Los Carmelitas descalzos obtuvieron un Breve apostólico de Paulo V para edificar conventos de su Orden en cualquier parte de la Cristiandad; fue este el primero que fundaron en la última parte del Monte Quirinal el año de 1606.
La iglesia se fundó en 1605 como una capilla dedicada a san Pablo para los carmelitas descalzos. La propia orden dotó de fondos a la obra del edificio hasta el descubrimiento en las excavaciones de la escultura conocida como el Hermafrodita Borghese. Scipione Borghese se apropió de ella, pero a cambio, y quizá para compensar su pérdida de influencia debido a la muerte de su tío y patrón, financió el resto de la obra de la fachada y prestó a la orden a su arquitecto, Giovanni Battista Soria. Estas concesiones, sin embargo, sólo se llevaron a efecto en 1624, aunque la obra se acabó dos años más tarde.
Después de la victoria católica en la batalla de la Montaña Blanca en 1620, que hizo retroceder la Reforma en Bohemia, la iglesia fue consagrada de nuevo a la Virgen María. Una imagen maltrecha había sido recuperada del ámbito de aquella batalla por Fray Domingo de Jesús María, de dicha Orden, de las ruinas de la casa de campo de un noble cristiano bohemio, a la cual se le atribuyó la victoria, llamándola Santa María de la Victoria. La imagen fue llevada a Roma por Fray Domingo, depositándose en Santa María la Mayor en presencia de Gregorio XV.
El nombre de Santa María de la Victoria, se dio ulteriormente, en conmemoración por haber reconquistado el emperador Fernando I la ciudad de Praga en 1671. Estandartes turcos capturados en el Sitio de Viena de 1683 cuelgan en la iglesia, como parte de este tema victorioso.
La iglesia es la única estructura diseñada y completada por el arquitecto del Barroco temprano, Carlo Maderno, aunque el interior padeció un fuego en 1833 y requirió una restauración. Su fachada, sin embargo, fue erigida por Soria en vida de Maderno (1624-1626), mostrando la inconfundible influencia de la cercana Santa Susanna de Maderno.
Su interior tiene una sola nave, amplia, bajo una bóveda segmentada baja, con tres capillas laterales interconectadas detrás de arcos separados por colosales pilastras corintias con capiteles dorados que apoyan un rico entablamento. Revestimientos de mármol que contrastan entre sí están enriquecidos con ángeles y putti de estuco blanco y dorado en bulto redondo. El interior fue enriquecido progresivamente después de la muerte de Maderno; su bóveda fue pintada al fresco en 1663 con temas triunfales dentro de compartimentos con marcos ficticios: La Virgen María triunfa sobre la Herejía y Caída de los ángeles rebeldes ejecutados por Giovanni Domenico Cerrini.
Sin duda, parte de la fama de este templo se debe a albergar una de las obras maestras del Barroco, la capilla Cornaro, espectacular y teatral espacio presidido por el grupo escultórico que representa el Éxtasis de Santa Teresa, de Gian Lorenzo Bernini, quizá la obra más conocida de este autor en el campo de la escultura. En la capilla situada frente a esta, dedicada a San José, se encuentra un grupo escultórico que representa el tema del Sueño de San José, obra del escultor Domenico Guidi, que se inspira en la obra de Bernini delante de la cual se halla.1
The Arch of Constantine (Italian: Arco di Costantino) is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of Milvian Bridge in AD 312. Situated between the Colosseum and the Palatine Hill, the arch spans the Via Triumphalis, the route taken by victorious military leaders when they entered the city in a triumphal procession. [a] Dedicated in 315, it is the largest Roman triumphal arch, with overall dimensions of 21 m (69 ft) high, 25.9 m (85 ft) wide and 7.4 m (24 ft) deep.[1] It has three bays, the central one being 11.5 m (38 ft) high and 6.5 m (21 ft) wide and the laterals 7.4 m (24 ft) by 3.4 m (11 ft) each. The arch is constructed of brick-faced concrete covered in marble.
The three bay design with detached columns was first used for the Arch of Septimius Severus in the Roman Forum (which stands at the end of the triumph route) and repeated in several other arches now lost.
Though dedicated to Constantine, much of the sculptural decoration consists of reliefs and statues removed from earlier triumphal monuments dedicated to Trajan (98–117), Hadrian (117–138) and Marcus Aurelius (161–180), with the portrait heads replaced with his own.[2]
The arch, which was constructed between 312 and 315, was dedicated by the Senate to commemorate ten years (a decennia[b]) of Constantine's reign (306–337) and his victory over the then reigning emperor Maxentius (306–312) at the Battle of Milvian Bridge on 28 October 312,[4] as described on its attic inscription,[5] and officially opened on 25 July 315. Not only did the Roman senate give the arch for Constantine's victory, they also were celebrating decennalia: a series of games that happened every decade during the Roman Empire. On these occasions they also said many prayers and renewed both spiritual and mundane vows.[6] However, Constantine had actually entered Rome on 29 October 312, amidst great rejoicing, and the Senate then commissioned the monument.[7] Constantine then left Rome within two months and did not return until 326.[8]
During the Middle Ages, the Arch of Constantine was incorporated into one of the family strongholds of ancient Rome, as shown in the painting by Herman van Swanevelt, here. Works of restoration were first carried out in the 18th century,[11][c] the last excavations have taken place in the late 1990s, just before the Great Jubilee of 2000. The arch served as the finish line for the marathon athletic event for the 1960 Summer Olympics.
The Back to the Future filmmaker has closed a deal to direct Disney's live-action remake of Pinocchio, EW has confirmed. Zemeckis will also co-write a new draft of the screenplay with Chris Weitz (the writer of 2015's Cinderella), who is producing the film as well.
This comes on the heels of the news that Disney has a photorealistic Bambi remake in the works. Taken together, these developments suggest that the Mouse House is making a substantial effort to emotionally scar a new generation of kids: 1940's Pinocchio, after all, is known as one of the most demented Disney films in the canon. (Between the kids turning into donkeys, its hero getting locked in a cage, and a few of the studio's most grotesque villains, the movie has been giving kids a flood of nightmares for almost 80 years now.)
Zemeckis is currently directing a new adaptation of Roald Dahl's The Witches, starring Anne Hathaway and Octavia Spencer, for Warner Bros. That film will hit theaters Oct. 9. Pinocchio does not yet have a release date.
Jesus Christ had twelve disciples, each of whom accompanied the Biblical savior during His time on earth. Many of them continued His Christian work after the ascension. The twelve men were Peter, James (Jesus’ brother), John, Andrew, Philip, Judas Iscariot (who betrayed Jesus, and was replaced by Matthias), Matthew, Thomas, James, the son of Alpheus, Bartholomew, Judas Thaddeus; and Simon the Zealot. Of them all, Saint James, also known as James, brother of Jesus, James, son of Alpheus, James the Lesser, James the Minor, and James the Just, was one of the most prominent and significant.
James, Son of Alphaeus, James the Greater, and James, the Brother of Jesus
St James the Minor, Peter Paul Rubens, 1613. Source: Wikipedia
Various Gospels are often ambiguous, at times, as to which James is being referenced. Two to three James’s are spoken of in the Gospels – James, brother of John (aka James the Greater); James, brother of Jesus, and James, son of Alphaeus. The Catholic doctrine of the perpetual virginity of Mary holds that James the son of Alpheus and James, brother of Jesus are the same person, as James could not be Jesus’ physical full brother. In Protestant readings, the two are separate. If the two are separate, then very little is known regarding James, son of Alpheus.
James, Brother of Jesus
Statue of St. James the Less in the Archbasilica of St. John Lateran by Angelo de Rossi. Source: Wikipedia
James, the brother of Jesus, was a follower and Disciple of Jesus Christ during His earthly ministry and one of the first leaders of the early Christian Church. He remained in Jerusalem as leader of the church following the death, burial, resurrection, and ascension of Jesus, and was likely martyred at the temple in Jerusalem.
James’ Position in the Early Church
St. James the Minor, by Georges de la Tour, 1615-20. Source: Wikipedia
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In Acts 15, a Council in Jerusalem was held regarding circumcision over which James presided. The Acts 15 Council is considered probably the first Christian council, where many Apostles congregated to discuss the matter brought by Paul and Barnabas. In Galatians 1, the Apostle Paul records a meeting with James in the process of Paul confirming his conversion to the other Apostles. James may have been the first elected leader within the early church. Through the writings of Eusebius in the 200s, we have the records of Clement of Alexandria from the second century that James was elected leader of the Jerusalem Church.
St James Was Martyred
Saint James the Less (Menologion of Basil II). Source: The Byzantine Life
The death of James the Just around 62 CE is recorded by Eusebius, Clement of Alexandria, and Josephus. Eusebius copied the chronicles of an earlier Christian, Hegesippus, who wrote that James was martyred by being thrown from the pinnacle of the temple in Jerusalem, and beaten with a club when the fall did not kill him.
Non-canonical Writings Attributed to Saint James
The Protoevangelium of James, James Orr. Source: Rakuten Kobo
The Gospel of James, also known as The Protoevangelium of James, is a book of unknown source that was being circulated within the second century church. Both Origen and Clement of Alexandria reference the book in their writings, so it was at least written around that time. The Gospel of James contains the first mention of the idea of the perpetual virginity of Mary, the mother of Jesus. The book was condemned by Pope Innocent I in 405, and it has generally not been accepted throughout church history as canonical due to its late writing and inconstant content.
The First and Second Apocalypse of James and the Apocryphon of James are other 2nd century books whose author claimed to be James. Each of these books were from a collection of gnostic (secret knowledge) texts found in Egypt in 1945. In addition to an authorship too late to be James, they are also part of gnostic texts written in an attempt to legitimize the early movement within Christianity.
James, the Son of Alphaeus
Two Martyr Saints in an Initial S (Alphaeus and Zacchaeus), 14th century. Source: Victoria and Albert Museum
James the son of Alphaeus, while mentioned in the listings of the apostles, has very few details known regarding his life. Outside of being listed among the apostles, and described in the Gospel of Mark as “the lesser” or “the smaller,” he is barely mentioned in the Bible. Several early Christian writings attempt to identify him with James the Just, but most try to maintain the perpetual virginity of Mary in a complex manner. It is speculated that he died as a martyr by crucifixion in Ostrakine, Egypt.
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