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General: 1 DE REYES 7:22=3.14="EXPERIMENTO FILADELFIA"="MAQUINA DEL TIEMPO"
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From: BARILOCHENSE6999  (Original message) Sent: 04/06/2016 18:12
 1 Reyes 7:22 
Versos Paralelos
La Biblia de las Américas
Y en lo alto de las columnas había lirios tallados. Así fue terminada la obra de las columnas.

La Nueva Biblia de los Hispanos
En lo alto de las columnas había lirios tallados. Así fue terminada la obra de las columnas.

Reina Valera Gómez
puso en las cabezas de las columnas tallado en forma de lirios; y así se acabó la obra de las columnas.

Reina Valera 1909
Y puso en las cabezas de las columnas labor en forma de azucenas; y así se acabó la obra de las columnas.

Biblia Jubileo 2000
En las cabezas de las columnas había una obra de lirios; y así se acabó la obra de las columnas.

Sagradas Escrituras 1569
En las cabezas de las columnas había una obra de lirios; y así se acabó la obra de las columnas.

King James Bible
And upon the top of the pillars was lily work: so was the work of the pillars finished.

English Revised Version
And upon the top of the pillars was lily work: so was the work of the pillars finished.
Tesoro de la Escritura
Enlaces
1 Reyes 7:22 Interlineal • 1 Reyes 7:22 Plurilingüe • 1 Reyes 7:22 Español • 1 Rois 7:22 Francés • 1 Koenige 7:22 Alemán • 1 Reyes 7:22 Chino • 1 Kings 7:22 Inglés • Bible Apps •Bible Hub

Las citas Bíblicas son tomadas de La Biblia de las Américas © 1986, 1995, 1997 by The Lockman Foundation, La Habra, Calif,http://www.lockman.org. Usadas con permiso.

Las citas bíblicas son tomadas Nueva Biblia de los Hispanos © 2005 by The Lockman Foundation, La Habra, Calif,http://www.lockman.org. Usadas con permiso.

Reina Valera Gómez (© 2010)
Contexto
La obra de Hiram en el templo
21Erigió, pues, las columnas en el pórtico de la nave; erigió la columna derecha y la llamó Jaquín, y erigió la columna izquierda y la llamó Boaz. 22Y en lo alto de las columnas había lirios tallados. Así fue terminada la obra de las columnas.
Referencia Cruzada
1 Reyes 7:19
Los capiteles que estaban en las cabezas de las columnas del pórtico tenían forma de lirios, y medían cuatro codos.

1 Reyes 7:21

Erigió, pues, las columnas en el pórtico de la nave; erigió la columna derecha y la llamó Jaquín, y erigió la columna izquierda y la llamó Boaz.
SISTEMA DIGITAL BINARIO (1=HOMBRE-0=MUJER)-BOAZ Y JACHIN
1 Reyes 7:23

Hizo asimismo el mar de metal fundido de diez codos de borde a borde, en forma circular; su altura era de cinco codos, y teníatreinta codos de circunferencia.
 

 
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Geometry

Geometry of the Great Pyramid

DIMENSIONS of Great Pyramid

by morphvs

The following article is Copyright © 2001-2003 aiwaz.net_institute
All rights reserved. No part of this website, including text and images, may be reproduced or copied 
in any form or by any means without the express prior written permission of aiwaz.net_institute. 
Presented with permission.

If the calculations concerning the royal cubit are correct the main dimensions of the pyramid should also prove that. The approximate dimensions of the pyramid are calculated by Petrie according to the remains of the sockets in the ground for the casing stones whose remains are still at the top of the pyramid, and the angle 51° 52' ± 2' of the slopes. The base of 9069 inches is approximately 440 royal cubits (the difference is 9 inches which is not a remarkable difference if we consider the whole dimension and consider that the employed data represent only an estimation of the real values) whereas the calculated height, 5776 inches, is precisely 280 royal cubits. The relation 440:280 can be reduced to 11:7, which gives an approximation of the half value of Pi.


Squaring the Circle

Squaring the Circle

The circle and the square are
united through the circumference:
440x4=1760=2x22/7x280

area of square: 440x440=193600
area of circle:28x28x22/7=246400
sum: 440000

The engagement of Pi value in the main dimensions suggests also a very accurate angle of 51° 52' ± 2' of the slopes which expresses the value of Pi. Another coincidence is the relation between the height of the pyramid's triangle in relation to a half of the side of the pyramid, since it appears to be the Golden Section, or the specific ratio ruling this set of proportions, F = (sqr(5)+1)/2 = 1.618 = 356:220. This ratio, 356:220 = 89:55 is also contained in the first of Fibonacci Series:

1  2  3  5  8  13  21  34  55  89  144 ...

 

A single composition contains two apparently contradicting irrational numbers P and F, without disrupting each other. This appears to be completely opposed to the classical architectural canon which postulates that in 'good' composition no two different geometrical systems of proportions may be mixed in order to maintain the purity of design. 
But analysis of other architectural and artistic forms suggested that the greatest masters skillfully juggled the proportional canons without losing the coherent system, for they knew that these systems can be interconnected if the path that links them is found. That is obvious In the case of the Great Pyramid where two different principles are interweaved without interference ruling different angles of the composition, which is most importantly a most simple one, namely 11:7, a most simple ratio obviously signifying such infinite mysteries as the value of P and most 'natural' value of F. In spite of common miss-understanding of architectural composition, the most mysterious and praised compositions are very simple but not devoid of anthropomorphic appeal, since everything is made out of human proportions, just like Vitruvius describing the rations of the human body, very simple and very clean. The numbers 7 and in 11 are successive factors in the second of Fibonacci progressions that approximate geometry of the pentagram:

1   3   4   7   11   18   29   47   76   123   ...

The summary of the selected main mean dimensions is:

dimension
b. inch
m
royal cub.
palm
digit
base
9068.8
230.35
440
3,080
12,320
height
5776
146.71
280
1,960
7,840
sum
 
 
720
5,040
20,160
slope
7343.2
186.52
356 
2,492
9,968
edge
8630.4
219.21
418
2,926
11,704

The Great Pyramid

The main source of all kinds of delusions and speculations about our mythical past for the western man comes of course from Plato. With the myth of Atlantis he planted the necessary seed of mythical Eden, a culture of high intelligence that lived before the known history. If Plato received any wisdom from the ancient Egypt it could perhaps be traced in the canon of numbers that is so latently present throughout his work, but never on the surface. This canon seems to appear in the descriptions of his fantastic cities where everything is most carefully calculated and proportioned. The topic of Plato's Laws is the description of the ideal state called Magnesia which is entirely composed out of the mysterious number 5,040.

The distance* when Earth is closest to Sun (perihelion) is 147x106 km, which is translated into royal cubits 280x109, hinting at the height of the Great pyramid, 
280 royal cubits.

The above article comes from  aiwaz.net_institute - Great Pyramid and Giza plateau 
and is Copyright © 2001-2003 aiwaz.net_institute. All rights reserved. 
No part of this article, including text and images, may be reproduced or copied in any form 
or by any means without the express prior written permission of aiwaz.net_institute. Reprinted with permission.

* Related links: Astronomic & Cosmographic Data, Nasa site with planetary data


Do not miss this web site: aiwaz.net_institute - Great Pyramid and Giza plateau 
Find out more amazing facts about the GREAT PYRAMID: Position of King's Chamber, Queen's Chamber, Subterranean Chamber; SECOND PYRAMID: Dimensions of Pyramid, Great Chamber, Coffer, Lower Chamber; THIRD PYRAMID: Dimensions of Pyramid, Chambers,MATHESIS of Giza Plateau.


The Golden Ratio & Squaring the Circle in the Great Pyramid

A straight line is said to have been cut in extreme and mean ratio when, 
as the whole line is to the greater segment, so is the greater to the less.
 [Euclid]

The extreme and mean ratio is also known as the golden ratio. 


If the smaller part = 1, and larger part = G, the golden ratio requires that 
G is equal approximately 1.6180

Does the Great Pyramid contain the Golden Ratio?

Assuming that the height of the GP = 146.515 m, and base = 230.363 m, and using simple math 
we find that half of the base is 115.182 m and the "slant height"  is 186.369 m

Dividing the "slant height" (186.369m) by "half base" (115.182m) gives = 1.6180, which is practically equal to the golden ration! 

The earth/moon relationship is the only one in our solar system that contains this unique golden section ratio that "squares the circle". Along with this is the phenomenon that the moon and the sun appear to be the same size, most clearly noticed during an eclipse. This too is true only from earth's vantage point…No other planet/moon relationship in our solar system can make this claim. 

Although the problem of squaring the circle was proven mathematically impossible in the 19th century (as pi, being irrational, cannot be exactly measured), the Earth, the moon, and the Great Pyramid, are all coming about as close as you can get to the solution!
If the base of the Great Pyramid is equated with the diameter of the earth, then the radius of the moon can be generated by subtracting the radius of the earth from the height of the pyramid (see the picture below).

Click here to view larger picture.

Also the square (in orange), with the side equal to the radius of the Earth, and the circle (in blue), 
with radius equal to the radius of the Earth plus the radius of the moon, are very nearly equal in perimeters:

Orange Square Perimeter = 2+2+2+2=8
Blue Circle Circumference = 2*pi*1.273=8

Note: 
Earth, Radius, Mean = 6,370,973.27862 m *
Moon, Radius, Mean = 1,738,000 m.*
Moon Radius divided by Earth Radius = 0.2728 *

* Source: Astronomic and Cosmographic Data

Let's re-phrase the above arguments **

In the diagram above, the big triangle is the same proportion and angle of the Great Pyramid, with its base angles at 51 degrees 51 minutes. If you bisect this triangle and assign a value of 1 to each base, then the hypotenuse (the side opposite the right angle) equals phi (1.618..) and the perpendicular side equals the square root of phi. And that’s not all. A circle is drawn with it’s centre and diameter the same as the base of the large triangle. This represents the circumference of the earth. A square is then drawn to touch the outside of the earth circle. A second circle is then drawn around the first one, with its circumference equal to the perimeter of the square. (The squaring of the circle.) This new circle will actually pass exactly through the apex of the pyramid. And now the “wow”: A circle drawn with its centre at the apex of the pyramid and its radius just long enough to touch the earth circle, will have the circumference of the moon! Neat, huh! And the small triangle formed by the moon and the earth square will be a perfect 345 triangle (which doesn’t seem to mean much.)

** Source: http://geometry.wholesomebalance.com/Sacred_Geometry_2.html#Phi

 Recommend this website to your friends: 
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Was the golden ratio intentionally built into the Great Pyramid of Cheops? 
Why would anyone intentionally build the golden ratio into a pyramid, or other structure? What was the significance of to the Egyptians? And did the ancient Egyptians intentionally design the Great Pyramid to square the circle?

The answer to these questions is uncertain since designing the Great Pyramid according to the simple rules explained by the graphic below would give the pyramid automatically (by coincidence? ) all its "magic" qualities. 

The height of the Great Pyramid times 2π exactly equals the perimeter of the pyramid. This proportions result from elegant design of the pyramid with the height equal two diameters of a circle and the base equal to the circumference of the circle.  Click here or on the image below to see larger picture.


For the angle of the Great Pyramid, any theory of the base, combined with any theory of the height, yields a theoretic angle; but the angles actually proposed are the following** :

Angle of casing measured
By theory of 34 slope to 21 base
Height : circumference :: radius to circle
9 height on 10 base diagonally
7 height to 22 circumference
area of face = area of height squared
(or sine) = cotangent, and many other relations)
2 height vertical to 3 height diagonal
5 height on 4 base

51º 52' ± 2' (51.867)
51º 51' 20"
51º 51' 14.3"
51º 50' 39.1"
51º 50' 34.0"
51º 49' 38.3"

51º 40' 16.2"
51º 20' 25"

** Page 184, The Pyramids and Temples of Gizeh 
     by Sir W.M.Flinders Petrie 1883


Giza Alignment Code - The Time Temple

A silent message from 5000 years ago. From a letter to a scientist:

"The conclusion should be made upon a probability, that it may be just coincidental, that these 14 lines are forming a very accurate model of the inner planetary system, showing also a precise time position, that coincidentally matches (relative to the end of Mayan Calendar) the beginning of the final 1260 days time period, mentioned both in the Old and New Testament (surely one of the most remarkable and disputed episodes in the Book), a time period, which allows (and was supposedly measured for) to show in a relatively short period of time, when, and what the End is all about - the mystery of death and the origin of life.

 

 

http://old.world-mysteries.com/mpl_2.htm


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¿QUE HAY DETRAS, CON OJOS DE AGUILA Y OJOS DE GATO?

 
 
OJO DE GATO=OJO DE RA=OJO DE YHWH
DETRAS DEL OJO DE GATO ESTA EL REY LEON
LEONARDO DA VINCI
 
 
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TUESDAY, MAY 18, 2010

BORROMEAN RINGS (1/3)

 
“If one proceeded to announce that there is still nowadays a work of the former Egyptians, one of their books that escaped the flames that devoured their superb libraries, and which contains their purest doctrines on interesting subjects, everyone who heard, undoubtedly, would hasten to study such an invaluable book, such a marvel. If one also said that this book is very widespread in most of Europe, that for a number of centuries it has been in the hands of everyone, the surprise would be certain to increase. Would it not reach its height, if one gave assurances that no one ever suspected that it was Egyptian; that those who possessed it did not value it, that nobody ever sought to decipher a sheet of it; that the fruit of an exquisite wisdom is regarded as a cluster of extravagant figures which do not mean anything by themselves? Would it not be thought that the speaker wanted to amuse himself, and played on the credulity of his listeners?”
- Antione Court de Gebèlin, The Game of Tarots,
from le Monde Primitif (1781)




BORROMEAN RINGS

RING ONE: hidden element


3 Rings linked together, their centers being vertices (corners) of an equilateral Triangle.

Viewed in this diagram, we are looking at a 2-dimensional map of Earth from its side, represented by One ring of our choosing (blue):


Orient the planet so the Great Pyramid at Giza (30˚N) lays at one of the vertices, the Earth’s center at another, and its axis’ North pole at the third.

Exploring this set of relations, it can be demonstrated that the architectural proportions of the Great Pyramid at Giza exhibit a means of utilizing the measure of Earth to express the mathematical constant, π. To understand how we must suspend, for a moment, our habit of thinking of number in purely quantitative terms and consider the ways in which some numbers are also inherently bound to specific geometric forms - like with ‘square’ (1² 2² 3² 4² 5²...) or ‘cubed’ (1³ 2³ 3³ 4³ 5³...) numbers we see a sum attached to a particular shape. Other shapes each possess their own sequence of numbers also attached to their change in proportion.

These are called ‘figurate numbers’, and tradition has it they were introduced into Greek mathematics by the pre-Socratic philosopher, Pythagoras, in the 6th century BC. A student of the ancient mystery schools, it is likely he acquired this knowledge during his journeys to Chaldea & Egypt; but all that is really required to calculate the number sequences tied to these shapes is a stack of pebbles and time to spare, counting out the variety of polygons & devising ways of stacking them to construct polyhedrons.

To the careful interpreter of nature a pattern was discernible amidst this numerical data - One that, properly placed, could be applied to the measure of all things. It is suggested here that the Great Pyramid at Giza, in relation to the 3-Ring structure given above, embodies this application.

Let us then imagine the Great Pyramid as keystone to a system of ‘projective numerology’ - an application of mathematics using figurate numbers to model distances and proportions as shapes, and translating them into their related forms as ‘seen’ from different angles & in other dimensions.

At the root of any square pyramid’s architecture is its’ seked - an ancient Egyptian ratio of angular measure used to determine the slope of a pyramid’s sides and thus its’ height.




Utilizing the seked of the Great Pyramid, the perimeter of a square pyramidal base equals the circumference of a circle whose radius is equal to that pyramid’s height.

Within our 2-dimensional map, as our planet rotates upon its’ axis, the Pyramid appears to move from one end of a vesica piscis to the other, as if turning on a Wheel whose rim is the 30th parallel. Thus, in one quarter turn (11/14 ≈ π/4) the Pyramid appears to move in a perpendicular line to the base of the equilateral Triangle articulated within our 3-ring diagram.

 

The distance of this perpendicular line from the Great Pyramid to the Earth’s polar axis is 3430 nautical miles, or 10x the cube of seven.

Let us then imagine this distance as a stack of 10 cubes, 7x7x7.



A ‘quarter turn’ (11/14) of the Earth thus ‘apportions’ a 10x10 square of these cubes:
10² x 14/11 = 127.27272727...

So, by the logic induced with this arrangement of proportions, distances can be pictured in the mind’s Eye as figurate numbers of octahedral symmetry with 7-unit sides. Reading the Run & Rise of the Great Pyramid’sseked both forward and backward we get a formula for modeling a linear distance of the Earth’s measure as a column made of figurative cubes.
[3d:2d = 343 : 127 ]


As such, we can picture the square pyramid monument atop this ‘column’ as pointing to the center of an imaginary 11th cube.




It follows, then, that a 12-hour rotation (180˚) measures a distance from center-point to center-point of the cubes at either end of a column 22 cubes of 7 long.



The center point of a unit cube has a specific relationship to the vesica piscis traversed in this 12-hour ‘distance’ within our diagram, as Two rings sharing a single radius give a rational approximation for √3, which is also the space diagonal of any unit cube.




In other words, with respect to a unit cube, the √3 is the distance between opposite corners of that cube. Tracing these space diagonal lines joins the opposing corners, all of which intersect at the center of that cube, and thereby delineate the edges of six square pyramids joined at their apex.



22:7 ≈ π
To the Egyptian god Thoth, equated with the Greek god, Hermes, and particularly the Roman god, Mercury, this ratio is significant in describing the number of conjunctions aligning Mercury & Earth with the Sun every 7 years. Also known as a ‘synodic cycle’, this is an example of what ancient Greek astronomers called an exeligmos, or ‘Turn of the Wheel’ - describing any period wherein Sun, Moon, and/or planets return to conjunction(s) from which they started. The term is still used today, but is more specifically applied to the Triple Saros cycle of reckoning lunar eclipses, each 120º of longitude apart, eventually returning to a point relatively close to where they began: exeligmos. The Romans used the term annus magnus, or ‘great year’ to describe the same class of periodic event.

As we shall see, each of the planets have a harmonic ratio of conjunctions with our planet Earth, and with each other. By fixing the Earth to the center of our ecliptic plane, the motion of other planets relative to our position appear as serpentine spiro-graph patterns, looping in close when aligning into conjunction with the Sun, and looping out to trace a wide arc that coils about the Earth until looping in again for another conjunction.


Mars:Earth


Venus: Earth


Consistent within our model of 10 cubes of seven, the Great Pyramid (pointing to the center of an eleventh) also corresponds to the tip of an octahedron of 7 = 231. And it just so happens that 11x 231 is the number of days in the exeligmos of Mercury & Earth, 22:7. In addition, the measure of the Great Pyramid’s base side lengths (440 cubits each) give a total base area measuring approximately 231 meters square.

Being a close approximation of the value π, and our annus magnus with the planet Mercury (Hermes/Thoth), let us then imagine this column of 22 cubes of 7 as the staff of his Caduceus. As we shall see, the cycles of the other planets can be represented as the serpents entwined about this Staff, their helices in tune with the ratio of their exeligmos.

Imparting more than just the inevitable passage of Time, they were the very music of the spheres by which the harmony of creation was made known to the ancient Geometers. Our 3-Rings establish the base unit of an entire system of weights & measures (metrology) by symbolizing an angular dimension constructed by the movement through Time of the Great Pyramid, like the point of a metronome entrained to the Earth’s tempo. In effect attuning the mathematical constant π with Mercury's Great Year  & the linear measure of Earth's size in units of angular measure. 'Squaring' the circle much like the Great Pyramid's seked.

1 nautical mile = 1.15 miles
The nautical mile used as our base unit of measure for obtaining the distance in cubes of seven is also a unit of angular measure equivalent to 1/60th degree of Earth longitude (=1 minute of arc degree). Converting this into survey land miles = 1/10² the number of days between Earth:Mercury conjunctions (=115).



22:7 = 12 hrs @ 30˚north (12x 30 = 360)
180˚ = 10,800 arc minutes of degree = 50x 216, the cube of 6
216 also equals the number of degrees between Earth:Venus conjunctions (x5 = 1 Earth:Venus pentagram = exeligmos). So, by subdividing each degree of arc into 60 minutes, Earth’s 180˚ rotation (22:7) upon its’ axis thereby possesses a kind of numerological resonance regarding its harmonic with Venus, the exeligmos of the pentagram. Reputedly a symbol of good will among the Pythagoreans, the pentagram also provides an easy means of obtaining the golden ratio.



 

12 : 1 = (22/7) = 60 minutes
In this way our measure of both Time & Space define each other by weaving together the value π with the ‘divine proportion’ of the golden ratio.

Of the numerous other curious facets to this TooL of Hermetic Metrology, establishing not only our system of weights & measures, its choice of cubes & octahedrons also exhibit a direct connection to speeds of both sound & light:

1 meter
=distance trave1ed by sound 1/343th of second
=distance trave1ed by light 1/299,792,458th of second

343 = cube of 7
299,792,458 = c = speed of light in meters per second
1296000 / π = number of square degrees in one whole sphere
c / 1296000 = 231.321....
231 = octahedron of 7

Stranger still, the proportions outlined above are also paralleled in the numerical structure of the Tarot de Marseilles’ pattern of 22 major arcana trumps when applied to the Hebrew alphabet - in turn derived from Egyptian (via proto-Sinaitic) hieroglyphs which depicted the symbols those letters are still associated with.

We see traces of this tradition within our own English alphabet with the letter A: also the glyph for an Ox head (turned upside-down) having the same origin as the Hebrew letter aleph.



Referred to by 'occultists' as the Book of Thoth (though never adequately explained why), the key to unlocking this puzzle, as with any cryptological TooL, is knowing where to place the cypher, or sifr - the arabic word from which we also get Zero, or ‘nothing’, the rank of every Tarot deck’s Fool [aleph=0].

And this role proves more than suitable for One who ushers in what ultimately reveals a prank, of sorts... leading to what is arguably the greatest punch-line in history.
 
http://yzygy.blogspot.com.ar/2010/05/borromean-rings-13.html
 
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