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جواب  رسائل 1 من 14 في الفقرة 
من: BARILOCHENSE6999  (الرسالة الأصلية) مبعوث: 12/03/2013 05:04
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من: BARILOCHENSE6999 مبعوث: 12/03/2013 19:03

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من: BARILOCHENSE6999 مبعوث: 12/03/2013 19:49
 
The Vesica Pisces and the Yin/Yang Symbol

جواب  رسائل 4 من 14 في الفقرة 
من: BARILOCHENSE6999 مبعوث: 13/03/2013 03:10

Doubling the Circle

 

  • John Michell suggests that this (on the left below) is the template for St Mary's Chapel at Glastonbury, as well as for the Stonehenge and other structures. It consists of a circle inscribed in a triangle and a hexagram that are inscribed in another circle. The implication is that there is another hexagon inside the central circle and another one outside of the outer one, ad infinitum.

    Adding another hexagram in the center would give us the figures of Metatron's Cube and the Tree of Life, seen on the last page, but Michell never mentions the name Metatron's Cube, and never fully explores the development of this figure.

     

        

    I call this geometric exercise 'doubling the circle', because by adding two more circles to the first image (above right) you can prove that the outer circle is twice as large as the inner one, since a vesica made of three over-lapping circles 1 unit wide is 2 units wide. [Remember that the vesica consists of equal circles whose centers are on the circumference of another circle, causing an overlap one radius wide.]

     

    The Vesica Piscis

    The vesica piscis produces a series of ever increasing (or decreasing, depending on how you look at it) circles, hexagrams, triangles and rectangles, each twice as large as the next one (like the fractals seen earlier). The image on the left below has three 'levels' of circles showing that the outer circle is four small circles tall. [This is the image that illustrates what was said on the previous page about using circles to prove distances in the 'idealized' DC map.]

     

            

    Overlaying the figure on the left onto the eagle on the Great Seal so that the top small circle matches the circle around the field of stars (which are themselves arranged like the Star of David) produces the image in the middle above. The image on the left below shows how two vesica (3 circles) define twin equilateral triangles, hexagons and hexagrams, while the image on the right shows how this was adapted to the other side of the Great Seal. [Note how the base of the blue triangle and base of the pyramid coincide.]

     

        

    The vesica is the template for the Great Seal, the cathedral plan and the DC map.

     


     

    Triangulum and Quadratum

    Let's look closely at the inner circle in the Milan Cathedral plan as viewed by Caesarino. Inscribed within that circle we find an equal-armed cross and a diagonal square (both in red), a hexagon and a triangle formed by the diagonals of the hexagon.

     

    [Notice how the rhombus generates a cross with arms that are un-equal. Draftsmen use two different triangles, one is a 45-45-90 triangle that is one quarter of the diagonal square, while the other is a 30-60-90 triangle that is one quarter of a rhombus. Half a diagonal square is still a 45-45-90 triangle, while half a rhombus is an equilateral traingle.]

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

  • We now know that the triangle and hexagon derive from the vesica, and are associated with the ad triangulum spoken of earlier. The ad quadratum is based on a diagonal square which results from a circle and a cross. The top of the triangle from the left image and the bottom of the square from the right image, when overlapped, produce the Masonic Compass and Square, which represent the ad triangulum and ad quadratum as symbols of the double soul of the Universe.

     

            

    When Striling suggests that the Milan Cathedral was designed using a cross and rhombus (or vesica), he was referring to the quadratum and triangulum design forms which Masons represent by the square and compass and which designers represent by a triangle and a square. In the DC map, the quadratum is represented by the othogonal street grid and the oblique square that constituted the district originally. The District of Columbia is shaped like a diagonal square.

     

    Below we add two more large circles to the image above which produces a large Star of David and the rectangular grid. Extending the lines of the hexagon in the middle circle produces the isometric grid (in red). Where those lines cross the big triangle marks the top points of the pentagram. The vesica generates the equilateral triangle, the rhombus, the Star of David, Metatron's Cube and the Tree of Life.

     

     

    The ideal template for the DC map

    Remember that the ideal template was shortened about 75% to produce the DC plan, meaning that the map image was reduced in height until what was an equilateral triangle now has ~52 degree base angles, accomodating the pyramid cross-section and producing a shortened pentagram and hexagram. The Wash Mmt is south and east of where it 'should' be because it was moved in order to mimic the position of he Queen's Chamber in the cross-section.

    In adition to that, the Capitol Building was located north of it's ideal position for topographic reasons expalined above, which throws off everything south of the WH. So, if we move the CB south a little bit and realign the elements of the map that relate to the it, then increase the height of the triangle in the DC map, we will get the above figure in the western half of the map.

    Here is an image of the template for all of the map. In this image and the one above, the CB and East Cap St have been moved south, straightening Penn, NY, and Maryland Ave's, and relocating Virginia Ave. Mass Ave is straightened by moving Lincoln Square the same distance east of the CB that the WH is west of it.

     

     

     

     

     

     

     

     

     

     

     

     

     

  • جواب  رسائل 5 من 14 في الفقرة 
    من: BARILOCHENSE6999 مبعوث: 13/03/2013 04:23
     

    DaVinci Mystery

    The Great Pyramid of Giza

    Article by Ralph Miller

    Since I wrote the first article about the DaVinci Code, I have received emails from readers who have suggested that there is more information contained within Leonardo DaVinci's drawing "Proportions of the Human Figure". I have continued researching the subject myself as well. In order to give some more of the information, I decided to write this second installment. I would also like to thank those who have sent me these ideas.

    There seems to be a connection between all things. In other words, the nature of reality itself, or at least what we would consider consensual reality or 3D, seems to be holographic in nature. Each part of nature contains clues that unlock the puzzle of all the rest of reality, or to the whole of creation. DaVinci's drawing contains incredible information that shows the connection between humans and all of reality. There is a geometry hidden within the human body that reflects the geometry in everything else.

    During an Ayahuasca journey, many people experience a perception of everything as part of an extraordinary mathematical equation. They see themselves in mathematical form. From nature around them to even their thoughts and emotions, everything is somehow represented as part of a beautiful mathematical geometry. Ayahuasca unlocks or awakens the visionary brain. The visionary brain completes the human ability to perceive. It unlocks the capacity of a greater seat of understanding that is located in the heart.

    This expanded perception of reality cannot be simply intellectualized. We are used to conceptualizing ideas with our 'thinking' minds, and this is far too elaborate and complicated to grasp at that level. There is however, an expanded state of consciousness that elicits a 'knowing'. Knowing is quite different from 'understanding.' This knowing relies on a perception and trust that comes from the heart. It is very strange, because as soon as you trust … is as quick as you know.

    Somehow 'knowing' is the feminine counterpart of masculine 'understanding'. We have had generations of conditioning around understanding, to the point where much of the art of knowing has gone dormant. This is all changing now. We are moving through a transition as humans. We are moving back to remembering our feminine selves.

    The first DaVinci Code article showed step-by-step how a perfect six-pointed star could be constructed within the human figure. Some suggest that the six-pointed star also represents two three-dimensional tetrahedrons. A tetrahedron is a four-sided solid, where each side is an equilateral triangle. The two interlocking tetrahedrons together form a solid called a star tetrahedron.

    Click on the image below to launch a slideshow explaining the concepts here. Once in the slideshow, you can hover over the right side of the image and click to navigate to the next image.

    The star tetrahedron also represents what some believe to be the human energy field, also called the Merkaba. I don't think any of us can be certain that the human energy field looks like this, but there are some very synchronistic relationships that are revealed.

    If you place a star tetrahedron inside of a sphere, with one of the apexes of the tetrahedron at the 'North' pole and one at the 'South' pole of the sphere, then the other six apexes of the star will touch or intersect the sphere at 19.47° above and below the "equator" of the sphere.

    Consider the fact that the earth is a thin solid crust that is rotating at great speed around what is basically a liquid magma center. The result is an upwelling of great force that occurs at 19.47° North and South, that seemingly comes from nowhere. In any case the result is that a large amount of volcanic activity occurs at those latitudes. It is theorized that these forces are hyper-dimensional in nature and cascade into three-dimensional reality resulting in volcanoes.

    Mauna Loa
    Hawaii
    19°, 28' N of equator
    Mauna Kea
    Hawaii
    19°, 36' N of equator
    Mexico City Mexico 19°, 23' N of equator
    Dzibalchen Mexico
    19°, 28' N of equator
    Georgetown Grand Cayman 19°, 18' N of equator
    Mount Emi Koussi Chad 19°, 47' N of equator
    Mount Kalsubai India 19°, 33' N of equator
    Xiangkhoang Laos 19°, 17' N of equator
    Potosi Bolivia 19°, 13' S of equator
    Yasur, Tanna Island Vanuatu 19°, 31' S of equator
    Mount Samuel Australia 19°, 13' S of equator
    Gweru Zimbabwe 19°, 31' S of equator

    Many of the sacred sites of ancient civilizations are also located at or very near to 19.47° North or South of the earth's equator including the Pyramid of the Sun at Teotihuacan, Mexico (19°, 36' N of equator).

    Further, volcanic activity is pronounced at 19.47° on other bodies in our solar system, including:

    The Sun Sunspot activity and the region
    of peak temperatures is limited to 19.5° North and South.
    Venus The presumably active major
    volcano complexes Alpha and Beta Regio are near 19.5°.
    Mars The vast Olympus Mons shield
    cone volcano is at 19.5°.
    Jupiter The red spot is at 19.5°.
    Neptune In 1986 Voyager II discovered a
    similar spot at 19.5°.

    Another synchronicity that occurs in DaVinci's drawing is that you can take the two-dimensional six-pointed 'Star of David' and if you interpret it as a view of a three-dimensional object it is a perfect dipyramid. The pyramids that were constructed by the Egyptians were not 3-sided tetrahedrons but were 4-sided pyramids, because they had a square base, plus four triangular sides. A dipyramid is simply two pyramids stuck together at their base.

    If you rotate the dipyramid represented by the Star of David in DaVinci's drawing, by an amount equal to 36.26° (90° minus 19.47° divided by 2) the dipyramid will move into a perfect right-angle, two-dimensional view. The pyramids of Egypt were not quite perfect pyramids, as they were constructed slightly squatty. But even so, there is definitely a connection. Remember they are located at 19.5° North latitude!

    Click on the image below to launch a slideshow explaining the concepts here. Once in the slideshow, you can hover over the right side of the image and click to navigate to the next image.

    The ayahuasca journeys unfold reality into an extraordinary fractal mathematical representation. There is such a vast amount of information that is encoded into us already; it is simply a matter of unlocking the brain in order to perceive it. Somehow there is a connection between the dimensions of the human body to the earth; to the location of volcanoes; to the location of sacred sites; and to even to the pyramids themselves.

    Incredible! To review, you have a perfect six-pointed Star of David in DaVinci's drawing, which can be extended into a three-dimensional star tetrahedron, unfolding a story about unknown hyper-dimensional physical forces occurring at 19.47° North and South. The two-dimensional Star of David can also be represented as a three-dimensional dipyramid, that when rotated by 35.26° which happens to be a mathematical factor of 19.47°, will return back to a two-dimensional representation of a dipyramid. Half of the dipyramid is a perfect equilateral pyramid.

    The divine nature of man is hidden inside of reality itself, and the true nature of reality is hidden within humans. In our modern world we have developed myopia to such a degree, that we have collectively distorted our perception of where we really are and who we really are. But, many are making the journey back. A journey of remembering.

    © Ralph Miller 2004

     

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    من: BARILOCHENSE6999 مبعوث: 03/12/2018 01:09
     
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    Sapientia Aedificavit Sibi Domum. Es decir, "la sabiduría ha edificado aquí su casa". Resulta curioso que la misma frase aparece en el Evangelio de María Magdalena, un texto apócrifo. Se dice que en el interior de esta iglesia y de otras muchas de Venecia está escondido el tesoro de los templarios. Pero no hay ninguna prueba de ello. Para terminar ya con esta entrada me gustaría que nos acercásemos un momento a uno de los edificios más emblemáticos de Venecia: el Palacio Ducal.
     
     
     
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    Sapientia Aedificavit Sibi Domum. Es decir, "la sabiduría ha edificado aquí su casa". Resulta curioso que la misma frase aparece en el Evangelio de María Magdalena, un texto apócrifo. Se dice que en el interior de esta iglesia y de otras muchas de Venecia está escondido el tesoro de los templarios. Pero no hay ninguna prueba de ello. Para terminar ya con esta entrada me gustaría que nos acercásemos un momento a uno de los edificios más emblemáticos de Venecia: el Palacio Ducal.
     
     
     
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    Eye within an interlocking circle and triangle, Santa Maria della Maddalena, Venice
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    (Romanos, 11: 33).

     

     
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    Freemasons in Venice and the Church of Saint Mary Magdalene

    Mysteries & Legends
    Massoneria_Maddalena

    Freemasons in Venice and the Church of Saint Mary...

     
     

    Venice, an ever magic and mysterious city, was already in the 18th century the centre of an influential Freemasonry fraternity, whose members also included the famous adventurer Giacomo Casanova.

    Here, the Freemasonry fraternity was so powerful and rich that they had a church built following the Freemasonry doctrines – the church of Saint Mary Magdalene in Cannaregio.

    A few components of the Baffo family, affiliated to the Freemasonry in Venice, contracted the architect Tommaso Temanza, also a member of the fraternity, to build the ‘Freemasonry' church. Temenza designed a perfectly round building with a neo classic style and a symbol of the Freemasonry etched on the architrave of the main door – an eye inscribed within a circle and a pyramid with the writing ‘SAPIENTIA EDIFICAVIT SIBI DOMUM', a reference to the cult of the divine knowledge, which is at the base of the Freemason ideologies.

    Temanza himself is buried inside the church and his headstone is decorated with a line and compasses, the most important symbol of the Freemasonry, as its members would define themselves as ‘builders'.

    It is no surprise that this ‘Freemasonry' church is dedicated to Mary Magdalene, a mysterious figure, sometimes rejected by the church, beloved instead by the Freemasonry and its members who considered her a symbol of wisdom and the struggle against the obscurantism of the church.

    Unfortunately, this church is not open to visitors but if the unusual places of Venice are the ones that interest you the most, contact us! We will create an unforgettable personalized tour in Venice just for you in collaboration with Francesca, the editor of this popular section.

    https://www.venetoinside.com/hidden-treasures/post/freemasons-in-venice-church-saint-mary-magdalene/
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    Saint Mary Magdalene in Venice

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