64
BARILOCHENSE6999 13/10/2016 21:08
RELOJ=MARCA / "MARCOS"=HORA / HORUS
28
BARILOCHENSE6999 13/10/2016 21:07
HEBREOS 11:10-YHWH, ES EL ARQUITECTO Y CONSTRUCTOR, OSEA MASON DE LA CIUDAD
110
BARILOCHENSE6999 13/10/2016 20:59
SAN MARCOS-TORRE DEL RELOJ-VENECIA (CLOCK TOWER-ST MARK-VENICE)
11
BARILOCHENSE6999 13/10/2016 20:48
GENESIS 49:8,12 LEONARDO DA VINCI DECODIFICADO
396
BARILOCHENSE6999 13/10/2016 20:43
GENESIS 49:8,12 LEONARDO DA VINCI-DECODIFICADO
866
BARILOCHENSE6999 13/10/2016 20:42
CODIGO DA VINCI=BIBLIA=FRANCO MASONERIA=IGLESIA CATOLICA=ALTO NIVEL CIENTIFICO
291
BARILOCHENSE6999 13/10/2016 20:40
¿SANTA CENA FUE EN LA CASA DE MARIA (JUAN MARCOS)?
65
BARILOCHENSE6999 13/10/2016 20:39
TORRE DE BABEL=PUERTA DE DIOS=PUERTA ESTELAR=STAR GATE=PORTAL ESPACIO/TIEMPO
33
BARILOCHENSE6999 13/10/2016 20:32
ESTRELLA DE DAVID (HOMBRE Y MUJER) ES LA CLAVE PARA ENTENDER EL ESPACIO-TIEMPO
177
BARILOCHENSE6999 13/10/2016 20:30
1ER DIA CREACION/DOMINGO/SOL/8VO DIA-¿CUAL ES EL SECRETO?-NEXO JUAN MARCOS
88
BARILOCHENSE6999 13/10/2016 20:27
1 DE REYES 7:22=3.14="EXPERIMENTO FILADELFIA"="MAQUINA DEL TIEMPO"
234
BARILOCHENSE6999 13/10/2016 20:10
CUERPO HUMANO DISEÑADO POR EL TODOPODEROSO EN CONTEXTO AL "HOMBRE DE VITRUBIO"


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200. Hechos 7:22 Y fue enseñado Moisés en toda la sabiduría de los egipcios; y era poderoso en sus palabras y obras.

201. Romanos 11:33 ¡Oh profundidad de las riquezas de la sabiduría y de la ciencia de Dios! ¡Cuán insondables son sus juicios, e inescrutables sus caminos!
 
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PHI, METATRON’S CUBE AND THE HOLY NUMBER 108

by Marty Leeds

Greetings World Mystery readers! This article is the second article in a continuing series dealing with sacred number, sacred geometry and gematria. In the last article we took a look at the ancient art of gematria which is the art of assigning numbers to letters, what is known to many as Kabbalah or Cabala, and we deconstructed the English Alphabet using the numbers 1 through 7. We will not be going over the cipher again in this article so please take the time to read the first article in this series to familiarize yourself with the mathematical structure of our English Alphabet before trying to read on. You can watch many videos discussing this cipher at www.martyleeds33.com or on youtube/martyleeds33 . I also have two books for sale, Pi – The Great Work and Pi  & The English Alphabet Volume 1, with a third, Pi & The English Alphabet Vol. 2 due out very soon.

 

The link for the video explaining the cipher is posted below and an abridged version of the cipher is shown here.ML_EngGem

 

I have spent my entire adult life pursuing an answer for the meaning of this life and have always had an insatiable appetite for trying to understand this existence. I undertook this journey of discovery for many years knowing full well that there might not even be an answer to the big questions we all ask at some point in our lives:

  • Why are we here?
  • Is there a meaning to life?
  • What happens when we die?
  • Where did we come from?
  • Is there a God?

This pursuit led me into inquiring into many subjects – I have dabbled in physics, theology, philosophy, history, archaeology, astronomy, etc. This yearning to understand the nature of reality and our place in it reached a fever pitch within the last few years and my passion and constant drive to find my own personal truths led me straight into the heart of mathematics and geometry.

I undertook the study of mathematics within the last few years of my life and concentrated on it very heavily because I felt that mathematics held within its workings the answers to many of the mysteries and enormous questions surrounding the nature of our reality. Through immersing myself in mathematics and geometry, I came to understand that mathematics was indeed a language – one that has been shared by all advanced cultures in all epochs of time. After working with simple mathematical principles, mainly adding, subtracting, multiplying and dividing, I started to communicate with it, started listening to what it had to tell me and realized that beneath the seemingly insurmountable study of math, the core of its structure was simple, beautiful and held within it the patterns and essence of our creation. Like many, my experience with mathematics in high school was extremely off-putting. Math wasn’t something of cosmic import or something you could adore, appreciate or even, dare I say, have fun with, math was a headache and was something only brainiacs and bookworms pursued.

“Math is no more about equations than poetry is about spelling.” – Kalid Azad

During my numerical studies I ended up utilizing certain mathematical principles considered highly esoteric and numerological, such as decimal parity or digital root (something we will explore in depth in this article), mirroring numbers and number symbolism. Many contemporaries consider such methods as pseudo-scientific, but by employing these methods the numbers themselves seemed to be transmitting higher realms and orders of information. From where I sat, there seemed to be a whole enchilada of goodies and gems hiding just beneath the surface of number. And due to my inherent inability to “let sleeping dogs lie” If you will, I fully intended to dig up those gleaming bits of wisdom and truth and gaze at their glory.

Let me put my cards on the table, I am an outsider. I am auto-didactic and I learned everything I know about mathematics, geometry and gematria on my own, being highly influenced by many writers and researchers both new and old. The likes of Marko Rodin, Scott Onstott, John Michell, Robin and Richard Heath, Michael S. Schneider, John Anthony West, R.A. Schwaller De lubicz, Laird Scranton, Manly P. Hall and Santos Bonacci, to name just a few, were instrumental in helping me pursue the line of thinking that has led me to the discoveries I have put forth today. I am deeply indebted to these people and many others and without these scholarly heroes making enormous strides in their work, I would not be here writing this blog and putting forth my videos and books. That is a fact.

“If I have seen a little further it is by standing on the shoulders of giants.” – Isaac Newton

Coming in through the side door, having no professional experience and having no accreditations from any university has put me in a position to not be taken seriously by contemporary higher institutions of learning, by scientists or by scholars of all sorts – but it has also gifted me the blessing of having a fresh perspective on the world of language and math. My limited experience at the university level taught me that so many institutions of higher learning wish only to regurgitate the paradigm of knowledge accepted at the time. Most modern school systems do wish to push the boundaries or break the molds. Within mathematics, I saw an entire world left to be discovered – unchartered waters that our current system of thought was not willing to even send a little skiff out into. Upon getting my sea legs in mathematics, I in turn found myself getting drenched with the beauty of sacred number and sacred geometry.

“You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.” – Buckminster Fuller

My goal in my on-going web series and within my books has been to try to merge mathematics and spirituality and relate them directly to the human being. Self-centered as it may sound, the question that I consistently asked was “What does all this have to do with me?” Through my own personal experience with number, and years of pursuing a personal philosophy and a certain line of thinking, I saw many correlations between theology, mythology, philosophy and the sciences. These subjects didn’t seem like separate entities but rather different aspects of an interwoven whole – a whole that could be intuited, grasped and understood with the magic of numbers. I had no set beliefs going into my pursuit. I wasn’t agnostic, atheist, Christian, Muslim or Jewish. I was not and am not a Freemason, a member of any sort of  underground or secret society, I don’t consider myself democrat or republican and I am not specialized in any particular field of research. The only thing I can honestly say is that I was open-minded and discerning about all the information I had accrued and gathered over the years and that mindset turned out to be the most important philosophy I ever undertook in my life.

“You want to be open-minded but not so much as to hear the wind whipping between your ears.” –Terence McKenna

The Golden Ratio PHI – A Key to Unlock the Heavens and Earth

Within the word philosophy consists of one of the most important mathematical ratios of all known by the ancient Greeks as Phi and Phee (PHI – loso – PHEE). Phi and its counterpart Phee are deemed the Golden Mean, the Golden Proportion and the Golden Ratio. This ratio is the number 1.618 and is the number upon which all of nature performs her balancing act. The word “mean” is defined as “occupying a position between two extremes” and it is within this number that all of nature blooms into magnificence. Through the very word philosophy, our ancestors were trying to guide us in our thinking, informing us that in order to truly pontificate, ponder, ruminate and ultimately understand the workings of our cosmos, one would need to immerse himself in the power of number. Phi was not just some arbitrary number or ratio somehow manifested through mindless chaotic universal construction but a key to unlock the door to certain universal truths within the sacredness of the Heavens and Earth.

“Whoever cultivates the golden mean avoids both the poverty of the hovel and the envy of the palace.” – Horace

The ratio of Phi is understood mathematically as the total length “a + b” is to the length of the longer segment “a” as the length of “a” is to the length of the shorter segment “b”.

golden_ratio_PhiThis proportion is expressed on the human body.

From the bottom of your feet to your navel equals 1 and the navel to the top of your head equals .618, making you, the complete man, approximately 1.618. From your elbow to your wrist equals 1 and your wrist to the end of your middle finger equals .618, making your complete arm, roughly 1.618.

ML_VitruvianMan

This ratio constructs the human temple and is a tool to help one recognize that the human being is indeed a balance or mean between the two extremes of the as above and the so below. You are the central balancing node between the Heavens above and the Earth below. The Golden Mean is a ratio to help establish meaning in your life. It is there to help you understand this world rationally.

“In order to come to an UNDERSTANDING of this world, you first need to know what you are STANDING UNDER and what is UNDER what you are STANDING on – and these are of course the Heavens and the Earth. By contemplating these two eternal concepts you may just come to the UNDERSTANDING that they balance each other by nothing more and nothing less than yourself.” – Claudia Pavonis

We can find the Golden Ratio within the Fibonacci Sequence. The Fibonacci Sequence is a sequence that was rediscovered in the 13th century by the French mathematician Leonardo of Pisa, also known as Leonardo Fibonacci. The sequence was originally formed to calculate how rabbits multiply when they mate. The series grows accruing terms that come from within itself, taking nothing from outside the sequence of growth. This pattern spirals as it grows to fruition. This spiral pattern is evident all throughout nature: tornadoes, sunflowers, ocean waves and pine cones all form from this fundamental sequence. From the first term, 0 the Fibonacci Sequence grows by simple addition.

ML_Spiral

By taking a number later in the sequence and dividing it by its predecessor we can find our holy ratio of 1.618. Example: 144 / 89 = 1.618…. Many people nowadays are familiar with the Fibonacci Sequence and this will undoubtedly be a review for many readers. Even if you are not familiar with the sequence, you have surely seen its wonders play out in the world. Even your credit cards and IDs are created by the ratio of Phi.

ML_CC_PhiWe can also find this ratio within the balancing number in our number line, the number 5. The number 5 is the balancing point between the numbers 0 and 10 (or 1 and 9).

ML_number5 A Pentagram (penta meaning 5) encodes 1.618 as well if we measure the smaller half of one of the arms of the star, it will proportion out to .618 with the larger half being 1. Human beings are constructed using the number 5. We have 5 senses, 5 fingers on each hand, 5 toes on each foot and 5 extensions from our torso. Phi and Phive are intimately linked to the construction of the human being.

ML_Pentagram

The Holy Number 108

In this article, we will be exploring in depth the very holy number 108 and its relationship to the Fibonacci sequence and the number 5. If you notice above, the number 108 is the number of degrees between the top arms of the pentagram. The number 108 is a number that has shown its face time and time again throughout history and is, in the opinion of this author, a key vertex in the archetypal architecture of our creation. What is so important about this number? In both Pi – The Great Work and Pi & The English Alphabet Vol. 1 I highlight some of the many places this number shows its face. They are listed below:

  • There are 54 letters in the Sanskrit alphabet, and each has masculine and feminine (shiva and shakti) qualities. 54 times 2 equals 108.
  • The Indian Subcontinent rosary, or set of mantra counting, has 108 beads.
  • In the Krishna tradition, there were said to be 108 gopis of Krishna
  • The radius of the Moon is 1,080 miles.
  • The number 108 is used in Islam to refer to God.
  • The Chinese Buddhists and Taoists use a 108 bead mala, which is called su-chu, and has 3 dividing beads, so the mala is divided into three parts of 36 each.
  • The Sikh tradition has a mala of 108 knots tied in a string of wool, rather than beads.
  • There are 9 planets in the Solar System and 12 ages of the Zodiac. 9 x 12 = 108.
  • Atman, the human soul or center, goes through 108 stages on the journey.

There are many more examples of where this number 108 shows its face but these few are enough to make us ask the questions;

  • Why 108?
  • Where did this number come from?
  • Why is it so special and consistently seen across the world?
  • Why does it seem to be attached to spiritualties such as Sikh, Hinduism, Taoism and Buddhism?

We are going to find this Holy 108 within the spiraling unfolding Fibonacci sequence. It is interesting to note the similarities between the words SPIRitual and SPIRal.

Decimal Parity

In the last article we briefly touched on the ancient numerological practice known as decimal parity. Decimal parity is a method not used in contemporary mathematics but is one that was utilized by mystics, magis, astrologers and spiritual philosophers of the past. Termed decimal parity, digital root, Pythagorean addition, Kabbalistic reduction and Theosophical addition, this technique breaks any number down to the numbers 1 – 9 and in doing so allows one to view not just the quantity, but the quality and essence of a number as well.
The modern approach to math does not allow for such “numeric trickery”.  Modern science and mathematics leaves basically no room for interpretation or for a philosophical understanding of number itself. Numbers were not created by man – numbers are the creation of nature and of the divine and the more ways we can understand this natural language, the more we will understand our Earth, our cosmos and ourselves. Simply put, decimal parity gives us another way of speaking the language of God.

So how exactly does decimal parity work?
Decimal parity is simple. No matter how large or complex the number, we can break it down to its decimal or digital root.

For example, let’s look at the number 987,654,321. By combining the individual digits of this number, we can find its digital root by utilizing one of the most basic mathematical principles of all; addition.
9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 = 45 and 4 + 5 = 9
Therefore the essence, quality or decimal parity equivalent of 987,654,321 is 9.

Let’s try another. Let’s find the decimal parity equivalent of the number 361.
3 + 6 + 1 = 10 and 1 + 0 = 1
Therefore the essence, quality or decimal parity equivalent of 361 is 1.

We can now take this technique over to the Fibonacci sequence to see what this mighty sequence has to offer us. Shown below is the graphic for the breakdown of the Fibonacci sequence but this time with its decimal parity equivalents highlighted in green. Notice 13 now becomes 4, 21 becomes 3, 34 becomes 7, etc.

ML_decimalParityIf we continue this process out, we will find a repeating string of 24 digits within the Fibonacci Sequence being the following:

(0), 1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1

This pattern of numbers will repeat itself ad infinitum due to the Fibonacci sequence’s self-generated process of growth with the only variation being the first term, or the digit ZERO. The first term in the sequence is a zero in the first cycle but becomes a 9 every cycle thereafter. (0/9) This difference is shown and highlighted below:

First sequence –
(0), 1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1
Every sequence thereafter –
(9), 1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1

We will not be going over the math here due to space constraints but if you would like to see the math, I have it highlighted in my book Pi – The Great Work, page 45. The first 24 numbers of the Fibonacci Sequence – before Decimal Parity reduction are:

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765, 10946, 17711, 28657.

With, once again, its decimal parity equivalents being:

(0), 1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1.

If we add these 24 digits up, we find our holy number 108.

0 + 1 + 1 + 2 + 3 + 5 + 8 + 4 + 3 + 7 + 1 + 8 + 9 + 8 + 8 + 7 + 6 + 4 + 1 + 5 + 6 + 2 + 8 + 1 = 108

This sequence has been independently confirmed by several other scholars. Scott Onstott of www.secretsinplainsight.com and Jain of  www.jainmathemagics.com have both calculated this sequence. I came to find this through my own studies and it should be noteworthy to the reader that due to the fact that this number shows its face time and time again in many different cultures, we can easily conclude that this sequence has been re-discovered by many seekers throughout the ages. Luckily for our current age, this mathematical jewel is beginning to show its face again from the depths of obscurity, just quite possibly to remind us of the harmonious and simplistic nature in which the divine wishes to speak to us.

Metatron’s Cube

The spiral or spiritual nature of the Fibonacci sequence, as it unfolds, wishes to inform us about the cyclical nature of the cosmos. Planets, stars, galaxies, seasons and even life and death itself are cyclical. Since the Fibonacci sequence wishes to inform us about the power of spirals, let’s wrap this sequence around a circle. In doing this, we can connect our starting number ZERO to the numbers in the sequence divisible by 3 with those being 3, 3, 9, 6 and 6. Notice these numbers are separated by three numbers between them, showing us the power of the Trinity within the Fibonacci sequence. Connecting these numbers, we can actually form what is known as the Seal of Solomon or Star of David. We can also construct what is known in sacred geometry as Metatron’s Cube. Metatron is mentioned in the Pseudepigrapha and most prominently in the Hebrew Merkabah Book of Enoch. The book describes the link between Enoch, son of Jared (great grandfather of Noah) and his transformation into the angel Metatron. His grand title was “the lesser YHWH”.

Metatron’s Cube is a two-dimensional geometric figure created from 13 equal circles. 6 circles are placed in a hexagonal pattern around a central circle with 6 more extending out along the same radial lines. It is 12 spheres around 1, reflecting the 12 hours of a clock as well as Jesus and his 12 disciples and the 12 ages of the zodiac around our sun. Metatron’s Cube is considered one of the most holy of the ancient sacred geometrical symbols and one that encodes the 5 Platonic solids. The Platonic solids are the 5 polygons that can be constructed within a sphere and are named after the Greek philosopher Plato. Metatron’s Cube is directly related to the Holy 108 of Phi as shown below.

ML_MetatronCube

I show this entire concept in a brief, un-narrated video: https://www.youtube.com/watch?v=64Xi7LIqxZk

If you would like to study this in depth it is available in both my books. There is much more to find within this very holy geometric construction and I urge the reader to study and explore this in depth.
But this is not the only place we can find our Holy 108!

We can also use the cipher for the English Alphabet to find three key places in which our holy 108 wishes to show its face. Once again, the cipher is shown below.

ML_EngGemSince we are dealing with simple mathematics, we can use our cipher on the four basic mathematical principles everyone is well acquainted with, mainly adding subtracting, multiplying and dividing. When we use the cipher on the phrase “ADD, SUBTRACT, MULTIPLY AND DIVIDE” we find it sums to none other than 108.

ADD, SUBTRACT, MULTIPLY AND DIVIDE
144 66275137 16275322 114 455545 = 108!

Quite interesting but is this merely a coincidence?

“In the magical world, there are no coincidences and there are no accidents.” – William Burroughs

One of the most prominent angles, the semi-circle, or ONE HUNDRED EIGHTY DEGREES finds us at that holy number 108 yet again!

ONE HUNDRED EIGHTY DEGREES
215 6614554 557672 4575556 = 108!

It would seem that the number 108 is hiding just beneath the surface of so many important mathematical principles. In the opinion of this author, this is not a coincidence and invariably shows the occult nature of our reality. Occult means hidden and the mystics and spiritually advanced people of the past absolutely understood that lying just below the thin veneer of our everyday reality exists a beautiful matrix of simple number patterns. By “reading between the lines” of number, one is allowed access to the flowing oceanic numeric tides within the mind of God. Even St. John wanted to tell us about this number in his most cryptic verse:

13:18 – Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.

Six hundred three score and six translates to the number 666. Using the English cipher, we can find what else was intended, or occulted behind the beastly number 666.
SIX HUNDRED THREE SCORE SIX
653 6614554 76555 63255 653 = 108!

Thanks for your time and stay tuned for another article within the next month. Please visit www.martyleeds33.com or www.schooloftheholyscience.org for more info on gematria, numerology, sacred number, sacred geometry, astrology and all things related to Pi! Thank you!

Copyright 2013 Marty Leeds
Presented with Permission of the Author

About the Author

Greetings. My name is Marty Leeds and I am the author of three books, Pi – The Great Work and Pi  & The English Alphabet Volume 1 & 2,  dealing with numerology,  astrology, sacred geometry and gematria.
I have an ongoing web series discussing many subjects that  you can find at www.martyleeds33.com as well as on youtube/martyleeds33. My intention and goal is  to try to teach the basics of these subjects in a fun, easily digestible way so that anyone with an open  mind and a yearning to understand the fundamentals of our universal construction may grasp them.  Please visit my website and check out the books I have available for further study on these subjects.  All the material on the web is presented for free and I intend to post many more videos as time goes on.  If you like what I am presenting, please pass it along to your friends and loved ones so they may enjoy  it as well and please support my efforts so I may bring more of my understanding of this material to  you. My books are available via my website or amazon.com. I am also a teacher at the website  www.schooloftheholyscience.org along with Johan Oldenkamp, Santos Bonacci, Bill Donahue and a  growing list of others. Our aim at the school is to bring the wisdom and knowledge of our ancestors to  the current age in an attempt to unearth and revive a true understanding of our cosmos as well as to  reaffirm our place in it. I hope these articles can help, in some small way, revive the wisdom of the old  and help it flourish in the hearts and minds of seekers in our current era.

Books by the Author

ML_book2 ML_book1

Also available here:

 

Respuesta  Mensaje 193 de 291 en el tema 
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http://lucesquenobrillan.blogspot.com.ar/2014/01/la-probable-pronunciacion-del-nombre.html

La probable pronunciación del nombre que representa el tetragrámaton griego YHWH

 

    Hoy día se conocen dos pronunciaciones del tetragrámaton o cuatro letras del hipotético nombre de Dios que en griego se escribe con las vocales YHWH (Ipsilon, Eta, Omega, Eta, son vocales, no consonantes), que en el alfabeto griego se pronuncian IEUE, respectivamente, o también IEOE, ya que la letra W (Omega, no uve doble) admite las dos pronunciaciones (U y O). Por lo general en las biblias de las iglesias protestantes el tetragramaton se transcribe como Jehovah. En las católicas, como Yahweh, forma ésta que, según los eruditos en la materia, sería la pronunciación más correcta del tetragramaton con que se representa el nombre divino. Otros eruditos defienden la forma Yahwah.

    La pronunciación Jehovah se origina al haber intercalado la Iglesia Católica al tetragrámaton las vocales de la palabra Adonaí (Señor), supliendo la primera A por una E. Indistintamente se pronunciaba el nombre divino como Jehovah o Jehovih. La escritura y pronunciación Jehovah fue la más usada en las biblias católicas. Cuando los protestantes se separaron, adoptaron la forma Jehovah que aparece en sus biblias hasta este día. Posteriormente la Iglesia Católica, para diferenciar la pronunciación, adoptó la forma Yaweh que algunos estudiosos entendían como más correcta, pero que a día de hoy no se sabe si realmente lo es, y lo más probable es que no lo sea.

    El historiador Diodoro de Sicilia, del siglo I antes de nuestra era, escribe que la pronunciación del tetragrámaton era IAO. La transcripción YHWH en griego habría conservado la pronunciación original hebrea. Según ello, una de dos, o las letras H no tendrían otra función que la de alargar el sonido vocal de las caracteres precedentes, a saber, Y, que se pronunciaría IAA, y W, con pronunciación de O alargada. La pronunciación sonaría, pues, como IAAOO; o bien ambas H eran mudas y el nombre sonaría como IAO ó YAHOH. No ha de olvidarse que el nombre divino abreviado aparece en la Biblia como YAH ó JAH.

    Cada vez más eruditos están convencidos de que IAO ó YAHOH era la pronunciación correcta del tetragrámaton escrito YHWH en griego. Siglos atrás así lo habían creído estudiosos como Orígenes, Ireneo y Clemente de Alejandría, aunque este último defendía la expresión IAOU, dándole el sonido OU a la W. Tal pronunciación del hipotético nombre de Dios que esconde el tetragrámaton YHWH estaría de acuerdo con los arcaicos símbolos o caracteres representados como IO, donde la I se pronunciaba IA.

    El símbolo I representaba en la antigüedad el concepto masculino, en tanto que O aludía al femenino. Ambos juntos forman IO, significando que la persona a quien se atribuyen los dos símbolos reúne en sí mismo los principios masculino y femenino, siendo el creador de cuanto existe, material o energéticamente. En griego los símbolos IO se funden en una sola letra, la que se denomina PHI, pronunciada F, que encaja el distintivo I en O. PHI es asimismo la designación del número áureo, de valor 1,618, empleado sobre todo en el arte arquitectónico maestro, algo que no está al alcance de todos los arquitectos. Por tanto PHI designa sapiencia profunda. No habría, pues, otra denominación más acorde para la sapiencia del Ser Creador que la representación IO, los principios masculino y femenino, ocultos en el tetragrámaton YHWH y pronunciado YAHOH ó IAO.

Respuesta  Mensaje 195 de 291 en el tema 
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TEOTIHUACAN-GIZE-NUMERO DE ORO PHI=1.618-RELACION CON LA INDEPENDENCIA DEL ESTADO DE ISRAEL
 
ISRAEL
ISIS
RA
ELOHIM
 
330 AÑOS EXACTOS MAS 1618=1948 (INDEPENDENCIA DE ISRAEL)
 

¿Qué es phi?
Phi y la serie de Fibonacci
Funciones trigonométricas
Razones matemáticas
Pentágono
Espirales Áureas

Inicio :: Ver temas relacionados: Decalogo Geometria Sagrada :: Número de Oro :: Merkaba

¿Qué es phi?

Phi (1.618033988749895... ), pronunciado como fi, es un numero irracional como Pi ( 3.14159265358979... ), pero con muchas características matemáticas inusuales. Phi es la base de la Proporción Dorada. La razón o proporción determinada por Phi (1.618...) era conocida por los Griegos como la “Sección Dorada” y por los artistas del renacimiento como la “Proporción Divina”. También se le conoce como la razón Dorada o la Proporción Áurea.
Phi, como Pi, es una razón definida por una construcción geométrica.
Pi es la relación de la circunferencia de un círculo respecto a su diámetro. Phi es la proporción de los segmentos de una línea que resultan cuando una línea es dividida de una forma única y especial.

La línea es dividida para que la proporción de la longitud de la línea entera (A) respecto a la longitud del segmento de la línea mayor (B) sea igual que la proporción de la longitud del segmento de la línea mayor (B) a la longitud del segmento de la línea menor (C)

Esto es que A es 1.618... veces B, y B es 1.618… veces C. Recíprocamente, C es 0.618... de B y B es 0.618... de A. Phi con mayúscula "Phi" es 1.6180339887..., mientras que phi con minúscula es 0.6180339887, el reciproco de Phi o Phi menos 1.

Lo que hace a phi incluso mas inusual es que puede derivarse de muchas formas y ser encontrado en proporcionalmente en el universo. Phi F puede ser derivado por: la serie numérica descubierta por Leonardo Fibonacci, matemáticas y geometría.

Phi y la serie de Fibonacci

Leonardo Fibonacci, por herencia del mundo árabe, descubrió la serie que nos lleva a phi. En el siglo XII, Leonardo Fibonacci descubrió una serie numérica simple que es la base de la increíble relación que encontramos detrás de phi. Empezando con 0 y 1, cada número de la serie es simplemente la suma de los dos anteriores. Así: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, . . .

La razón (proporción) de cada par sucesivo de números en la serie se aproxima a phi (1.618. . .). Así si dividimos 5 entre 3 es 1.666..., y 8 entre 5 es 1.60. En la medida en la que vamos mas lejos del 0 (punto de inicio de la secuencia) nos acercamos al valor de phi.

La tabla de abajo nos muestra como las proporciones de números sucesivos en la serie Fibonacci se aproxima a Phi.

Puedes computar cualquier número de la serie Fibonacci fácilmente. Usa phi para saber cualquier numero (n) de la serie Fibonacci (f)

fn = Fn / 5½

Phi puede derivarse matemáticamente resolviendo la ecuación:
n2 - n1 - n0 = 0 que es lo mismo que n2 - n - 1 = 0
Esta ecuación la rescribimos y nos queda así:
n2 = n + 1 y 1 / n = n - 1
La solución a la ecuación es la raíz cuadrada de 5 más 1 dividido entre 2
( 5½ + 1 ) / 2 = 1.6180339... = F

Esto resulta en dos propiedades únicas de phi:
Si elevas al cuadrado a phi, obtienes un numero exactamente 1 mayor que phi: 2.6180...
F2 = F + 1
Si divides a phi entre 1, obtienes un numero exactamente a 1 menos phi: 0.6180...:
1 / F = F - 1

Phi, curiosamente, puede ser expresado en cinco: 5 ^ .5 * .5 + .5 = F

Puedes usar phi para computar un número n en la serie Fibonacci (fn): fn = Fn / 5½

Como por ejemplo, el número 40 de la serie Fibonacci es 102, 334, 155, que puede expresarse
f40 = F40 / 5½ = 102,334,155

Este método en realidad nos provee un estimado que siempre esta cerca del numero correcto Fibonacci.

 

http://www.iuca.net/gs/que%20es%20phi.htm

 
 
 

 
 
  

¿Qué es phi?
Phi y la serie de Fibonacci
Funciones trigonométricas
Razones matemáticas
Pentágono
Espirales Áureas

Inicio :: Ver temas relacionados: Decalogo Geometria Sagrada :: Número de Oro :: Merkaba

¿Qué es phi?

Phi (1.618033988749895... ), pronunciado como fi, es un numero irracional como Pi ( 3.14159265358979... ), pero con muchas características matemáticas inusuales. Phi es la base de la Proporción Dorada. La razón o proporción determinada por Phi (1.618...) era conocida por los Griegos como la “Sección Dorada” y por los artistas del renacimiento como la “Proporción Divina”. También se le conoce como la razón Dorada o la Proporción Áurea.
Phi, como Pi, es una razón definida por una construcción geométrica.
Pi es la relación de la circunferencia de un círculo respecto a su diámetro. Phi es la proporción de los segmentos de una línea que resultan cuando una línea es dividida de una forma única y especial.

La línea es dividida para que la proporción de la longitud de la línea entera (A) respecto a la longitud del segmento de la línea mayor (B) sea igual que la proporción de la longitud del segmento de la línea mayor (B) a la longitud del segmento de la línea menor (C)

Esto es que A es 1.618... veces B, y B es 1.618… veces C. Recíprocamente, C es 0.618... de B y B es 0.618... de A. Phi con mayúscula "Phi" es 1.6180339887..., mientras que phi con minúscula es 0.6180339887, el reciproco de Phi o Phi menos 1.

Lo que hace a phi incluso mas inusual es que puede derivarse de muchas formas y ser encontrado en proporcionalmente en el universo. Phi F puede ser derivado por: la serie numérica descubierta por Leonardo Fibonacci, matemáticas y geometría.

Phi y la serie de Fibonacci

Leonardo Fibonacci, por herencia del mundo árabe, descubrió la serie que nos lleva a phi. En el siglo XII, Leonardo Fibonacci descubrió una serie numérica simple que es la base de la increíble relación que encontramos detrás de phi. Empezando con 0 y 1, cada número de la serie es simplemente la suma de los dos anteriores. Así: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, . . .

La razón (proporción) de cada par sucesivo de números en la serie se aproxima a phi (1.618. . .). Así si dividimos 5 entre 3 es 1.666..., y 8 entre 5 es 1.60. En la medida en la que vamos mas lejos del 0 (punto de inicio de la secuencia) nos acercamos al valor de phi.

La tabla de abajo nos muestra como las proporciones de números sucesivos en la serie Fibonacci se aproxima a Phi.

Puedes computar cualquier número de la serie Fibonacci fácilmente. Usa phi para saber cualquier numero (n) de la serie Fibonacci (f)

fn = Fn / 5½

Phi puede derivarse matemáticamente resolviendo la ecuación:
n2 - n1 - n0 = 0 que es lo mismo que n2 - n - 1 = 0
Esta ecuación la rescribimos y nos queda así:
n2 = n + 1 y 1 / n = n - 1
La solución a la ecuación es la raíz cuadrada de 5 más 1 dividido entre 2
( 5½ + 1 ) / 2 = 1.6180339... = F

Esto resulta en dos propiedades únicas de phi:
Si elevas al cuadrado a phi, obtienes un numero exactamente 1 mayor que phi: 2.6180...
F2 = F + 1
Si divides a phi entre 1, obtienes un numero exactamente a 1 menos phi: 0.6180...:
1 / F = F - 1

Phi, curiosamente, puede ser expresado en cinco: 5 ^ .5 * .5 + .5 = F

Puedes usar phi para computar un número n en la serie Fibonacci (fn): fn = Fn / 5½

Como por ejemplo, el número 40 de la serie Fibonacci es 102, 334, 155, que puede expresarse
f40 = F40 / 5½ = 102,334,155

Este método en realidad nos provee un estimado que siempre esta cerca del numero correcto Fibonacci.

 

http://www.iuca.net/gs/que%20es%20phi.htm

 
 
 

 
 

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TUESDAY, MAY 18, 2010

BORROMEAN RINGS (1/3)

 
“If one proceeded to announce that there is still nowadays a work of the former Egyptians, one of their books that escaped the flames that devoured their superb libraries, and which contains their purest doctrines on interesting subjects, everyone who heard, undoubtedly, would hasten to study such an invaluable book, such a marvel. If one also said that this book is very widespread in most of Europe, that for a number of centuries it has been in the hands of everyone, the surprise would be certain to increase. Would it not reach its height, if one gave assurances that no one ever suspected that it was Egyptian; that those who possessed it did not value it, that nobody ever sought to decipher a sheet of it; that the fruit of an exquisite wisdom is regarded as a cluster of extravagant figures which do not mean anything by themselves? Would it not be thought that the speaker wanted to amuse himself, and played on the credulity of his listeners?”
- Antione Court de Gebèlin, The Game of Tarots,
from le Monde Primitif (1781)




BORROMEAN RINGS

RING ONE: hidden element


3 Rings linked together, their centers being vertices (corners) of an equilateral Triangle.

Viewed in this diagram, we are looking at a 2-dimensional map of Earth from its side, represented by One ring of our choosing (blue):


Orient the planet so the Great Pyramid at Giza (30˚N) lays at one of the vertices, the Earth’s center at another, and its axis’ North pole at the third.

Exploring this set of relations, it can be demonstrated that the architectural proportions of the Great Pyramid at Giza exhibit a means of utilizing the measure of Earth to express the mathematical constant, π. To understand how we must suspend, for a moment, our habit of thinking of number in purely quantitative terms and consider the ways in which some numbers are also inherently bound to specific geometric forms - like with ‘square’ (1² 2² 3² 4² 5²...) or ‘cubed’ (1³ 2³ 3³ 4³ 5³...) numbers we see a sum attached to a particular shape. Other shapes each possess their own sequence of numbers also attached to their change in proportion.

These are called ‘figurate numbers’, and tradition has it they were introduced into Greek mathematics by the pre-Socratic philosopher, Pythagoras, in the 6th century BC. A student of the ancient mystery schools, it is likely he acquired this knowledge during his journeys to Chaldea & Egypt; but all that is really required to calculate the number sequences tied to these shapes is a stack of pebbles and time to spare, counting out the variety of polygons & devising ways of stacking them to construct polyhedrons.

To the careful interpreter of nature a pattern was discernible amidst this numerical data - One that, properly placed, could be applied to the measure of all things. It is suggested here that the Great Pyramid at Giza, in relation to the 3-Ring structure given above, embodies this application.

Let us then imagine the Great Pyramid as keystone to a system of ‘projective numerology’ - an application of mathematics using figurate numbers to model distances and proportions as shapes, and translating them into their related forms as ‘seen’ from different angles & in other dimensions.

At the root of any square pyramid’s architecture is its’ seked - an ancient Egyptian ratio of angular measure used to determine the slope of a pyramid’s sides and thus its’ height.




Utilizing the seked of the Great Pyramid, the perimeter of a square pyramidal base equals the circumference of a circle whose radius is equal to that pyramid’s height.

Within our 2-dimensional map, as our planet rotates upon its’ axis, the Pyramid appears to move from one end of a vesica piscis to the other, as if turning on a Wheel whose rim is the 30th parallel. Thus, in one quarter turn (11/14 ≈ π/4) the Pyramid appears to move in a perpendicular line to the base of the equilateral Triangle articulated within our 3-ring diagram.

 

The distance of this perpendicular line from the Great Pyramid to the Earth’s polar axis is 3430 nautical miles, or 10x the cube of seven.

Let us then imagine this distance as a stack of 10 cubes, 7x7x7.



A ‘quarter turn’ (11/14) of the Earth thus ‘apportions’ a 10x10 square of these cubes:
10² x 14/11 = 127.27272727...

So, by the logic induced with this arrangement of proportions, distances can be pictured in the mind’s Eye as figurate numbers of octahedral symmetry with 7-unit sides. Reading the Run & Rise of the Great Pyramid’sseked both forward and backward we get a formula for modeling a linear distance of the Earth’s measure as a column made of figurative cubes.
[3d:2d = 343 : 127 ]


As such, we can picture the square pyramid monument atop this ‘column’ as pointing to the center of an imaginary 11th cube.




It follows, then, that a 12-hour rotation (180˚) measures a distance from center-point to center-point of the cubes at either end of a column 22 cubes of 7 long.



The center point of a unit cube has a specific relationship to the vesica piscis traversed in this 12-hour ‘distance’ within our diagram, as Two rings sharing a single radius give a rational approximation for √3, which is also the space diagonal of any unit cube.




In other words, with respect to a unit cube, the √3 is the distance between opposite corners of that cube. Tracing these space diagonal lines joins the opposing corners, all of which intersect at the center of that cube, and thereby delineate the edges of six square pyramids joined at their apex.



22:7 ≈ π
To the Egyptian god Thoth, equated with the Greek god, Hermes, and particularly the Roman god, Mercury, this ratio is significant in describing the number of conjunctions aligning Mercury & Earth with the Sun every 7 years. Also known as a ‘synodic cycle’, this is an example of what ancient Greek astronomers called an exeligmos, or ‘Turn of the Wheel’ - describing any period wherein Sun, Moon, and/or planets return to conjunction(s) from which they started. The term is still used today, but is more specifically applied to the Triple Saros cycle of reckoning lunar eclipses, each 120º of longitude apart, eventually returning to a point relatively close to where they began: exeligmos. The Romans used the term annus magnus, or ‘great year’ to describe the same class of periodic event.

As we shall see, each of the planets have a harmonic ratio of conjunctions with our planet Earth, and with each other. By fixing the Earth to the center of our ecliptic plane, the motion of other planets relative to our position appear as serpentine spiro-graph patterns, looping in close when aligning into conjunction with the Sun, and looping out to trace a wide arc that coils about the Earth until looping in again for another conjunction.


Mars:Earth


Venus: Earth


Consistent within our model of 10 cubes of seven, the Great Pyramid (pointing to the center of an eleventh) also corresponds to the tip of an octahedron of 7 = 231. And it just so happens that 11x 231 is the number of days in the exeligmos of Mercury & Earth, 22:7. In addition, the measure of the Great Pyramid’s base side lengths (440 cubits each) give a total base area measuring approximately 231 meters square.

Being a close approximation of the value π, and our annus magnus with the planet Mercury (Hermes/Thoth), let us then imagine this column of 22 cubes of 7 as the staff of his Caduceus. As we shall see, the cycles of the other planets can be represented as the serpents entwined about this Staff, their helices in tune with the ratio of their exeligmos.

Imparting more than just the inevitable passage of Time, they were the very music of the spheres by which the harmony of creation was made known to the ancient Geometers. Our 3-Rings establish the base unit of an entire system of weights & measures (metrology) by symbolizing an angular dimension constructed by the movement through Time of the Great Pyramid, like the point of a metronome entrained to the Earth’s tempo. In effect attuning the mathematical constant π with Mercury's Great Year  & the linear measure of Earth's size in units of angular measure. 'Squaring' the circle much like the Great Pyramid's seked.

1 nautical mile = 1.15 miles
The nautical mile used as our base unit of measure for obtaining the distance in cubes of seven is also a unit of angular measure equivalent to 1/60th degree of Earth longitude (=1 minute of arc degree). Converting this into survey land miles = 1/10² the number of days between Earth:Mercury conjunctions (=115).



22:7 = 12 hrs @ 30˚north (12x 30 = 360)
180˚ = 10,800 arc minutes of degree = 50x 216, the cube of 6
216 also equals the number of degrees between Earth:Venus conjunctions (x5 = 1 Earth:Venus pentagram = exeligmos). So, by subdividing each degree of arc into 60 minutes, Earth’s 180˚ rotation (22:7) upon its’ axis thereby possesses a kind of numerological resonance regarding its harmonic with Venus, the exeligmos of the pentagram. Reputedly a symbol of good will among the Pythagoreans, the pentagram also provides an easy means of obtaining the golden ratio.



 

12 : 1 = (22/7) = 60 minutes
In this way our measure of both Time & Space define each other by weaving together the value π with the ‘divine proportion’ of the golden ratio.

Of the numerous other curious facets to this TooL of Hermetic Metrology, establishing not only our system of weights & measures, its choice of cubes & octahedrons also exhibit a direct connection to speeds of both sound & light:

1 meter
=distance trave1ed by sound 1/343th of second
=distance trave1ed by light 1/299,792,458th of second

343 = cube of 7
299,792,458 = c = speed of light in meters per second
1296000 / π = number of square degrees in one whole sphere
c / 1296000 = 231.321....
231 = octahedron of 7

Stranger still, the proportions outlined above are also paralleled in the numerical structure of the Tarot de Marseilles’ pattern of 22 major arcana trumps when applied to the Hebrew alphabet - in turn derived from Egyptian (via proto-Sinaitic) hieroglyphs which depicted the symbols those letters are still associated with.

We see traces of this tradition within our own English alphabet with the letter A: also the glyph for an Ox head (turned upside-down) having the same origin as the Hebrew letter aleph.



Referred to by 'occultists' as the Book of Thoth (though never adequately explained why), the key to unlocking this puzzle, as with any cryptological TooL, is knowing where to place the cypher, or sifr - the arabic word from which we also get Zero, or ‘nothing’, the rank of every Tarot deck’s Fool [aleph=0].

And this role proves more than suitable for One who ushers in what ultimately reveals a prank, of sorts... leading to what is arguably the greatest punch-line in history.
 
http://yzygy.blogspot.com.ar/2010/05/borromean-rings-13.html

Respuesta  Mensaje 198 de 291 en el tema 
De: BARILOCHENSE6999 Enviado: 11/03/2017 14:39
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Reply  Message 17 of 17 on the subject 
From: BARILOCHENSE6999 Sent: 10/03/2017 23:05
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RUTA 33
 
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Respuesta  Mensaje 199 de 291 en el tema 
De: BARILOCHENSE6999 Enviado: 15/03/2017 22:40
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Respuesta  Mensaje 200 de 291 en el tema 
De: BARILOCHENSE6999 Enviado: 19/03/2017 02:36

LA V CORTA QUE CONTIENE LA LETRA M EN EL CENTRO EQUIVALE A LA V CORTA DE VENUS/VIRGEN/VICTORIA.V=SEXO FEMENINO-A=SEXO MASCULINO. MARIA DE LA VICTORIA ES LA MISMA MARIA LA MAGDALENA.

 

Capture d'écran Da Vinci code

logo ésotérique Franc maçonique

A gauche, l'emblème maçonnique.

A droite, l'"étoile de David".

Deux barres ou lignes horizontales appliquées sur le compas et l'équerre maçonniques suffisent à faire de l'emblème une étoile de David.

étoile à 6 branches animée

 

MATEO 5
37 Pero sea vuestro hablar: Sí, ; no, no; porque lo que es más de esto, de mal procede.
 NOTEN LA CLAVE ESOTERICA CON REFERENCIA AL NUMERO 37
GNOSIS ES UNA REFERENCIA A LA UNION ENTRE EL HOMBRE Y LA MUJER

The Heart

pic

HaLev

 
19 = 5 + 12 + 2 (Ordinal Value) pic
37 = 5 + 30 + 2 (Standard Value)
SI=HOMBRE
NO=MUJER
G-NO-SI-S
S-G/ISHTAR GATE
'G', the letter of 'God', the 'Great Architect', the 'Geometer', for G is the 7th letter -
    

 

NOTEN LA ESTRELLA DE 6 PUNTAS (NUMERO 33-DOS TRIANGULOS) Y EL AGUILA/PHOENIX EN EL DOLAR
 
 
NOTEN LA ESTRELLA DE 5 PUNTAS EN EL CENTRO DEL EXAGONO CENTRO DE LA ESTRELLA DE 6 PUNTAS
EL EXAGONO TAMBIEN ES UNA REFERENCIA AL CUBO
Image
Observen una estrella de 6 puntas=6to dia=sex=six=VENUS/VIERNES (SEXTO DIA DE LA SEMANA)
OBSERVEN QUE TAMBIEN ES UN CUBO
6,7 Y 8
EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO DE MOISES TENIA FORMA DE CUBO Y ESTABA ORIENTADO DE ESTE A OESTE. CONCRETAMENTE DICHO COMPARTIMENTO ESTABA HACIA ADONDE SALE LA LUNA CRECIENTE. ESTO EXPLICA SU FUERTE NEXO CIENTIFICO CON DICHA LUNA, INTERRELACIONADA CON EL NACIMIENTO DE UN NIÑO. LA LUNA CRECIENTE TIENE LA CUALIDAD DE QUE SALE Y SE PONE A LA PUESTA DEL SOL SIEMPRE EN EL OESTE. CONCRETAMENTE EL MENSAJE ESPIRITUAL DEL LUGAR SANTISIMO DEL TABERNACULO DE MOISES Y DEL TEMPLO DE SALOMON TIENE UN FUERTE MARCO, INSISTO CON EL NACIMIENTO DE UN NIÑO, Y MAXIME QUE EN EL CONTEXTO A LOS MESES DEL AÑO EL OESTE NOS CAE EN SEPTIEMBRE U OCTUBRE, OSEA EN LA FIESTA DE LOS TABERNACULOS. TABERNA/VINO/GRIAL.
      
 EL CUBO DEL LUGAR SANTO DEL TABERNACULO JUDIO, INCLUSO ESTABA DISEÑADO EN FUNCION A LA SERIE DE FIBONACCI, OSEA EL NUMERO DE ORO. EL MENSAJE ESOTERICO ES OBVIO EN EL MARCO A QUE DICHO CUBO ERA EL GRIAL MISMO. EL NUMERO DE ORO ES UNA REFERENCIA A LA ALQUIMIA, OSEA A LA CUADRATURA DEL CIRCULO O CUBICACION DE UNA ESFERA, OSEA A LA UNION ENTRE EL HOMBRE Y LA MUJER. ESE ES EL SIMBOLISMO DE LA ESTRELLA DE 6 PUNTAS QUE ES UNA REFERENCIA AL SEXTO DIA DE LA CREACION O EL ACTUAL SEXTO DIA DE LA SEMANA, EL VIERNES.
 EL HECHO DE QUE HAYA UNA ESTRELLA DE 5 PUNTAS EN EL CENTRO DEL EXAGONO, INSISTO CON FORMA DE CUBO ES UNA REFERENCIA A LA CUBICACION DE UNA ESFERA O EN UN CONTEXTO BIDIMENCIONAL A LA CUADRATURA DEL CIRCULO. ¿QUE LE QUIERO DECIR CON ESTO? QUE LA ESTRELLA DE 6 PUNTAS, SON UNA REFERENCIA A LAS ANTIGUAS 12 TRIBUS DE ISRAEL QUE ESTABAN UBICADAS ALREDEDOR DEL TABERNACULO Y QUE EL CENTRO ES EL LUGAR SANTISIMO MISMO. LA GRAN PIRAMIDE DE GIZE ESTA DISEÑADA CON ESTE PATRON. EL NEXO VENUS/SIRIO CON LA ESTRELLA DE 5 PUNTAS APARENTEMENTE SON UNA REFERENCIA AL PATRON 1989, CUANDO FUE FUNDADA LA PIRAMIDE DE LOUVRE, POR FRANSUA MITERRAND, EN EL CUAL LA LUNA CRECIENTE CAYO EL 7 DE ABRIL (PATRON 47 O 74=SIRIO=GOD =DOG=INDEPENDENCIA DE EEUU)
The Freemasonic symbology of the architecture in Washington, D.C. is replete with occult concepts and references.
The Square and Compass is aligned horizontally to revere the direction in which the Sun as well as the 'Sun behind the Sun'  - the Star of Set, or Sirius which is also included in the layout as the White House is not only at the left side of the Compass, but it  is at the bottom of the averse pentagram aligned with the North.

 
The Star Sirius is a binary star, and the lesser star - Sirius B - is depicted as the smaller star to the bottom left; 'The Pentagon'. Even the hieroglyph of Sirius contains the predominant elements of the architecture; 
 the Obelisk (Washington Monument), the 5  pointed star, and the Dome (The Capital Building).
SIRIO, APARENTEMENTE ES EL SANTO GRIAL, OSEA UN NUEVO PABLO (PEQUEÑO) QUE ERA DE LA TRIBU DE BENJAMIN/PERRO/LOBO/CHACAL. Recordemos que en el nacimiento de BENJAMIN, el hijo mas chico de JACOB, muere RAQUEL, la esposa amada DE JACOB/ISRAEL. JUSTAMENTE ISIS-RA-ELOHIM NOS DA LA CLAVE EGIPCIA EN EL CONTEXTO HEBREO COMO CENTRO EN LA ALQUIMIA, insisto, la union entre el hombre y la mujer codificada en el mismo centro de la estrella de 6 puntas. JUSTAMENTE ES EN ESTE CONTEXTO QUE EL SEÑOR INTERRELACIONA JUAN 21:11 CON LA INDEPENDENCIA DE ESTADOS UNIDOS. TODO ES UNA REFERENCIA A BENJAMIN EN EL CONTEXTO A LA SEÑAL DE JONAS. EL DISCIPULO AMADO, QUE ES JUAN MARCOS, ES UN NUEVO JONATHAN, OSEA EL HIJO/PRINCIPE HIJO DEL REY SAUL, QUE FUE EL PRIMER REY JUDIO. EL NEXO JUAN MARCOS/BENJAMIN TIENE ESTA CLAVE TIPOLOGICA. RECUERDEN QUE DAVID AMABA A JONATHAN, OSEA EN EL MARCO A QUE NUESTRO SEÑOR FUE HIJO DE DAVID, ES OBVIO QUE EL DISCIPULO AMADO ES UN NUEVO JONATHAN, BENJAMINITA ESPIRITUAL O NUEVO PRINCIPE. ALLI ESTA LA CLAVE ORION/MERCURIO (UNICA SUSTANCIA CONVERTIDA EN ORO) EN EL MARCO A LA SEÑAL DE JONAS. INSISTO, JUAN MARCOS ES UN NUEVO JONATHAN.
 

A regular square pyramid is determined by its medial right triangle, whose edges are the pyramid's apothem (a), semi-base (b), and height (h); the face inclination angle is also marked. Mathematical proportions b:h:a of 1:sqrt{varphi}:varphi and 3:4:5  and 1:4/pi:1.61899  are of particular interest in relation to Egyptian pyramids.

 

Respuesta  Mensaje 201 de 291 en el tema 
De: BARILOCHENSE6999 Enviado: 25/03/2017 00:00
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