LA UNICA REVOLUCION VIENE DE SION- NO HAY OTRA - PAREN DE MENTIR - LA UNICA LIBERACION VIENE DE CRISTO - TODO LO DEMAS ES MENTIRA
A regular square pyramid is determined by its medial right triangle, whose edges are the pyramid's apothem (a), semi-base (b), and height (h); the face inclination angle is also marked. Mathematical proportions b:h:a of and and are of particular interest in relation to Egyptian pyramids.
EL NUMERO 8 EN LA TORA ES EL NUMERO DE LA RESURRECCION. EL 7 ES EL DE LA PLENITUD ESPIRITUAL Y EL 8 ES EL DEL COMIENZO DE UN NUEVO CICLO.
El número [8] en la Biblia nos orienta a una idea muy clara. Es por excelencia el “número de la Resurrección”. Su significado es “sobreabundancia”, símbolo de “nueva vida”.
8| En su etimología Aprendemos de los expertos en hebreo, que el ocho es (Sh’moneh) de la raíz (Shah’meyn) que significa “hacer grueso” y “sobreabudar”. Bullinger comenta: “siete según su etimología es aquello que está espiritualmente completo o satisfactorio; mientras que ocho denota todo lo que es sobreabundante o saciador.”
[8] En la resurrección de Jesús El octavo día, fue el día en que Jesucristo resucitó; como está escrito en la Biblia: ” el primer día de la semana”.(Juan 20:1 RV60) El primer y octavo día, son el mismo día en la semana hebrea, el día después del sábado, e indica fin y principio de semana. Por esa razón el número dominical (domingo) es el “día del Señor” en la Iglesia.
Así contaba un hebreo la semana: *día 1 (8) — día 2— día 3— día 4— día 5— día 6 –Savath (sábado)
* Primer y octavo día, representa en la semana hebrea, el mismo tiempo unido, primero [1], y último [8]; principio y fin de todo ciclo. Pero el ocho simboliza el principio de un “nuevo tiempo”. Por tal razón, en las fiestas judías, el primer día y su octavo, eran denominados de “santa convocación”.
Abrasax.....in Gnostic cosmology, the 7 letters spelling its name represent each of the 7 classic planets—Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn.[2]
The Seven Society of The University of Virginia (Thomas Jefferson's School)
PIRAMIDE STAR GATE ES UNA REFERENCIA AL TERMINO HEBREO BARA , INICIADA POR LA LETRA ALEF Y TERMINADA POR LA LETRA TAV (YO SOY EL ALEF Y EL TAV), EN EL MARCO AL DIA DE MARIA LA MAGDALENA. LA GEMATRIA EN HEBREO DEL TERMINO BARA=203, ES UNA REFERENCIA AL DIA 203, GREGORIANO, OSEA EL 22/7=PI=3.14=PI, INSISTO, DIA DE MARIA MAGDALENA- ES OBVIA LA RELACION EN EL CONTEXTO A QUE YHWH, COMO CREADORA ES SIMBOLIZADA POR LA MUJER, OSEA LA ESPOSA DEL SEÑOR
FIJATE QUE LA PALABRA BARA, osea CREATED o CREO es iniciada por la LETRA ALEF Y TERMINA POR LA LETRA TAV. "YO SOY EL ALFA/ALEF Y EL OMEGA/TAV". LA LETRA BARA, SU GEMATRIA, EL 203 ES UNA REFERENCIA AL DIA DE MARIA MAGDALENA EN EL CALENDARIO GREGORIANO. EL 22/7 ES EL DIA NUMERO 203.
EN EL AÑO 1989, CON LUNA LLENA EL 22/3 (¿SECRETO DEL 322 DECODIFICADO?, LA PIRAMIDE DE LOUVRE FUE INAGURADA EN EL OCTAVO DIA DEL VERDADERO CALENDARIO LUNI-SOLAR HEBREO.
En el calendario lunar se calculan los años según los ciclos de la luna en lugar de los del sol como se hace en el calendario occidental. En dicho calendario lunar, cada mes lunar corresponde a una lunación, que comprende el período entre dos momentos en que la luna se halla exactamente en la misma fase lunar. Cada mes lunar comprende 29.53 días solares.
Aunque cada día del mes lunar correspondería a una fase lunar, las fases de la luna a las que se conoce con un nombre concreto son la Luna Nueva, Cuarto Creciente, Luna Llena y Cuarto Menguante. Estas fases lunares se asocian a diferentes porcentajes de iluminación o ángulos de fase que van del 0% en la luna nueva, 50% en los cuartos y 100% en la luna llena.
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Día
Fase lunar
Porcentaje iluminado
7
Luna Nueva
En la fase lunar de Luna Nueva la visibilidad es del 0%
14
Cuarto Creciente
En la fase lunar de Cuarto Creciente la visibilidad es del 50%
22
Luna Llena
En la fase lunar de Luna Llena la visibilidad es del 100%
29
Cuarto Menguante
En la fase lunar de Cuarto Menguante la visibilidad es del 50%
Se inaugura la pirame de cristal del Museo de Louvre
29/03/2011
El 29 de marzo de 1989 se inauguró la gran piramide de cristal ubicada en la entrada del Museo de Louvre en París, Francia.
Fue diseñada por el arquitecto Ieoh Ming Pei, para centralizar el acceso de los visitantes, que descienden por ella a un recibidor subterráneo por el que se accede a las diversas alas del museo.
La obra esta compuesta por 666 rombos de vidrio distribuidos en un área de mil 250 metros cuadrados.
El Museo del Louvre es el museo nacional de Francia consagrado al arte anterior al impresionismo, tanto bellas artes como arqueología y artes decorativas. Es considerado el más importante del mundo, por la riqueza de sus colecciones y por la influencia que ha ejercido en los restantes museos del planeta.
Está ubicado en el antiguo palacio real del Louvre, y actualmente promueve la apertura de dos subsedes, en Lens (Francia) y en Abu Dabi (Emiratos Árabes Unidos).
Éxodo 20:8-11 8 Acuérdate del sabado para santificarlo. 9 Seis días trabajarás, y harás toda tu obra; 10 mas el séptimo día es reposo para Jehová tu Dios; no hagas en él obra alguna, tú, ni tu hijo, ni tu hija, ni tu siervo, ni tu criada, ni tu bestia, ni tu extranjero que está dentro de tus puertas. 11Porque en seis días hizo Jehová los cielos y la tierra, el mar, y todas las cosas que en ellos hay, y reposó en el séptimo día; por tanto, Jehová bendijo el día de reposo y lo santificó. (RV)
Suares: "If you are now thinking that you have undertood the given elements of the problem, you are on the wrong track. You have only the idea of it, and the idea is not the thing. The problem, reduced to its essential equation, is: pulsation of life and cosmic resistance." --Cipher of Genesis, page 79
Aleph: Infinite expansion, timeless, unknowable creative life-death Tav: Infinite compression, cosmic resistance, final sanctuary of all energy
"The problem," the manifestation of the universe, reduced to its essential equation: (pulsation of) life and (cosmic) resistance. Bereshyt-Bara-Elohim-Et leaves us in the center of the core equation of the universe, on the edge of manifestation. The following equations will show us the structure and process of that manifestation.
The translators tell us not to make too much of this word, which indicates "the demonstrative sense of entity" and appears only 22 times (as "untranslated") in the KJV version of the Hebrew Tanakh. It is said to be a contraction of Aut as in "the Aut of Cain ," a "distinguishing mark" which itself appears only 77 times in the Hebrew Bible. Genesis I, of course, has 22 verses.
Aleph-Tav can be understood in the English sense of "from A to Z." In this sense it is a totalizing equation, the integral from Aleph to Tav (on every level of structuration) of the unfolding creative process of manifestation, operating on both the existence of the container and the life of the contained (heaven and earth):
The Hebrew word for "you" (in the second person masculine singular) may seem like a strange choice for an entry in this spiritual vocabulary list. In modern spoken Hebrew, it is used constantly in conversation without a second thought.
But "you" is also "You"—the pronoun we use when addressing God in prayer. This provides us a good place to reflect a bit on Hebrew, a language in which even the shortest and simplest of words cannot be spoken without profound theological overtones. Because Hebrew was preserved for so long as the language of the synagogue, most Jews for more than 1000 years learned atah as the word that followed barukh (in the phrase "blessed are You ...") in the opening to all traditional Jewish blessings.
The philosopher Martin Buber's great insight, in his classic I and Thou, is that every "you" we speak contains within it echoes of "the eternal You." This insight came to him because he was thinking in Hebrew. Every atah, for the hearer sensitive to Hebrew rhythms, bears within it the atah we say when we turn to God in prayer. Every atah, then, contains within it some hidden fragment of prayer. Speech is inevitably holy speech, if we look deeply enough into its root. Buber's genius lay in universalizing the Jew's experience of this primal Hebrew word.
The first two letters of atah are aleph and tav. These form the beginning and the end of the Hebrew alphabet. Since the mystical masters believe that God created all the worlds by combinations of letters, aleph and tav can be seen to stand for all Creation: All that ever was or will be comes about only through the letters from aleph through tav. (This is something like Jesus' saying, using the Greek alphabet, "I am alpha and omega," meaning "I am the beginning and the end.") But combining those two letters gives us only the word et, a particle used for the direct object. Aleph to tav by themselves refer to the world only as object.
The third letter in atah, heh, is used here to stand for the name of God. Add God's name to aleph and tav and the word comes alive. With the heh added (even though heh is really nothing but a breath!), the word is no longer "it," but "You"! The "aaahh" sound at the end draws us out, connects us to the other. With atah we address the living Subject, not the inanimate or abstract object.
"And yet," added Ben-Levi, "thou canst not point me out a Philistine-no, not one-from Aleph to Tau-from the wilderness to the battlements---who seemeth any bigger than the letter Jod!" E.A. Poe
The concept of 600,000 letters in the Torah (the first 5 Books of the Bible) signifies the 600,000 counted males of Israel that stood at Mount Sinai. This is significant, as the Torah (composed of 600,000 letters), is to be received by the Nation of Israel, which is composed of the core 600,000 souls. But without the concealed knowledge of God's Messianic Kabbalah, this is hard to accept because if you count the visible letters, the Torah contains only about 300,000 letters! How can this discrepancy be explained?
The Alpha/Female Universal Pole is black. The Omega Masculine Universal Pole is white. Yet each pole has a little of the other within their core for ultimate balance. As you can see, Masculine and Feminine have nothing to do with gender but with attributes that reflect two sets of equally valid, complimentary yet opposing forces in our Universe. The Masculine Pole is not wrong or less than the Feminine. What is wrong is concentrating ONLY on one side and ONLY on a superficial, non-evolving form of it.
Brightest X-ray source in the sky. Sirius A is the smaller image at the upper right.
The Sirius Star System as the Source of Creation
Scientific, linguistic, and mythological evidence places the Sirius star system, Sirius A and Sirius B, at the origin of the creation.
Eastern and western mythological and religious traditions agree that a primal sound, a Word, is the origin of the creation. Quantum physics also agrees that vibration (sound) is the essence of all forms in the creation.
“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through Him, and without him was not anything made that was made.” – Bible, John 1:1
The Rig Veda and the Vedic Sanskrit tradition revealed long ago that this primal sound, this Word of God, is AUM.
OM and AUM are the same. In Vedic Sanskrit, O is the vowel combination AU.
The acoustics and mythology of the Sirius Star System will reveal the truth concerning this Word of God.
All celestial objects, including Sirius A and B, are moving in helical spirals, and generate tones and sounds.
With the computer’s help, we can hear the perfect harmony generated by the orbital sounds of our own planetary system, the harmony of the spheres, as predicted by Johannes Kepler in the sixteenth century. Kepler said:
“. . . we should not be surprised that men have discovered the beautiful, effective succession of tones in the musical modes, when we see that in doing so, they are imitating God’s work by bringing down to earth the sounds of the celestial motions.”
This image shows the actual helical spiral pathways of the Sun, Mercury, Venus, Earth, and Mars. It even looks musical.
The computer also allows us to transpose into audible range and hear the orbital sounds of atoms, and their sound combinations as molecules.
How is AUM generated by Sirius A and B, and how is it said correctly?
The three sounds and tones of AUM are generated by the individual orbits and double helical spiral shaped linear motion of Sirius A and B in the same way as the harmony of the orbital sounds of our planetary system, and happens in the following way.
1. The A is generated by Sirius B’s orbital motion, and is said like the a in America, uh, in the tone F. 2. The U is generated by Sirius A’s orbital motion, and is said like the u in tune in F#. 3. The M is generated by their combined double-helix linear motion, and is said in the tone G.
Their combined linear motion produces the nasalated M in the tone G, completing the three sounds and tones of AUM.
The picture below shows the actual orbits and double helical linear pathway of Sirius A and B, and how these motions generate the three sounds and tones of AUM.
Because the orbits and double helical linear motion of Sirius A and B produce the three sounds and tones of AUM in the F, F#, G, tritone, the question arises:
Why the F, F#, G, Tritone?
The F, F#, G, tritone is the fabled quintessence of the alchemists, who said that this sound accompanies all creative processes, including, of course, the creation of the universe. They are correct. AUM is the quintessential creative sound, the Word of God that was in the beginning.
The F, F#, G, tritone of AUM is the creative sound that accompanies the miracles of:
A. Creation: AUM is the fractal sound pattern of the Big Bang. B. Cell division (mitosis): when the DNA makes a copy of itself and checks it for errors. C. Photosynthesis: when light becomes living matter.
“The F, F#, G, forms the key tension in the nitrogen atom during photosynthesis when sunlight is transformed into chlorophyll, into living green. From sunshine grows living matter. The word made flesh.” Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 70
From the single DNA molecule we all once were, our entire organism has unfolded by way of the F, F#, G, tritone of AUM.
Saying AUM correctly in the creative tritone induces resonance in the soft palate in the roof of our mouth, and transfers this resonance to our pineal gland, which sits directly above the soft palate.
The specific resonance induced by saying AUM in the F, F#, G, tritone, causes our pineal gland to secrete dimethyltryptamine into our blood. Dimethyltryptamine is a powerful mind-manifesting, visionary, and meditative substance.
Our pineal gland is known as our third eye, and is recognized as a connecting point between our physical and spiritual being. This sound resonance connection to our pineal gland was designed into our DNA by the Creator.
By saying AUM in the F, F#, G, tritone, we are creating the fractal sound formula of our own DNA, and consciously activating our pineal gland (our third eye) using sound resonance.
The miraculous and creative F, F#, G, tritone of AUM is the only sound ever banned by the Catholic Church, who declared it to be the diablos en musica, the devil in music.
Because AUM cannot be said correctly without using the tritone, the Catholic Church has in effect banned the Word of God.
When contacted, Catholic Church authorities were unable to explain or offer any reason. In any case, they do not want us to say the Word of God, and access the visionary consciousness that was designed into our being by the Creator.
What other evidence shows AUM coming from Sirius?
The classic iconic imagery of Asia has always shown AUM radiating from the star Sirius.
These images of Shiv (Shiva) show the AUM symbol in the star Sirius.
This image of the Goddess shows AUM in the star Sirius directly over her head.
The Sanskrit word tara, meaning star is one of the Goddess’ thousand names, and applies specifically to Sirius, the brightest star. Tara is synonymous with AUM.
The Sanskrit-English Dictionary, Clarendon Press, Oxford, 1899, defines ‘tara‘ as 1. the mystic syllable AUM, and 2. star or asterism.
The Goddess, (Sirius A), is verybright. Her male counter-part, (Sirius B), is totally invisible without a telescope), and is also very heavy (he is the size of the Earth, but weighs as much as the Sun). He is the brightest X-ray source in the sky, and is known as the God who sees through everything.
Sometimes Shiv(a) is shown standing with AUM behind him. AUM is in fact, behind His image. He is an icon (eye-con) of AUM.
His first orbital movement caused the first sound in the progression of orbital movements and sounds that is AUM.
The name of the blue God in Sanskrit, is Shiv, meaning orbit, hem, or border, in reference to Sirius B’s orbit.
The Dogon people of Mali, West Africa know that Sirius B’s orbit is the source of creation.
Sirius A and Sirius B are the origin of the Yin and Yang symbol, they are the Yin and Yang. They are two parts of one thing, and the source of AUM, the sound that created the universe.
Far into pre-history, the religions and mythologies of the world have given divine status to Sirius A and Sirius B as the star forms of the God and Goddess. Sirius A as the Goddess, in red, and Sirius B as the God, in blue.
Sirius plays a large role in the life of Jesus. Sirius is known as the Morning Star. In the Bible, Jesus says, “I am the bright Morning Star.” Rev. 22:16. The Three Wise Men, the Magi of Persia, were followers of the star Sirius. Upon their arrival in Jerusalem to attend the birth of Jesus, the Magi said in court, “We have seen His Star in the east” Matthew 2:2.
Is Jesus Sirius? Does Jesus in some real way personify AUM, this Word of God in the sky? Jesus said he was the Alpha and Omega, the first and last sound. AHA.
AUM is also known to be the origin of the fifty sounds of the Vedic Sanskrit language. These fifty sounds are shown distributed throughout the Sri Yantra. Vedic Sanskrit is the language of the hymns of the Rig Veda, and is the visionary Mother Tongue of the planet.
We will have fun exploring the scientific basis of these remarkable facts.
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