La "Línea de Jesús" de fantasía del Monte de los Olivos a la crucifixión de fantasía - se ve: todo ese Jesús es una estafa no más

  
"Línea de Jesús" de fantasía de la "Puerta Dorada" pasando el Monte del Templo - La línea de Jesús de fantasía del Monte de los Olivos pasando el jardín de Getsemaní, la "Puerta Dorada", los cambistas en el Monte del Templo, el Templo de Tableros (Sanctum Sanctorum) terminando con la crucifixión de fantasía en Gólgota y con una tumba santa (de fantasía)

  
Winnipeg es el centro de gravitación de "América" del Norte en Canadá - el poder judicial de Winnipeg está lleno de elementos de los francmasones

Frank Worthington Simon (1862-1933) fue un arquitecto británico que ha trabajado primero para la familia real satanista en Londres ya. [Por eso él fue al menos un francmasón o aun un satanista con la familia real satanista de Londres]. Después él vino a Canadá y ese edificio del Poder Judicial de Manitoba en Winnipeg fue su edificio lo más famoso en Canadá.
(https://en.m.wikipedia.org/wiki/Frank_Worthington_Simon).

  
Winnipeg: el poder judicial con dos esfinges en el techo - Winnipeg: el poder judicial con un Mercurio en el techo

[Las alas son un símbolo para la capacidad de volar - así ¡Mercurio fue un extraterrestre! - y ¡la universidad de Zurich tiene la misma arquitectura!]

Ground-plan of the Tabernacle of Israel

In Exodus 25:8 God commands Moses to make a sanctuary for Him.

⁸ “Then have them make a sanctuary for me, and I will dwell among them. ⁹ Make this tabernacle and all its furnishings exactly like the pattern I will show you.

It is noteworthy that when we examine the mathematical and geometric pattern God refers to here, it emerges from the sacred measures that Moses got from God by revelation, corresponding to the geometric canon called the Phi ratio or divine proportion. The God-given architectural plan for both the Tabernacle and Temple was designed to embody the framework of the celestial structure of Creation in miniature, on the earthly plane. This view is supported in the following quote from Nigel Pinnock, who details some key elements in the pattern given by God to Moses and David:

 The Tabernacle stood inside a court whose geometry was a double square [1 x 2 rectangle], 100 cubits long by 50 cubits wide. Inside the double square enclosure was a triple square 30 cubits long and 10 cubits wide. Its walls were constructed of wooden planks 1.5 cubits wide and 10 cubits high, held in line by strong horizontal bars of wood. The whole structure was covered with skins sewn together in strips 30 cubits long by 4 cubits wide. The Tabernacle was placed in the court towards the west, but with its entrance oriented east-wards, so that according to Josephus: “when the Sun arose it might send its first rays upon it.” The interior of the Tabernacle was divided into two compartments, a scheme which was copied later in the Temple…..The outer compartment called the Holy Place, was a double square 20 by 10 cubits, whilst the inner compartment, the Holy of Holies, comprised a single square. As the height of the Tabernacle’s ceiling was also 10 cubits, the Holy of Holies enclosure was thus a perfect cube (containing the Ark of the Covenant)….The Altar of Sacrifice was the outer equivalent of the Ark of the Covenant. It stood at the center of the outer of the two squares of the enclosure… This altar represented one of the two poles at the center of two squares-each upon its own center of polarity… The dimensions of the Temple, like the Tabernacle before it, were precisely detailed: [I Chron. 28, II Chron. 3]. A triple square double the size of the Tabernacle, and the walls of the Temple were hewn stone lined inside with wood overlaid with gold. The interior comprised a double square rectangular holy place, and a single square Holy of Holies. The interior was 20 cubits high, making the Holy of Holies again, a cubic enclosure. At the very center of the Holy of Holies stood the Ark of the Covenant which formerly had occupied the central point of the  of the Tabernacle… The actual entrance to the Temple was 5 cubits in width, and opened from a porch which comprised two squares of 10 x 10 cubits. It was this porch which supported the two pillars….Jachin and Boaz. 1

An example of the geometry for the 1 x 2 golden rectangle referred to above is seen below.

Plate 1. The Golden Ratio Rectangle

Here is a simple way to draw and understand a rectangle using the Golden Ratio:

Draw a square (of size “1”)
Place a dot half way along one side
Draw a line from that point to an opposite corner (it will be √5/2 in length)
Turn that line so that it runs along the square’s side

Then you can extend the square to be a rectangle with the Golden Ratio. This rectangle above shows us a simple formula for the Golden Ratio.

When one side is 1, the other side is:

The square root of 5 is approximately 2.236068, so the Golden Ratio is approximately (1+2.236068)/2 = 3.236068/2 = 1.618034. This is an easy way to calculate phi and related geometry we find in blueprints of the Temple and Tabernacle.

This is a key topic in our study of Biblical Astronomy principles evident in other studies on our [www.try-god.com] website, like The Calendar of the Biblical Patriarchs. This study points out among many other things that the cycles of the Sun and Moon are correlated via the phi ratio [1.618] in the 50-year Jubilee cycle, because there are 618 full moons every 50 solar years. This not only exhibits another phi relation in our solar system, but also links this divine knowledge to the Hebrew calendar as commanded in Levitcus 25. So, God has designed the phi ratio in our solar system, even as He has all the other phi/Fibonacci/ Lucas relations, throughout the Natural World, exhibiting the Creator’s symmetrical Intelligent Design across multi-levels of His Creation. The preponderance of the phi ratio through the Four Kingdoms of Life, is an awesome testimony to the Creator’s Temporal Order. This phi ratio, is arrived at by a scale invariant comparison. The relationship that becomes evident in this comparison is divine, because it is found throughout all levels of the Natural World, including the micro to the macro. In this comparison of the divine proportion, the whole is to the larger as the larger is to the smaller. This relationship is seen in Plate 1 above as the linear Phi ratio divided into the square root of 5/2 and 1/2. As we observe the appearance of the Phi ratio in the Temple and Tabernacle, we also find the examples of the two altars within the courts of the Temple/ Tabernacle pattern as a whole.

These ground plans of the Tabernacle and Temple of Israel depict the heavenly image of eastern access to God’s presence, via the High Priest’s annual ministry behind the veil, in the holiest of all. The pattern of access from the east mentioned above, holds true not only for Solomon’s Temple of the Old Testament, but also remained for the later Temple referred to in Ezekiel 43:1-5. The two celestial poles of the ecliptic / Equator are mirrored terrestrially in the physical counterparts of their altars, in both the holy of holies and the holy place. As Pinnock states, regarding the brazen altar of burnt offering:” This altar represented one of the two poles at the center of two squares -each upon its own center of polarity….”2

This terrestrial arrangement mirrors the Venn Diagram at the North Astronomical pole, [Figure A.]. These two altars illustrate the bipolar structure of the heavens, seen not only in the galactic poles of the two great celestial circles of the ecliptic and the Equator in northern skies, but also in their reflection in the Earth’s magnetic and geographic bipolar system. The interplay between these galactic poles exhibits a precession of the poles, where the pole star receded from Thuban of Draco, to Polaris of Ursa Minor, over the last five thousand years, [as seen above in the banner for this study]. This embodies the shift of spiritual power from the dragon at the North pole to Cepheus the enthroned human king, [Christ at God’s right Hand] with the North Star Polaris under his feet [Eph. 1:19-22] in this precession of spiritual power. Within the common space shared between the poles of these two circles moving in opposite directions, lies the astronomical vesica or Venn Diagram of the North Pole. [Fig. A]

This quote above from Pennick gives us an indication of how the original principles of “sacred geometry” are preserved in the dimensions and measures of the Tabernacle and Temple and the corresponding elements of their walls, furniture, columns, curtains, altars, orientation, and architecture. This divine celestial plan modeled in the Hebrew Temple and Tabernacle, is the foundation of the “sacred geometry” adopted by Freemasons and others before them, who have tainted these truths in the defiled context of mysticism, divorced from their authentic roots in Judaism and the Astronomy of the Biblical Patriarchs. This study endeavors to return the roots of Astronomy to its genuine origins, dispensing with the corrupt astrological influence and heathen mythology of various ancient cultures and secret societies. Figure A illustrates the double square rectangle, based on the phi ratio, that provides key aspects of both the “pattern of the Tabernacle” and  Temple of Israel. [Heb. 8:5, Exod. 25:9, 40]

This view powerfully depicts how the Temple and Tabernacle symbolized God’s celestial design of the heavens, seen in their two altars, mirroring the two poles of the ecliptic and the Celestial Equator. This also agrees with many of the principles seen in the pattern of God’s Intelligent Design inherent in His Creation. Since this God given “pattern of the Tabernacle” is constructed upon the phi ratio also known as the “divine proportion” or the golden section we find definitive Biblical evidence that this universally recognized standard of measure is truly divine in origin, since the dimensions of these sacred architectural structures were given by revelation from God to Moses and King David. By prioritizing a godly view of this evidence, it allows us to catch new glimpses of glories long hidden from the astrologers and empiricists, whose practices for too long have clouded the inherent grandeur of the Creator’s sacred architecture.

Figure B. The Plans of the Hebrew Temple and Tabernacle

Figure A above shows another view of the precession of the poles from the perspective of the interlocking wheels of the ecliptic and Equator, with the fish shaped lozenge of the vesica between them. This “vessel of the fish” is formed from the lozenge of these two inter-locking circles, the center of each located on the perimeter of the other. Archimedes called the formula associated with this, the “Measure of the fish,” and it is also linked to John’s Gospel record in [Jn. 21:11], where the disciples caught 153 fish following Jesus’ directions. Its import to math and geometry was found in the ratio of its height to its length [153:265], and that it represented the nearest whole number approximation of the square root of three, along with controlling ratios of equilateral triangles.³   

Figure B. The Plans of the Hebrew Temple and Tabernacle

Figure A above shows another view of the precession of the poles from the perspective of the interlocking wheels of the ecliptic and Equator, with the fish shaped lozenge of the vesica between them. This “vessel of the fish” is formed from the lozenge of these two inter-locking circles, the center of each located on the perimeter of the other. Archimedes called the formula associated with this, the “Measure of the fish,” and it is also linked to John’s Gospel record in [Jn. 21:11], where the disciples caught 153 fish following Jesus’ directions. Its import to math and geometry was found in the ratio of its height to its length [153:265], and that it represented the nearest whole number approximation of the square root of three, along with controlling ratios of equilateral triangles.³   

The dynamic celestial equator, the second circle secular in nature, relates to both the civil calendar year and the earthly Equator as it is mirrored above into the heavens. The movement of this equatorial pole around the static pole of the ecliptic is what is known as the precession of the poles. The intersection points of the ecliptic and the Celestial Equator are called the equinoctial points, which we know as the Spring and Fall equinoxes, the days when the length of daylight is equal to the dark of night. The altar in the Holy of Holies, keeping the Ark of the Covenant is represented in the sacred pole of the ecliptic, around which the equatorial pole moves, both wheels, inter-locked in the form of a Venn Diagram, depicting God’s personal presence among His people.

Figure C. The Ark of the Covenant

Exodus 25:10 “Have them make an ark^[b] of acacia wood—two and a half cubits long, a cubit and a half wide, and a cubit and a half high.^{[c] 11} Overlay it with pure gold, both inside and out, and make a gold molding around it. ¹² Cast four gold rings for it and fasten them to its four feet, with two rings on one side and two rings on the other. ¹³ Then make poles of acacia wood and overlay them with gold. ¹⁴ Insert the poles into the rings on the sides of the ark to carry it. ¹⁵ The poles are to remain in the rings of this ark; they are not to be removed. ¹⁶ Then put in the ark the tablets of the covenant law, which I will give you. ¹⁷ “Make an atonement cover of pure gold—two and a half cubits long and a cubit and a half wide.

In Exodus 25:10, God commands Moses to build the Ark of the Covenant, in which to hold His Covenant with the Israel, the Ten Commandments.

The measures of this Ark in the ratio of 2.5 to 1.5 is 1.666…, is a close rendition of phi (1.618). The Ark of the Covenant is thus constructed using the Golden Section, or Divine Proportion, and compares to the dimensions of Noah’s Ark [Gen. 6:15] also built in the same proportion as ten Arks of the Covenant along side each other. The measures of Noah’s Ark; 50 x 30 cubits, in breadth and height also a ratio of 5 to 3, or 1.666, is again the same approximation of the Phi ratio as the Ark of the Covenant. The ratio evident in both of these examples include numbers of the Fibonacci Series [1, 2, 3, 5, 8, 13…] where the two previous numbers in the series added together equal the third number. As this number series progresses, the higher numbers in the series converge in increasing levels of accuracy to the value of Phi 1.61803399… Thus the numbers 3 and 5 represent lower numbers in the series having a more general approximation to Phi. It is also notable that the phi ratio as seen in [Ex. 25:10], also appears in the King’s Chamber of the Great Pyramid.

Once Israel became centered in Jerusalem, the Ark of the Covenant moved from the Tabernacle to the Temple because the Ark represented not only the personal presence of God among His people-Israel, but it was also an ordained location where God met and talked to His people [Ex. 25:22]. The truth that the Holy of the Holies was where God manifested His infinite, All powerful presence in Shekinah Glory, in a way that His people could comprehend, finds its pinnacle in Christ, who declared God on the level of the senses more fully than any ever or will ever be done. Here we find another reason why God would utilize the Phi ratio to open the way of access for His people through Christ-into His Presence. Idea of the location where God presented Himself to His people, like Mt. Sinai was corrupted in heathen religions to the concept of an Axis Mundi, or “center of the Earth,” where devotees communed with idol gods of world religions, like the Oracle at Delphi. But with the Creator’s blueprint of the two altars of the Ark of the Covenant and the brazen altar of burnt offering centered in the Holy Place and the Holy of the Holies, mirrored at the North pole in the two celestial poles of the ecliptic and Equator, reflecting also the terrestrial and magnetic poles of the Earth, we find this pattern verified on three levels on earth and in the heavens. The celestial poles set the temporal standard on Earth as the terrestrial poles mirror their counterparts in the heavens. The two altars in the Temple/Tabernacle reflect the spiritual poles where the Almighty has made a way for man to meet and commune with his Maker. Lets now take a closer look at the outer Altar of burnt Offerings.

Figure D. Altar of Burnt Offerings

In Exodus 27:1-2, And thou shalt make an altar of shittim wood, five cubits long, and five cubits broad; the altar shall be four-square: and the height thereof shall be three cubits. ² And thou shalt make the horns of it upon the four corners thereof: his horns shall be of the same: and thou shalt overlay it with brass.

As we can see the Altar of Burnt Offerings that God commanded Moses to build is based on a variation of the same numbers of 5 x 3 in the Fibonacci Series: an altar of acacia wood, three cubits high; it is to be square, five cubits long and five cubits wide.” It was the perfect sacrifice of Jesus Christ the pinnacle and perfection of Humanity, as the head of his spiritual body embodying all the ideals and sacrificial offerings in the Temple and Tabernacle in human form. When Christ laid down his life, his one time sacrifice paid the price for all humanity, and as the perfect High Priest Jesus embodied the atonement not only for Israel, but all mankind. In John 2:19 Jesus says to “destroy this temple,” while he stood in Herod’s Temple in Jerusalem.

In effect Jesus’ contrasted the physical Temple wherein he stood, to his own physical body, the embodiment of the true temple. Jesus Christ, the 2nd Adam, is the consummate archetype, the finished model, and “chief cornerstone” not only for the nation of Israel as the Passover lamb and High Priest, but also for the Church of his spiritual Body, beginning at Pentecost after his resurrection and ascension. As the paragon of humanity, Jesus illustrated the highest standards of living spiritual principles in the prophetic illustrations of his life and ministry. Certainly, God did not record the symbolic dimensions of the design of the Tabernacle or the Jerusalem Temple, wherein Jesus stood when he spoke the words of John 2:19, without purpose. This perspective of John 2:19, depicts a prophecy of Jesus Christ in the Jerusalem Temple, representing this temple of stone and the bride of Israel in his physical body, that he laid down for Israel and all mankind in his crucifixion at Golgotha. Thus the plans of the Temple and Tabernacle are blueprints that Christ fulfilled in his ministry to Israel and all mankind. As we note the Phi Ratios in the structure of the human body, so we can see their pinnacle in Christ the head of the nation of Israel and the Church of Christian believers.

Thus it is with heightened interest that we point out the following ratios of the Phi proportion in the human body. Below we have two versions of Vitruvian Man, the first in Figure E, depicting the 17 various examples of Phi ratios in the human body. The Second in Figure F, shows the ideal man in relation to red and blue squares of the golden rectangle ground plans of the Temple and Tabernacle. The Third in Figure G depicts added examples of the Phi Ratio in the Human body.

Figure E. Vitruvian Man a.

Figure F. Vitruvian Man b.

Figure G. Human Body 4

• The human head forms a golden rectangle;.
• The mouth and nose are each placed at golden sections of the distance between the eyes and the bottom of the chin.
• Whole body height / head to fingertips = Phi;
• Top of head to fingertips / head to navel and elbows = Phi;
• Top of head to navel and elbows / head to pectorals and inside top of arms = Phi;
• Top of head to navel and elbows / width of shoulders = Phi;
• Top of head to navel and elbows / length of forearm = Phi;
• Top of head to navel and elbows / length of shinbone = Phi;
• Top of head to pectorals / top of head to base of skull = Phi;
• Top of head to pectorals / width of abdomen = Phi;
• Length of Forearm / length of hand = Phi;

length of finger knuckles/length of hand=phi

This display shows the Intelligent Design of the human body by the Hand of the Almighty Creator in His Omniscient Wisdom. All these aspects of the Phi Ratio in the design of the human body work together to make the some greater than its parts, so that we can see why many consider the human body the pinnacle of Creation. God made the human body to house human life, in body, soul and spirit, first in Adam and Eve, and ultimately the only begotten Son of God-Jesus Christ. This brings us to the design of the genetic code of human Life, DNA, which is the Creator’s signature as the Life-Giver [John 5:6, 17:3] as seen in the Four Kingdoms of Life on Earth.

DNA [the following research is found on Wikipedia and is suggested for further study]

Each cycle of the DNA molecule measures 34 angstoms long by 21 angstroms wide. 34 and 21 are Fibonacci numbers. The ratio of 34/21 is a more accurate approximation of phi, since it is further into the Fibonacci series than the previous examples of 3 and 5. Jean-claude Perez suggested there is a strong link between DNA and golden ratio in 1991,^[1] then later in 1997 in his book l’ADN décrypté^[2]. His work shows that relative proportions of nucleotides within coding DNA sequences like genes or RNA strings are governed by specific Fibonacci and Lucas number sets. This discovery was validated particularly on all known HIV and SIV (Simian Immunodeficiency Virus) retroviruses whole genomes with Professor Luc Montagnier (the discoverer of HIV virus) which called the discovery a “DNA supracode” ^[3].

DNA supracode is revealed by computing sets called “resonances” within any DNA sequence: specific nucleotide clusters like FFF (Fibonacci Fibonacci Fibonacci), LLL (Lucas Lucas Lucas), FFL (Fibonacci Fibonacci Lucas) or LFF (Lucas Fibonacci Fibonacci). An example of elementary FFF resonance: 144 contiguous TCAG bases contain exactly 55 bases T and 89 bases A or C or G. This kind of screening is processed along the DNA sequence, for all possible Fibonacci/Lucas combinations, and for all possible values (example here 144 89 and 55 are 3 consecutive Fibonacci numbers). Then there appear many “resonances”. For example, in HIV whole genome, long of about 9000 bases, there are more than 50,000 significant Fibonacci/Lucas resonances. The longer resonances (several hundred resonances) are overlapping about 2/3 of the whole HIV genome (6765 bases which is a Fibonacci number). 4

Stay tuned for Part 2 of the Biblical Astronomy of the Phi Ratio in the Temple/Tabernacle of Israel which is coming this way soon!

Footnotes

1. Sacred Geometry, Nigel Pennick ppg. 58-62.
2. The City of Revelation, John Michel
3. The Star that Astonished the World, Earnest Martin p. 58
4. Wikipedia on the Phi ratio in the Human Body and DNA.