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Cathedral of the Madeleine
From Wikipedia, the free encyclopedia
The Cathedral of the Madeleine is a Roman Catholic church in Salt Lake City, Utah, United States. It was completed in 1909 and currently serves as the cathedral, or mother church, of the Diocese of Salt Lake City. It is the only cathedral in the U.S. under the patronage of St. Mary Magdalene.
Description[edit]
The cathedral was built under the direction of Lawrence Scanlan, the first bishop of Salt Lake City, who dedicated it to St. Mary Magdalene.[2] It was designed by architects Carl M. Neuhausen and Bernard O. Mecklenburg. The exterior is predominantly a Neo-Romanesque design, while the inside displays more Neo-Gothic details. Construction began in 1900 and was completed in 1909. It was dedicated by James Cardinal Gibbons, Archbishop of Baltimore.
It is theorized that Bishop Scanlan chose Mary Magdalene as the patron saint of the Diocese of Salt Lake because her feast day is on July 22, two days before Pioneer Day, a celebration commemorating the arrival of the Mormon pioneers in Salt Lake Valley, so that Catholics would have something to celebrate alongside the region's dominant faith.[3]
The interior of the cathedral was created under the direction of Joseph S. Glass, the second bishop of Salt Lake. Bishop Glass enlisted John Theodore Comes, one of the preeminent architects in the country, to decorate the interior of the cathedral. His plans for the interior were largely based upon the Spanish Gothic style. The colorful murals and polychrome were added at this time, as were the ornate shrines. In 1916, Bishop Glass also changed the name of the cathedral to the French spelling after visiting her purported tomb.[2]
In the 1970s, the exterior of the building was restored, and between 1991 and 1993, the interior of the cathedral was renovated and restored under Bishop William K. Weigand. This included not only the removal of dust and dirt and restoration of the interior but also changes to the liturgical elements of the cathedral to bring them into conformity with certain widespread changes in liturgical practice that developed after the Second Vatican Council.
This included constructing a new altar, moving the cathedra, creating a separate chapel for the Blessed Sacrament, and adding an ample baptismal font. The Blessed Sacrament Chapel also contains the tomb of Bishop Scanlan.[4] Resting atop the tomb is a case containing a small relic of Saint Mary Magdalene. The cathedral in Salt Lake City and the Basilica of Saint-Maximin-la-Sainte-Baume in France are the only cathedrals in the world holding first-class relics of the saint and are named in her honor.[5] The major restoration of the interior of the cathedral was accomplished through the vision of Monsignor M. Francis Mannion.[6]
The cathedral is home to the only co-educational Catholic Choir School in the United States. The Madeleine Choir School, established in 1996, now serves over 400 students in Pre-Kindergarten through Grade Eight.[7] The Cathedral Choir has recorded several CDs and routinely tours both nationally and internationally. In addition to singing daily services at the Cathedral of the Madeleine, choristers have sung at St. Peter's Basilica (Vatican City), Notre Dame de Paris (France), and in churches across the United States of America, Spain, Italy, France, Belgium, and Germany, among other places.[8]
Composer Amédée Tremblay notably served as the church's organist from 1920 to 1925.[9]
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Cathedral of the Madeleine, looking east
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Interior of the cathedral
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salt lake city=alchemy (salt)=dollar=$= LOT S WIFE(SODOMA AND GOMORRA)
Cathedral of the Madeleine
From Wikipedia, the free encyclopedia
The Cathedral of the Madeleine is a Roman Catholic church in Salt Lake City, Utah, United States. It was completed in 1909 and currently serves as the cathedral, or mother church, of the Diocese of Salt Lake City. It is the only cathedral in the U.S. under the patronage of St. Mary Magdalene.
Description[edit]
The cathedral was built under the direction of Lawrence Scanlan, the first bishop of Salt Lake City, who dedicated it to St. Mary Magdalene.[2] It was designed by architects Carl M. Neuhausen and Bernard O. Mecklenburg. The exterior is predominantly a Neo-Romanesque design, while the inside displays more Neo-Gothic details. Construction began in 1900 and was completed in 1909. It was dedicated by James Cardinal Gibbons, Archbishop of Baltimore.
It is theorized that Bishop Scanlan chose Mary Magdalene as the patron saint of the Diocese of Salt Lake because her feast day is on July 22, two days before Pioneer Day, a celebration commemorating the arrival of the Mormon pioneers in Salt Lake Valley, so that Catholics would have something to celebrate alongside the region's dominant faith.[3]
The interior of the cathedral was created under the direction of Joseph S. Glass, the second bishop of Salt Lake. Bishop Glass enlisted John Theodore Comes, one of the preeminent architects in the country, to decorate the interior of the cathedral. His plans for the interior were largely based upon the Spanish Gothic style. The colorful murals and polychrome were added at this time, as were the ornate shrines. In 1916, Bishop Glass also changed the name of the cathedral to the French spelling after visiting her purported tomb.[2]
In the 1970s, the exterior of the building was restored, and between 1991 and 1993, the interior of the cathedral was renovated and restored under Bishop William K. Weigand. This included not only the removal of dust and dirt and restoration of the interior but also changes to the liturgical elements of the cathedral to bring them into conformity with certain widespread changes in liturgical practice that developed after the Second Vatican Council.
This included constructing a new altar, moving the cathedra, creating a separate chapel for the Blessed Sacrament, and adding an ample baptismal font. The Blessed Sacrament Chapel also contains the tomb of Bishop Scanlan.[4] Resting atop the tomb is a case containing a small relic of Saint Mary Magdalene. The cathedral in Salt Lake City and the Basilica of Saint-Maximin-la-Sainte-Baume in France are the only cathedrals in the world holding first-class relics of the saint and are named in her honor.[5] The major restoration of the interior of the cathedral was accomplished through the vision of Monsignor M. Francis Mannion.[6]
The cathedral is home to the only co-educational Catholic Choir School in the United States. The Madeleine Choir School, established in 1996, now serves over 400 students in Pre-Kindergarten through Grade Eight.[7] The Cathedral Choir has recorded several CDs and routinely tours both nationally and internationally. In addition to singing daily services at the Cathedral of the Madeleine, choristers have sung at St. Peter's Basilica (Vatican City), Notre Dame de Paris (France), and in churches across the United States of America, Spain, Italy, France, Belgium, and Germany, among other places.[8]
Composer Amédée Tremblay notably served as the church's organist from 1920 to 1925.[9]
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Cathedral of the Madeleine, looking east
-
Interior of the cathedral
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salt lake city=alchemy (salt)=dollar=$= LOT S WIFE (SODOMA AND GOMORRA)
Cathedral of the Madeleine
From Wikipedia, the free encyclopedia
The Cathedral of the Madeleine is a Roman Catholic church in Salt Lake City, Utah, United States. It was completed in 1909 and currently serves as the cathedral, or mother church, of the Diocese of Salt Lake City. It is the only cathedral in the U.S. under the patronage of St. Mary Magdalene.
Description[edit]
The cathedral was built under the direction of Lawrence Scanlan, the first bishop of Salt Lake City, who dedicated it to St. Mary Magdalene.[2] It was designed by architects Carl M. Neuhausen and Bernard O. Mecklenburg. The exterior is predominantly a Neo-Romanesque design, while the inside displays more Neo-Gothic details. Construction began in 1900 and was completed in 1909. It was dedicated by James Cardinal Gibbons, Archbishop of Baltimore.
It is theorized that Bishop Scanlan chose Mary Magdalene as the patron saint of the Diocese of Salt Lake because her feast day is on July 22, two days before Pioneer Day, a celebration commemorating the arrival of the Mormon pioneers in Salt Lake Valley, so that Catholics would have something to celebrate alongside the region's dominant faith.[3]
The interior of the cathedral was created under the direction of Joseph S. Glass, the second bishop of Salt Lake. Bishop Glass enlisted John Theodore Comes, one of the preeminent architects in the country, to decorate the interior of the cathedral. His plans for the interior were largely based upon the Spanish Gothic style. The colorful murals and polychrome were added at this time, as were the ornate shrines. In 1916, Bishop Glass also changed the name of the cathedral to the French spelling after visiting her purported tomb.[2]
In the 1970s, the exterior of the building was restored, and between 1991 and 1993, the interior of the cathedral was renovated and restored under Bishop William K. Weigand. This included not only the removal of dust and dirt and restoration of the interior but also changes to the liturgical elements of the cathedral to bring them into conformity with certain widespread changes in liturgical practice that developed after the Second Vatican Council.
This included constructing a new altar, moving the cathedra, creating a separate chapel for the Blessed Sacrament, and adding an ample baptismal font. The Blessed Sacrament Chapel also contains the tomb of Bishop Scanlan.[4] Resting atop the tomb is a case containing a small relic of Saint Mary Magdalene. The cathedral in Salt Lake City and the Basilica of Saint-Maximin-la-Sainte-Baume in France are the only cathedrals in the world holding first-class relics of the saint and are named in her honor.[5] The major restoration of the interior of the cathedral was accomplished through the vision of Monsignor M. Francis Mannion.[6]
The cathedral is home to the only co-educational Catholic Choir School in the United States. The Madeleine Choir School, established in 1996, now serves over 400 students in Pre-Kindergarten through Grade Eight.[7] The Cathedral Choir has recorded several CDs and routinely tours both nationally and internationally. In addition to singing daily services at the Cathedral of the Madeleine, choristers have sung at St. Peter's Basilica (Vatican City), Notre Dame de Paris (France), and in churches across the United States of America, Spain, Italy, France, Belgium, and Germany, among other places.[8]
Composer Amédée Tremblay notably served as the church's organist from 1920 to 1925.[9]
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Cathedral of the Madeleine, looking east
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Interior of the cathedral
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AGENDA 2030 DE SATANAS VATICANO JESUITAS COMUNISTAS ONU EEUU ELITS MUNDIALES HIJAS PROTESTANTISMO APOSTATA EEUU LAUDATO SI CAMBIO CLIMATICO EUCARISTIA MISA DOMINGO MARIA IDOLATRIA LOS MUERTOS ESPIRITISMO SODOMA GOMORRA LGTB EUTANASIA TODO LO QUE ES PECADO ESTO Y MAS SON LAS ENSEÑANZA VINO DE BABILONIA LA MARCA DE LA BESTIA DEL VATICANO ALIADOS DANIEL Y APOCALIPSIS 666.Daniel 7:25,2Tesal cap 2 ,Apocal 12:3,9,CAP14:8,11cap13,Cap 13:17,18 ,cap 16,cap 9:20,21 .ESTA AGENDA MUNDIAL ES DETRUIR EL REMANENTE DE CRISTO SU PUEBLO COMO LA EDAD MEDIA POR MEDIO DE LEYES HUMANAS SATANICAS Y POR ULTIMO DECRETO DE MUERTE INQUISICION MUNDIAL CONTRA LA SANTA BIBLIA SU SANTA LEY DEL CIELO SINAI DEL CIELO LA TIERRA ESCRITA CON SU DEDO EN PIEDRA EXODO 20:1,17,31:12,18 COMO ELIMINAR. EL SANTO SABADO SEPTIMO DIA DE LA CREACION SABADO SEPTIMO DIA GENESIS 1:1,2:1,4 ,Hebreos 4:4,9,11Mateo 24:20 ,APOCAL 13:7,13:15,14:13,17:6,18:24 ,12:17 Daniel 7:25,
Apocalipsis (de Juan) 16-> Ver. 13
Vi. Ver com. Ap 1:1. De la boca. La boca es el instrumento del habla. Estos “tres espíritus inmundos” que salen de las bocas del “dragón”, de la “bestia” y del “falso profeta”, representan la política que esta triple unión religiosa proclamará al mundo, la cual se menciona en el Ap 17:2 como el “vino” de Babilonia catecismo (ver com. Ap 16:14; Ap 17:2; Ap 17:6). Dragón satanás espiritismo . Ver com. Ap 12:3; Ap 13:1. El primer miembro de esta triple unión religiosa se identifica generalmente con el espiritismo o con el paganismo. Este último consiste principalmente en la adoración de espíritus maléficos, y por eso se parece esencialmente al espiritismo moderno tal como se practica en los países cristianos . La bestia. Ver com. Ap 13:1; Ap 17:3; Ap 17:8. Falso profeta. Evidentemente debe identificarse con la segunda bestia del Ap 13:11-17 (ver com. Ap 16:11), que apoya a la primera bestia de los Ap 16:1-10, y que por medio de los milagros que tiene el poder de hacer en presencia de la bestia (Ap 16:12-14), engaña a los hombres para que le hagan a ésta una “imagen”. Cf. Ap 19:20; Ap 20:10. Tres espíritus inmundos. Los defensores de ambas opiniones concuerdan en identificar al “dragón”, la “bestia” y el “falso profeta”, con el espiritismo moderno o paganismo, el papado, y el protestantismo apóstata (cf. Ap 13:4; Ap 13:14-15; Ap 19:20; Ap 20:10), respectivamente. Los “tres espíritus inmundos” evidentemente simbolizan o representan a este trío maléfico de poderes religiosos, que juntos constituyen la “gran Babilonia” de los últimos días (Ap 16:13-14; Ap 16:18-19; ver com. Ap 16:19; Ap 17:5). A manera de ranas. Tal vez no deba atribuirse ningún significado a esta comparación, que quizá sólo tiene el propósito de destacar lo repulsivo que son los “tres espíritus inmundos” delante de Dios. Esta unión son una ORGANISACION política religiosa mundial de personas que se unen bajo una falsa adoración satánica que incluye personas que obtendrá la marca de la Bestia Apocal 17:8,13 Apocal 19: 20 Pero la Bestia fue capturada, y con ella el falso profeta - el que había realizado al servicio de la Bestia las señales con que seducía a los que habían aceptado la marca de la Bestia y a los que adoraban su imagen los dos fueron arrojados vivos al lago del fuego que arde con azufre.SALID DE ELLA PUEBLO PARA NO SEAIS PARTE DE SUS PLAGAS Y MUERTE ETERNA APOCAL 18:4,5 .
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