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MARIA MAGDALENA - SANTO GRIAL: LA CENA SECRETA, ALGO MAS DE LEONARDO DA VINCI
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De: BARILOCHENSE6999  (Mensagem original) Enviado: 18/08/2011 01:58
LA CENA SECRETA, ALGO MÁS SOBRE LEONARDO DA VINCI
 


 
Al parecer, el popular cuadro La Última Cena del genio, Leonardo Da Vinci, continúa dando qué hablar. Recientes investigaciones consideran que hay mucho más sobre ese cuadro que aún no se ha dicho y que, salvo antojadizas interpretaciones, falta por decir. Saber por ejemplo, saber si Da Vinci registró en su pintura la amenaza de la Iglesia de Pedro a la Iglesia de Magdalena, o preguntarse, ¿Por qué Leonardo luego de pintar el cuadro viaja Francia, país que se supone también fue visitado por María Magdalena? Conocer si era Leonardo un creyente o un hereje o si eran sus cuadros meras realizaciones artísticas o entroncados laberintos simbólicos. Daremos en este artículo una breve ojeada a estos últimos descubrimientos sobre el cuadro, que en estos tiempos se ha convertido en un símbolo del misterio.

La Última Cena, magistral obra del genio Leonardo Da Vincia, realizada entre los años 1496 y 1497, y ubicada actualmente en Milán, Italia, cuenta de manera espectacular el pasaje bíblico encontrado en Juan 13:21 en donde Jesús anuncia a sus apóstoles que uno de ellos lo traicionaría. La escena por ello, muestra las más diversas reacciones en donde apóstoles se preguntan y cuestionan, con gestos y miradas, quién de ellos sería el que cumpliría tal deplorable destino.

Es en esta complejidad en donde muchos encuentran los supuestos mensajes ocultos que el genio Leonardo habría puesto de manera subrepticia en su pintura. Mensajes que restaban la importancia a la Iglesia Católica como la conocemos y más bien resaltaba otras figuras, hasta hace poco olvidadas en algunos casos o ninguneadas en otros, como los verdaderos pilares del espíritu humano.

Sabido es que para Dan Brown, y otros escritores dedicados al misterio de Leonardo, el cuadro de La Última Cena era una obra que reivindicaba la figura de María Magdalena, mujer que la fe le dio el título de prostituta y que otros afirman, fue en verdad la mujer de Cristo y uno de sus más confiables y luchadores apóstoles. El cuadro, desde el punto de vista de Brown, mostraba a una María Magdalena reemplazando la figura que debía pertenecerle a Juan, el menor. E incluso, la falta de un cáliz sobre la mesa, sugería que sería la Magdalena, el cáliz en sí, es decir, la portadora del hijo de Cristo, o la portadora de la Sangre Real.

Muchos desestiman esta teoría pues suponen que Juan, debido a su juventud, era siempre retratado con facciones femeninas, pues eran mujeres las modelos que servían a los pintores para esos retratos, además, indican, si María Magdalena fuera en verdad la figura que se halla al lado de Cristo, ¿en dónde está Juan?, ¿Acaso Leonardo no le dio importancia a este apóstol?

Pero Brown no es el único, el premiado periodista español, Javier Sierra, publicó hace poco su libro, La Cena Secreta, en donde revela detalles y símbolos en la obra de Leonardo no vistos hasta la fecha.

En principio, hay que destacar que Sierra es un creyente también en la teoría Magdalena del cuadro, él cree que el apóstol Juan representa la figura de María Magdalena y con ella la leyenda que sobre ella se teje. Además indica que era muy común en esa época hallar similitudes entre los rostros de María Magdalena y la figura de Juan, haciendo hincapié en que esos tiempos había un cierto grupo de cristianos que seguían como mentora o maestra a María Magdalena, opacando así la figura de Pedro, el padre del catolicismo.

Pero vayamos a lo que aporta este autor. Sierra hace referencia a un detalle inusual y poco común para la época, esto es que la pintura carece de los clásicos halos de santidad, ni siquiera Jesús, la figura central del cuadro, lleva este halo tan característico en los cuadros del cristianismo. Esto permite al autor dar los primeros indicios de la falta de fe en Leonardo sobre el catolicismo en sí y sobre su rebeldía de pensamiento frente a la doctrina católica.

En este sentido, el autor nota, cómo los dos apóstoles situados al extremo derecho del cuadro, parecen desentenderse de lo que ocurre hacia el lado izquierdo. Efectivamente, las figuras muestran una conversación particular totalmente alejados de las palabras del Cristo. Para esto, Sierra toma como cierta la historia que Leonardo Da Vinci, para retratar a Simón, es decir, al último de los apóstoles, se basó en un busto de Platón, esto que podría parecer un hecho anecdótico tiene un profundo significado puesto que para Sierra, el apóstol que se encuentra junto a Simón, Judas Tadeo, se trataría nada menos que de un autorretrato de Leonardo Da Vinci. De esto infiere que en muchas oportunidades se sabe que Leonardo decía que prefería ser más filósofo que cristiano. Dándole así un toque de cierta herejía en este genio del arte.

Pero hay más, el punto de vista de Sierra se fija ahora al centro de la imagen, en donde, se muestra la figura de Cristo y a su lado izquierdo, luego de la figura de Juan, se encuentra Pedro, es decir, el padre de la Iglesia Católica. Lo curioso de esta escena es que Pedro lleva en una mano que oculta tras su espalda, un cuchillo y con la otra mano, realiza un gesto de “amenaza” la garganta de Juan. Para Sierra, este hecho indica claramente que Leonardo señalaba cómo la Iglesia de Pedro amenaza a la Iglesia de María Magdalena. Es más, un estudio reciente indica cómo Pedro intenta esconder el puñal tras la espalda de Judas, y puede notarse cómo Andrés alza las manos demostrando no tener nada qué ver con aquellas intenciones.

Por último, al autor le parece curioso que luego de terminado el cuadro, Leonardo viajaría a Francia, lugar en donde también se indicaba viajaría María Magdalena llevando consigo al hijo de Jesucristo.

Queda claro con esto la figura de Leonardo Da Vinci, así como su obra, es uno de los fenómenos más importantes en la actualidad. Las ansias de saber qué se esconde detrás de la figura de este genio a sorprendido en general al mercado literario, haciéndolo efectivamente un producto muy rentable para sus propietarios y autores.

Particularmente desestimo que el cuadro de La Última Cena posea algún tipo de inscripción oculta, algún tipo de mapa o manual anticlerical y católico que muchos estiman. Sabido son los miles de borradores que Leonardo usó para crear su cuadro y en ninguno de esos borradores se da indicio de que él quisiera (por lo menos desde el principio) dar cabido a un mensaje oculta a favor de la Iglesia de Magdalena y en contra de la Iglesia Católica.


Primeira  Anterior  34 a 48 de 303  Seguinte   Última 
Resposta  Mensagem 34 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 06/04/2012 03:10
Job 38:13 That it might take hold of the ends of the earth, that the wicked might be shaken out of it?
Bk
Chpt
Vs
 
Verse # = 13807   |   Words = 6   |   Letters = 29
Data from Strong's Concordance
KJV Hebrew Strong's # Value
That it might take hold אחז 16
of the ends כנף 150
of the earth, ארץ 291
that the wicked רשע 570
might be shaken out of it? נער 320
Total = 1997
Original Text
Hebrew Value Inc
לאחז 46
בכנפות 558
הארץ 296
וינערו 342
רשעים 620
ממנה 135
Job 38:14 It is turned as clay to the seal; and they stand as a garment.
Bk
Chpt
Vs
 
Verse # = 13808   |   Words = 6   |   Letters = 27
Data from Strong's Concordance
KJV Hebrew Strong's # Value
It is turned הפך 105
as clay חמר 248
to the seal; חותם 454
and they stand יצב 102
as a garment. לבוש 338
Total = 2555
Original Text
Hebrew Value Inc
תתהפך 905
כחמר 268
חותם 454
ויתיצבו 524
כמו 66
לבוש 338
Job 38:15 And from the wicked their light is withholden, and the high arm shall be broken.
Bk
Chpt
Vs
 
Verse # = 13809   |   Words = 6   |   Letters = 27
Data from Strong's Concordance
KJV Hebrew Strong's # Value
And from the wicked רשע 570
their light אור 207
is withholden, מנע 160
and the high רום 246
arm זרוע 283
shall be broken. שבר 502
Total = 2519
Original Text
Hebrew Value Inc
וימנע 176
מרשעים 660
אורם 247
וזרוע 289
רמה 245
תשבר 902
 
Psalm 22:11-23

11 Be not far from me; for trouble is near; for there is none to help.

12 Many bulls have compassed me: strong bulls of Bashan have beset me round.13 They gaped upon me with their mouths, as a ravening and a roaring lion .

14 I am poured out like water , and all my bones are out of joint: my heart is like wax; it is melted in the midst of my bowels.

15 My strength is dried up like a potsherd; and my tongue cleaveth to my jaws; and thou hast brought me into the dust of death.16 For dogs have compassed me: the assembly of the wicked have enclosed me: they pierced my hands and my feet .17 I may tell all my bones: they look and stare upon me.

18 They part my garments among them, and cast lots upon my vesture.19 But be not thou far from me, O LORD: O my strength, haste thee to help me.

20 Deliver my soul from the sword; my darling from the power of the dog .21 Save me from the lion's mouth : for thou hast heard me from the horns of the unicorns . 22 I will declare thy name unto my brethren: in the midst of the congregation will I praise thee . 23 Ye that fear the LORD, praise him; all ye the seed of Jacob, glorify him; and fear him, all ye the seed of Israel.

This is a forceful witness of the lord's crucifixion as Psalm 22:1 and 22:18 directly attest, being quoted in all the gospels, [ Matt. 27:3, 46, Mk. 15:24,34 Lk. 23:34, John 19:24 ]. We have found references to the four cardinal points of the horizon in Numbers 23:21-24, 24:1-9 . They are listed with specific mention of the "strength of a unicorn" the [reem], in reference to Taurus the Bull, Leo the great Lion and Aquarius the water bearer, whose seed was poured out of many buckets . In the 22nd Psalm we find the same references with some important differences. The context of Numbers 23-24 refers to Balaam's prophecy of the coming promised seed, whose glory is referenced in Numbers 23:21, 24:8 . The "shout of a king" was certainly among the seed of Jacob, who would "eat up the nations of his enemies, and shall break their bones, and pierce them through with his arrows." This refers to his triumphant return as the King of kings, the mighty conquering judge that no element of darkness will ever withstand. We find this image of the Lord clearly expressed in the sign Sagittarius seen in the arrows of Numbers 24:8 . We will cover this in greater detail in our look at Sagittarius next. The context of the 22nd Psalm however is the suffering of the Lord at his crucifixion and death. This was the height of the enemy's hour, who holds the power of the sting of death. It was the agents of the evil one who crucified the Lord, both the spiritual agents embodied in the "four winds" of the host of heaven and the human agents, or the circling dogs, ravening lions and gaping bulls who surrounded him bringing about his tortured death. These human agents of the evil one are pictured with the enlivened astrological faces of their false ensigns, bringing the desires of their evil father to pass in the world. In the midst of this assembly of the wicked was Jesus Christ who was poured out like water, a reference to his holy sacrificial offering, as he selflessly endured the excruciating pain of his death, laying down his life as the essence of Israel's High Priest. The end result of his ultimate sacrifice brought the "all truth" of "the Comforter" of John 16:7 , the gift of holy spirit that became available as a result of the New Birth, seen for the first time on the day of Pentecost. This is the liquid seed that was poured out of the bucket known in the stars as Aquarius' Urn , the living waters that truly quench men's souls, seen in Numbers 24:7. Even as these agents of the enemy encircled the Lord, bringing about his sufferings, these shadows of the Cherubim are bold in defiance of the Son of the Living God, infused with the four dark winds of the cardinal points, activating the power of the dog [ Ps. 22:20 ], as the fullness of the evil desires of the lord of darkness. The double meaning of these related passages of Scripture becomes clear as we take a closer look at the word for " wicked " in the 16th verse of Psalm 22. Lets take a detailed look at this word and its Hebrew root employed in Job 38 .

The following is a reference note in Revised English Version of the Bible on the "Dog-star" in Job 38:13 & 15 . 1 This is translated as "the wicked" in the majority of other versions, thus on the surface "Dog-star" does not seem to fit in Job 38 , but as we allow God's Word to speak for itself we will uncover some long obscured and priceless gems of truth. To clarify this lets look at a marginal note in the Companion Bible, 2 where it says "the wicked" is the same as "lawless" [* H7561 , rasha]. In both Job 38:13 & 15 , the Hebrew letter "ayin" is suspended, without it the word means "head, top, cheif" [* H7222 , rosh]. With "Ayin" supplied it is "the wicked." All the ancient versions and early printed editions read "the Lawless."
In Bullinger's related note on Judges 18:30 , in reference to "Mannasseh" the letter "nun" is suspended, written partly in the line and partly above the line, to show that originally it formed no part of the word, but was put in to make it spell "Mannasseh" instead of "Moses." This was done for two reasons, first to spare the honor of Moses memory and name and secondly, to put sin upon one [Mannasseh] who committed so gross a sin. The Authorized Version follows the Septuagint & Chaldee by putting "Mannasseh" in the text; while the Revised Version follows the Latin Vulgate and those codices and early editions, which have "nun" suspended, by putting "Moses" in the text and "Mannasseh" in the margin. 3
[ emphasis mine ]
If the usage of this suspended letter " ayin " in Job 38 follows suit with " nun " Judges 18 , then "originally it formed no part of the word," and should properly read " rosh " instead of " rasha ". This would change the text from the wicked or lawless to "head, chief, prince, leader, point, top, first rank, the highest, supreme." From the astronomical viewpoint evident in the Revised English Version of Job 38 , this etymology is enlightening because the in Egypt's Denderah zodiac , the star Sirius or Canis Major, the Dog-star is called " Apes " which means " the head ". Since the Dog-star is the brightest star in all the heavens from earth's perspective, the meaning of the " head or prince " is a precise fit. This " prince of the Heavenly host " was also referred to in the sacred books of Persia as " Tistar, " the " Chieftain of the East." This is not only a symbol of the sunrise embodied in the new light of the world, but it also refers to the Pyramid's capstone or " Chief cornerstone, " [ Ps. 118:22, Eph. 2:20, 5:23 ] as it catches the first rays of the dawn and sunrise of a new day. In Zech. 4:7 "headstone"- *H7222 [ roshah ] from rosh *H7218 means the "topmost stone at the corner." We will see this concept fully developed Biblical Astronomy of the Great Pyramid . We have seen this as a recurring theme of our study of the celestial signs surrounding the birth of Christ. The fact that Lucifer was the original light of the world, the "faithful witness in Heaven," [ Ps. 89:36-37, Mal. 4:2 ] and Sirius , the brightest star in the Heavens, shows us a correlation to the first bright and morning star, as the original sun of the First Heaven and Earth. This reflects an early time when the celestial calendars of 360-day sacred solar year and 365.25-day Sirius- Sothic Calendar were running in synch, before Lucifer attempted his coup in heaven. As the angel of light, all temporal matters and the timekeeping of all Creation ran under his watch. After he was cast down however, there was a needed a separation between what had become profaned, in the fallen Lucifer and what would remain sacred and holy in the coming promised seed, the rising light of the world, embodied in the sun. It is this powerful truth that is reflected in the suspended letter "ayin" in the Hebrew, revealing a double truth related to the star Sirius as a symbol of Lucifer, the original embodiment of the bright and morning star. Before his revolt and fall from his position as the head (rosh) of Creation, he was the "head, chief, prince, leader, point, top, first rank, the highest, supreme." However once iniquity was found in him [ Ezek. 28:15 ], he became "the lawless," [Heb.-rasha] the wicked one. He is the embodiment of the activation of the principle of evil [ra'a], also understood in the spiritual Entropy of his original sin, the incept point of all darkness. This would also explain the extremely negative mythological connotations of Sirius . Burnham's states: "In the ancient Greek and Roman world, the influence of Sirius was regarded as extremely unfortunate, as the allusion to the wrathful Achilles in the Iliad would seem to suggest. In Virgil's Aeneid we read of the Dog Star, that burning constellation, when he brings drought & disease on sickly mortals, rises and saddens the sky with inauspicious light." 4

 

Resposta  Mensagem 35 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 06/04/2012 04:04
NEXO LINEA ROSA CON LA CAIDA DE LA BOMBA EN HIROSHIMA (6 DE AGOSTO)
 
 

Rose Line

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Gnomon in the Saint-Sulpice church.
The obelisk, the meridian brass line on the floor.

Rose Line is a fictional name given to the Paris Meridian and to the sunlight line defining the exact time of Easter on the Gnomon of Saint-Sulpice, marked by a brass strip on the floor of the church in the Priory of Sion mythology, where the two are conflated.

The fictional name Rose Line was also popularized by Dan Brown in his 2003 novel, The Da Vinci Code.[1]

Contents

 [hide

[edit] Priory of Sion Mythology

The 1967 Priory of Sion document Au Pays de la Reine Blanche[2][3] states that "Rennes-les-Bains is located precisely on the Zero Meridian, which connects Saint-Sulpice in Paris" adding that "the parish of Rennes-les-Bains guards the heart of Roseline", being a reference to Saint Roseline de Villeneuve. Au Pays de la Reine Blanche also referred to "the line of the Zero Meridian, that is to say the red line, in English: 'Rose-line'".[4] Later in 1978, Pierre Plantard also referred to the "red line of the meridian, the 'Rose-Line'...since Roseline, the Abbess of the 'Celle aux Arcs', celebrates her feast day on 17 January... and her legend is well worth a read".[5]

The document entitled Le Serpent Rouge - Notes sur Saint-Germain-des-Près et Saint-Sulpice de Paris[6] conflates the Paris Meridian with a gnomon in the Parisian church of Saint-Sulpice marked in the floor with a brass line, which it calls the "Red Serpent".

Philippe de Chérisey in his document Stone and Paper recounted a story that a Roseline was also the name of his acquaintance: "there was a Roseline I knew who died on 6 August 1967, on the Feast of the Transfiguration, when leaving the zero meridian by car."[7] Another document by Philippe de Chérisey entitled Circuit,[8] in Chapter VII, adds the detail that Roseline was killed in a car accident whilst working as a double on the Television film La beauté sur la terre (1968),[9] a film that also starred Philippe de Chérisey under his stage name of Amédée.[10] The story about Roseline in Circuit also involves an imaginary character named Charlot who appears frequently throughout Circuit and both characters are patently imaginary beings appearing in one of Philippe de Chérisey's surrealist compositions.

Chapter XIII of Circuit is devoted to the Zero Meridian, with de Chérisey claiming it was established by Till Eulenspiegel (before Jean Picard), listing key sites that it passes through (in a fictional work attributed to Abbé François-Pierre Cauneille). In this chapter Roseline is called 'Fisher Woman', preferring herself to be known as "Di O Nysos, DON" ("dondon" is French slang for "fat woman"), an otherworldly being who organises funerals for the dead who are still living in her new Citroen 2CV (the make of car she was killed in).

[edit] Dan Brown's The Da Vinci Code

The term Rose Line has been popularized by Dan Brown in his novel The Da Vinci Code as an alternate name for "the world's first prime meridian",[1] identified as the Paris Meridian.[11] Brown's novel also conflates this meridian with a gnomon in the Parisian church of Saint-Sulpice marked in the floor with a brass line,[12] as did the 1967 Priory Document Le Serpent Rouge - Notes sur Saint-Germain-des-Près et Saint-Sulpice de Paris. The Paris Meridian actually passes about 100 metres east of the gnomon,[13] which according to author Sharan Newman and a sign in the church was "never called a Rose-Line".[12][14] A St Sulpice booklet dating from 2000, in the page about the history of the gnomon describes the brass line as "a meridian", it does not use the term Roseline or Rose Line.[15] Author Paul Murdin describes such sun lines as a "Meridian", or meridiana.[16]

Brown identified the Paris Meridian with the alleged bloodline of Jesus Christ and Mary Magdalene as well as Rosslyn Chapel, the central part of his novel. Quoting from The Da Vinci Code:

"Rosslyn Chapel's entrance was more modest than Langdon expected. The small wooden door had two iron hinges and a simple oak sign, Roslin. This ancient spelling, Langdon explained to Sophie, derived from the Rose Line meridian on which the chapel sat; or, as Grail academics preferred to believe, from the 'Line of the Rose' — the ancestral lineage of Mary Magdalene..."[17]

Quoting Mark Oxbrow and Ian Robertson from their book Rosslyn and the Grail:

"Dan Brown simply invented the 'Rose Line' linking Rosslyn and Glastonbury. The name 'Roslin' definitely does not derive from any 'hallowed Rose Line'. It has nothing to do with a 'Rose Bloodline' or a 'Rose Line meridian'. There are many medieval spellings of 'Rosslyn'. 'Roslin' is certainly not the 'original spelling': it is now the most common spelling for the village."[18]

At the climax of the novel, the protagonist follows the line of Arago medallions to the Louvre museum, where (according to the book) the Paris Meridian passes beneath the so-called Inverted Pyramid in an underground mall in front of the museum. Following the tradition of esoteric interpretations of this meridian, the novel hints that this is the final resting place of the Holy Grail. The fact that the meridian passes near the Inverted Pyramid is also noted in the book Le guide du Paris maçonnique by Raphäel Aurillac, who likewise ascribes some deeper, esoteric significance to this.

In the Louvre area, the meridian line marked by the Arago medallions actually runs through the museum and the great courtyard at a spot considerably to the east of the Inverted Pyramid. The medallions in the museum are behind ticketed access points, while the Inverted Pyramid is located in a public mall next to the museum.

Other landmarks said to lie on the line are Arques and Conques,[19] the Lady of the Roses cathedral in Rodez, St. Vincent's in Carcassonne, and the Church of St. Stephen's in Bourges, and Rennes-les-Bains.

While Dan Brown presents the Rose Line as "the world's first prime meridian",[1] the idea of establishing a Prime Meridian dates back to antiquity,[20] with suggested meridians running through Rhodes or the Canary Islands. When Greenwich was adopted as the universal zero longitude in 1884[21] (not 1888 as the novel says), it had at least nine rivals besides Paris (Berlin, Cadiz, Copenhagen, Lisbon, Rio, Rome, Saint Petersburg, Stockholm, and Tokyo).

http://en.wikipedia.org/wiki/Rose_Line


Resposta  Mensagem 36 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 06/04/2012 04:07

Arago Rose Line

Below are two of the 135 bronze disks that form the Arago Rose Line, simply called the Rose Line in The da Vinci Code. The Arago Rose Line is better known as the Paris Meridian, the once challenger to Greenwich as the zero-longitude line.

The Arago Rose Line is named after the French astronomer Francois Arago. His recalculation of the Paris Meridian in the early 19th resulted in greater accuracy.

Finding the Arago Rose Line can be a bit difficult. I found the ones below behind the Comédie-Française near the Palais Royal. It might take time but you will find them!

Arago Rose Line Paris
 
Rose Line

Resposta  Mensagem 37 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 20/04/2012 15:21
 

 
Juan
10:1 De cierto, de cierto os digo: El que no entra por la puerta en el redil de las ovejas, sino que sube por otra parte, ése es ladrón y salteador. (La oveja es RAQUEL. RAQUEL SIGNIFICA OVEJA)
10:2 Mas el que entra por la puerta, el pastor de las ovejas es. (ES UNA REFERENCIA A JOSE-GENESIS 49:25)
9. Génesis 49:24: Mas su arco se mantuvo poderoso, Y los brazos de sus manos se fortalecieron Por las manos del Fuerte de Jacob (Por el nombre del PASTOR, la Roca de Israel),

10:3 A éste abre el portero, y las ovejas oyen su voz; y a sus ovejas llama por nombre, y las saca. (RAQUEL, LA LUNA, TAMBIEN ES UN SIMBOLO DE LA IGLESIA, LA ESPOSA DE JACOB, EL SOL, segun el SUEÑO DE jose GENESIS 37)
10:4 Y cuando ha sacado fuera todas las propias, va delante de ellas; y las ovejas le siguen, porque conocen su voz.
10:5 Mas al extraño no seguirán, sino huirán de él, porque no conocen la voz de los extraños.
10:6 Esta alegoría les dijo Jesús; pero ellos no entendieron qué era lo que les decía.
10:7 Volvió, pues, Jesús a decirles: De cierto, de cierto os digo: Yo soy la puerta de las ovejas.
10:8 Todos los que antes de mí vinieron, ladrones son y salteadores; pero no los oyeron las ovejas.
10:9 Yo soy la puerta; el que por mí entrare, será salvo; y entrará, y saldrá, y hallará pastos.
10:10 El ladrón no viene sino para hurtar y matar y destruir; yo he venido para que tengan vida, y para que la tengan en abundancia.
10:11 Yo soy el buen pastor; el buen pastor su vida da por las ovejas.
10:12 Mas el asalariado, y que no es el pastor, de quien no son propias las ovejas, ve venir al lobo y deja las ovejas y huye, y el lobo arrebata las ovejas y las dispersa. (EL LOBO ES BENJAMIN. RECORDEMOS QUE RAQUEL, LA OVEJA, MUERE CUANDO NACE EL LOBO, BENJAMIN. DE AQUI VIENE EL MITO DEL LOBO Y LA LUNA LLENA)
1. Génesis 49:27: Benjamín es LOBO arrebatador; A la mañana comerá la presa, Y a la tarde repartirá los despojos.

10:13 Así que el asalariado huye, porque es asalariado, y no le importan las ovejas.
10:14 Yo soy el buen pastor; y conozco mis ovejas, y las mías me conocen, (Una nueva referencia a JOSE)
10:15 así como el Padre me conoce, y yo conozco al Padre; y pongo mi vida por las ovejas.
10:16 También tengo otras ovejas que no son de este redil; aquéllas también debo traer, y oirán mi voz; y habrá un rebaño, y un pastor.
10:17 Por eso me ama el Padre, porque yo pongo mi vida, para volverla a tomar.
10:18 Nadie me la quita, sino que yo de mí mismo la pongo. Tengo poder para ponerla, y tengo poder para volverla a tomar. Este mandamiento recibí de mi Padre.
10:19 Volvió a haber disensión entre los judíos por estas palabras.
10:20 Muchos de ellos decían: Demonio tiene, y está fuera de sí; ¿por qué le oís?
10:21 Decían otros: Estas palabras no son de endemoniado. ¿Puede acaso el demonio abrir los ojos de los ciegos?
10:22 Celebrábase en Jerusalén la fiesta de la dedicación. Era invierno, (Es curiosa la interrelacion con JANUKAH. AQUI TENEMOS UN NEXO CON LA VIRGEN DE LOURDES E INCLUSO CON LA PIRAMIDE DE LOUVRE DEL CODIGO DA VINCI)
10:23 y Jesús andaba en el templo por el pórtico de Salomón.
10:24 Y le rodearon los judíos y le dijeron: ¿Hasta cuándo nos turbarás el alma? Si tú eres el Cristo, dínoslo abiertamente.
10:25 Jesús les respondió: Os lo he dicho, y no creéis; las obras que yo hago en nombre de mi Padre, ellas dan testimonio de mí;
10:26 pero vosotros no creéis, porque no sois de mis ovejas, como os he dicho.
10:27 Mis ovejas oyen mi voz, y yo las conozco, y me siguen,
10:28 y yo les doy vida eterna; y no perecerán jamás, ni nadie las arrebatará de mi mano.
10:29 Mi Padre que me las dio, es mayor que todos, y nadie las puede arrebatar de la mano de mi Padre.
10:30 Yo y el Padre uno somos.
10:31 Entonces los judíos volvieron a tomar piedras para apedrearle.
10:32 Jesús les respondió: Muchas buenas obras os he mostrado de mi Padre; ¿por cuál de ellas me apedreáis?
10:33 Le respondieron los judíos, diciendo: Por buena obra no te apedreamos, sino por la blasfemia; porque tú, siendo hombre, te haces Dios.
10:34 Jesús les respondió: ¿No está escrito en vuestra ley: Yo dije, dioses sois?
10:35 Si llamó dioses a aquellos a quienes vino la palabra de Dios (y la Escritura no puede ser quebrantada),
10:36 ¿al que el Padre santificó y envió al mundo, vosotros decís: Tú blasfemas, porque dije: Hijo de Dios soy?
10:37 Si no hago las obras de mi Padre, no me creáis.
10:38 Mas si las hago, aunque no me creáis a mí, creed a las obras, para que conozcáis y creáis que el Padre está en mí, y yo en el Padre.
10:39 Procuraron otra vez prenderle, pero él se escapó de sus manos.
10:40 Y se fue de nuevo al otro lado del Jordán, al lugar donde primero había estado bautizando Juan; y se quedó allí.
10:41 Y muchos venían a él, y decían: Juan, a la verdad, ninguna señal hizo; pero todo lo que Juan dijo de éste, era verdad.
10:42 Y muchos creyeron en él allí.

Resposta  Mensagem 38 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 24/04/2012 20:36
 
SABADO=SABIDURIA=SO-PHI-A
SOPHIE NEVEU

Resposta  Mensagem 39 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 02/05/2012 18:50
La aparicion de Robert Langdon y Sophie en el BANCO cuando introducen EL CODIGO CON REFERENCIA AL NUMERO DE ORO para obtener el CRIPTEX es un obvio nexo con la PARABOLA DE LOS TALENTOS en contexto al BANCO EN MATEO 25 y un obvio nexo con la llave en contexto a MATEO 16:18 EN CONTEXTO A PEDRO y el GRIAL. Esto explica la aparicion de la llave con la FLOR DE LIS. EL VATICANO tiene forma de CERRADURA Y TIENE FUERTE NEXO CON LA LLAVE. Esto evidencia el NEXO DE MATEO 25 CON EL GRIAL. EL ORO SIMBOLIZA AL GRIAL.
2. Mateo 9:9: Pasando Jesús de allí, vio a un hombre llamado Mateo, que estaba sentado al BANCO de los tributos públicos, y le dijo: Sígueme. Y se levantó y le siguió.

3. Marcos 2:14: Y al pasar, vio a Leví hijo de Alfeo, sentado al BANCO de los tributos públicos, y le dijo: Sígueme. Y levantándose, le siguió.

4. Lucas 5:27: Después de estas cosas salió, y vio a un publicano llamado Leví, sentado al BANCO de los tributos públicos, y le dijo: Sígueme.

5. Lucas 19:23: ¿por qué, pues, no pusiste mi dinero en el BANCO, para que al volver yo, lo hubiera recibido con los intereses?
 
Mateo
25:1 Entonces el reino de los cielos será semejante a diez vírgenes que tomando sus lámparas, salieron a recibir al esposo.
25:2 Cinco de ellas eran prudentes y cinco insensatas.
25:3 Las insensatas, tomando sus lámparas, no tomaron consigo aceite;
25:4 mas las prudentes tomaron aceite en sus vasijas, juntamente con sus lámparas.
25:5 Y tardándose el esposo, cabecearon todas y se durmieron.
25:6 Y a la medianoche se oyó un clamor: ¡Aquí viene el esposo; salid a recibirle!
25:7 Entonces todas aquellas vírgenes se levantaron, y arreglaron sus lámparas.
25:8 Y las insensatas dijeron a las prudentes: Dadnos de vuestro aceite; porque nuestras lámparas se apagan.
25:9 Mas las prudentes respondieron diciendo: Para que no nos falte a nosotras y a vosotras, id más bien a los que venden, y comprad para vosotras mismas.
25:10 Pero mientras ellas iban a comprar, vino el esposo; y las que estaban preparadas entraron con él a las bodas; y se cerró la puerta. (NEXO CON LA IGLESIA DE LAODICEA en un contexto al NUMERO PI y las SIETE IGLESIAS/PLEYADES. LA IGLESIA DE LAODICEA ES LA IGLESIA DE LA ILUMINACION)
 
 

500. Apocalipsis 3:8: Yo conozco tus obras; he aquí, he puesto delante de ti una PUERTA abierta, la cual nadie puede cerrar; porque aunque tienes poca fuerza, has guardado mi palabra, y no has negado mi nombre.

501. Apocalipsis 3:20: He aquí, yo estoy a la PUERTA y llamo; si alguno oye mi voz y abre la PUERTA, entraré a él, y cenaré con él, y él conmigo.

25:11 Después vinieron también las otras vírgenes, diciendo: ¡Señor, señor, ábrenos!
25:12 Mas él, respondiendo, dijo: De cierto os digo, que no os conozco.
25:13 Velad, pues, porque no sabéis el día ni la hora en que el Hijo del Hombre ha de venir.
25:14 Porque el reino de los cielos es como un hombre que yéndose lejos, llamó a sus siervos y les entregó sus bienes.
25:15 A uno dio cinco talentos, y a otro dos, y a otro uno, a cada uno conforme a su capacidad; y luego se fue lejos.
25:16 Y el que había recibido cinco talentos fue y negoció con ellos, y ganó otros cinco talentos
25:17 Asimismo el que había recibido dos, ganó también otros dos.
25:18 Pero el que había recibido uno fue y cavó en la tierra, y escondió el dinero de su señor.
25:19 Después de mucho tiempo vino el señor de aquellos siervos, y arregló cuentas con ellos.
25:20 Y llegando el que había recibido cinco talentos, trajo otros cinco talentos, diciendo: Señor, cinco talentos me entregaste; aquí tienes, he ganado otros cinco talentos sobre ellos.
25:21 Y su señor le dijo: Bien, buen siervo y fiel; sobre poco has sido fiel, sobre mucho te pondré; entra en el gozo de tu señor.
25:22 Llegando también el que había recibido dos talentos, dijo: Señor, dos talentos me entregaste; aquí tienes, he ganado otros dos talentos sobre ellos.
25:23 Su señor le dijo: Bien, buen siervo y fiel; sobre poco has sido fiel, sobre mucho te pondré; entra en el gozo de tu señor.
25:24 Pero llegando también el que había recibido un talento, dijo: Señor, te conocía que eres hombre duro, que siegas donde no sembraste y recoges donde no esparciste;
25:25 por lo cual tuve miedo, y fui y escondí tu talento en la tierra; aquí tienes lo que es tuyo.
25:26 Respondiendo su señor, le dijo: Siervo malo y negligente, sabías que siego donde no sembré, y que recojo donde no esparcí.
25:27 Por tanto, debías haber dado mi dinero a los banqueros, y al venir yo, hubiera recibido lo que es mío con los intereses.
 

25:28 Quitadle, pues, el talento, y dadlo al que tiene diez talentos. (Tiene relacion incluso con LUCAS 19 en el contexto a JERICO adonde hay una parabola similar. ESTO INTERRELACIONA INCREIBLEMENTE MATEO 25 CON LA LLEGADA A LA LUNA. AQUI INCLUSO VEMOS QUE NUESTRO SEÑOR LE DA EL TALENTO AL QUE MAS LO TIENE) 

25:29 Porque al que tiene, le será dado, y tendrá más; y al que no tiene, aun lo que tiene le será quitado.
25:30 Y al siervo inútil echadle en las tinieblas de afuera; allí será el lloro y el crujir de dientes.
25:31 Cuando el Hijo del Hombre venga en su gloria, y todos los santos ángeles con él, entonces se sentará en su trono de gloria,
25:32 y serán reunidas delante de él todas las naciones; y apartarálos unos de los otros, como aparta el pastor las ovejas de los cabritos.
25:33 Y pondrá las ovejas a su derecha, y los cabritos a su izquierda.  (¿PORQUE LAS OVEJAS SON PUESTA A LA DERECHA Y NO LA ISQUIERDA? ¿ES UN OBVIO NEXO ESOTERICO CON LA CAIDA DEL MURO DE BERLIN?)
25:34 Entonces el Rey dirá a los de su derecha: Venid, benditos de mi Padre, heredad el reino preparado para vosotros desde la fundación del mundo.
25:35 Porque tuve hambre, y me disteis de comer; tuve sed, y me disteis de beber; fui forastero, y me recogisteis;
25:36 estuve desnudo, y me cubristeis; enfermo, y me visitasteis; en la cárcel, y vinisteis a mí.
25:37 Entonces los justos le responderán diciendo: Señor, ¿cuándo te vimos hambriento, y te sustentamos, o sediento, y te dimos de beber?
25:38 ¿Y cuándo te vimos forastero, y te recogimos, o desnudo, y te cubrimos?
25:39 ¿O cuándo te vimos enfermo, o en la cárcel, y vinimos a ti?
25:40 Y respondiendo el Rey, les dirá: De cierto os digo que en cuanto lo hicisteis a uno de estos mis hermanos más pequeños, a mí lo hicisteis.
25:41 Entonces dirá también a los de la izquierda: Apartaos de mí, malditos, al fuego eterno preparado para el diablo y sus ángeles.
25:42 Porque tuve hambre, y no me disteis de comer; tuve sed, y no me disteis de beber;
25:43 fui forastero, y no me recogisteis; estuve desnudo, y no me cubristeis; enfermo, y en la cárcel, y no me visitasteis.
25:44 Entonces también ellos le responderán diciendo: Señor, ¿cuándo te vimos hambriento, sediento, forastero, desnudo, enfermo, o en la cárcel, y no te servimos?
25:45 Entonces les responderá diciendo: De cierto os digo que en cuanto no lo hicisteis a uno de estos más pequeños, tampoco a mí lo hicisteis.
25:46 E irán éstos al castigo eterno, y los justos a la vida eterna.

Resposta  Mensagem 40 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 02/05/2012 18:51

Resposta  Mensagem 41 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 03/05/2012 19:57
 

Louvre Pyramid

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The Pyramid surrounded by the adjacent wings of the Louvre

The Louvre Pyramid (Pyramide du Louvre) is a large glass and metal pyramid, surrounded by three smaller pyramids, in the main courtyard (Cour Napoléon) of the Louvre Palace (Palais du Louvre) in Paris. The large pyramid serves as the main entrance to the Louvre Museum. Completed in 1989,[1] it has become a landmark of the city of Paris.

Contents

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[edit] Design and construction

Inside the Pyramid:the view of the Louvre Museum in Paris from the underground lobby of the Pyramid.

Commissioned by the President of France François Mitterrand in 1984, it was designed by the architect I. M. Pei, who is responsible for the design of the Miho Museum in Japan, and Place Ville-Marie in Montreal, and the National Gallery of Art (East Building) in Washington, D.C. among others. The structure, which was constructed entirely with glass segments, reaches a height of 20.6 metres (about 70 feet); its square base has sides of 35 metres (115 ft). It consists of 603 rhombus-shaped and 70 triangular glass segments.[2]

The pyramid structure was engineered by Nicolet Chartrand Knoll Ltd. of Montreal (Pyramid structure / Design Consultant) and Rice Francis Ritchie (also known as RFR) of Paris (Pyramid Structure / Construction Phase).[3]

The pyramid and the underground lobby beneath it were created because of a series of problems with the Louvre's original main entrance, which could no longer handle the enormous number of visitors on an everyday basis. Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings.

For design historian Mark Pimlott, "I.M. Pei’s plan distributes people effectively from the central concourse to myriad destinations within its vast subterranean network... the architectonic framework evokes, at gigantic scale, an ancient atrium of a Pompeiian villa; the treatment of the opening above, with its tracery of engineered castings and cables, evokes the atria of corporate office buildings; the busy movement of people from all directions suggests the concourses of rail termini or international airports."

Several other museums have duplicated this concept, most notably the Museum of Science and Industry in Chicago. The construction work on the pyramid base and underground lobby was carried out by the Vinci construction company.[4]

The large glass pyramids seen at night
The large glass pyramids seen by day

[edit] Controversy

Maintenance of the Louvre Pyramid
The entry lobby of the Louvre museum beneath the pyramid (taken with a Fisheye lens Nikkor 8mm)

The construction of the pyramid triggered considerable controversy because many people felt that the futuristic edifice looked quite out of place in front of the Louvre Museum with its classical architecture. Certain detractors ascribed a "Pharaonic complex" to Mitterrand. Others lauded the juxtaposition of contrasting architectural styles as a successful merger of the old and the new, the classical and the ultra-modern.

The main pyramid is actually the largest of several glass pyramids that were constructed near the museum, including the downward-pointing La Pyramide Inversée that functions as a skylight in an underground mall in front of the museum. During the design phase, there was a proposal that the design include a spire on the pyramid to simplify window washing. This proposal was eliminated because of objections from I. M. Pei.[citation needed]

[edit] Urban legend of 666 panes

It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. Dominique Stezepfandt's book François Mitterrand, Grand Architecte de l'Univers declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6."

The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. The Louvre museum however states that the finished pyramid contains 673 glass panes (603 rhombi and 70 triangles).[5] A higher figure was obtained by David A. Shugarts, who reports that the pyramid contains 689 pieces of glass.[6] Shugarts obtained the figure from the offices of I. M. Pei.

Elementary math allows for easy counting of the panes: each of the three sides of the pyramid without an entrance has 18 triangular panes and 17 rows of rhombic ones arranged in a triangle, thus giving 	extstylefrac{17cdot(17+1)}{2}=153 rhombic panes (171 panes total). The side with the entrance, however, has 11 panes less (9 rhombic, 2 triangular), so the whole pyramid consists of 4cdot153-9=603 rhombi and 4cdot18-2=70 triangles, 673 panes total. However, if the entrance was designed to be six panes wide at the base (just as it is in reality) and four (instead of two) panes high, the number of panes would be indeed 666 (598 rhombi and 68 triangles).

The myth resurfaced in 2003, when Dan Brown incorporated it in his best-selling novel The Da Vinci Code, in which the protagonist reflects that "this pyramid, at President Mitterrand's explicit demand, had been constructed of exactly 666 panes of glass - a bizarre request that had always been a hot topic among conspiracy buffs who claimed 666 was the number of Satan".[7] However, David A. Shugarts reports that according to a spokeswoman of the offices of I. M. Pei, the French President never specified the number of panes to be used in the pyramid. Noting how the 666 rumor circulated in some French newspapers in the mid-1980s, she commented: "If you only found those old articles and didn't do any deeper fact checking, and were extremely credulous, you might believe the 666 story".[8]

 
http://en.wikipedia.org/wiki/Louvre_Pyramid

Resposta  Mensagem 42 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 03/05/2012 20:02
INTERRELACION DE LA PIRAMIDE DE LOUVRE CON LOS 666 TALENTOS DEL REY SALOMON
 
5. 1 Reyes 9:14: E Hiram había enviado al rey ciento veinte TALENTOS de oro.

6. 1 Reyes 9:28: los cuales fueron a Ofir y tomaron de allí oro, cuatrocientos veinte TALENTOS, y lo trajeron al rey Salomón.

7. 1 Reyes 10:10: Y dio ella al rey ciento veinte TALENTOS de oro, y mucha especiería, y piedras preciosas; nunca vino tan gran cantidad de especias, como la reina de Sabá dio al rey Salomón.

8. 1 Reyes 10:14: El peso del oro que Salomón tenía de renta cada año, era seiscientos sesenta y seis TALENTOS de oro;

Resposta  Mensagem 43 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 03/05/2012 20:04
GOOGLE EARTH PYRAMID DE LOUVRE

Resposta  Mensagem 44 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 05/05/2012 18:27
Coloquios, conciertos, proyecciones luminosas, conferencias, publicaciones, sesiones de cine y paseos "nocturnos" musicales recordarán a lo largo de este mes de abril el éxito de este proyecto promovido por Mitterrand
La pirámide del Louvre, monumento dentro del monumento que atrae a tantos amantes del arte y turistas como la mismísima Gioconda, cumple hoy 20 años desde que fue erigida en el centro histórico de París y lo celebra con un sinfín de actos culturales y artísticos.
Coloquios, conciertos, proyecciones luminosas, conferencias, publicaciones, sesiones de cine y paseos "nocturnos" musicales recordarán a lo largo de este mes de abril que el promotor del proyecto, el presidente socialista François Mitterrand, la inauguró el 30 de marzo de 1989. El encargado de construir el vistoso edificio acristalado que transformó la faz del Louvre y en cierta forma de París fue el arquitecto chino-estadounidense Ieo Ming Pei.
Mitterrand provocó una violenta polémica nacional con su deseo de instalar una obra tan vanguardista en el corazón del antiguo palacio real fundado por Carlos V el Sabio (1338-1380) sobre el fortín construido en 1190, junto al Sena, por el rey Philippe Auguste. La obra de Pei se insertaba en un plan que muchos calificaron de faraónico, que incluía emblemáticos edificios como el Arco de la Defensa, la Opera de la Bastilla, la Gran Biblioteca Mitterrand o la rehabilitación de la Estación de Orsay, hoy Museo dedicado al siglo XIX y los impresionistas.
Dura oposición
Desde el primer momento, la oposición fue dura y de la más diversa índole contra el 'Gran Louvre', que incluía la creación subterránea de una inmensa galería comercial y un Carrousel capaz de acoger multitudinarios salones, desfiles y convenciones, también bajo tierra. En aquellos tiempos encabezaba la protesta la idea de Pei de injertar allí el sobrio poliedro transparente, que terminaría teniendo 21 metros de altura y 34 de anchura, sobre una superficie de 1.000 metros cuadrados.
Celebrado hoy casi unánimemente, el arquitecto tuvo, sin embargo, que modificar ciertos planes y limitar el tamaño de la pirámide, además de prescindir del vasto corredor semisubterráneo pensado para dar entrada a una media de 4,5 millones de visitantes anuales. En su lugar se abrió un acceso directo en la propia pirámide, en su fachada principal, ante la que comenzaron a formarse de inmediato sinuosas colas, estilo Disney, para entrar a un museo que en 2008 atrajo a 8,5 millones de personas.
Los homenajes más importantes
El Museo comenzará sus conmemoraciones el 3 de abril para celebrar el éxito de la operación Gran Louvre y la intacta belleza de su arquitectura, cuya etérea estructura de acero pesa 95 toneladas y su marco de aluminio y cristal 105 toneladas. Las primeras fechas estarán dedicadas a la juventud, con especial ahínco en la nueva política estatal de ofrecer entrada gratis a sus museos a los jóvenes de entre 18 y 25 años.
El 8 de abril se celebrará una jornada-homenaje a Pei, en su presencia, con varios debates sobre el tema "Museo-Museos", que contarán con la participación de Rafael Moneo, entre otros especialistas. También para celebrar el trabajo de Pei y de los otros artistas que trabajaron en el proyecto, del 7 al 10 de abril se proyectarán en las fachadas del Museo los poemas luminosos de la artista estadounidense Jenny Holzer, titulados 'Xenon for Paris'.
Creado en 1793, poco después de la Revolución Francesa (1789), en el antiguo Palacio Real, el Louvre cuenta hoy con 300 salas repartidas en tres alas: Denon, Richelieu y Sully. En ellas aspira a ofrecer una visión coherente de la historia del arte occidental, desde las civilizaciones antiguas y la Edad Media hasta medidos del siglo XIX, mediante la exposición de 35.000 obras de las cerca de 450.000 que posee.
http://www.laverdad.es/murcia/20090330/cultura/louvre-piramide-cumple-anos-200903291105.html

Resposta  Mensagem 45 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 05/05/2012 18:31
Bezu Fache  -  The captain of the French Judicial Police. Nicknamed “the Bull,” Fache is strong, strong-willed, and religious. He has great faith in the use of technology in his work, which sometimes leads him down the wrong road. Fache’s policing methods are a bit unorthodox, but he is good at heart. The name Fache is very similar to fché, which is French for “angry.”

Resposta  Mensagem 46 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 05/05/2012 18:37
El nexo FRANCIA con SARA, es un nexo esoterico con referencia a GALATAS 4:26 en contexto a Isaac, COMO referencia al HIJO DE SARA. Hay un puente entre la LINEA ROSA con GALATAS EN CONTEXTO A MATEO 16:18 en contexto a PEDRO CON JUAN MARCOS. JUAN MARCOS ES SIMBOLO DE LA IGLESIA. EL gallo tiene un nexo con PEDRO con fuerte connotacion con FRANCIA cuyo simbolo es el mismo.

Resposta  Mensagem 47 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 05/05/2012 19:42
Hay un nexo frances con el PARAGUAY, la tierra roja (marte) Y SU NEXO CON MARIA MAGDALENA (ASUNCION DEL PARAGUAY). La bandera paraguaya es muy similar a la francesa.
 
 
 

Bandera del Paraguay

De Wikipedia, la enciclopedia libre
 
FIAV 111111.svg FIAV reverse.svg Reverso de la bandera.
FIAV 111111.svg FIAV twosided.svg Anverso de la bandera.

La bandera nacional del Paraguay fue adoptada en 1842. El emblema y las proporciones han variado a lo largo del tiempo. La actual presenta tres franjas horizontales de igual anchura en los colores rojo, blanco y azul. Tuvo su creación oficial en el Congreso General Extraordinario del Parlamento nacional, el 25 de noviembre de 1842. En el anverso, la bandera lleva un escudo con la imagen de un león acompañado de un gorro frigio y la inscripción “Paz y Justicia”; en el reverso presenta otro escudo, con dos ramas de palma y olivo que se curvan en forma de una corona, rodeando a una estrella.

[editar] Origen

Hay muchas versiones acerca del origen de la bandera paraguaya, pero la más divulgada es que los colores de la misma vienen de los mismos colores que llevaban los uniformes de los soldados paraguayos que ayudaron a la defensa de Buenos Aires frente a las invasiones inglesas. Un origen oficial en libros de texto paraguayos habla de un ramos de flores con esos tres colores que Juana María de Lara había regalado a los próceres de la independencia del Paraguay.

[editar] Cronología

  1. En el Paraguay precolombino, a diferencia que en otros lares de la época, los aborígenes se valían de diversos elementos para identificarse entre sí, y diferenciar unas tribus de otras, tales como penachos de plumas, astas de ciervo, ciertos ritos, colmillos de fieras, pieles de animales salvajes, etc. que podrían ser calificados como banderas en el significado que hoy le damos.
  2. En el Paraguay de la conquista ondeó la Bandera de España, con sus respectivas armas reales. Oficialmente desde el año 1527 de su descubrimiento por los españoles, hasta el 15 de mayo de 1811, año de la emancipación política, habiendo sido usada todavía de manera irrestricta con la de la emancipación hasta el 16 de junio de 1811.
  3. En la emancipación flameó en Asunción la Bandera Azul, distintivo de la Virgen Nuestra Señora Santa María de la Asunción, Santa Patrona de la Capital. Esta bandera fue alternativa aún con la española. Fue usada desde el 15 de mayo de 1811 hasta el 16 de junio del mismo año. Dicha bandera azul cargaba en el ángulo superior una estrella blanca de seis puntas, que bien pudo haber sido también un sextafolio, el cual aparece igualmente en el primer escudo nacional de este país, empleado por el Dr. José Gaspar Rodríguez de Francia.
  4. La cuarta bandera fue la izada el 17 de junio de 1811, en ocasión del Primer Congreso General, que consistía en una bandera rectangular con tres piezas fajadas, de color azul, distintivo de la Virgen de Asunción, y fue integrado al pabellón español -rojo, amarillo, rojo- que se usaba en la conquista. Esta nueva bandera flameó en el Paraguay hasta el 15 de agosto de 1811.
  5. La quinta bandera paraguaya ya presentaba la actual tricolor, si bien la franja del medio era más ancha que la colorada y azul de arriba y abajo, respectivamente. Esta Bandera Nacional fue creada por la Primera Junta Superior de Gobierno, presidida por Fulgencio Yegros, con Pedro Juan Caballero y Fernando de la Mora. Fue enarbolada desde el 15 de agosto de 1811 hasta el 30 de septiembre de 1812.
  6. La sexta bandera paraguaya, y primera de la República, fue en rojo, blanco y azul, fajadas de igual ancho, sin armas reales ya. Fue izada el 15 de agosto de 1812 y su uso fue interrumpido alrededor de 1826. Se dice primera bandera de la República, por cuanto recién en el Congreso General Ordinario realizado en 1812 se dio al Paraguay el carácter de Gobierno Republicano, habiendo sido hasta entonces Provincia del Paraguay.
  7. En 1826, el Dr. Gaspar Rodríguez de Francia, por expreso Decreto, instituyó nuevamente la azul celeste con una estrella blanca de seis puntas. Esta bandera alternó, sin embargo, con la otra tricolor, hasta después de 1840, año del fallecimiento del Supremo Dictador. En muchas guarniciones, por falta de la tricolor y por bastante tiempo más aún fue izada la azul del Dr. Francia. Fue la séptima.
  8. El Congreso Extraordinario del 25 de noviembre de 1842 presidido por los Cónsules Mariano Roque Alonso y Don Carlos Antonio López, dispuso que se utilizara exclusivamente la tricolor del 15 de agosto de 1812 y no se enarbolara otro pabellón que no sea el así confirmado, ya con el agregado de los Escudos Nacionales, el oficial y el de Hacienda. Fue la octava y definitiva, aunque aún se hicieron algunos cambios en la proporción.
  9. http://es.wikipedia.org/wiki/Bandera_del_Paraguay
 

Resposta  Mensagem 48 de 303 no assunto 
De: BARILOCHENSE6999 Enviado: 05/05/2012 19:51
Mount Hermon: Gate of the Fallen Angels
 
 
 

 

According to the Encyclopedia Britannica, Hermon means "Forbidden Place." Jerome (4th-century translator of the Latin Vulgate Bible) interpreted Hermon as "anathema." Mount Hermon was the port of entry for a group of wicked angels, who corrupted the human race in the days of Noah. Moses wrote: "The sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose …. There were giants in the earth in those days, and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown" (Gen. 6:1-4).

We have discussed these "Nephilim" in previous issues, but in this article, I want to add some things that you may not have heard before. For example, there is a rabbinical remark about this story in an ancient Jewish commentary, in which two rabbis add the following insight:

"Rabbi Jose says, following a tradition, that these [Nephilim] were Uzza and Azazel, whom, God deprived of their supernal sanctity. How, it may be asked, can they exist in this world? Rabbi Hiya answers, that they were of a class of spirits referred to in the words, ‘and birds which fly on the earth’ (Gen 1:20), and these, as we have said, appear to men in the form of human beings. If it is asked, how can they transform themselves? The answer is, that they do, in fact, transform themselves into all kinds of shapes, because when they come down from heaven they become as concrete as air and take human shape. These are Uzza and Azazel, who rebelled in heaven, and were cast down by God, and became corporeal on the earth and remained on it, not being able to divest themselves of their earthly form. Subsequently, they went astray after women, and up to this day they exist and teach men the arts of magic. They begat children whom they called Anakim (giants), while the Nephilim themselves were called ‘sons of God’" (Zohar, vol. 1, p. 186).

Note that one rabbi alluded to a class of spirits described as "birds" in Genesis 1:20. Perhaps this was the origin of the story that angels had bird-like wings. To this day, white Doves are symbolic of good, while black crows are typical of evil. It should also be noted that birds seem to have a reptilian connection. The Phoenix was depicted as an eagle in the West, but in the East, it was a winged dragon. From ancient lore, Satan was thought to be somewhat of a gargoyle with bat-like wings.

The Book of Enoch

The apocryphal Book of Enoch enlarges upon the story of the Nephilim. First, let me give you a little background on this mysterious book. Scholars have traced its origin back past the first century:

"In the early literature of the church there is a whole chain of evidences to this effect. Nearly all of the church [leaders] knew of an apocryphal Book of Enoch. Among the Apostolic [leaders], the Epistle of Barnabas refers to such a work. From that time on to about the seventh-century, Christian literature produces ample proof of the constant use and high standing of this book. The early theologians Justin Martyr, Clemens of Alexandria, Origen, Irenaeus, Tertullian, Eusebius, Jerome, Hilary, Epiphanius, Augustine, and others refer to and use it … following the example of Jude, whose citation is taken from Enoch 1:9. They all, with possibly the one dissenting voice of Tertullian, deny the canonicity of this book, and properly regard it as apocryphal; some going even so far as to deny the canonicity of Jude because he had dared to quote an apocryphal work" (George H. Schodde, Nov. 21, 1881, General Introduction to the Book of Enoch).

The following is quoted from the Book of Enoch:

"And it came to pass, after the children of men had increased in those days, beautiful and comely daughters were born to them.

"And the angels, the sons of the heavens, saw and lusted after them, and said one to another: ‘Behold, we will choose for ourselves wives from among the children of men, and will beget for ourselves children.’

"And they descended on Ardîs, which is the summit of Mount Hermon; and they called it Mount Hermon, because they had sworn on it and bound themselves mutually by a curse" (Enoch 6:1-6).

Of all places on this planet where angels could have descended, it was on the northern border of the Promised Land. Perhaps knowing something about God’s future plans to give territory to Abraham’s descendants, these angels plotted their strategy to introduce "the seed of the serpent" into the human race. Also, Mount Hermon lay in the territory where Ham and his family migrated after God’s judgment at the Tower of Babel. According to Genesis 10:6, Ham had four sons: "And the sons of Ham; Cush, and Mizraim, and Phut, and Canaan" (Gen. 10:6).

Canaan settled in the area of Mount Hermon and southward into the territory that was to become Abraham’s Promised Land. This is why the Promised Land was called "Canaan" in the days of Moses and Joshua. Mizraim continued to move southward into Egypt. Coincidentally, Mount Hermon has three peaks, and Ham’s family encountered another set of "three peaks" that had been built before the Flood (those being three great pyramids). Evidently, Mizraim was fascinated by the pyramids and developed a system of worship based on those ancient structures. Cush and Phut continued the family migration southward and settled in Ethiopia and parts of Southern Africa.

To this day, Mount Hermon is still the place where evil continually rains down upon Israel. It is the area of the Syrians, and Hezbollah. The Book of Enoch continues:

"And they took unto themselves wives, and each chose for himself one, and they began to go in to them, and mixed with them, and taught them charms and conjurations, and made them acquainted with the cutting of roots and of woods. And they became pregnant and brought forth great giants whose stature was three thousand ells. These devoured all the acquisitions of mankind till men were unable to sustain themselves. And the giants turned themselves against mankind in order to devour them" (Enoch 7:1-4).

It seems that these fallen angels (the Nephilim) contaminated almost all life on earth. We do not know how many people were contaminated, but we are told that at least Noah’s family remained genetically pure. For that reason, God destroyed the world with a Flood. Had it not been for Noah and his three sons, those fallen angels might have brought an end to all life on the planet. Noah, Shem, Ham and Japheth helped save the animals and repopulate the earth.

God Judged the Angels

Both Peter and Jude added further insight about these fallen angels. Peter said, "God spared not the angels that sinned, but cast them down to hell, and delivered them into chains of darkness, to be reserved unto judgment; and spared not the old world, but saved Noah the eighth person, a preacher of righteousness, bringing in the flood upon the world of the ungodly" (II Peter 2:4,5).

Jude put it this way: "The angels which kept not their first estate, but left their own habitation, he hath reserved in everlasting chains under darkness unto the judgment of the great day" (Jude 6).

Both passages tell of severe punishment upon the Nephilim. Yet, Moses said that "sons of God" reappeared after the Flood (Gen. 6:4). How can this be? Well, the Book of Enoch only mentioned 200 angels, and Satan was not among them. Bear in mind, Satan’s forces were much larger then a mere 200. Perhaps the original group of Nephilim were scouts for a much larger force of demonic angels who, under the leadership of Satan, came to earth after the Flood. It seems to me that the Tower of Babel (meaning "Gate to God") may have been built in an effort to contact these dark forces and forge a defense against the threat of another judgment. As noted in the Zohar (above) Rabbi Hiya said, "… to this day they exist and teach men the arts of magic."

As noted above, Genesis 6:4 adds, "… and after that" — meaning that more Nephilim returned to this area after the Flood and established what Joshua called the "land of giants." Moses and Joshua conquered those giants, of whom, Og was king. Moses wrote that Og’s bed was almost 15 feet long! (Deut. 3:11-13). Og reigned in Mount Hermon. Joshua wrote:

"And the coast of Og king of Bashan, which was of the remnant of the giants, that dwelt at Ashtaroth and at Edrei,

"And reigned in mount Hermon, and in Salcah, and in all Bashan, unto the border of the Geshurites and the Maachathites, and half Gilead, the border of Sihon king of Heshbon.

"Them did Moses the servant of the LORD and the children of Israel smite" (Joshua 12:4-6).

The tribe of Dan moved to this area during the days of the Judges, and adopted the Canaanite worship of these angels. It was an ancient idolatry that opposed the worship of Jehovah. In fact, Baal and Ashtaroth were Canaanite deities, whose origin was Mount Hermon! The book of Judges even calls Mount Hermon "Baalhermon," saying:

"Namely, five lords of the Philistines, and all the Canaanites, and the Sidonians, and the Hivites that dwelt in mount Lebanon, from mount Baalhermon unto the entering in of Hamath" (Judges 3:3).

Furthermore, the fallen angels living on and around Mount Hermon adopted a biblical name for the mountain. They had the audacity to plagiarize a name that God had given to Mount Moriah — Mount Sion! Moses wrote:

"And they possessed his [Sihon’s] land, and the land of Og king of Bashan, two kings of the Amorites, which were on this side Jordan toward the sun rising; From Aroer, which is by the bank of the river Arnon, even unto Mount Sion, which is Hermon" (Deut. 4:47,48).

Sion means "lofty," whereas, Zion means "stronghold." It is evident that Satan was pushing for a counterfeit of God’s plan for man’s redemption. The devil was determined to replace the "seed" of the woman with the "seed" of the serpent.

In a book entitled, The Gods of the Lodge, author Reginald C. Haupt, Jr., described what he found during his trip to Mount Hermon:

"In the excavations of Baalbek, renamed Heliopolis by the Greeks, temples were uncovered honoring Baal and Bachus. The same is true of the site at Sidon. The Temple there is named the Temple of Baal of Sidon. But by far, of greater importance was the temple of Baal found on Mt. Hermon. Perhaps it would be more meaningful to you if I [Reginald Haupt] quote direct from my source. In the 1982 edition of the Thompson Chain Reference Bible (Fourth Improved Edition), the archaeological supplement was provided by G. Fredrick Owen, D.D., Ed.D. Dr. Owen wrote on page 376 of his supplement the following:

"Mount Hermon, the ‘chief’ of the mountains of Palestine is five miles wide and twenty miles long. It has three peaks, the tallest of which is 9,166 feet above the Mediterranean Sea. For centuries before Abraham’s time, the mountain had been venerated in connection with Baal.

"Baal worship was the leading religion of Canaan. On most of the high peaks of the country were shrines known as ‘high places,’ the higher the holier. Here groves were planted and shrines erected for worship. Since Mount Hermon towered above all the other mountains in the region, it was the chief high place, the shrine of shrines. Canaanites looked to Mount Hermon much as the Moslems face Mecca when they pray.

"During the summer of 1934, Dr. Stewart Crawford and this writer [Reginald Haupt] led a small expedition, in which we studied the ancient Baal shrines surrounding Mount Hermon. We located many ruins and in each case the shrine was so oriented that when the priests and the devotees were at the altar, they faced the chief Baal sanctuary, or Quibla, located on the highest of the three peaks of Hermon.

"We then ascended the mountain and found the ruined temple of Baal, constructed of Herodian masonry, which dated it to just previous to and during the early Christian era. In a low place near the northwest corner of the temple, we excavated and found loads of ash and burnt bone, which had been dumped there as a refuse from sacrifices" (Reginald C. Haupt, Jr., The Gods of the Lodge, p. 126).

During the ministry of Jesus, He and His disciples visited Caesarea Philippi (see cover photo) where the Jordan River springs forth from the slopes of Mount Hermon. In the cover photo, one can see the grotto and cave where Baal worship was in full swing. While observing these shrines, Jesus posed the question: "Whom do men say that I the Son of man am?" (Matt. 16:13). Jesus was standing in the territory of His great enemy, Satan, and his idolatrous Nephilim. It was the area out of which the Antichrist would arise.

The French Connection

In 1666, Louis XIV of France, authorized the building of an observatory in Paris to measure longitude. This was the beginning of the Paris Zero Meridian. Believe it or not, according to the "Paris Zero Meridian" Mount Hermon (and the ancient territory of Dan) is located at the 33 degrees east of the Paris Zero Meridian (longitude), and 33 degrees north of the Equator (latitude)! The 33rd degree became an important part of Freemasonry, probably due to a history that dates back to the Knights Templar, the French Merovingian Dynasty, and their family ties to the Danites (see our chapter on Dan in Guardians of the Grail).

However, the British would not be outdone. In 1675, England’s first Astronomer Royal, Sir Flamsteed, established a Prime Meridian in London to rival the one in Paris. In 1725, Edmund Halley, the second Astronomer Royal established a second Meridian. In the mid-18th century, another Astronomer Royal, James Bradley, established a third. And in 1851, another Astronomer Royal, Sir George Airy, set up new measuring equipment in a room alongside Bradley’s original equipment (just 19 feet away), which eventually became the basis for international time.

It soon became clear that the world needed to adopt a worldwide standard for the Zero Meridian, so in 1884, 25 countries met in Washington, DC, and voted to accept Airy’s meridian at London’s Greenwich Observatory as the Prime Meridian. France abstained from the vote. The French held to the Paris Zero Meridian as a rival to Greenwich until 1911 for timekeeping purposes and 1914 for navigation. To this day, French cartographers continue to indicate the Paris Meridian on some maps.

In the opening years of the twentieth century, a booklet appeared in Russia by the title, "The Protocols of the Learned Elders of Sion." It was touted as the exposure of a Jewish plot to rule the world. However, its Masonic connection is obvious. The booklet ends with the statement: "Signed by the representatives of Sion of the 33rd Degree" (Michael Baigent, Holy Blood Holy Grail, p. 193).

Note that the name "Sion" is spelled with an "S" rather than a "Z." The connection with Mount Hermon is obvious.

The Tribe of Dan

Jacob prophesied that Dan would be "a serpent by the way, an adder in the path" (Gen. 49:17), and Moses prophesied, "Dan is a lion’s whelp: he shall leap from Bashan" (Deut. 33:22). These two prophecies are remarkable, in that they connect Dan with the "seed of the serpent," from which the Antichrist will emerge to claim the title "lion of Judah."

In the book of Judges the Danites relocated to the northern reaches of the Promised Land. They settled at the foot of Mount Hermon in the territory of Bashan, and adopted the idolatrous Canaanite religion of Baal and Ashtaroth. Eventually, they left for parts unknown and became the proverbial "Lost Tribe."

However, the Danaans (i.e., Spartans) of the Greece, established the same religious practices that the Danites had developed on Mount Hermon. Greek Mythology is an elaborate reinvention of the Danite religion. The Spartans invented a "messenger of the gods" and called him Hermes (a variation of Hermon), whom the Romans called Mercury. Supposedly, Hermes had a son named Pan. The name "Pan" could be a corruption of the name "Dan." Today, the Arabs call Caesarea Philippi "Banias," but that is because there is no "P" sound in Arabic. The older form was "Paneas" (meaning "city of Pan") from "Paneion." The name comes from Pan, the pagan god who was worshiped there. Niches for Pan’s statues can still be seen. Observe the niches and cave/grotto in the cover photo. In 4 B.C., this area became the tetrarchy of Herod’s son Philippus, who renamed Paneas as Caesarea Philippi. This name continued until the reign of Nero.

The name Pan means "All things, all gods, or all life." Therefore, when the Romans built a domed temple to commemorate all their gods, they named it the "Pantheon." It is a combination of two root words, "Pan," standing for the son of Hermes (Mercury) and "theo" meaning "gods." It is clear that Mount Hermon, with its infamous "fallen angels" found its way into the mythologies of many ancient cultures.

Solomon also had something remarkable to say about Mount Hermon:

"Come with me from Lebanon, my spouse, with me from Lebanon: look from the top of Amana, from the top of Shenir and Hermon, from the lions’ dens, from the mountains of the leopards" (Song of Solomon 4:8).

Here, Solomon mentioned a "lion’s den" and "the mountains of the leopards." This may be a reference to the prophecy made by Moses, calling Dan a "lion’s whelp" (Deut. 33:22). It seems that Solomon was aware of the Danite connection to Mount Hermon and used the metaphor of the Danite "lion’s den." When the Danites first arrived in Northern Israel, they conquered the village of Laish (meaning "lion") and renamed it "Dan." The book of Judges reports:

"And they called the name of the city Dan, after the name of Dan their father, who was born unto Israel: howbeit the name of the city was Laish at the first" (Judges 18:29).

Furthermore, Solomon mentioned the Mount Hermon in connection with "leopards." It is said that Ham’s grandson, Nimrod, wore a Leopard skin as a symbol of his kingship. Also, there are paintings of Egyptian Pharaohs adorned with leopard skins. Even some medieval European royals wore leopard skins. An ancient Jewish commentary connected Nimrod’s Leopard skins with the coats of skin belonging to Adam and Eve:

"Truly he was a man of might, because he was clad in the garments of Adam, and was able by means of them to lay snares for mankind and beguile them. Rabbi Eleazar said: ‘Nimrod used to entice people into idolatrous worship by means of those garments, which enabled him to conquer the world and proclaim himself its ruler, so that mankind offered him worship. He was called Nimrod for the reason that he rebelled against the most high King above, against the higher angels and against the lower angels.’

"Rabbi Simeon said: ‘Our colleagues are acquainted with a profound mystery concerning these garments.’" (Zohar, vol. 1, p. 250). In Daniel 7 and Revelation 13, the Antichrist seems to be connected to the metaphoric leopard.

We cannot say with certainty that Adam and Eve wore leopard skins, but there are a number of sources that suggest Nimrod wore a leopard skin. Among them was Alexander Hislop, in his work, The Two Babylons:

"This custom of taming the leopard, and pressing it into the service of man in this way, is traced up to the earliest times of primitive antiquity. In the works of Sir William Jones, we find it stated from the Persian legends, that Hoshang (i.e., Nimrod), the father of Tahmurs, who built Babylon, was the ‘first who bred dogs and leopards for hunting.’ As Tahmurs, who built Babylon, could be none other than Nimrod, this legend only attributes to his father what, as his name imports, he got the fame of doing himself.

"Now, as the classic god bearing the lion’s skin is recognized by that sign as Hercules, the slayer of the Nemean lion, so in like manner, the god clothed in the leopard’s skin would naturally be marked out as Nimrod, the "leopard-subduer." That this leopard skin, as appertaining to the Egyptian god, was no occasional thing, we have clearest evidence.

"Wilkinson tells us, that on all high occasions when the Egyptian high priest was called to officiate, it was indispensable that he should do so wearing, as his robe of office, the leopard’s skin.

"As it is a universal principle in all idolatries that the high priest wears the insignia of the god he serves, this indicates the importance which the spotted skin must have had attached to it as a symbol of the god himself" (Alexander Hislop, The Two Babylons).

The Danite Antichrist

 

In recent articles, we covered the teaching of the early church theologians, Irenaeus and Hippolytus, who said that the Antichrist would come from the tribe of Dan, based upon Jeremiah 8:16: "The snorting of his horses was heard from Dan: the whole land trembled at the sound of the neighing of his strong ones." We discussed the fact that the Greek king, Alexander the Great, claimed to be born of the "seed of the serpent." And we have discussed the possibility that the Roman Emperor Nero could have descended from the Danites. Well, when Nero ruled the Roman Empire, he renamed Caesarea Philippi in honor of himself. For a while, the site of the ancient Danite city (seen in the cover photo) was called "Neronias" (meaning "city of Nero") (Encyclopedia Judaica, "Banias," p. 162).

Finally, an ancient Jewish Midrash likens Samson to their expected messiah, saying, "Samson in some respects was considered a forerunner of the Messiah who will come from Judah but his mother, according to the Midrash will be of the tribe of Dan" (Yair Davidy, "Dan").

Amazing! The Jews are looking for a messiah whose father is from the royal family of Judah, but whose mother will be from the tribe of Dan!

Those fallen angels who descended to Mount Hermon introduced the "seed of the serpent" into the human race. Evidently, after the Flood, they consorted with members of the tribe of Dan, mixing the "seed of the serpent" into the human genome once again. The first time it happened, God judged the world with water. The next time, it will be by fire. By J. R. Church

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