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MARY MAGDALENE AND HER RED EGG

Jennifer LindbergLast Updated: June 18th, 2020Greece and Turkey, Holy Land, Saints

We all know the awe-inspiring story of Mary Magdalene, the first person Christ appeared to after his Resurrection. She was a true saint of hope running to tell the Apostles she had seen the Lord. They didn’t believe her until they ran to the tomb themselves.

The unbelief of the Apostles steeled her for a life of ministry to many who did not believe in Christ’s Resurrection. Her story didn’t end at the tomb of Jesus. She continued to witness to the Faith and Resurrection – and she did it with an egg. It’s part of the reason we use Easter eggs at Eastertime.

According to tradition, St. Mary Magdalene—who was a wealthy woman – gained an audience with the Emperor Tiberius in Rome after Christ’s Resurrection. Denouncing Pilate for the way he conducted himself at Christ’s trial, Mary told the Emperor about Christ and His Resurrection from the Dead.

Holding out an egg to him, she proclaimed “Christ is Risen!”

The Emperor was not impressed. He told St. Mary Magdalene that there was about as much chance of a human being returning to life from the dead as there was of the egg in her hand turning red.

The egg promptly turned red!

This is why many icons painted in the Byzantine Catholic style show Mary Magdalene holding a red egg. Even before the time of Christianity, eggs were a symbol of creation, spring, and rebirth. After the Resurrection of Christ, they took on deeper symbolic meaning. The sealed tomb of Christ was the uncracked egg. St. Augustine described Christ’s Resurrection from the dead as a chick bursting from an egg.

The Eastern Catholic Church to this day distributes red Easter eggs, and the tradition of sharing Easter eggs across the world stems directly from Mary Magdalene’s proclamation of Christ’s Resurrection to the Emperor and the miracle of the red egg.

https://www.tektonministries.org/mary-magdalene-and-her-red-egg/

La Maddalena: Venice’s mysterious masonic church

Modelled on the Roman Pantheon, the tiny church of Santa Maria della Maddalena, or simply La Maddalena, is a Venetian mystery. Perhaps its most notable feature are the masonic symbols above the door. The all-seeing eye inside an interlocking circle and triangle is one of the symbols of freemasonry and both the church’s architect and patron were freemasons. The mystery is amplified by the fact that the church is almost always closed to visitors – so much so that I’ve never seen the inside.

The 18th-century neoclassical edifice we see today is the work of Venetian architect Tommaso Temanza who entirely rebuilt an earlier church using a circular plan inspired by the Pantheon in Rome. The Roman Pantheon itself, one of the best preserved buildings of the antiquity, is a special design echoed by the much later symbols of freemasonry. It incorporates a circular wall plan and a rectangular portico while its circular dome has an eye-like opening in the centre of the roof called an oculus.

La Maddalena’s site, owned by the patrician Balbo (or Baffo) family, had a church as early as the 13th century. There is some evidence of the family’s association with the Knights Templar. In the 18th century, Venice had an influential fraternity of freemasons whose members also included the famous adventurer Giacomo Casanova. The owners of the old religious site who were also affiliated to the freemasonry contracted Temanza, also a member of the fraternity, to build a masonic church in Venice.

Judging by the symbol of the all-seeing eye above La Maddalena’s entrance and its Latin inscription attributed to Solomon: Sapientia edificavit sibi domum (“Wisdom has built a home for itself”), Temanza was also a dabbler in the same undercurrent of esoteric freemasonry as Mozart. The architect is buried inside the church and his headstone is apparently decorated with a line and set of compasses, the most common symbol of the freemasons whose members would see themselves as ‘builders’.

It is also no surprise that this peculiar small masonic church is dedicated to Mary Magdalene. Despite being the first witness to Christ’s resurrection, she is more commonly remembered as a reformed prostitute. This mysterious figure, sometimes rejected by the church, was instead beloved by the freemasonry whose members considered her a symbol of wisdom and the struggle against the obscurantism of the church. With her church in Venice almost never open to visitors, this struggle is apparently real.