The Golden Section, Phi, Giza Pyramid and your Body
Because Pictures can be worth a thousand words, and it is so important to understand the Golden Section, allow me to try and show some graphics that might help you visualize the similarities between Phi, Pyramids and our sacredly designed Bodies, made by the Lord
GIZA PYRAMID Proportions
The Golden section can be defined as ...... "The lesser is to the greater as the greater is to the whole"
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.382 is to .618 as .618 is to 1 or the whole(.382+.618 = 1.00)
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As it expands, or multiplies it gets greater by 1.618 but it is still in proportion, and on and on it goes. Do you get it ?
Height is 1.272-----
-------------- Slope is 1.618
Base 1.000
The Pyramidal "Phi' shape of Giza, gives it multiplicative power because of its proportions
.382 .618 1 1.618 2,618
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. "Vitrivian" above, is Leonardo daVinci's 'esoteric' painting graphically showing the sacred demensions of the human body in the classic template and problem called 'squaring the circle'. As the circle and the square, the spiritual and the physical are equal when the circle circumference has a diameter of 1 and the square lengths have sides of 1.272 or the square root of 1.618 or the Golden Section. Are you catching the connections ?
It is a very proveable fact that our human bodies are phi-designed as the golden section template is intimatelyseen throughout our whole human form ratio's. This absolutely proves that we like the macrocosm (the planets,and stars) or the microcosm (of atomic and subatomic particles) all were created using the Creator's PHI design. (SEE Golden Section class).
But let's show this further even using the hidden secret knowledge only taught previously in secret 'Mystery Schools'. For surely in your research you have noticed the Vitrium sketch done by the Grand Master, Leonardo DaVinci....as shown above in the right corner. It being simply a naked man within a square and a circle. But it shows a whole lot more than that upon closer inspection.
For firstly, the square's distance around its equal sides is equal to the circumference of the circle, this only being possible if the length of the sides are equal to a radius that is the square root of PHI times that length. In other words, the circle is really like a blown out square. And it is for this reason that the square of 4 sides is said to become living geometry when this 'Breath of Life' from the Creator is blown into it and expands it into the 'Beauty' of a circle and curves rather than mere straight lines This bringing His Creation to the Number 5. And this bringing us into being as we are the most beautiful creation possible because we are 'Made in His Phi Image.'
Confused don't be. It's not that difficult to understand. A five sided pentagon has the PHI template of life incorporated right into its geometrical sides. (SEE Graphics Below) Therefore you can connect up PHI with FIVE (5). Its just that simple, even if you don't know the simple mathematics. Each diagonal of a pentagron has a phi expansion length when compared to the sides of the pentagon, as well as many other phi expansion ratio's within.
So don't be afraid of geometric shapes like circles, and pentagrams, even though the dark side also uses them. They were created by the Lord and not by the deceiver and liar. A five pointed pentagram is not evil, unless it is pointed downward, symbolizing that matter is greater than spirit. Why, because that is a lie, as SPIRIT has made matter rather than the reverse. (SEE Geometry of Healing). And so when you see below that we are put into this pentagonal star, it only represents that we are PHI templated, and this is in essense why we can become POWERFUL as our Lord and Creator said. But it is all determined on whether we are aligned to HIM and realize He is the ONLY POWER.
So where does the center of the star reside? Right on our regenerative sexual powerful organs, as it is here where we obey the Lord in reproducing as He commanded us to do. The half way point in our design is right at our sexual organs, making this the center of the pentagonal star. But in the Squared Circle, to the right, our sex organs or mid point is at the center of the Square. The center of the circle being at our Navel, our imblical cord connection in the womb. This being totally understandable as its height is .618 of our total height in the ideal proportioned human whether male or female.
The human body illustrates the Golden Section or Divine Proportion. We'll use the same building blocks again:
The Divine Proportion in the Body
The white line is the body's height.
The blue line, a golden section of the white line, defines the distance from the head to the finger tips
The yellow line, a golden section of the blue line, defines the distance from the head to the navel and the elbows.
The green line, a golden section of the yellow line, defines the distance from the head to the pectorals and inside top of the arms, the width of the shoulders, the length of the forearm and the shin bone.
The magenta line, a golden section of the green line, defines the distance from the head to the base of the skull and the width of the abdomen. The sectioned portions of the magenta line determine the position of the nose and the hairline.
Although not shown, the golden section of the magenta line (also the short section of the green line) defines the width of the head and half the width of the chest and the hips.
Another interesting relationship of golden section to the design of the human body is that there are:
5 appendages to the torso, in the arms, leg and head.
5 appendages on each of these, in the fingers and toes and 5 openings on the face.
5 senses in sight, sound, touch, taste and smell.
The golden section in turn, is also based on 5, as the number phi, or 1.6180339..., is computed using 5's, as follows:
5 ^ .5 * .5 + .5 = Phi
In this mathematical construction "5 ^ .5" means "5 raised to the 1/2 power," which is the square root of 5, which is then multiplied by .5 and to which .5 is then added.
There is no design that is more sacred, special and powerful than when New Jerusalem descends down upon the Earth after the Millenium.Revelation 21:2 And I John saw the holy city, New Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband. For then, the Lord's Crystal City, The Temple of His Bride, becomes the Headquarters for the Creator of the whole Universe. For from HERE, He shall rule the Universe not just the Earth.(SEEThe Earth is the center of the Universe).Rev 21:16 And the city lieth foursquare, and the length is as large as the breadth: and he measured the city with the reed, twelve thousand furlongs. The length and the breadth and the height of it are equal.
And seeing New Jerusalem uses theLord's Template of Life, called the Golden Section or PHI, it is shaped like a Phi pyramid, with a square base of 1500 miles, and its cube rising 1500 miles from its resting place on the Earth. (Consider New Jerusalem is a Crystal Pyramid) The holy Jerusalem, descending out of heaven from God, Having the glory of God: and her light [was] like unto a stone most precious, even like a jasper stone, clear as CRYSTAL; (Rev 21: 11) It's capstone rising 1080 miles over the surface of the Earth, adding 2160 miles to the new diameter of the Earth, as the capstone rotates with the Earth's rotation. Constantly projecting and emmitting His signals to the Rest of the Universe. (SEE Phi Pyramid projects to the Stars).
For with this design based on the golden section, it makes the SQUARED CIRCLEof SACRED geometry solved and completed. This because the Earth's diameter of 7920 miles added with the Moon's diameter of 2160 miles makes 10080 miles. The moon adding the square root of phi or 1.272 times the Earth's diameter creating the Phi Pyramid completed creation. In other words, like Himself and us humans that are made in His IMAGE, which is PHI templated, His Holy New Jerusalem Temple is PHI TEMPLATED.... and makes a greater and larger Phi STAR when New Jerusaelm descends and is embedded into the EARTH. For notice below that the same basic disagram and design pattern is the BASIS for both us humans (SEE more atGolden Section Design in Humans 1 & 2).
The Earth becoming His NEW PENTAGONAL STAR, with the addition of the Moon coming down to the Earth. This the classic Sacred Geometery Equation, of the Squared Circle, illustrated so graphically well by Leonardo DaVinci in the Vitrivium. This being the real DaVinci Code Solution, as its POWER comes from the Lord and His Design that our bodies contain, and which will be magnified when the Lord sets up His KINGDOM here on Earth for us. (SEE Prophecy of the End) For then we shall be stars, just as the Lord's City shall be a STAR that shall light the Universe. And I saw no temple therein: for the Lord God Almighty and the Lamb are the temple of it. Revelation 21:22)
And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. (Daniel 12: 3) IHS David
Pentagonal se refiere al Ciclo formado por 5 ciclos sinódicos.
Venus y la Tierra danzan en sincronía matemática y geométrica en el salón del Espacio, al son de la sutilísima vibración de la música de las esferas, pues esferas son. El milenario mito de la llamada "Música de las Esferas" es mito mientras no se comprende qué es o a qué se refiere. Es como si una persona no reconociera que los instrumentos musicales suenan y por eso concluye que la "música de los instrumentos" es mito. Sólo le basta escuchar, sentir, vibrar y comprender. Nosotros estamos en una de esas esferas: el Planeta Tierra, aunque si pensamos un poco comprenderemos que es normal que sea posible que no conozcamos la maravilla en la que estamos inmersos ni que participemos activamente en ella, como aquel espectador que está de gratis en un maravilloso concierto y él mismo es un instrumento y se queda dormido, pero no porque la música sea aburrida sino porque no sabe que está ahí.
Cada 8 años, que son 8 órbitas de la Tierra y 13 de Venus, ambos planetas se encuentran 5 veces en sus puntos más cercanos, al mismo lado del Sol, 5 puntos que son equidistantes y que forman los 5 vértices de una estrella de 5 puntas. Puedes pulsar sobre la imagen para ver la animación.
En la animación podrás comprobar cómo Venus y la Tierra continúan trazando la figura pentagonal, aunque ya no desde el mismo punto que la anterior. De hecho, comienzan una nueva 2,33 días antes que la anterior. La actual la comenzaron el 8 de junio de 2004 y termina el 6 de junio de 2012. Esto significa que esa estrella de 5 puntas gira también alrededor del Sol hasta dar una vuelta en 1.252 años: un Ciclo mayor compuesto por 156 subciclos Pentagonales (1.252 órbitas de la Tierra y 2.035 de Venus). Así es como los planetas crean los Ciclos Cósmicos. 1.252 años son 457.457 días, que es prácticamente 676 x 676 ó 26x26x26x26 ó (13+13)x(13+13)x(13+13)x(13+13) días.
Aquí puedes verlo de otra manera comenzando desde el 8 de junio de 2004 (cuando se produjo un tránsito de Venus) hasta el 6 de junio de 2012 en que se produce otro tránsito. Puedes hacer click sobre la escena repetidamente.
Looking further into it I eventually found out that there is a special ‘irrational’ ratio called “PHI” – (Φ - a Greek symbol representation), much like other ‘irrational numbers’. It is a ratio of (1.6180339887…. onto infinity!).
Mathematically:
PHI = (√5 + 1)/2 = 1.618 = (Φ).
Another interesting property of PHI is when we look at the reciprocal, it only reduces by EXACTLY 1:
1/PHI = (√5 - 1)/2 = 0.618 = (Φ-1). And… when we square PHI by itself, it increases by EXACTLY 1 also:
PHI x PHI or Φ2 = 2.618 = (Φ+1).
It seems that in the ‘world of Phi’, powers of Phi are reduced to adding, and division are reduced to subtraction! Just adding and subtracting. Amazing hey? No other number/ratio seems to do this! Try it yourself on a calculator?
The Pentagram & Pentagon
PHI is derived from the dimensions of a pentagram/pentagon (unlike Pi being derived from the circle) and I even analyzed it to see. This is what I got (more elaborations will be provided in my PHI pages):
As a previous student of science and mathematics, I had never heard of this before and it totally puzzled me. I was taught about all different kinds of irrational numbers such as “PI” and “e”, and were asked to work out Pi in angles of 15, 30, 45, 60, 75 degrees, but I never heard about PHI, let alone its trigonometry (angles of 9, 18, 27, 36, 45, 54, 63, 72, 81 degrees – note how it also relates to the number 9?).
What Da?
What was this “PHI”? Where and when did this ratio come about in our worldly knowledge? Why wasn’t I taught about this at university? Did I miss something? All of these questions eventually became answered as my insatiable curiosity grew more and more. I was (admittedly) taught of the Fibonacci Sequence in my university studies, but this was very brief and seemed to just ‘skim’ the surface of what really is behind the sequence and where it derived from.
The Fibonacci Sequence is a simple series of numbers (discovered by Leonardo of Pisa – 1170-1250 – also known as Leonardo Pisano, Leonardo Bonacci and Leonardo Fibonacci):
The sequence starts with the numbers 0 and 1. When you add these numbers you obviously get 1, which is now the next number in the sequence. Then we add this 1 with the preceding number (1) and we get the next number again, which is 2. So the sequence then looks as follows: 0,1,1,2,3,5,8,13,21,34,55,89,144,233,377,610… etc.
The amazing thing about this is that when we look at any number and divide it with the number preceding it, we get a figure which is very close to the PHI ratio of 1.6180339887… (the decimal numbers go on for infinity since it is an irrational number with no distinct pattern, just like Pi). For example, when we divide say, 55 by the preceding number 34 we get, 55/34=1.617647, which is … close to PHI. And again, let’s look at a higher number in the sequence: 233/144 = 1.6180556… (even closer to PHI – 1.6180339887).
Another example; 610/377=1.6180371… see how closer and closer it gets? The higher into the sequence you look, the closer you get to the magical number Φ, but will never be exact, as the decimals go on for infinity! It will only approach that amazing and unknown place in mathematics we call “PHI”.
There are other sequences such as the Lucas series, which starts with the numbers 2 and then 1, unlike 0 and 1 in the Fibo-series. You can make any sequence you want by starting with any two numbers and will get the same dividing result equaling PHI proportions/ratios. I will elaborate much more in the PHI pages.
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As I pursued this marvelous new ratio, I delved deeper and deeper into a new way of looking at the universe, the galaxies, solar systems, living creatures, along with fauna, flora and ourselves. This amazing ratio seemed to be found in almost everything in nature. While I was investigating the mathematical background, I noticed that ancient races like the Mayans, Greeks and Egyptians already knew this ratio in their time and they even used this ratio to construct their buildings like the Parthenon and the Pyramids, for example. Even during the Renaissance, the great inventor/artist - Leonardo da Vinci – used PHI proportions in his works, with a few examples being; the “Vitruvian Man”, “Mona Lisa” and the “Last Supper”.
To quote Johannes Kepler – a German Mathematician, Scientist (1571-1630):
“Geometry has two great treasures: one is the Theorem of Pythagoras; the other, the division of a line into extreme and mean ratio. The first we may compare to a measure of gold; the second we may name a precious jewel.”
The golden ratio has fascinated intellectuals of diverse interests for at least 2,400 years:
Some of the greatest mathematical minds of all ages, from Pythagoras and Euclid in ancient Greece, through the medieval Italian mathematician Leonardo of Pisa aka “Fibonacci” and the Renaissance astronomer Johannes Kepler, to present-day scientific figures such as Oxford physicist Roger Penrose, have spent endless hours over this simple ratio and its properties. But the fascination with the Golden Ratio is not confined just to mathematicians. Biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics.— Mario Livio, The Golden Ratio: The Story of Phi, The World’s Most Astonishing Number.
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PHI is so amazing that it can be seen in the makeup of almost everything in this universe in one way or another. The most amazing is the makeup of the human body. PHI can be seen in our bodies and as such, is found in the:
Hand /Foot, Face, Body, Beauty (aesthetics), Teeth, Development, Heartbeat, Health and Body Temperatures.
Not only this, but PHI is also found in many other things like:
Animals, Plants, DNA, Population Growth, Life, Acoustics, Architecture, Art, Color, Credit Cards, Marketing, Music, Poetry, Stock Markets, Energy, Solar System, Quantum Time and The Universe itself!
I will discuss and thoroughly elaborate all of these and more in my PHI pages, since it has a major impact on the way I view the universe and ourselves.
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As you can see, PHI has simply amazed me and still does to this day. To me, PHI is the Divine Ratio in which Allah (swt) has fashioned this universe in such a beautiful way that it has an aesthetic and pleasing effect on our psyche. But how did I learn so much about this in such a short time? Well, it goes back to those bizarre moments when the answers would come to me in almost an instant via many different mediums. For example, when I was first perplexed by this ratio, I wanted to know where it derived from, much like how PI is derived from the circle. I pondered deeply and asked Allah to help me in this and surely enough something weird happened. I was alone in my car parked and doing some number crunching (as I was doing a lot of this after the discovery of “OneEye”). Then all of a sudden, a small bud fell from a tree and onto the hood of my car. It was quite a loud sound for something so small to make. I went outside and picked up this bud from the top of my hood and looked at it and noticed that the inside of the bud there was a star. It looked perfect in all its dimensions! But I wondered what did this have to do with PHI? I pondered yet again and wondered what this meant?
La raíz cuadrada de 5 es el número real positivo que, cuando es multiplicado por sí mismo, da el número primo 5. Este número es notable en parte porque aparece en la fórmula para el número áureo. Puede ser denotado como:
El cual puede ser redondeado a 2.236 con una exactitud dentro del 99.99%. En abril de 1994, su valor numérico en decimal había sido computado por lo menos a un millón de dígitos.[2]
Puede ser expresado como la fracción continua [2; 4, 4, 4, 4, 4…]. La secuencia de la mayor aproximación racional es:
Las convergentes de la fracción continua están coloreadas; sus numeradores tienen la secuencia nº A001077 del OEIS y sus denominadores tienen la secuencia nº A001076 del OEIS. Los otros términos no coloreados son semiconvergentes.
Cuando es computado con el método babilónico, comenzando con r0 = 2 y usando rn+1 = (rn + 5/rn) / 2, el nth aproximado rn es igual a la 2n-th converge de la secuencia convergente:
[editar]Relación del número áureo y la sucesión de Fibonacci
La diagonal √5/2 de un medio cuadrado (el que tienen como medida sus lados 1 y 0.5) forman la base para la construcción geométrica del rectángulo áureo.
El número áureo φ es la media aritmética de 1 y la raíz cuadrada de 5.[3] La relación algebraica entre la raíz cuadrada de 5, el número áureo y el número áureo conjugado (Φ = 1/φ = φ − 1) son expresados en las fórmulas siguientes:
(Véase la sección abajo para su interpretación geométrica como descomposiciones de un rectángulo raíz-5.)
La raíz cuadrada de 5 entonces calcula naturalmente en la expresión cerrada para los sucesión de Fibonacci, un fórmula de la forma que se escriba generalmente en términos del número áureo:
Geométricamente, la raíz cuadrada de 5 corresponde a la diagonal de un rectángulo cuyos lados tengan una longitud de 1 y 2, o a la hipotenusa de un triángulo cuyos catetos sean 1 y 2, cumo se puede comprobar con el teorema de Pitágoras. Tal rectángulo puede ser obtenido partiendo en dos un cuadrado, o poniendo dos cuadrados iguales juntos. Junto con la relación algebraica entre √5 y φ, esto forma la base para la construcción geométrica del rectángulo áureo de un cuadrado, y para la construcción de un pentágono regular dado su lado (puesto que el cociente lado-a-diagonal en un pentágono regular es φ).
Formando un ángulo rectodiedro con los dos cuadrados iguales que parten en dos un rectángulo de 1:2, puede ser visto que √5 corresponde también al cociente entre la longitud de un borde del cubo y la distancia más corta a uno de sus vértices del opuesto uno, al atravesar la superficie del cubo (la distancia más corta cuando se atraviesa a través del interior del cubo, corresponde a la longitud de la diagonal del cubo, que es la raíz cuadrada de 3 veces el borde).
El número √5 puede estar algebraica y geométricamente relacionado con la raíz cuadrada de dos y la raíz cuadrada de tres, como la longitud de la hipotenusa de un triángulo rectángulo con catetos de medida √2 y √3, probándolo otra vez el teorema de Pitágoras con:
;
;
;
Los triángulos rectángulos de tales proporciones se pueden encontrar dentro de un cubo: los lados de cualquier triángulo definido por el punto de centro de un cubo, una de esos vértices, y el punto medio de un lado situado en una las caras que contienen ese vértice y frente a ella, están en el cociente √2:√3:√5. Esto sigue de las relaciones geométricas entre un cubo y las cantidades √2 (cociente borde-a-cara-diagonal, o la distancia entre los bordes opuestos), √3 (cociente borde-a-cubo-diagonal) y √5 (la relación mencionada arriba).
Un rectángulo con las proporciones 1:√5 de lado se llama un rectángulo raíz-cinco y es parte de la serie de raíces rectangulares (véase también los llamados rectángulos dinámicos), con su base en √1 (= 1), √2, √3, √4 (= 2), √5… y así sucesivamente se construyen usando la diagonal del rectángulo anterior de la raíz, a partir de un cuadrado.[4] Un rectángulo raíz-5 es particularmente notable en que puede estar partido en un cuadrado y dos rectángulos áureos iguales (de dimensiones Φ × 1), o en dos rectángulos áureos de diversos tamaños (de dimensiones Φ × 1 y 1 × φ).[5] Puede también ser descompuesto como la unión de dos rectángulos áureos iguales (de dimensiones 1 × φ) cuya intersección forme un cuadrado. Todo esto puede ser visto como la interpretación geométrica de las relaciones algebraicas entre √5, φ y Φ mencionados arriba. El rectángulo raíz-5 se puede construir con un rectángulo de 1:2 (el rectángulo raíz-4), o directamente de un cuadrado de una forma similar al que está para el rectángulo áureo demostrado en la ilustración, pero extender el arco de la longitud a ambos lados.
Como √2 y √3, la raíz cuadrada de cinco aparece extensivamente en las fórmulas para las constantes trigonométricas exactas, y como tal el cómputo de su valor es importante para generar tablas trigonométricas. Puesto que √5 está geométricamente ligada a los semi-cuadrados y a los pentágonos, también aparece con frecuencia en los fórmulas para las características geométricas de las figuras derivadas de ellas, por ejemplo en el fórmula para el volumen de un dodecaedro.
y ese √5 es el mejor posible, en el sentido que para cualquier constante más grande que √5, hay algunos números irracionales x para los cuales solamente son finitas muchas de tales aproximaciones existentes.[6]
Se relaciona de cerca con esto el teorema[7] que de alguna de las tres convergentes consecutivas pi/qi, pi+1/qi+1, pi+2/qi+2, de un α del número, por lo menos una de las tres inecuaciones tiene:
Y la √5 en el denominador es la mejor posible vinculación, puesto que las convergentes del número áureo se diferencian en el lado izquierdo arbitrariamente cerca del valor en el lado derecho. En particularmente, uno no puede obtener un límite vinculativo considerando secuencias de cuatro o más convergentes consecutivas.[7]
IMPRESIONANTE INTERRELACION CIENTIFICA CON VENUS/ISTAR Y EL NUMERO 8-SE CONFIRMA EN FORMA EMPIRICA DEL NEXO JUAN 8 CON ISTAR/ESTER/MARIA MAGDALENA QUE ES LA NUEVA ESTER-INCLUSO TAMBIEN OBSERVAMOS UN NEXO CIENTIFICO-ESOTERICO DE VENUS CON EL 13 DE OCTUBRE O 13/8 QUE FUE LA CAIDA DE LOS TEMPLARIOS Y TAMBIEN CON EL COMIENZO DEL CALENDARIO MAYA, ESPECIFICAMENTE INTERRELACIONADO CON VENUS, TAMBIEN UN 13 DE AGOSTO O 13/8 MODERNO. DESDE EL 1 DE ENERO HASTA EL 13 DE AGOSTO TENEMOS 225 DIAS. INCREIBLE. LOS MAYAS CONOCIAN EL ACTUAL AÑO NUEVO GREGORIANO
En las últimas 8 órbitas de la Tierra, 13 de Venus, Venus se ha colocado en 8 puntos de su órbita.
La órbita de Venus es más pequeña que la de la Tierra. De hecho, está inmersa en la órbita de la Tierra, y además también Venus se traslada más rápido que la Nave terrestre. Con estas condiciones, por lógica, el planeta Venus tarda menos de 365 días en completar su órbita. De hecho tarda 227.4 días y quedan 140 días (20 semanas) para 365 días. Durante esos 140 días, Venus cubre el 0,6 de otra órbita suya. Es decir que cada 365 días (1 órbita de la Tierra) Venus da 1,6 órbitas.
A este ritmo, y partiendo desde un punto determinado, Venus regresa a ese mismo punto 8 años después (8 órbitas de la Tierra) habiendo dado 13 órbitas de 224.7 días cada una, mientras las 8 órbitas de la Tierra son de 365 días. Así 13 órbitas x 224.7 días es prácticamente lo mismo que 8 órbitas Tierra x 365 días. Durante esos 8 años, mientras la Tierra a cada año está -lógicamente- en el mismo punto de su órbita, Venus se ha colocado en 8 puntos de su órbita que son los vértices de una estrella de 8 puntas.
EL RAMADAN (MUSULMAN), QUE ES EQUIVALENTE AL PENTECOSTES CRISTIANO, ES UN CODIGO QUE TIENE FUERTE NEXO CON MARIA MAGDALENA Y EL SANTO GRIAL-EL 911 TIENE UN CLARO NEXO CON MARIA MAGDALENA Y EL GRIAL
Este artículo es sobre el mes de ramadán. Sobre la práctica del ayuno realizada en dicho mes, véase el artículo Pilares del islam
Ramadán (en árabe رَمَضَان ramaḍān) es el noveno mes del calendario musulmán, conocido internacionalmente por ser el mes en el que los musulmanes por su fe y por sus creencias practican el ayuno diario desde el alba hasta que se pone el sol.
La palabra ramadán se suele usar en castellano para designar dicho ayuno, cuyo nombre en árabe es ṣawm (صَوْم).
Coincidencia con el calendario gregoriano
El calendario islámico es lunar. Los meses comienzan cuando es visible el primer cuarto creciente después de la luna nueva, es decir, un par de días después de ésta. El año en el calendario lunar es 11 días más corto que en el calendario solar, por lo que las fechas del calendario musulmán no coinciden todos los años con las fechas del calendario gregoriano, de uso occidental, dando la impresión de que el año musulmán se desplaza sobre el año cristiano. Las últimas fechas en las que ha caído el mes de ramadán han sido:
Determinar con exactitud cuándo comienza el ramadán es importante de cara al cumplimiento de las obligaciones religiosas asociadas a este mes. Muchos musulmanes insisten en seguir la tradición de marcar el inicio del ramadán a simple vista, es decir, escudriñando el cielo hasta percibir el primer creciente después de la luna nueva. Otros se guían por la fecha y hora calculada de antemano para cada zona o esperan el anuncio oficial de algún organismo islámico.
ES CURIOSO QUE EN EL AÑO 2012 EL RAMADAN ES DESDE EL 22/7 (DIA DE MARIA MAGDALENA) HASTA EL 19/8 CUBRIENDO LA SEMANA 33 GREGORIANA QUE INCLUYE EL 15/8 (DIA DE LA ASUNCION DE LA VIRGEN) ¿CASUALIDAD O CAUSALIDAD?
GENESIS
49:16Dan juzgará a su pueblo, Como una de las tribus de Israel. 49:17 Será Dan serpiente junto al camino, Víbora junto a la senda, Que muerde los talones del caballo, Y hace caer hacia atrás al jinete. 49:18 Tu salvación esperé, oh Jehová.
49:22 Rama fructífera es José,Rama fructífera junto a una fuente, Cuyos vástagos se extienden sobre el muro.
49:23 Le causaron amargura, Le asaetearon, Y le aborrecieron los arqueros; 49:24 Mas su arco se mantuvo poderoso, Y los brazos de sus manos se fortalecieron Por las manos del Fuerte de Jacob (Por el nombre del Pastor, la Roca de Israel), 49:25 Por el Dios de tu padre, el cual te ayudará, Por el Dios Omnipotente, el cual te bendecirá Con bendiciones de los cielos de arriba, Con bendiciones del abismo que está abajo, Con bendiciones de los pechos y del vientre. 49:26 Las bendiciones de tu padre Fueron mayores que las bendiciones de mis progenitores; Hasta el término de los collados eternos Serán sobre la cabeza de José, Y sobre la frente del que fue apartado de entre sus hermanos.
LA ESTRELLA DE 5 PUNTAS APARENTEMENTE ES SIMBOLO DEL GRIAL Y LA LUNA CRECIENTE DE LA COPA/RECIPIENTE FEMENINO.
EL MISMO NUMERO 5 ESTA DISEÑADO EN FUNCION A LA CUADRATURA DEL CIRCULO
PARTE SUPERIOR/CUADRADO
PARTE INFERIOR/CIRCULO
APOCALIPSIS 22
16 Yo Jesús he enviado mi ángel para daros testimonio de estas cosas en las iglesias. Yo soy la raíz y el linaje de David, la estrella resplandeciente de la mañana.
17 Y el Espíritu y la Esposa dicen: Ven. Y el que oye, diga: Ven. Y el que tiene sed, venga; y el que quiera, tome del agua de la vida gratuitamente. (FUERTE NEXO CON OSHANAH RABBAH, JUAN 7:39, Y CON EL UNGIMIENTO DE BETANIA)
Este lunes, 1 de agosto, comienza el mes lunar del Ramadán, un tiempo de purificación para los musulmanes caracterizado por el ayuno total en las horas diurnas. Concluye en 30 días, con la gran celebración del Aid al-Fitr, una de las más grandes del calendario islámico.
Desde este lunes hasta el próximo 30 de agosto, el 95% de los musulmanes "cumplirá el precepto de no tomar alimento o bebida ni mantener relaciones sexuales ni fumar", según Riay Tatari, presidente de la Unión de Comunidades Islámicas.
En principio, todo adulto que desde la pubertad está obligado a cumplirlo, pero hay excepciones como los ancianos, los enfermos crónicos o las embarazadas. En su lugar practican el kassarah, dar de comer a una persona necesitada. Como reafirmación de la comunidad, la comida de la noche, iftar, y el desayuno, sohur, es un acto social común.
27. Lucas 2:37: y era viuda hacía ochenta y cuatro años; y no se apartaba del templo, sirviendo de noche y de día con AYUNOs y oraciones.
¿"Devoran la casas de las viudas" no es una alusion a que devoran la casa/linaje de la viuda? ¿Porque Jesucristo incluso relaciona la viuda con JUAN MARCOS en Hechos 12:12?
Hechos 12:12: Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre MARCOS, donde muchos estaban reunidos orando.
55. Mateo 23:14: ¡Ay de vosotros, escribas y fariseos, hipócritas! porque devoráis las casas de las VIUDAs, y como pretexto hacéis largas oraciones; por esto recibiréis mayor condenación.
56. Marcos 12:40: que devoran las casas de las VIUDAs, y por pretexto hacen largas oraciones. Estos recibirán mayor condenación.
65. Lucas 20:47: que devoran las casas de las VIUDAs, y por pretexto hacen largas oraciones; éstos recibirán mayor condenación.
Celestial objects were used by God to communicate with man his plan of salvation and redemption. For example in Joseph’s dream the sun, moon and 11 stars were bowing down to him. His father rebuked him and said, "What is this dream that you have had? Shall I and your mother and your brothers actually come to bow ourselves down before you to the ground". Genesis 37:9-10. Here we see the sun and moon representing the father and mother and the stars representing the twelve sons.
In Eastern astrological traditions, astrology is used to assure astrological blessings of success.
On September 11, 2001, The star Geminorum13, one of 48 stars of Gemini was inside the crescent moon at 1:11 a.m.
Gemini 's Castor and Pollux represents "The Twins" ... symbolizing the Twin Towers
Note how the description of Gemini matches the Flag of Islam
The Fibonnaci Spiral also known as the Golden ratio or the Divine Proportion, points directly to Messiah Yahshua.click here.
The Fibonacci numbers are Nature’s numbering system. They appear everywhere in Nature, from the leaf arrangement in plants, to the pattern of the florets of a flower, the bracts of a pinecone, or the scales of a pineapple. The Fibonacci numbers are therefore applicable to the growth of every living thing, including a single cell, a grain of wheat, a hive of bees, and even all of mankind.
The golden ratio is often denoted by the Greek letter phi (Φ or φ). The figure of a golden section illustrates the geometric relationship that defines this constant. The golden ratio is an irrational mathematical constant, approximately 1.6180339887.
The Pentagram displays the Fibonacci pattern.
http://goldennumber.net/five%285%29.htm The number 5 is intrinsically related to Phi and the Fibonacci series
Phi can be derived from several formulas based on the number 5. The most traditional, based on the geometric construction of phi is this:
This formula for phi can also be expressed all in fives as:
And, as pointed out by W. Nathan Saunders, the terms in above representation of phi can be expressed in yet another way that involves four 5′s:
Phi appears in the geometry of the 5-sided pentagon
Take a pentagon with 5 equal sides and connect all the points to form a 5-pointed star. The ratios of the lengths of the resulting line segments are all based on phi.
5 is the 5th Fibonacci number
5 is also the 5th of the Fibonacci numbers, including 0, 1, 2, 3, and 5.
5 appears in the human body, which has proportions based on phi
Another interesting aspect of phi and five is in relation to the design of the human body, which in addition to being based on phi relationships in its proportions, has:
* 5 appendages from the torso, in the two arms, two legs and a head, * 5 appendages on each of legs and arms in the five fingers and five toes, * 5 openings on the face, and * 5 senses in sight, sound, touch, taste and smell.
The Divine Proportion in the Body
The white line is the body’s height.
The blue line, a golden section of the white line, defines the distance from the head to the finger tips
The yellow line, a golden section of the blue line, defines the distance from the head to the navel and the elbows.
The green line, a golden section of the yellow line, defines the distance from the head to the pectorals and inside top of the arms, the width of the shoulders, the length of the forearm and the shin bone.
The magenta line, a golden section of the green line, defines the distance from the head to the base of the skull and the width of the abdomen. The sectioned portions of the magenta line determine the position of the nose and the hairline.
Although not shown, the golden section of the magenta line (also the short section of the green line) defines the width of the head and half the width of the chest and the hips.
The Vetruvian Man"(The Man in Action)" by Leonardo Da Vinci
We can draw many lines of the rectangles into this figure. Then, there are three distinct sets of Golden Rectangles: Each one set for the head area, the torso, and the legs.
DaVinci named his drawing after Marcus Vitruvius Pollo, who as a 1st century Roman architect that stated ‘the height of a well-proportioned man is equal to the span of his outstretched arms, these two equal measured yield a square which encompasses the whole body, while the hands and feet touch a circle centered upon the navel.”
Vitruvius was a proponent of the ‘Sacred Geometry of Pythagoras’ and designed temples based upon the proportions of the human body.
Symboldictionary.net According to Pythagorian tradition, the circle represents the spiritual realm; the square, material existence, so the human body represented the perfect marriage of matter and spirit, which was is reflected in its proportions. This perfection, wrote Vitruvius, was evidenced by the fact that the extended limbs of a perfectly proportioned human fit into both the circle and the square.
Kenneth Clark in his biography of DaVinci on pg 76 wrote: “…for if man was the measure of all things, physically perfect man was surely the measure of all beauty, and his proportions must in some way be reducible to mathematical terms and correspond with those abstract perfections, the square, the circle, and the golden section.”
In short, Vitruvian man represents the ‘perfect man.’ The Beast.
Rev 13:18 Here is wisdom: Let the one having reason count the number of the beast, for it is the number of a man and its number is six hundred and sixty six.
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