Wayne saw the four curved lines (purple) first and looked a little closer. His first thoughts are they have little symbols that he knew well… they had what looked like comets… (turquoise stars) and three different positions too as if it was a documenting of a large comet in its correct tail facing upward positions over a correctly curved west or east horizon. It depicted an altering very familiar tail angle (its coma) which occurs over the days it seems to be recorded.

This could be the first example of how the terra firma curved Earth horizon was documented, inspiring the symbol on the Moai.

There is another depiction of the comet (green) amongst the birdmen deities… a cluster of birdmen that Wayne believes could be representation of the Pleiades (lowest portion cluster)… Orion (upper portion of three) and a group of three, the solar Trinity obsession he was looking for (with three yellow dots). This is all general speculation for now of course. One needs a lot more evidence first before making such loosely woven claims.

There is a very mysterious round dot interacting with the comet too… but let us not speculate on that at this stage. The Pleiades are in an orientation taking the human face as upright. This suggests that side of the rock was watching the western horizon because the Pleiades would appear like this, and the other side of the rock with the comet depictions were watching the eastern horizon so the earth curve and tails are correct. Just before sunrise is the correct time on the horizon to look for comets.

BIRD HEADED DEITIES WHO CAME FROM THE SKY IN CELESTIAL SHIPS

Compare in the image below the birdman depictions which are found all over the island. They are part human and part bird just like in Egypt and Gobekli Tepe. In this comparison here note the Easter Island deity holds a sun… just like in both Egypt and Gobekli Tepe. There is another interesting connection here. The Gobekli Tepe animal pelt… either leopard or fox was seen as a status symbol for Egypt deities too. African tradition has chiefs of tribe adorned with the same status.

Why did different cultures here choose the same theme for their leader’s status? Why not chose more obvious themes, like a simple crown or necklace? Was it just a coincidence perhaps?

Isn’t it likely these ancient civilisations were inspired by the unthinkable, something scholars hate with a passion, something that has been officially denied in history by universities because it would mean a rewrite of almost everything they have proudly protected for centuries.

The birdman stone holding what Wayne believes is the ‘sun’ star – British Museum …(ref)

It matches the Gobekli Tepe bird deity perhaps holding the same sun-like ‘sol’ star ref…

 

 

 

TSUNAMI ENDING OF A GREAT EMPIRE The obvious answer here is confirmed by the debris surrounding the buried Moai. It has debris common with flood zones mainly with mud sand and pebbles… the kind of pebble and greyish clay found after a tsunami. But this event must have been one that would have been far bigger than the Japan and Indonesia events combined. Was this the end of the great period of Easter Island, it probably was. It seems probable because the building of statues and the building with megalithic stone ended. From here forward perhaps after a lot of their valuable trees and edible plants were lost they would have probably believed the gods were angry with them. In defiance of the gods they probably started to topple the last standing Moai and this went on for a long time according to records. The last remaining people of the island were toppling them again during the visits of great explorers in the 18th century when the island experienced another disaster. This time it was an invasion for slavery. THE RONGA RONGA TEXT OF THE RAPANUI PEOPLE In the image below the pictoglyph nature of the Rapanui text called “Ronga Ronga” is almost the same as the Naxi Dongba texts. Both seem to be using the star patterns themselves and bird head people as actual spoken word. Note the Naxi dongba text has three crosses as stars perhaps next to a cluster of six markings. The Easter Island text of Ronga Ronga also has two very common characters in texts speaking of their celestial deities using a group of seven dots and a group of three dots in a row and a group of three crescents in a row that resemble the mask worn by the Rapanui people in ceremony (see mask in depiction in purple lower down). There is one very interesting association of text to something Wayne researched in the Christ star map story: three star entities together mean three wise kings. The Magi he proposed represent the three that follow from the east associated with finding the location of the Christ ‘Bethlehem’ star… the stars of Orion's Belt as a sacred cosmic pointer… the 'forgotten' cross of the churches. Is this just a coincidence or are we seeing evidence of a global teacher passing through ancient civilisations. Text source …(ref)           THE FACE SYMBOL – WEARS A SPECIAL MASK – WHAT DOES IT SUGGEST? After discovering the importance of the Kanaga symbol and mask of the Dogon tribe in West Africa, Wayne couldn’t help wondering the connection here was also the same …(ref)

DISCOVERY OF THE BIRDMEN AS STAR DEITIES AND THEIR HORIZON SYMBOL

While comparing the symbols on the backs of the Moai in the earlier image from the re-excavation site and from the website ref showing more images, it was clear the Easter island people had the exact same clear obsession with the stars like all other ancient civilisations.

The first thing to bear in mind right now is their texts have utterances just like the ancient Egyptians speaking of gods from the sky and their arrival in canoes. Now here is the thing. It is all very well for scholars to avoid the star visitor hypothesis and say their gods came across the ocean like they do but that’s mocking their own intelligence.

All the clues so far point to the sky. The archaeologists seem to avoid the dots on the Moai as stars and look for more terrestrial solutions.

Compare the canoes with lines beneath them. Scholars insisted this symbol is spoken as ‘vaka’ and are the 'canoes' of the 'gods'. Then almost contradicting themselves follow on to insist the 4 curved lines are spoken of using the same name! This explains the 'flying terrafirma' celestial ship reasoning for Wayne, and that would by logic also be spoken of as the same as Earth terrafirma. …(ref) (see both illustrations of the backs of the Moai)

There is another strange thing about the Orion masks. Here is reference to what scholars claim some strange Maya glyphs found in Georgia… which show similarity to the Orion mask star reference resembling the number 3 …(ref)

BEHOLD… ARRIVAL OF 'BIRD HEADDED' GODS NOT OF THIS WORLD IN SHIPS

Bird headded 'gods'? … people of flesh and blood not of this earth are hardly 'gods'. In Wayne's book 'The Hidden Records' he presents an obvious interpretation of why ancient cultures would say they had 'bird heads'. Consider a motorcyclist for example wearing a helmet with his visor or sun shield peak up. It looks like a bird with open mouth. The maya show more mechanical detail in some depictions, and in others they put the mans face in the open mouth of the bird!

The Moai depiction below is the 'not of this world' breakthrough here. The celestial boat depictions by the way are common and found on many other statues. The bird depiction with wings in position like the digit 3 seems to represent Orion poised with the stars and a fleet of celestial ships above the western horizon while one special sun-like star is in place here on the horizon. Ancient Egypt also found the place to measure stars is only done on the horizon.

Image source and stunning unearthing of the Moai covered here …(ref)

But the importance in identifying the fleet of celestial ships here is another Egyptian symbol match… the art of giving each little ship its own mini Vaka… its own flying terrafirma

 

 

 

HORIZON SYMBOL – THE KEY TO UNLOCKING THE SECRET SYMBOLS Since a comet is being measured across a few bands as shown in purple on the moai like in the previous rock carving of the birdmen… it is likely this multiple line of bands is the horizon…. The most sacred apparently to the Rapanui people… the Western Horizon. Here is another Moai with birdmen and Orion poised in its appropriate place. We will test this all on a star program and see what we find below the horizon where the strange McDonalds’ style ‘M’ is depicted.           The ancient Rapanui people seem to revere the ‘sol’ star on the horizon just like in Egypt and on the Western horizon like Gobekli Tepe. The connections to the archaeoastronomy are convincing so all that is needed to solve the mysterious M symbol is look below the horizon. Wayne already knew there was a sacred constellation below the horizon because Angkor in Cambodia revered the lower constellation. …(ref) This finding on its own is of great importance in reasoning the validity of the star map hypothesis. Compare to Angkor and more importantly see how all the brightest stars around Perseus convincingly display an 'M' formation in its correct orientation as it slips below the horizon. Note also how the middle of the 'M' has an extended lower line… another breakthrough… it passes right through the Perseus 'arm' that aligns with the Pleiades. This all makes sense and quite simple knowing in advance how important this area of stars are.

THE SECRET OF THE MOUNDS IN CONTEXT WITH SEVEN MOAI

Wayne discovered only recently that not many researchers speak of sacred mounds but no excavations have proven if they were manmade or hills that were sculptured. The first group we look at here are the three mounds in a row as seen on the map on the eastern part of the island.

Wayne believes after close study on the geology here that these three (one partly washed away) are natural formations, however, they seemed to have a little more detail associated with them suggesting they might have resembled something they would know very well. Orion’s belt perhaps? If you look very closely at the image especially on Google earth, there are very slight traces of what might have once been an enclosure built around the three mounds. Also a friend of Wayne's who went there to verify if they were natural mounds 'thinks' they are perfectly round because they have been altered with blocks.

 

For now most would say this is not much at all to go by at all and one of the reasons Wayne held back for some time. He believed it was not a conclusive case and the enclosure maybe wasn’t much to consider at all or the claim very worn block ruins are found around the edge are proven. That was before more discoveries would inspire this to be looked at again. THE THREE MOST IMPORTANT MOUNDS – THE FIRST PLACE – AN AHU OF SEVEN The second set of three mounds was what some scholars briefly mention as a cluster of three as well but in triangular formation. Wayne read it one cold misty weekend in 1998. It was a rainy day and he remembers it well. He reached out for one of his favourite books: The Worlds Last Mysteries by Readers Digest printed in 1977 page 100… they briefly spoke of sacred mounds then just change the subject and moved onto another aspect. This always stayed fresh in his mind. It was this memory rekindled in 2004 when he read another article that also suggested similar, saying they were no doubt sacred because this particular cluster of mounds was found at their one and only beautiful Beach bay on the northern territory. Wayne went onto Google earth and looked for the bay… sadly the resolution was so poor that the mystery had to wait for its moment. Just a few months ago facebook had been passing some new images around showing the full length of the Moai that were most common. It was time to see if the new Google Earth images were updated… they were and they showed the detail he was looking for.       The three mounds are replete with remnants of artifacts and stone chips all over them, some faint building detail also seen clearly. The one mound near the beach has a small causeway to one single Moai (highlighted red and enlarged) The Ahu Nau Nau of seven Moai have an alignment and orientation that can be measured too. It is time to compare them to the star map blueprint as seen in the animation earlier. Although this is not the clearest of ancient star map themes as seen in Egypt and Stonehenge and all the others it still has a layout plan that makes better sense when considering what we have seen so far. They had a star obsession… they believed Orion was important and Perseus measure the position of in most instances one Sol star on the horizon or two of a group of three set together and they are right next to the Pleiades. It is reasonable to therefore consider the three mounds here are representing the three sun-like stars Wayne has presented in the full starmap theme. Not just that… the alignment of the Pleiades is quite appropriate with the Ahu aligning with the rising and setting Pleiades stars at a certain time of the year at special unknown viewing times at night. What were the chances the alignment date correlates with important times when to plant and when to harvest their crops? Some experts are looking at this because it all depends what time of night this viewing took place. It makes all the difference and we will wait on the experts for that who will compare it to the correct planting and harvesting seasons for whatever their main crop might have been. Lots of unknowns but updates here will follow. The interesting thing here is that if the star map interpretation is true, the Rapanui people seemed to choose the star that Wayne found of second most importance in his star map hypothesis. The same star that is tied with what Wayne believes is the first solar system of human evolution. A place where other star maps seem to present it with the human blueprint code geometry … It’s the star depicted by the five sided pyramid in the Mars star map… …(ref) Human blueprint geometry code… …(ref) a star system that in the cases studied suggests we evolved from apes to advanced humans there before colonising other solar systems like ours.