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WEST/OESTE ERA LA UBICACION ADONDE ESTABA EL LUGAR SANTISIMO DEL TABERNACULO
Eso es posible debido a que el eje de rotación del planeta Agua, Aire, Tierra y Fuego está inclinado 23.5 grados y el planeta da su órbita al sol mientras su eje mantiene fijo. EL NEXO ENTRE LAS DOS COLUMNAS (JACHIN Y BOAZ) QUE TENIA EL TABERNACULO Y EL TEMPLO DE SALOMON, ESTA EN CONTEXTO AL NUMERO 47 (2X23.5 GRADOS) CON REFERENCIA A LA DIFERENCIA EN GRADOS ENTRE EL TROPICO DE CANCER/GEMINIS Y EL TROPICO DE CAPRICORNIO/SAGITARIO. CONCRETAMENTE FATIMA ESTA INTERRELACIONADO KAVALISTICAMENTE , INSISTO, CON LA DIFERENCIA EN GRADOS ENTRE LOS DOS TROPICOS. ESTO EXPLICA DEL PORQUE FUE DESTRUIDA LA TORRE DE 47 PISOS EN EL 911 E INCLUSO TAMBIEN OBSERVAMOS SU NEXO CON LA INDEPENDENCIA DE EEUU (4 DE JULIO O 4/7) E INCLUSO CIENTIFICAMENTE DEL PORQUE EL NEXO DEL TEMPLO CON LA VIRGEN-MARIA MAGDALENA
The Master's Square - compares the Tabernacle, the Temple, and the New Jerusalem to the Masonic Temple, and investigates the universal, astronomically based, geometric method for Temple design and construction. This relates the patterns in the Masonic Floor to all the sacred objects in the Bible, as well as temples around the world.
FATIMA, NEXO MATEMATICO CON INDEPENDENCIA DE EEUU Y EL
LA POSICION DE LA VIRGEN ESTA JUSTO EN EL CENTRO ENTRE LAS DOS COLUMNAS, OSEA ENTRE LOS DOS TROPICOS, CONCRETAMENTE EN EL ECUADOR. EL NEXO DE LA VIRGEN, EN CONTEXTO A LAS FESTIVIDADES HEBREAS, ES CON REFERENCIA AL 21 DE MARZO Y 21 DE SEPTIEMBRE, OSEA CUANDO EL SOL ESTA EN FRENTE DEL ECUADOR. OBSERVEN LA FORMA DE LA LETRA W
![](http://www.chefotos.com/wp-content/catedral-tucuman.jpg)
COLUMBIA ES EL ESTADO ADONDE ESTA WASHINGTON D. C
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Rex Deux
Resurrection of the Dragons
By Goro Adachi March 11, 2002
What the...
Very much aware of the symbolic significance of the Salt Lake City Winter Olympic Games as discussed in The Labour of the Sun, I sat down on the night of February 24 to watch its closing ceremony, an openly ritualistic event, to see if there was any 'clue dropping'. Having recognized the existence of an esoteric undercurrent in the opening ceremony, I was curious as to what kind of encoded 'message' might be present in the second 'ritual'. Of course, my view is that reality itself is an encoded message, or a 'game', so this was not anything new; I'm always scanning for clues. But high-impact world events, accidental or not, I have observed, are usually symbolic expressions of important themes that underlie physical phenomena that surround us, hence my special interest in the international event of the Olympics.
![t-rex-2.jpg (14085 bytes)](http://www.goroadachi.com/etemenanki/t-rex-2.jpg)
As the two gigantic T-Rex's at the Olympic stadium were shown on the TV screen, I inevitably went 'what the...' I mean, these were clearly out of place and, simply, bizarre (not to say scary). Of course, the exoteric justification (= 'excuse') was probably that the general region of Utah has large deposits of dinosaur remains, but still those dinosaurs had almost no apparent relevance to the themes of the ceremony and were just... bizarre. To me, this was a 'Hermetic device' having the function of prompting questions consciously or subconsciously. This, in other words, was potentially a 'clue' planted, again consciously or subconsciously, by some intelligence.
Messianic Resurrection
Later in the show, the dinosaurs were revealed to be operated from behind the walls (not really, but that was the story line) by the Osmond brother and sister singing 'We Are Family!...' By this time, I began to get the gist of the shrouded 'message'. T-Rex's are 'kings', as rex means 'king' and they were certainly the king of dinosaurs. And since the term 'dinosaur' means 'terrible lizard', the T-Rex could easily be considered a 'terrible king', or 'King of terror' a la Quatrain X-72 discussed in previous articles.
Century X-72 L'an mil neuf cens nonante neuf sept mois, Du ciel viendra vn grand Roy d'effrayeur: Resusciter le grand Roy d'Angolmois, Auant apres Mars regner par bon-heur. The year 1999 seven months, From the sky will come a great King of terror: To resurrect the great King of Angolmois, Before after Mars to reign by good luck
At the Olympic stadium in Salt Lake City, then, the 'King of terror' was symbolically 'resurrected' to accord with my previous interpretation that this quatrain, in conjunction with II-41 etc., relates to the 9/11 event and the Winter Olympic Games. Note that this 'King' of the Olympics could also easily be viewed as the 'King of the Rings' -- as the Games are symbolized by the familiar multi-colored five rings -- which may be rephrased as the 'Lord of the Rings'. And The Lord of the Rings is a phrase very much fresh on people's minds today because of the very popular film by the same title that came out late 2001 after the 9/11 event (it was the first of the trilogy, so it's an on-going project). [Update: the second volume/installment of The Lord of the Rings is titled 'The Two Towers' (!) and the third 'The Return of the King' -- needless to say, the correspondence is incredible.] This curious coincidence is compounded by the fact that, in Greek mythology, it is Prometheus, the provider of fire and a version of Saturn-Osiris, that would be considered the 'lord of the ring', as we read that:
Finally [Hercules] reached the Caucasus Mountains, where Prometheus had been fettered for thirty years... Zeus had long repented of his punishment, because Prometheus had since sent him a kindly warning not to marry Thetis, lest he might beget one greater than himself; and now, when Hercules pleaded for Prometheus's pardon, granted this without demur. Having once, however, condemned him to everlasting punishment, Zeus stipulated that, in order still to appear a prisoner, he must wear a ring made from his chains and set with Caucasian stone - and this was the first ring ever to contain a setting... Mankind now began to wear rings in Prometheus's honour... (Robert Graves, The Greek Myths, 133.l-m)
This event, remarkably, is said have taken place during Hercules' journey of the '11th labor', i.e. the very labor we have linked to the current world events, including the Olympics (see The Labour of the Sun). Note also that the Salt Lake City Games had a very Promethean official slogan/theme, 'Light the Fire Within'.
But here we need to take into consideration the idea of 'family' musically attached to the kingly dinosaurs. A 'royal family' -- was this the implication? Or, since the 'King of terror' has been equated with Osiris (see Labour), was it an allusion more specifically to the messianic family, i.e. the family of Jesus, the biblical Osiris? To use Christian terminology, it was a symbolic 'Second Coming'. This association is intriguing as it has been said that Jesus was crucified on a T-shaped cross (the 'tau') (Christopher Knight, et al, The Hiram Key, pp.241-2), and thus Jesus, the 'King of the Jews', may be described congruently as a 'T-king', that is, 'T-Rex'. And then there is the intriguing fact that the messianic bloodline, signified in medieval literature by the Holy Grail (Sangraal, which can also be translated as 'Blood Royal'), is entangled with the myths of the 'Ring', including The Lord of the Rings:
J. R. R. Tolkien's The Lord of the Rings is one of the most enchanting and successful tales of all time. First issued in the 1950s, this famous trilogy could just as well have emanated from the Dark Ages or medieval times, for it has all the qualities and attributes of the most ancient Grail and Ring traditions. (Laurence Gardner, Realm of the Ring Lords, p.1)
To express it esoterically, then, it was an allusion to the return of the wounded 'Fisher King', or King Arthur, the medieval Osirian-messianic character who is inseparable form the Grail romances. It is fitting that the Gaelic word uther, from which the name 'Arthur' apparently derives, means 'terrible' (according to Gardner) and Arthur's father was called 'Uther Pendragon' (actually a title) which would mean 'Terrible head of Dragons' (though it has also been translated as 'Wonderful head of Dragons'). The 'terrible dragons' are, of course, clearly evocative of the dinosaurs, the 'terrible lizards'. Traditionally, 'dragons' are associated with kingship and crocodiles/serpents; in ancient Egypt, for example, pharaohs were anointed with the fat of the holy crocodile, or 'Meseh' from which derives the term 'Messiah', i.e. Jesus/Osiris. Correspondingly, Osiris' death is associated with a crocodile in Egyptian tradition (E.A. Wallis Budge, The Gods of the Egyptians, vol.II, p.358).
Deux Dieux
The messianic family, stemming from Davidic royal lineage and the offspring of Jesus and Mary Magdalene (i.e. Sangraal) according to esoteric tradition, is said to carry the title, Rex Deus, meaning 'King of God' (see Marilyn Hopkins, et al, Rex Deus, 2000). Now, it is curious to notice here that the term 'Deus' (God) closely resembles the word for 'two' in various European languages. As Boyd Rice writes:
The Latin word for God, Deus, seems to retain a vestige of the ancient understanding of the dual nature of deity. In many languages, the word denoting "Two" has either a spelling or a sound very similar to the word Deus, for instance, deux, dos, dua, deuce, and so forth. This becomes even more explicit when examining the specific terms some of the countries apply to God. For example, the French Dieu [or its plural form, Dieux] echoes deux (two) very closely, and the Spanish Dios is derived from the word dos by the mere addition of an "I." (www.dagobertsrevenge.com/articles/undivided.html)
This would then nicely relate to the two T-Rex's of the Olympics and the biblical 'T-Rex', Jesus, being a twin (Judas Thomas/Twin was almost certainly Jesus' twin brother, based on non-canonical sources such as the Acts of Thomas). And, of course, we are reminded here of the twin nature of Hercules, antediluvian pillars, the Sphinx/Horus and such -- underlying all of which is the notion of the Sun/Ark/lion, as explained in The Labour of the Sun. (In terms of Nostradamus -- who, by the way, may well have been a member of 'Rex Deus' -- this motif is potently expressed in our 'two suns' quatrain, II-41.) Indeed, Rex Deus, or the Messianic bloodline, is Davidic which in turn means the bloodline is of the 'lion king' -- as the tribal symbol of King David's, Judah, was the lion. Moreover, the Davidic 'Fisher King' is called in Arthurian literature Anfortas (in fortis) meaning 'in strength', which is also the Latin name for one of the two pillars of the Temple of Jerusalem (i.e. the 'Boaz' pillar). These twin pillars are a version of the antediluvian/Atlantean pillars, the New World version of which was destroyed on 9/11/01. The Catholic theologian Margaret Starbird writes:
The name of this [Boaz] pillar, which is also the name of the ancestor of King David, is a clear and obvious reference to the promises made to the Davidic bloodline, the line of the princes of Judah, that the dominion of its princes would be established forever "in strength," since Judah was the strongest of the twelve sons of Israel's patriarch Jacob. The name Anfortas is thus associated with the broken left pillar of the Temple of Jerusalem, which is symbolic of the broken Davidic succession... [T]he "Fisher King" Anfortas -- that is, the Davidic "Fish-King" Jesus -- can be healed only when the Grail is restored... (The Woman With the Alabaster Jar, p.86)
The reference to the broken succession/pillar here is interesting as it potentially relates to the fact that the Great Sphinx is missing its 'twin' and also to the darkening of the sun (= lion/sphinx/Fisher King) on the day Jesus/Osiris died as per tradition.
All combined, we can derive the symbolic implication that the two towering T-Rex's signified the resurrection of the messianic king, or Osiris-Horus, the fall of which was earlier expressed by the destruction of the WTC twin towers on 9/11.
Proof of the Vikings
Let's take a look at Quatrain VI-97 which I have repeatedly correlated with the world events of our own time including the 9/11 attacks.
Century VI-97 Cinq & quarante degrez ciel bruslera Feu approcher de la grand cite' neuue Instant grand flamme esparse sautera Quand on voudra des Normans faire preuue. Forty five [or 'five and forty'] degrees the sky will burn, Fire to approach the great new city In an instant a great scattered flame will leap up, When they want to have proof of the Normans.
This quatrain's relevance to 9/11 and related events can be summarized as follows. First, 'five and forty' (cinq & quarante) of Line 1, if interpreted as 40.5, would correspond to the latitude of New York City where the WTC towers stood. And NYC is insinuated by Line 2 mentioning 'the great new city'. The abundant references to burning fire, needless to say, evoke the burning towers still hauntingly fresh on our mind. (The "great scattered flame" is actually even evocative of the grand firework show of the Olympic ceremonies.) What is most remarkable, however, is the implication of Line 4: 'When one will want to want proof of the Normans'.
"Normans" is essentially another name for the Vikings (or 'Norsemen'). "Viking," in turn, was the name given to the twin space probes NASA sent to Mars in 1976 (Viking 1 & 2). This Viking mission made the very first successful landing on the Red Planet and, more significantly, it gave us the first pictures of the potentially artificial "monuments of Mars" at Cydonia, an issue still very much controversial and relevant today. This association is particularly important here because the Cydonia region of the 'fire planet' is situated approximately at 5°W. 40°N. -- that is, "five and forty"! The 'monuments' themselves are located on latitude 40.5-41°N., which happens to be the very latitude of NYC _and_ Salt Lake City! As if these weren't enough, the most prominent features of the Cydonia complex are the popular 'Face' and the geometrically sound 'D&M Pyramid'. The 'Face', as revealed/confirmed in 2001, is of dual nature, having a hominid side and a leonine side, just as does the Sphinx (= sun, Hercules, 'Fisher King') which has a body of the lion and a head of man. (The connection between the two is corroborated by the fact that the tangent of Cydonia's latitude equals the cosine of the latitude of Giza/Sphinx, both equaling e/pi.) The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
Line 4, 'When one will want to have proof of the [Vikings]', then, would have the implication of people wanting to know the truth about Cydonia and/or more generally about the existence of life on Mars. And, sure enough, presently around the turn of the millennium we are rapidly getting more evidence indicative of the existence of past/present life, as well as intelligently designed structures, on the Red Planet. (Most recently, the Mars Odyssey spacecraft gave us, on 3/1/02, more evidence of water on Mars, more pictures of strikingly artificial-looking features, and amazing confirmation of Richard Hoagland's 'Mars Tidal Model' which I consider a brilliant piece of work.)
As it turns out, the 'Norman/Viking' reference also nicely brings together 9/11 and 'Rex Deus' as we learn that the Viking leader, Rollo (Hrolf), came to France and obtained Normandy (becoming the first Duke of Normandy) in _911_ AD. And Rollo, interestingly enough, was genealogically linked to the 'Rex Deus' clan:
[Rollo] extended his lands by conquest and his influence by alliance and marriage with the leading aristocratic families of the time. He sought to establish strong bonds with the local aristocracy and, in particular, matrimonial links with dynasties of the Rex Deus tradition, such as the families of Chaumont, Gisors, d'Evreaux, Blois, the Counts of Champagne and the ruling House of Flanders, whose younger sons were the Counts of Boulogne. Was he [Rollo himself] also Rex Deux, from a family outside the confines of early Christian Europe? (Hopkins, et al, Rex Deus, p.107)
From this angle, the phrase 'When one will want to have proof of the Normans' would come to mean 'when people become aware, and want proof/'resurrection', of 'Rex Deus' or the 'Grail'/messianic bloodline -- that is, our own time.
Now, the 'resurrection' of this hidden bloodline/tradition would also imply the fall of the Church as its existence today is the result of the Roman Empire 'hijacking' the 'Fisher King' tradition. The Catholic Church or Papacy, in other words, is just a poser on the throne with no legitimacy what so ever. The 'king' is naked and the people have been too conditioned and timid to openly acknowledge this awkward fact. When the true 'Fisher King' is publicly acknowledged, therefore, it would automatically leave the Church and its manipulative doctrine nowhere to go but down. This situation brings us back to Quatrain II-41, the 'two suns' prophecy already applied to the current events, the last line of which indicates the fall/shift of the papacy: "When the great pontiff changes his abode."
In The Labour of the Sun was discussed how Quatrain II-41 pertains to 9/11, the 'King of terror' (Fisher King), and the inevitable end of the reign of Pope John Paul II, the 'Labor of the Sun' pope, in the near future. Since writing the article, it came to my attention that there is one particular date that may be seen as a window through which the smoldering archetypal story line could potentially manifest itself physically because of intense symbolic convergence. The date in question is May 1st -- i.e. 'May Day'. First, notice that just as the date '9-11' numerically had the implication of emergency ('911' being the emergency phone number), 'May Day' is similarly the international radiotelephone code used for indicating trouble and requesting help. Second, in Europe May Day is Labor Day which in the United States is celebrated in September (the month of 9/11) -- 'labor' being a code word for Pope JPII, as well as Hercules' 11th Labor that has been found to closely relate to 9/11 and Prometheus along with his fire and ring. May Day, in fact, is also the festival of Belenus, the Celtic god of fire and the sun, and a pagan festival of rebirth and renewal. The first day of May, therefore, is a time with strong 9/11 resonance and particularly relevant to the 'Labor of the Sun', i.e. Pope JPII, though I am not ready to predict that the papacy will actually suffer a loss on that date.
Update: According US intelligence sources, as reported by The Washington Times (May 13), Islamic terrorists were planning to attack a nuclear power plant and this "was initially scheduled for May 1..." So, there indeed was a high potential for a 9/11-related major incident on May Day 2002.
Echoes of Lost Paradise
Dinosaurs, the kings of the earth at the time, were suddenly wiped out about 65 million years ago. Rocks from outer space, it is often theorized, hit the earth and devastated all life upon the surface. Quite recently, Tom Van Flandern (formerly the Chief of the Celestial Mechanics Branch of the U.S. Naval Observatory) put forward the theory that it was the 'explosion' of what he calls 'Planet V' between Earth's orbit and the Asteroid Belt (which is the remnant of the theoretical 'Planet K' that exploded about 250 million years ago) that caused the extinction of the dinosaurs. The planet Mars, in this radical model, was formerly a satellite of Planet V that survived the catastrophe and became an independent planet. Richard Hoagland's more recent 'Mars Tidal Model' was an extension of Flandern's 'Exploded Planet Hypothesis', and so the new data from the Mars Odyssey probe just released 3/1/02 that dramatically corroborated Hoagland's theory was also confirmatory evidence for Flandern's. By inference, then, it may be postulated that those dinosaurs -- analogous to the 'King of terror', 'Fisher King', etc. -- and the Red Planet have an inseparable historical connection.
The reader may recall that I have previously stressed the intense correlation that exists between the 9/11-related events and the destruction of the antediluvian world, 'Atlantis', in connection with Mars/Cydonia. Here, then, we have the implication that there also is a link between the prehistoric 'dragons' and Atlantis. Remarkably, this strange association actually resonates well with the fact that in ancient traditions the angelic wisdom-providers of the antediluvian paradise, including Osiris, are usually associated with the serpent, i.e. 'dragons'. The coherence is intensified when it is added that the essence of Osiris was equated in ancient Egyptian theology with the Benben Stone (the capstone of the pyramid/obelisk) which in turn was, or represented, a meteorite -- i.e. a rock from outer space (Planet V). Correspondingly, we may recall that, in Mystery, Babylon the Great, the antediluvian tower (Babel) and the Osirian 'fallen angels' (Nephilim) were found to be the embodiment of a heavenly stone. And to top it off, the Nephilim were 'fallen ones' (as in fallen meteorites), and were also called awwin denoting 'serpents' (as in dragons/dinosaurs) and gibborim meaning 'strong ones' (as in Davidic 'Fisher Kings'). The messianic association is echoed strongly by the Holy Grail/Blood Royal: in Wolfram von Eschenbach's Parzival from around 1200, the Grail is called lapsit exillis which, as lapis ex caelis, means 'stone from the heavens'!
So we now have entangled themes involving dinosaurs, Exploded Planet Hypothesis, Mars, Atlantis, heavenly stone, messianic tradition... What does this all mean? While I have my own hypotheses, it is wise at this time to just wonder about it rather than force a shortsighted and linearly conceived conclusion out of the partially disjointed pieces of the puzzle. I have faith in the idea of 'if you ask, the answer will come'. This appears to be how the 'game' is played 'down here'. Truth requires patience, and patience here requires unwavering respect for truth.
Foreshadowing
I'd like to end this article by pointing out that the next Winter Olympic Games (2006) will be held in Turin, Italy. Turin is the home of the single most important and controversial relic associated with Jesus -- the Shroud of Turin, the linen cloth in which Jesus was supposedly wrapped after the crucifixion. On the Shroud is seen, somehow, a seemingly photographic image of Jesus. While ostensibly a Christian relic, the Shroud has much to do with the esoteric 'underground' tradition that aligns with the 'Fisher King' rather than with Pauline counterfeit Christianity headed by the Papacy. Indeed, the Shroud first surfaced soon after the suppression of the medieval warrior-monks, the Knights Templar, who were accused, among other things, of worshipping a strange head -- which may well have been the head portion of the Shroud. The first known owner of the relic, Geoffrey de Charney, is in fact thought to be the nephew of Geoffroi de Charney, the Templar preceptor of Normandy who was burned to death with Jacques de Molay, the last Templar Grand Master. And some have theorized, with good reason, that the Shroud was actually created by Leonardo Da Vinci who has been claimed to have been Grand Master of the Priory of Sion, supposedly the parental organization behind the Templar order (see Lynn Picknett, et al, Turin Shroud). The Priory of Sion, extensively discussed in the groundbreaking book Holy Blood, Holy Grail (1982), is practically analogous, or attached, to 'Rex Deus'. This combined with the fact that the Templar knights in the Grail lore are depicted as the guardians of the Holy Grail/Blood Royal which, in theory (based on "heretical" traditions), stemmed from the dynastic 'Sacred Marriage' between Jesus and Mary Magdalene, it may be inferred that the Shroud is in a sense a form of the Grail which in turn represents the hidden messianic succession.
Is it just a coincidence that Turin, the very place where this 'Rex Dues' relic rests, has been selected for the next Winter Olympics? Perhaps. But consider the following. Turin is at latitude 45°N. so as to echo the opening line of the 'Olympic/Martian quatrain', VI-97 ('Forty five degrees the sky will burn'). The last line of the same quatrain, 'When they want to have proof of the Normans', may also now denote 'when people want to find out the truth about the origin of Christianity, about the suppressed messianic legacy, and about the true nature of the Turin Shroud which was first possessed, as far as we know, by the 'Normans' (i.e. the Templar Master of Normandy). The Shroud even resonates with 9/11. The relic, as well as Leonardo/Priory of Sion, is associated with John the Baptist as it is, for example, kept at the Cathedral of St. John the Baptist in Turin. And the saint's birthday was celebrated on the summer solstice just as the date 9/11 corresponded in the early Christian times to the original summer solstice day of the ancient Egyptian calendar.
Also, the demonstrated Martian/Cydonian nature of Quatrain VI-97 incites the thought that the head imprinted on the Shroud might relate to the more or less similar-looking 'Face on Mars'. This is clearly a silly notion -- except there are various clues that are supportive of it. This leads into an area that overlaps my 'other' research that I do not want to discuss yet. But I'll just mention two curious coincidences: the Shroud is called sydoine/sindone/sindon in other languages ('Cydonia' anyone?), and John the Baptist was decapitated and his severed head became an object/idea of great esoteric importance. This is only a small hint. I don't want to open Pandora's Box yet... :) But I will say that Mars/Cydonia anomalies and the Grail-Ark-Shroud-Fisher King theme are to merge in a startlingly direct and elegant way.
The Quest for the Grail is an interplanetary saga.
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Terminator Code 311
Aldebaran highlighted by Venus' 'hyperdimensional turn' on July 4, also known as 'the Follower' or 'Torch-Bearer', is a 'red giant'. And it is - a big reddish star, in the Hyades cluster representing the 'head' of the celestial bull Taurus. Aldebaran is usually seen as the right eye of the Bull, whereas the left eye is star '311' (Epsilon Taurus). Perhaps not widely used but the numeric '311' designation is repeatedly mentioned in The Orion Mystery by Robert Bauval:
It is... interesting to note that the 'eyes' of the bull were Aldebaran and star 311 (Epsilon Taurus), the latter being the 'left eye'. [p.158]
I found these 'eyes' to be a key to the 'riddle' of Terminator 3, released in mid-2003 right before the 'total recall' election won by Schwarzenegger, the occult 'Torch-Bearer' and a big Hollywood star...
Terminators are machines with artificial intelligence - A.I., which can be interpreted as 'eye' or 'a(n) eye'. Terminators are also 'aliens' or 'foreigners' from the future making them comparable to Seth/Set the alien god. The Terminator's 'eye' would then be Set's eye, as are Aldebaran and star 311. (Remember, the Hyades represents Set so these stars are not only the Bull's eyes but also Set's eyes.) And 'Set eye' would be SETI - i.e. SET-I or SET-Eye... well, maybe.
The main ad graphic used for T3 encodes these associations. The Arnie-Terminator's face, taking up most of the space, emphasizes his red right eye as if to allude to Aldebaran, the red giant star representing the right eye of the Bull/Set. (It also evokes HAL the 'red eye' A.I. from 2001: A Space Odyssey.) And only one side of his face is illuminated... just like the Crabwood alien glyph, the Ultra-Tech picture, and Hoagland's 2003 Face picture!
At the Terminator's left-eye region is a reflected image of 'Terminator TX', the most advanced killing machine featured in the film. While capable of shape-shifting, TX appears mostly as a beautiful feline woman, seemingly alluding to the beastly feline/leonine left/east side of the Face on Mars... (And the lion is the most feared 'killing machine' on land.)
The 'TX' designation conjures up 'Texas', the official abbreviation of which is in fact 'TX'. Many scenes in the film are very Texas-like to underscore the connection.
It cannot be missed that Texas represents the political 'Ground Zero' in the post-9/11 period under the Bush presidency. Both Bush and Cheney are from Texas and have done shady dealings with corrupt Texas energy/oil corporations like Enron and Halliburton. Without Texas there probably would have been no Iraq invasion or even 9/11. Schwarzenegger has a shadowy Texas connection as well - a connection seemingly acknowledged in T3 as he utters 'TX corrupted me'...
![](http://www.goroadachi.com/etemenanki/athens-code-109.jpg)
The fact is, Arnie's rise in California politics has much to do with the state's disastrous energy situation (massive blackouts etc.) which in turn was driven by the corrupt practices of Texas energy companies, particularly Enron. It is known that Arnold met with Enron's CEO/Chairman Ken Lay in a private meeting convened in 2001 to discuss energy issues. As reported on August 14, '03 by IPA (confirmed by FTCR in Oct '03):
Consumer advocates with the Foundation for Taxpayer and Consumer Rights, Heller and Balber said today: "The California energy crisis was the culmination of a decade-long push to remove consumer protections and regulatory oversight of California's electric power system... Leading the charge was Ken Lay, the former CEO and Chairman of Enron, whose close ties with the Bush family were supplemented by campaign contributions both in Washington and across the country, notably including more than $100,000 to California Governor Gray Davis. It was, of course, no surprise that Governor Davis failed to meaningfully take on the power industry's manipulation of the California energy market during the crisis, opting instead to sign overpriced power contracts and force consumers and taxpayers to pay for the miserable failure of deregulation..."
"In order to counter the virtual public consensus that deregulation ought to be dumped, Ken Lay, during the spring of 2001, began a series of high-powered meetings to salvage the deteriorating argument for his energy scheme.... He met privately with Vice President Cheney in the days leading up to the administration's publication of what became an extremely Enron-friendly National Energy Plan. Successful on the national front as a result of his longstanding relationship with key Republicans, Lay hoped to regain his footing in California by forging ties with prominent Republicans in the state. In May of 2001, Lay convened a private meeting with junk bond king Michael Milken, Los Angeles' then-Mayor Richard Riordan and Arnold Schwarzenegger, at which Lay reportedly presented his vision of solving the state's energy deregulation crisis by, absurd as it sounds, expanding deregulation..."
Enron has since imploded of course, but Enron's backing of Schwarzenegger tells us a lot about his nature, or at least his assigned 'mission'... his destiny/fate. It is symbolically noteworthy that 'Enron' spelt backwards is 'Norne', the name of the 'three goddesses of fate' in Norse mythology.
The idea of fate/destiny would then relate to such things as the 'Spear of Destiny', i.e. the holy lance of St. Longinus said to have pierced the side of Jesus. It's essentially an alter ego of the Holy Grail and said to have been possessed or sought by various messianic or antichristic leaders throughout history like Herod the Great, Constantine, Hitler, etc. The Spear represents the power that 'Antichrist' must possess in order to succeed in his endeavors. And this association suits Arnold's role well - the false Horus (i.e. Set) or the false 'messiah'... and/or indeed the 'Antichrist'/'Beast'. As I wrote on August 20, '03:
...there is an allusion to the emergence of an antichrist in the Book of Revelation 9:11 (yes, 9-11):
And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
...'Abaddon' and 'Apollyon', both mean the same thing - 'Destroyer'. [...] And of course... Schwarzenegger is none other than the 'Terminator'! [Arnie was also Conan the Destroyer (1984).]
The Terminator series is all about the end of the world or 'Judgment Day' (the title of the second installment), i.e. typical stuff from the Book of Revelation.
My interpretation has been that, like the Grail 'rose line', the Spear and its original possessor St. Longinus together allude to a longitudinal line (meridian), thus dovetailing with the foregoing Meridian theme. Even the name 'Terminator' is suggestive in that astronomically it refers to the line separating the illuminated and dark sides of a celestial body such as the Moon (and the line on the Moon tends to be longitudinal...)
The Spear of Destiny now resides in the Hapsburg Treasure House Museum in Vienna, Austria - the country where Schwarzenegger was born and raised.
So, we could say Schwarzenegger is a 'Trojan Horse' sent into the US government - ultimately the White House - to play the role of the Beast/Antichrist in the coming period of intense troubles... possibly World War 3 in which the United States would be the new Nazis, the 'Fourth Reich'. (Note: I'm not saying Arnie literally is the 'Antichrirst'/'Beast'.)
This process was perhaps kick-started on 9/11, 2001 - exactly 225 years from the birth of the US (1776) and the year highlighted by 2001: A Space Odyssey, the ultimate red-eye A.I. ('HAL') movie. Closely related to this, it was the Odyssey probe that took the Face picture on Oct. 24, '02 showing its illuminated beast (eastern) half, discussed in Hoagland's paper published when Mars was making its close approach to Earth last year seemingly commemorating the 'rise of Schwarzenegger'.
I certainly find it fitting that it is in Homer's epic called The Odyssey ('the greatest tale of all time') that the story of the Trojan War is told, famous for involving the Trojan Horse tactic masterminded by one 'Odysseus'. This shows that the ultimate 'false gift' (Trojan Horse), Odyssey, and '2001' are all closely intertwined.
The Contact theme becomes more prominent in '2010: The Year We Make Contact', a sequel to '2001'. Its plot involves Jupiter transforming into a star which the original author Arthur C. Clarke (2010: Odyssey Two) calls 'Lucifer', i.e. Venus the 'light bearer'!
Venus' July 4th 'hyperdimensional turning' at -19.5 deg. Galactic Meridian near the red-eye star Aldebaran carried all these associations. In a way the 'Super Torch Day' (7/4/04) was a 'Super Eye/A.I. Day'.
Now, while Aldebaran, the red/right eye, was clearly a key component of the encoded symbolism, we find more sinister and explosive implications attached to the left eye represented by star '311'.
First, in Terminator 3 are given specific time references to the beginning of 'Judgment Day', to be marked by world-wide nuclear detonations. There is one particular scene containing the following conversation between Arnold-Terminator and John Connor (future leader of mankind):
![](http://www.goroadachi.com/etemenanki/athens-code-108.jpg)
Terminator: |
The first launch sequences will be initiated at 6:18 p.m. |
John Connor: |
What, today? |
Terminator: |
Affirmative. |
Kate: |
John, what is he saying? |
John: |
Judgment Day, the end of the world - it's today 3 hours from now. |
Terminator: |
2 hours, 53 minutes. We must continue south into Mexico to escape the primary blast zones. |
The coding is quite simple: we can simply turn the numbers into days: i.e. '6:18' into 618 days and '2 hr 53 min' into 253 days. Based on the repeated references to 'today' or 'from now', we can count forward from July 2, 2003, i.e. Terminator 3's release date. This yields the following:
7/02/03 + 618 days = March 11, '05 7/02/03 + 253 days = March 11, '04
Both 'March 11', one year apart - leaving little doubt that the decoding is valid. And '3/11' is... yes, '311', as in the 'left eye' star 311!
http://www.goroadachi.com/etemenanki/sc2012-4.htm |
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Quote:
«Une seule chose était indispensable, lorsque, rencontrant une caverne, propre à servir d’abri temporaire, ils désiraient préparer, à un ardent foyer, le repas nécessaire ; c’était le silex, dont le nom basque est suarria, c’est à dire, un trait de lumière ou étincelle courant ça et là par l’effet du choc de deux objets dont l’un, le silex, est penché de côté, et l’autre, acier ou fer est brandi, -to sway (soué), faire pencher de côté, brandir, - to hare, courir ça et là, - ray, ré, trait de lumière ».
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Renne wrote:
![Image](http://i52.tinypic.com/2rc0fau.jpg) Latimer`s Arms - a Cross Patonce in Gules. Do the shells denote Santiago de Compostela?
Actually that's a Cross Patonce Or on Gules. Gules is red, Or is gold. A gold cross on a red field. Santiago de Compostela - could be, but not necessarily. TCP
Actually that's the Occitan flag. ![Image](http://upload.wikimedia.org/wikipedia/commons/8/83/Armoiries_Languedoc.png) Actually, it's not. The Cross of Toulouse is a cross clechy, voided, and pommeted Or. Significantly different from a cross patonce which isn't voided or pommeted, But I wouldn't expect you to notice or understand the difference or significance, Roscoe. As to whether or not the shells represent Santiago, I should point out that there is a Cross of Santiago (cross flory fitchy Gules) which might have been used instead of the cross patonce gules if the intention of the blazon was to draw attention to Santiago. |
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Las puertas solsticiales
Norte y Sur son puntos geográficos que están relacionados a la astrología en el sentido de que corresponden: el norte o invierno a Capricornio y el sur o verano a Cáncer, los dos solsticios; en tanto que en el este o primavera se situará a Aries y en el oeste u otoño a Libra, los dos equinoccios. Estos signos astrológicamente pertenecen a un elemento: Capricornio a la tierra, Cáncer al agua, Aries al fuego y Libra al aire, entre otras relaciones que tienen que ver con el cuaternario.
Para la explicación y las variadas correspondencias con la simbólica de las dos puertas zodiacales ubicadas al norte y al sur, es decir, referidas a los solsticios, podría ser adecuado retomar algunos planteamientos de la obra de René Guénon y que están estrechamente vinculados a la entrada y salida del Templo, denominándose en varias doctrinas respectivamente como “la puerta de los hombres” y “la puerta de los dioses”. La primera corresponde, como hemos ya dicho, al solsticio de verano y al signo de Cáncer, en tanto, que la segunda será la del solsticio de invierno y del signo de Capricornio. En el simbolismo constructivo se les vincula, respectivamente, con la puerta del templo y la apertura situada en la cúpula donde se coloca la piedra de toque, forzosamente desde afuera del templo.
Retomando el simbolismo astrológico, el ciclo anual podemos ver se “divide” en dos mitades: una etapa descendente y otra ascendente, en la primera el sol va hacia el norte, se encamina hacia el solsticio de invierno y en la segunda el sol va hacia el sur, o sea, rumbo al solsticio de verano. En la tradición hindú la fase ascendente se relaciona con el deva-yna (vía de los dioses) y la descendente con el pitr-yna (vía de los padres o antepasados).
El solsticio de invierno será, por tanto, el polo norte y el solsticio de verano el polo sur, marcando la línea vertical de la rueda en donde al sur le corresponde el mediodía y al norte la medianoche. De ahí el sentido esotérico de que los trabajos iniciáticos comiencen a mediodía y cierren a medianoche, es el lapso para realizar el ritual, saliendo uno del tiempo lineal, uniforme y plano del mundo profano e ingresando a otro tiempo en el que todo se hace de acuerdo al rito y, por ende, al símbolo.
Los dos solsticios marcan, entonces, la división del ciclo anual en dos mitades, una ascendente y otra descendente, que reflejan de alguna manera la ley universal aplicable a todo lo existente, el yin y el yang, sístole y diástole, masculino y femenino, positivo y negativo. Pero también los dos puntos en los cuales se “suspende” el movimiento y por lo tanto el tiempo.
Estas dos puertas solsticiales están vinculadas al simbolismo de Jano. Jano es el ianitor (portero) que abre y cierra las puertas (ianuae) del ciclo anual, con las llaves que son uno de sus principales atributos, la llave como simbolismo axial que lo conecta a Jano con la parte Suprema. Sus dos rostros se consideran como la representación del pasado y el porvenir, sin embargo, entre el pasado que ya no es y el porvenir que no es aún, el verdadero rostro de Jano es aquel que mira el presente, el instante permanentemente frente a nuestros ojos o realidad, que es verdaderamente lo único que nos conforma. En efecto, ese tercer rostro, es invisible porque el presente, en la manifestación temporal, no constituye sino un inaprehensible instante, aunque, nos recuerda Guénon, “cuando el ser se eleva por sobre las condiciones de esta manifestación transitoria y contingente, el presente contiene, al contrario, toda realidad.” A Jano se le conoce también como “el Señor del triple tiempo”.
Este tercer rostro de Jano corresponde, en otro simbolismo, el de la tradición hindú, al ojo frontal de Shiva, invisible también, ojo que figura “el sentido de eternidad”. Jano () ha dado su nombre al mes de enero (), que es aquel con el que abre el año (solsticio de invierno). Jano “Señor del triple tiempo” (atributo igualmente asignado a Shiva), es también, el “Señor de las dos vías”, esas dos vías, de derecha y de izquierda (que los pitagóricos representan con la letra Y -Épsilon-) y que son idénticas al deva-yna y al pitr-yna; y que aquí igualmente, habrá que mencionar, hay una tercera vía no visible que se relaciona precisamente con el tercer rostro de Jano.
Jano era el dios de la iniciación y presidía los Collegia Fabrorum, escuela iniciática vinculada con el ejercicio de las artesanías. Jano era un antiguo dios asirio-babilónico, que para los romanos, precedía todo nacimiento ya sea de los hombres, del cosmos o de las acciones ha emprenderse. Lleva consigo dos llaves y por ello se le relaciona con una deidad de aperturas o de inicios, en el cristianismo las fiestas solsticiales de Jano se han convertido en las de los dos San Juan y estas se celebran siempre en las mismas épocas, es decir, en las postrimerías de los solsticios de invierno y de verano, las llaves de Jano, en la simbólica cristiana, abren y cierran el “Reino de los cielos” y el de la tierra, una llave es de oro y la otra es de plata.
En la sucesión de los antiguos Collegia Fabrorum, igualmente es Guénon al que nos remitimos, se transmitió regularmente a las corporaciones que, a través de todo el medioevo, mantuvieron el mismo carácter iniciático y en especial a la de los constructores. La masonería ha conservado como uno de los testimonios más explícitos de su origen las fiestas solsticiales consagradas a los dos San Juan, después de haberlo estado a los dos rostros de Jano. Estos rostros que marcan ciclos y tiempos específicos señalan, en su lado izquierdo el pasado, quizás recordando que en una primera etapa los iniciados deben de tomar conciencia de lo que se requiere cambiar u operar en la construcción de su templo interno. En tanto que el lado derecho corresponde al porvenir y tal vez, hable, entre otras cosas, de lo que está por saberse y aprehenderse.
Estas fiestas que se han celebrado por variadas culturas y pueblos se sitúan en realidad un poco después de la fecha exacta de los solsticios, una vez que el descenso y el ascenso han comenzado; a esto corresponde, en el simbolismo védico, el hecho de que las puertas del Pitr-loka (de los antepasados) y el Deva-loka (de los dioses), se consideren situadas, respectivamente, hacia el sudoeste y el nordeste. Podría decirse, comenta Guénon, con mayor precisión, que “la puerta de los dioses” está situada al norte y vuelta hacia el este y que “la puerta de los hombres” está situada al sur y vuelta hacia el oeste.
Ahora bien, el doble sentido del nombre mismo de Juan es interesante y probablemente relevante para otros: el nombre Yehohanán, puede significar “misericordia de Dios” y también “alabanza de Dios”. El primer concepto se ha vinculado a San Juan Bautista, en tanto que el segundo se le ha designado más frecuentemente a San Juan Evangelista. La misericordia es atributo descendente en tanto que la alabanza requiere de un esfuerzo ascendente. Al Bautista, en la masonería, nos comentan los siete maestros masones en su libro, se le relaciona con la escuadra y el nivel, herramientas indispensables para que la base del edificio a construir este perfectamente allanada y encuadrada, sea esta imagen perfecta del trabajo que nosotros como aprendices hemos de realizar, es decir, la rectificación que cada uno debe ejercer consigo mismo. En tanto al Evangelista, “el águila de Dios” y “el discípulo bien amado” se le considera el apóstol que da testimonio de la luz –del conocimiento– y por ende se le encarga bautizar con el fuego del espíritu. La masonería, nos seguimos refiriendo al mismo libro, le asigna la perpendicular y el compás, y con esto, la posibilidad de trazarnos como instrumentos tales que enlacemos con el eje vertical que va del centro del templo hasta su sumidad más alta donde reside la clave de bóveda.
Hay un símbolo en la masonería (en particular en la anglosajona) que es un círculo entre dos tangentes paralelas, estas tangentes, entre otros significados, representan a los dos San Juan. Estas líneas o marcas, también señalan un límite al ir y venir del sol, son los dos solsticios que nos indican que el sol no puede sobrepasar su curso anual, y también, pueda ser, nos remita al signo correspondiente y al recordatorio que al estar entre columnas no hay que sobrepasarlas. También se le ha dado a estas líneas una relación con las dos columnas del árbol sefirótico y, en su carácter exotérico, se le puede ver como las “columnas de Hércules”, ya que es un héroe solar sosteniendo los dos pilares. Existe una divisa, de nuevo Guénon, que nos dice non plus ultra y que está referida a estas columnas y que, no solamente, expresa o señala los límites del mundo “conocido”.
Como hemos comentado a Jano se le puede observar como el “Señor de la Eternidad”, que probablemente sea uno de sus aspectos más importantes, esto se relaciona con el principio (alfa) y con el fin (omega) de todas las cosas y esto, nos pueda remitir, al evangelio de San Juan que inicia con estas palabras: “En el principio era ya el Verbo, y el Verbo estaba en Dios y el Verbo era Dios. Él estaba en el principio en Dios. Por él fueron hechas todas las cosas: y sin él no se ha hecho cosa alguna de cuantas han sido hechas, en él estaba la vida, y la vida era la luz de los hombres: Y esta luz resplandece en medio de las tinieblas, y las tinieblas no la han recibido” (I, 1-5). O bien la referencia a Cristo como el principio y el fin de todas las cosas, el alfa y el omega. Jano es igualmente “el Señor de las dos vías” por consecuencia inmediata de su carácter de “Señor de Conocimiento”, lo que nos remite de nuevo a la idea de la iniciación de los misterios. Initiatio, nos recuerda Guénon, deriva de in-ire “entrar”, lo que se vincula igualmente con el simbolismo de la puerta y con Jano (Ianus) que contienen la misma raíz que el verbo ire, “ir”; esta raíz se encuentra en sánscrito con el mismo sentido que en latín, es la palabra yna, “vía”, cuya forma esta próxima a la del nombre Ianus, y que faculta la iniciación, initiatio; en el extremo oriente la palabra Tao significa vía, y sirve para designar al Principio Supremo.
Hombre de Mercurio
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The Sun Very cool Sheila But I have one for you on this line Hagia Maria Sion where Saint Mary slept it is in Israel At the entrance is a bronze Pine cone http://www.yuvaltourguide.com/churches/dormition/EngDormition.htm![Image](http://www.yuvaltourguide.com/churches/dormition/CiderCone.jpg) one resides at the Vatican ![Image](http://circa71.files.wordpress.com/2011/07/white-horse.jpg?w=584&h=492) Perhaps there was more to the Templar symbol of two riders on a horse maybe there was the trinity involved ![Image](http://upload.wikimedia.org/wikipedia/commons/thumb/2/28/Agnus_Dei_Tallara.jpg/320px-Agnus_Dei_Tallara.jpg) Santiago de Compostela, Galicia ![Image](http://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Agnus_Dei.jpg/320px-Agnus_Dei.jpg) it was on Sauniere's regalia The SUN ![Image](http://www.oration.com/~mm9n/articles/dev/01%20Vedism_files/image029.jpg)
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Yes Roscoe I love that Movie too As for traveling to other planets NASA has done it we have had Rover and Spirit on Mars for over 6 years http://youtu.be/NkF05D-NJMUthe song is by Joan Baez Rejoice in the Sun ....in the movie Silent Running the whole idea of planet seeding at Rennes Chateua they have a megalith at the mayors office in a Shelter it definitely has a cup marking thanks to the Perillos site for the great photo ![Image](http://www.perillos.com/megarlc_6.jpg) this dates back to 4000 to 4500 BC ![Image](http://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Laxe_das_Rodas_01.jpg/320px-Laxe_das_Rodas_01.jpg) Large cup and ring petroglyph at the 'Laxe das Rodas', Galicia, where hundreds of stations are know the rings or circles are seen on many ancient tomb sites Cup and ring marks or cup marks are a form of prehistoric art found mainly in Atlantic Europe (Northern England, Scotland,[1] Ireland, Brittany , Portugal and Galicia (North West Spain)[2]) and Mediterranean Europe (North West Italy, Thessalia Central Greece, Switzerland) although similar forms are also found throughout the world including Mexico, Brazil, Greece, and India,[3] where the oldest cup marks so far recorded are to be found in the Paeleolithic cave shelter site of Chattan. They consist of a concave depression, no more than a few centimetres across, pecked into a rock surface and often surrounded by concentric circles also etched into the stone. Sometimes a linear channel called a gutter leads out from the middle. The decoration occurs as a petroglyph on natural boulders and outcrops and also as an element of megalithic art on purposely worked megaliths such as the slab cists of the Food Vessel culture, some stone circles and passage graves such as the clava tombs and on the capstones at Newgrange. http://en.wikipedia.org/wiki/Cup_and_ring_markCould this be a language we don't understand...something hinted to by Boudet Just like the crop circles language we don't understand it _________________ Everything is Connected and there are no coincidences
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From Andrews article
Standing with my back to the Tour Magdela, facing the Grotto, I read my compass. What little colour I had left quickly dissipated. It read 22 degrees (south of west). What were the odds?
The Tower of the Magdalene (Tour Magdela) is reached by two sets of 11 steps (22). An anomalous floor tile points up a spiral stair case with 22 steps where a single window points unambiguously at a grotto whose ancient place name is 'Grotte du Fournet - dite de la Magdeleine', which translates as 'The Burial Site of the Mary Magdalene', and which is offset from the window by 22 degrees.
Hi lovuian - This is the anomalous tile, with the red dot that Nic referred to. Apologies for the glare on the photo. It's the only one like it in there, and points to the staircase up to the roof, as it says in the article. I can't imagine why. ![Image](http://i828.photobucket.com/albums/zz205/rjw_photos/Rennes%20le%20Chateau/PA080211.jpg) Wow Richard that is so neat and such a mystery Marie Dernaud sold Rennes to Noel Corbu on 7/22 from Patrice City of Secrets the Cave of Magdalene lie directly to the Southwest of the French Tour Magdala, pointing in the direction of Spain's Torre Magdala. This southwest alignment is also marked by an anomalous red tile in the floor of the Tour Magdale from Davinho's video http://youtu.be/gmoXvTVxv_MDaviho look at this picture from New Orleans ...it is connected with Blanche of Castile and St Louis ![Image](http://i3.photobucket.com/albums/y78/lovuian/New%20Orleans/P40601561.jpg) the Cave or Grotto is by a river What you are looking at is Blanche Castile pointing to this cave or Grotto but look at her hand ....that is pointing it is different the middle fingers are pointed down Is her hand in the horns position? Freaky stuff _________________ Everything is Connected and there are no coincidences
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i noticed at Cordoba a Visigoth Church..to Mosque to Catholic Church La Mesquita Cordoba the ceiling http://bigmatty.typepad.com/bigmatty/religion/and at Ravenna Italy The burial place of Empress Galla Placidia Her Mausoleum http://1.bp.blogspot.com/-O5wvbFxL8SY/TvMd6gpjnrI/AAAAAAAAD0A/T93wJZnqUsU/s1600/placidia5.jpgGalla Placidia (390-450) was a well connected lady - daughter of the Emperor Theodosius I (ruled 379–395), sister of the Western Emperor Flavius Honorius (ruled 393–423), wife of the Western Emperor Constantius III (ruled 421), and mother of the Western Emperor Valentinian III (ruled 425–455). She also spent five years forcibly married to the Visigoth Chieftan Ataulphus, after being captured by him when Rome finally fell in 410. She adorned Ravenna with a number of churches. The small mausoleum in the grounds of San Vitale, known (incorrectly) as the Mausoleum of Galla Placidia,
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Virgen del Pilar
De Wikipedia, la enciclopedia libre
Nuestra Señora del Pilar, la Virgen del Pilar, es una advocación mariana católica. El 27 de mayo de 1642 el municipio de Zaragoza proclama patrona de la ciudad a la Virgen del Pilar, patronazgo que en las Cortes aragonesas de 1678 se extiende a todo el Reino de Aragón[1] . Acumula diversos patronazgos sobre el Cuerpo de la Guardia Civil (1913), Cuerpo de Correos (1916), Cuerpo de Secretarios, Interventores y Depositarios de Administración Local (1928), Sociedad Mariológica (1940) y Consejo Superior de Misiones (1948)[2] . También es patrona de la Hispanidad (no de España, aunque ese día se celebre la Fiesta Nacional). Es venerada en la Catedral-Basílica de Zaragoza (España) a la que da nombre.
La leyenda sobre sus orígenes se remonta al año 40, cuando, de acuerdo a la tradición cristiana, el 2 de enero la Virgen María se apareció a Santiago el Mayor en Caesaraugusta. María llegó a Zaragoza «en carne mortal» —antes de su Asunción— y como testimonio de su visita habría dejado una columna de jaspe conocida popularmente como «el Pilar». Se cuenta que Santiago y los siete primeros convertidos de la ciudad edificaron una primitiva capilla de adobe en la vera del Ebro.[3] Este testimonio es recogido por un manuscrito de 1297 de los Moralia, sive Expositio in Job, de Gregorio Magno, que se custodia en el Archivo del Pilar. La devoción mariana comenzó en los albores del siglo XIII cuando comienzan las primeras peregrinaciones a Santa María la Mayor.
Sobre la iglesia mozárabe preexistente, se erige el templo románico del Pilar poco después de la conquista de Zaragoza por Alfonso I el Batallador (1118) que fue culminado en el siglo XIII.[4] En esta época se documenta en el templo una capilla primitiva para alojar el Pilar, según transmite Diego de Espés en 1240.[5] Para 1293 el templo se encontraba en tan mal estado que el obispo Hugo de Mataplana promovió la restauración del templo y su conversión en la colegiata gótico-mudéjar de Santa María la Mayor con recursos de una bula de Bonifacio VIII que por vez primera menciona la advocación «del Pilar».[6] Actualmente el único vestigio conservado del templo románico del Pilar es el tímpano de la iglesia, que ha sido colocado en la fachada sur de la basílica barroca.[7] [8]
[editar] La imagen y su santuario
La talla de la Virgen en madera dorada mide treinta y ocho centímetros de altura y descansa sobre una columna de jaspe, resguardada esta por un forro de bronce y plata y cubierta por un manto hasta los pies de la imagen, a excepción de los días dos, doce y veinte de cada mes en que aparece la columna visible en toda su superficie. En la fachada posterior de la capilla se abre el humilladero, donde los fieles pueden venerar a la Santa Columna a través de un óculo abierto al jaspe.[9]
Se trata de una escultura de estilo Gótico tardío franco-borgoñón de hacia 1435 atribuida a Juan de la Huerta, imaginero de Daroca. En cuanto a su iconografía, se observa a María coronada y con túnica y manto, que recoge con su mano derecha, contemplando a Jesús niño que agarra el manto de su madre con la mano derecha y un pájaro con la izquierda. El rostro de la Virgen posee ternura y el niño puede haber sido objeto de una restauración poco cuidadosa.[9]
Probablemente fue una imagen donada por Dalmacio de Mur con el mecenazgo de la reina Blanca de Navarra, mujer de Juan II de Aragón, a raíz de la curación de una enfermedad que aquejó a la reina por entonces.[10]
[editar] Descripción y estilo
La imagen representa a la Virgen coronada y ataviada con un vestido gótico abotonado. Se trata de una vestidura ceñida por un cinturón con hebilla que llega hasta los pies y permite discretamente observar el derecho más que el izquierdo. Una gran pieza de paño cubre la cabeza y muestra un peinado ondulado. La mano derecha sostiene un pliegue de la ropa, que cubre todo su abdomen y la mayor parte de sus extremidades inferiores. El Niño Jesús se encuentra en la mano izquierda y mira desde atrás. Aparece desnudo e irradia inocencia. Su figura gira hacia la izquierda y su cabeza apunta al cinturón de la Virgen. La escultura de fábrica gótica se restauró en 1990 por el Instituto del Patrimonio Histórico Español, a iniciativa del Cabildo Metropolitano de Zaragoza.[9]
La Santa Columna está hecha de jaspe, tiene 1,70 metros de altura, un diámetro de 24 centímetros y un forro de bronce y plata. La tradición pilarista afirma que jamás ha variado su ubicación desde la visita de María a Santiago.[9]
El 24 de marzo de 1596 se recibió en el santuario del Pilar el obsequio de Felipe II, que consistía en dos ángeles de plata —obra de Diego Arnal— que sirven de guardia a la Virgen. Son los únicos elementos de la colegiata gótico-mudéjar de Santa María la Mayor que se conservan en la actual basílica barroca.[9]
[editar] Basílica de Nuestra Señora del Pilar
El Pilar. Vista desde el Ebro.
El templo se articula en tres naves, de igual altura, cubiertas con bóvedas de cañón, en las que se intercalan cúpulas y bóvedas de plato, que descansan sobre robustos pilares. El exterior es de ladrillo caravista, siguiendo la tradición de construcción en ladrillo aragonesa, y el interior revocado en estuco. La nave central se halla dividida por la presencia del altar mayor bajo la cúpula central. El altar está presidido por el gran retablo mayor de la Asunción, perteneciente a la colegiata gótico-mudéjar de Santa María la Mayor de Zaragoza, realizado por Damián Forment en el siglo XVI.[11] [12]
Bajo las otras dos cúpulas elípticas de la nave central, se dispuso la Santa Capilla de la Virgen del Pilar, y el coro y órgano, que también procedían de la colegiata predecesora. Actualmente el coro y órgano, se encuentran desplazados, al siguiente tramo, para dotar de mayor espacio los tramos del altar mayor.[13]
http://es.wikipedia.org/wiki/Virgen_del_Pilar
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In our hotel that evening, we met some interesting characters. One was an old Flemish guy who was convinced that he had discovered the origin of all indo-European languages, and that it was - guess what? - Old Flemish. He’d discovered a book which is the oldest book ever written in Europe, and the title translates to "History of Atlant." He said that Atlant is the name of the place and that "Atlantis" really means "Atlantish" or somebody from Atlant. He showed us this book. There were indeed many recognizable words in there, and they were written in characters that were more than a little bit Runic. We inquired as to the original meaning of the word "Cathari", and he explained that it was a conjunction of "cat" and "ari." "Ari", he told us, was the same as "Aryan", meaning "noble", "lofty one", "shining one." This much we know. So the Cathars were Aryans and Cats. Who then were the Cats? "Cats", he replied. "You know, cats." One of us made a meowing sound, almost as a joke. "Yes!", he exclaimed. "Cats, as in Catholic or Catalonia - cats!" The guy was totally brilliant, but who knows - he may well have been a nut. ![Image](http://sobreegipto.com/wp-content/uploads/2009/02/diosa-bastet.jpg) Bastet Cat-a-lonia Cat - Cat eye nebula - galactic center a - Aquarius http://translate.google.com.uy/?hl=es&q=lonia&psj=1&bav=on.2,or.r_gc.r_pw.r_qf.,cf.osb&biw=1241&bih=606&um=1&ie=UTF-8&sa=N&tab=wTlonia - the Ionian Ionia Ionia (Ancient Greek Ἰωνία or Ἰωνίη) is an ancient region of central coastal Anatolia in present-day Turkey, the region nearest İzmir, which was historically Smyrna. It consisted of the northernmost territories of the Ionian League of Greek settlements. Never a unified state, it was eponymously named after the Ionian tribe who in the Archaic Period (800–480 BC) settled mainly the shores and islands of the Aegean Sea. Ionian states were identified by tradition and by their use of Eastern Greek. According to Greek tradition, the cities of Ionia were founded by colonists from the other side of the Aegean. Their settlement was connected with the legendary history of the Ionic people in Attica, which asserts that the colonists were led by Neleus and Androclus, sons of Codrus, the last king of Athens. In accordance with this view the "Ionic migration", as it was called by later chronologers, was dated by them one hundred and forty years after the Trojan war, or sixty years after the return of the Heracleidae into the Peloponnese.[1] ![Image](http://www.estecha.com/imagen/columnas-piedra/capitel.jpg) Ionian order 96 spirals over the pillar 9 + 6 = 15 =1111 ![Image](http://a3.sphotos.ak.fbcdn.net/hphotos-ak-ash3/582413_388954501155299_100001222584385_1172618_372664703_n.jpg) 4 Ionic order columns -1111, 96 spirals 9 + 6 = 15 =1111 Magic fountain of regeneration Jachin and Boaz pen form - end of the pentagonal cycle of the ages - Iron last age. Puerta de Hierro - Madrid Iron door - Madrid
) ![Image](http://a5.sphotos.ak.fbcdn.net/hphotos-ak-prn1/556706_388761617841254_100001222584385_1172032_2019428090_n.jpg) 4 Cats - 1111 - Cat eye nebula in Draco Dragon constellation Els Quatre Gats (Catalan pronunciation: [əɫs ˈkwatɾə ˈɣats], Catalan for "The Four Cats"), often written Els 4 Gats, was a café in Barcelona which opened on 12 June 1897. It also operated as a hostel, a cabaret, a pub and a restaurant. Active until 1903, Els Quatre Gats became one of the main centers of Modernisme in Barcelona. The artist Ramon Casas i Carbó largely financed this bar on the ground floor of Casa Martí (1896), a building by the architect Josep Puig i Cadafalch in Carrer Montsió near the center of Barcelona. Els Quatre Gats was reconstructed during the transition to democracy, in 1978. Pablo Picasso visited this pub–restaurant often in his early art career. Other major artists who met in this cafe were Santiago Rusiñol i Prats, Miquel Utrillo as well as the sculptor Julio González. Els Quatre Gats was the inheritor of a legacy of tertulias and art reunions specific to Barcelona, but also drew inspiration from the Parisian cabaret Le Chat Noir. Art exhibitions, literary and musical meetings, marionette shows and shadow plays also took place there. Casas and Romeu. Ramon Casas' partners in the enterprise were Pere Romeu, who largely played host at the bar, as well as Rusiñol and Miquel Utrillo. The bar hosted revolving art exhibits, including one of the first one-man shows by Pablo Picasso; the most prominent piece in its permanent collection was a lighthearted Casas self-portrait, depicting him smoking a pipe while pedaling a tandem bicycle with Romeu as his stoker. ![Image](http://a1.sphotos.ak.fbcdn.net/hphotos-ak-snc7/314122_388757551174994_100001222584385_1172030_638784927_n.jpg) Cat eye nebula in Draco the Dragon constellation - galactic center Catholic - Latin Catholicam Cat - h-o - licam Latin Licam means loss of lives O = 15 =1111 Ammonia has been detected in the Draco Nebula and in one or possibly two molecular clouds, which are associated with the high-latitude galactic infrared cirrus. Amoniac - Amon Ra - Ammonite spiral Ra - ven Ra - even - symmetric - Gem - Gemini - Twins - Gemelos - Gematria A-mon Aquarius - mon- key Amen ![Image](http://a1.sphotos.ak.fbcdn.net/hphotos-ak-prn1/536393_377793072271442_100001222584385_1139178_292002269_n.jpg) Pierre Lotti by Henri Rousseau code 1111 Chimneys behind Alice Wonderland Cheshire ringed cat Smoking - fire Five fingers - end of the pentagonal cycle of the ages Spiraled 9-6 Dali Turkish moustache Tree of life Cat - as - trophe a - aquarius s - spiral change - 6 to 9 trophe-um - latin trophy The cat trophy _________________ E.T.A.E
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Aragon coat of Arms is the dragon ![Image](http://upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Arms_of_Aragonese_Monarchs_%2813th-15_centuries%29.svg/200px-Arms_of_Aragonese_Monarchs_%2813th-15_centuries%29.svg.png) Coat of Arms of Valencia The Cuélebre, or Culebre, is a giant winged serpent in the mythology of Asturias and Cantabria, in the north of Spain. It usually lives in a cave, guards treasures and keeps nymph-like beings called xanas or anjanas as prisoners. They are immortal, but grow old. They can be tricked in particular ways, especially on certain days. Herensuge is the name given to the dragon in Basque mythology, meaning apparently the "last serpent". The best known legend has St. Michael descending from Heaven to kill it but only once God agreed to accompany him in person. Sugaar, the Basque male god, is often associated with the serpent or dragon but able to take other forms as well. His name can be read as "male serpent" Dragons are well known in Catalan myths and legends, in no small part because St. George (Catalan Sant Jordi) is the patron saint of Catalonia. Like most dragons, the Catalan dragon (Catalan drac) is an enormous serpent with two legs, or, rarely, four, and sometimes a pair of wings. As in many other parts of the world, the dragon's face may be like that of some other animal, such as a lion or bull. As is common elsewhere, Catalan dragons are fire-breathers, and the dragon-fire is all-consuming. Catalan dragons also can emit a fetid odor, which can rot away anything it touches. The Catalans also distinguish a víbria or vibra (cognate with English viper and wyvern), a female dragon with two prominent breasts, two claws and an eagle's beak.
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Schrödinger Cat eye nebula Ammonia avenue Draconian suicide Alan Parsons project - La Sagrada Familia - Eye in the sky Gaudi Finca Guell Hesperides dragon Barcelona - Cat-a-lonia 4 Cats restaurant The paradox has been the subject of much controversy both scientifically and philosophically, to the point that Stephen Hawking has said, "every time I hear about that cat, I begin to get my gun", referring to the quantum suicide, a variant of the experiment of Schrödinger. http://en.wikipedia.org/wiki/Schr%C3%B6dinger%27s_catSchrödinger's cat is a thought experiment, sometimes described as a paradox, devised by Austrian physicist Erwin Schrödinger in 1935. It illustrates what he saw as the problem of the Copenhagen interpretation of quantum mechanics applied to everyday objects. The scenario presents a cat that might be alive or dead, depending on an earlier random event. Although the original "experiment" was imaginary, similar principles have been researched and used in practical applications. The thought experiment is also often featured in theoretical discussions of the interpretation of quantum mechanics. In the course of developing this experiment, Schrödinger coined the term Verschränkung (entanglement). Origin and motivation Schrödinger intended his thought experiment as a discussion of the EPR article—named after its authors Einstein, Podolsky, and Rosen—in 1935.[1] The EPR article highlighted the strange nature of quantum entanglement, which is a characteristic of a quantum state that is a combination of the states of two systems (for example, two subatomic particles), that once interacted but were then separated and are not each in a definite state. The Copenhagen interpretation implies that the state of the two systems undergoes collapse into a definite state when one of the systems is measured. Schrödinger and Einstein exchanged letters about Einstein's EPR article, in the course of which Einstein pointed out that the state of an unstable keg of gunpowder will, after a while, contain a superposition of both exploded and unexploded states. To further illustrate the putative incompleteness of quantum mechanics, Schrödinger describes how one could, in principle, transpose the superposition of an atom to large-scale systems. He proposed a scenario with a cat in a sealed box, wherein the cat's life or death depended on the state of a subatomic particle. According to Schrödinger, the Copenhagen interpretation implies that the cat remains both alive and dead (to the universe outside the box) until the box is opened. Schrödinger did not wish to promote the idea of dead-and-alive cats as a serious possibility; quite the reverse, the paradox is a classic reductio ad absurdum.[2] The thought experiment illustrates the counterintuitiveness of quantum mechanics and the mathematics necessary to describe quantum states. Intended as a critique of just the Copenhagen interpretation (the prevailing orthodoxy in 1935), the Schrödinger cat thought experiment remains a typical touchstone for all interpretations of quantum mechanics. Physicists often use the way each interpretation deals with Schrödinger's cat as a way of illustrating and comparing the particular features, strengths, and weaknesses of each interpretation. [edit]The thought experiment Schrödinger wrote:[3][2] One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following device (which must be secured against direct interference by the cat): in a Geiger counter, there is a tiny bit of radioactive substance, so small that perhaps in the course of the hour, one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges, and through a relay releases a hammer that shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a "blurred model" for representing reality. In itself, it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks. —Erwin Schrödinger, Die gegenwärtige Situation in der Quantenmechanik (The present situation in quantum mechanics), Naturwissenschaften (translated by John D. Trimmer in Proceedings of the American Philosophical Society) Schrödinger's famous thought experiment poses the question, when does a quantum system stop existing as a superposition of states and become one or the other? (More technically, when does the actual quantum state stop being a linear combination of states, each of which resembles different classical states, and instead begins to have a unique classical description?) If the cat survives, it remembers only being alive. But explanations of the EPR experiments that are consistent with standard microscopic quantum mechanics require that macroscopic objects, such as cats and notebooks, do not always have unique classical descriptions. The thought experiment illustrates this apparent paradox. Our intuition says that no observer can be in a mixture of states—yet the cat, it seems from the thought experiment, can be such a mixture. Is the cat required to be an observer, or does its existence in a single well-defined classical state require another external observer? Each alternative seemed absurd to Albert Einstein, who was impressed by the ability of the thought experiment to highlight these issues. In a letter to Schrödinger dated 1950, he wrote: You are the only contemporary physicist, besides Laue, who sees that one cannot get around the assumption of reality, if only one is honest. Most of them simply do not see what sort of risky game they are playing with reality—reality as something independent of what is experimentally established. Their interpretation is, however, refuted most elegantly by your system of radioactive atom + amplifier + charge of gunpowder + cat in a box, in which the psi-function of the system contains both the cat alive and blown to bits. Nobody really doubts that the presence or absence of the cat is something independent of the act of observation.[4] Note that no charge of gunpowder is mentioned in Schrödinger's setup, which uses a Geiger counter as an amplifier and hydrocyanic poison instead of gunpowder. The gunpowder had been mentioned in Einstein's original suggestion to Schrödinger 15 years before, and apparently Einstein had carried it forward to the present discussion.
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![cat eye 1111 gaudi.JPG](http://andrewgough.co.uk/forum/download/file.php?id=572) cat eye 1111 gaudi.JPG [ 53.24 KiB | Viewed 15703 times ]
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Laden
(chemistry): In the form of an adsorbate or adduct. Once laden it is easy to regenerate the adsorbent and retrieve the adsorbed species as a gas.
adduct (plural adducts) (chemistry) The product of an addition reaction
Ammonia or azane is a compound of nitrogen and hydrogen with the formula NH3. It is a colourless gas with a characteristic pungent odor. Ammonia contributes significantly to the nutritional needs of terrestrial organisms by serving as a precursor to food and fertilizers. Ammonia, either directly or indirectly, is also a building-block for the synthesis of many pharmaceuticals and is used in many commercial cleaning products. Although in wide use, ammonia is both caustic and hazardous. In 2006, worldwide production was estimated at 146.5 million tonnes.[7]
Ammonia solutions should not be mixed with halogens, as toxic and/or explosive products are formed. Prolonged contact of ammonia solutions with silver, mercury or iodide salts can also lead to explosive products: such mixtures are often formed in qualitative chemical analysis[disambiguation needed ], and should be lightly acidified but not concentrated (<6% w/v) before disposal once the test is completed.
Ammonia has been detected in the Draco Nebula and in one or possibly two molecular clouds, which are associated with the high-latitude galactic infrared cirrus. The finding is significant because they may represent the birthplaces for the Population I metallicity B-type stars in the galactic halo that could have been borne in the galactic disk.[77
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indigomerovingian wrote:
Schrödinger Cat eye nebula Ammonia avenue Draconian suicide Alan Parsons project - La Sagrada Familia - Eye in the sky Gaudi Finca Guell Hesperides dragon Barcelona - Cat-a-lonia 4 Cats restaurant The paradox has been the subject of much controversy both scientifically and philosophically, to the point that Stephen Hawking has said, "every time I hear about that cat, I begin to get my gun", referring to the quantum suicide, a variant of the experiment of Schrödinger. http://en.wikipedia.org/wiki/Schr%C3%B6dinger%27s_catSchrödinger's cat is a thought experiment, sometimes described as a paradox, devised by Austrian physicist Erwin Schrödinger in 1935. It illustrates what he saw as the problem of the Copenhagen interpretation of quantum mechanics applied to everyday objects. The scenario presents a cat that might be alive or dead, depending on an earlier random event. Although the original "experiment" was imaginary, similar principles have been researched and used in practical applications. The thought experiment is also often featured in theoretical discussions of the interpretation of quantum mechanics. In the course of developing this experiment, Schrödinger coined the term Verschränkung (entanglement). Origin and motivation Schrödinger intended his thought experiment as a discussion of the EPR article—named after its authors Einstein, Podolsky, and Rosen—in 1935.[1] The EPR article highlighted the strange nature of quantum entanglement, which is a characteristic of a quantum state that is a combination of the states of two systems (for example, two subatomic particles), that once interacted but were then separated and are not each in a definite state. The Copenhagen interpretation implies that the state of the two systems undergoes collapse into a definite state when one of the systems is measured. Schrödinger and Einstein exchanged letters about Einstein's EPR article, in the course of which Einstein pointed out that the state of an unstable keg of gunpowder will, after a while, contain a superposition of both exploded and unexploded states. To further illustrate the putative incompleteness of quantum mechanics, Schrödinger describes how one could, in principle, transpose the superposition of an atom to large-scale systems. He proposed a scenario with a cat in a sealed box, wherein the cat's life or death depended on the state of a subatomic particle. According to Schrödinger, the Copenhagen interpretation implies that the cat remains both alive and dead (to the universe outside the box) until the box is opened. Schrödinger did not wish to promote the idea of dead-and-alive cats as a serious possibility; quite the reverse, the paradox is a classic reductio ad absurdum.[2] The thought experiment illustrates the counterintuitiveness of quantum mechanics and the mathematics necessary to describe quantum states. Intended as a critique of just the Copenhagen interpretation (the prevailing orthodoxy in 1935), the Schrödinger cat thought experiment remains a typical touchstone for all interpretations of quantum mechanics. Physicists often use the way each interpretation deals with Schrödinger's cat as a way of illustrating and comparing the particular features, strengths, and weaknesses of each interpretation. [edit]The thought experiment Schrödinger wrote:[3][2] One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following device (which must be secured against direct interference by the cat): in a Geiger counter, there is a tiny bit of radioactive substance, so small that perhaps in the course of the hour, one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges, and through a relay releases a hammer that shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a "blurred model" for representing reality. In itself, it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks. —Erwin Schrödinger, Die gegenwärtige Situation in der Quantenmechanik (The present situation in quantum mechanics), Naturwissenschaften (translated by John D. Trimmer in Proceedings of the American Philosophical Society) Schrödinger's famous thought experiment poses the question, when does a quantum system stop existing as a superposition of states and become one or the other? (More technically, when does the actual quantum state stop being a linear combination of states, each of which resembles different classical states, and instead begins to have a unique classical description?) If the cat survives, it remembers only being alive. But explanations of the EPR experiments that are consistent with standard microscopic quantum mechanics require that macroscopic objects, such as cats and notebooks, do not always have unique classical descriptions. The thought experiment illustrates this apparent paradox. Our intuition says that no observer can be in a mixture of states—yet the cat, it seems from the thought experiment, can be such a mixture. Is the cat required to be an observer, or does its existence in a single well-defined classical state require another external observer? Each alternative seemed absurd to Albert Einstein, who was impressed by the ability of the thought experiment to highlight these issues. In a letter to Schrödinger dated 1950, he wrote: You are the only contemporary physicist, besides Laue, who sees that one cannot get around the assumption of reality, if only one is honest. Most of them simply do not see what sort of risky game they are playing with reality—reality as something independent of what is experimentally established. Their interpretation is, however, refuted most elegantly by your system of radioactive atom + amplifier + charge of gunpowder + cat in a box, in which the psi-function of the system contains both the cat alive and blown to bits. Nobody really doubts that the presence or absence of the cat is something independent of the act of observation.[4] Note that no charge of gunpowder is mentioned in Schrödinger's setup, which uses a Geiger counter as an amplifier and hydrocyanic poison instead of gunpowder. The gunpowder had been mentioned in Einstein's original suggestion to Schrödinger 15 years before, and apparently Einstein had carried it forward to the present discussion.
Kaon - Koan...
![Image](http://www.ferhiga.com/progre/portadas/app-toafc.jpg) K - aon / K -oan Rhombus 11 - 1 - 15 -14 Solar system - Acuarius - 1111 - Leo ( Judea ) Kohen (or Kohain; Hebrew: כֹּהֵן, "priest", pl. כֹּהֲנִים Kohanim) is the Hebrew word for priest. Jewish Kohanim are traditionally believed and halachically required to be of direct patrilineal descent from the Biblical Aaron. The noun kohen is used in the Torah to refer to priests, both Jewish and non-Jewish, such as the Jewish nation as a whole,[1] as well as the priests (Hebrew kohanim) of Baal (2Kings 10:19). During the existence of the Temple in Jerusalem, Kohanim performed the daily and holiday (Yom Tov) duties of sacrificial offerings. Today kohanim retain a lesser though somewhat distinct status within Judaism, and are bound by additional restrictions according to Orthodox Judaism. ![Image](http://rhr.org.il/eng/wp-content/uploads/800px-Grave_Rabbi_Meschullam_Kohn.jpg) Cohen (and its variations) as a surname Main article: Cohen (surname) The status of kohen in Judaism has no necessary relationship to a person's surname. Though it is true that descendants of Kohanim often bear surnames that reflect their genealogy, there are many families with the surname Cohen (or any number of variations) who are not Kohanim nor even Jewish. Conversely, there are many Kohanim who do not have Cohen as a surname. There are numerous variations to the spelling of the surname Cohen. These are often corrupted by translation or transliteration into or from other languages, as exemplified below (not a complete list). English: Cohen, Cowen, Cahn, Cahan, Carne, Cohn, Conn, Conway, Cohan, Cohaner, Cahanman, Chaplan, Kaplan (Cohan is also an Irish surname and Conway is also a surname of Welsh origin) German: Kohn, Cohn, Kogen, Korn, Kuhn, Kahn, Cön/Coen, Katz (a Hebrew abbreviation for Kohen Zedek (כהן צדק) i.e. "righteous priest") Dutch: Cohen, Käin, Kohn, Kon, Cogen French: Cahen, Cohen, Caen, Cahun,Kahane Hungarian: Kohen, Kovacs, Káhán Russian: Kogan, Brevda, Kagedan/Kagidan (in Hebrew, this name is spelled "kaf-shin-daled-nun" and is an acronym for "Kohanei Shluchei DeShmaya Ninhu," which is Aramaic for "priests are the messengers of heaven"). Kazhdan/Kazdan/Kasdan/Kasdin/Kasden/Kogan/Kogensohn/Kagan/Kaganovich/Kaganovsky are also possible variations of this name Serbian: Koen, Kon, Kojen Polish: Kon Italian: Coen, Cohen, Prohen, Sacerdote (Italian for "priest"), Sacerdoti, Sacerdoti Coen Spanish: Coen, Cohen, Koen, Cannoh, Canno, Canoh, Cano Basque: Apeztegui "priestly house", in basque "apaiz" (priestly) and "tegi" (house). Also Apéstegui, Apesteguia, Apaestegui, Aphesteguy Portuguese: Cão, Cunha Persian: Kohan, Kahen, Kohanzad, Kohanchi, Kohani Turkish: Kohen Arabic: al-Kohen Ancient/Modern Hebrew: Kohen, HaKohen, ben-Kohen, bar-Kohen Others: Maze/Mazo (acronym of mi zera Aharon, i.e. "from the seed of Aaron"), Azoulai (acronym from ishah zonah ve'challelah lo yikachu, meaning "a foreign or divorced woman he shall not take;" prohibition binding on Kohanim), Rappaport, Kahane However, by no means are all Jews with these surnames Kohanim. Additionally, some "Cohen"-type surnames are considered stronger indications of the status than others. "Cohen" is one of the hardest to substantiate due to its sheer commonality. In contemporary Israel, "Moshe Cohen" is the equivalent of "John Smith" in English-speaking countries - i.e., proverbially the most common of names. ![Image](http://radtrap.files.wordpress.com/2011/06/steinp.jpg) Gloria Steinman Steinem was born in Toledo, Ohio. Her mother, Ruth (née Nuneviller), was a Presbyterian of Scottish and German descent, and her father, Leo Steinem, was the son of Jewish immigrants from Germany and Poland. [2][3] The Steinem's lived and traveled about in the trailer from which Leo carried out his trade as a traveling antiques dealer.[4] ![Image](http://www.tdbimg.com/files/2011/06/07/img-hp-main---obama-toasts-merkel_223119415399.jpg) ![Image](http://a5.sphotos.ak.fbcdn.net/hphotos-ak-snc6/185665_167230303327721_100001222584385_398318_6407549_n.jpg) ![Image](http://intheknow7.files.wordpress.com/2011/05/edgar-bronfman-sr.jpg?w=432) ![Image](http://whatisthepyramid.com/wp-content/uploads/2010/03/jayzprop1-713124.jpg) ![Image](http://rtruth.blog.com/files/2011/08/j-and-b.jpg) _________________ E.T.A.E
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