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 YOU TUBE-MAOR BA OLAM-LINKS II 
 BIBLIAS/CONCORDANCIA/LIBROS 
 MAYOR ENEMIGO DEL HOMBRE ES UNO MISMO 
 ¿LA TORA ES MACHISTA? -MENSAJE ESOTERICO Y EXOTERICO 
 ¿ES INMORTAL EL ALMA?- FALACIA DE LA ENCARNACION Y REENCARNACION 
 EL ISLAM TIENE ORIGEN UNITARIO ADOPCIONISTA 
 ANTIGUO TESTAMENTO-ESTUDIO POR VERSICULOS 
 NUEVO TESTAMENTO-ESTUDIOS POR VERSICULOS 
 NUEVO TESTAMENTO II-ESTUDIOS POR VERSICULOS 
 NUEVO TESTAMENTO III-ESTUDIOS POR VERSICULOS 
 CRISTO NO TUVO PREEXISTENCIA 
 ¿QUE ES EL ESPIRITU SANTO? 
 
 
  Herramientas
 
CRISTO, MARIA, EL GRIAL Y LAS NACIONES: ARGENTINA/ARGENTUM/PLATA/SILVER GATE/TAURO
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De: BARILOCHENSE6999  (Mensaje original) Enviado: 29/07/2012 16:40
ARGENTINA/ARGENTUM/PLATA/COPA DE JOSE/BENJAMIN/SANTO GRIAL
 
AL PAN PAN Y AL VINO TORO
SILVER/PLATA
ARGENTINA/ARGENTUM/PLATA
LA CONSTELACION DE LAS PLEYADES ESTA UBICADO EN TAURO/TORO
 
Vatican Coat of Arms
Silver and Golden cross in the Coat of Arms of the Vatican


The Golden Gate is the ecliptic Milky Way crossing at the Scorpio-Sagittarius nexus on the zodiac while the Silver Gate is the Milky Way ecliptic crossing at the Gemini-Taurus nexus. The Silver Gate was represented by the horns of Isis and the associated bull Taurus.

 
9. Génesis 44:4: Habiendo ellos salido de la ciudad, de la que aún no se habían alejado, dijo José a su mayordomo: Levántate y sigue a esos hombres; y cuando los alcances, diles: ¿Por qué habéis vuelto mal por bien? ¿Por qué habéis robado mi copa de PLATA?

10. Génesis 44:8: He aquí, el dinero que hallamos en la boca de nuestros costales, te lo volvimos a traer desde la tierra de Canaán; ¿cómo, pues, habíamos de hurtar de casa de tu señor PLATA ni oro?
10. Génesis 44:12: Y buscó; desde el mayor comenzó, y acabó en el menor; y la copa fue hallada en el costal de Benjamín.
SAULO DE TARSO ES UN TIPO DEL GRIAL, ERA DE BENJAMIN
169. Romanos 11:1: Digo, pues: ¿Ha desechado Dios a su pueblo? En ninguna manera. Porque también yo soy israelita, de la descendencia de Abraham, de la tribu de Benjamín.

170. Filipenses 3:5: circuncidado al octavo día, del linaje de Israel, de la tribu de Benjamín, hebreo de hebreos; en cuanto a la ley, fariseo;
LA COPA ES UN ICONO DEL SEXO FEMENINO
42. 1 Pedro 3:7: Vosotros, maridos, igualmente, vivid con ellas sabiamente, dando honor a la mujer como a VASO más frágil, y como a coherederas de la gracia de la vida, para que vuestras oraciones no tengan estorbo.


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De: BARILOCHENSE6999 Enviado: 29/07/2012 16:41
 

2616873486_3b42d285d2.jpg

La verdadera Estatua de la Libertad se encuentra en Nueva York, pero al ser un símbolo reconocido en todo el mundo no se escapa de las copias.

La foto no es ni cerca de Nueva York, es de Buenos Aires, se trata de una replica a escala de la famosa Estatua de la Libertad, hecha por artista de nacionalidad francés Frederick Auguste Bartholdi y adquirida por la Municipalidad. Este monumento se encuentra entre las Avenidas Juramento y Luis María Campos, en el barrio de Belgrano.

 

Esta no es la única que hay en Argentina, sino que también hay una en el edificio del Colegio Normal Sarmiento (inaugurada 25 días antes de la de Nueva York), y otra de unos 6 metros de altura en la entrada del casino “New York” en la ciudad de San Luis .

estatua-de-la-libertad-argentina

estatua-de-la-libertad-argentina

Respuesta  Mensaje 3 de 427 en el tema 
De: BARILOCHENSE6999 Enviado: 29/07/2012 16:42

HASTA EN LAS LETRAS ESTA CODIFICADO EL SANTO GRIAL

 
 
 
En Hechos 12:12 (1+2,1+2:3,3 o 33) es PEDRO el que aparece con Maria la madre de Juan Marcos. ¿Porque es PEDRO el que tiene mas fuerte relacion con JUAN MARCOS? LA CONSPIRACION MASONICO/TEMPLARIA GIRA ALREDEDOR DEL NUMERO 33. Dicho numero sale de la estrella de 6 puntas (estrella de David), el cual un numero 3 equivale al triangulo superior y el otro 3 al inferior. Dicha estrella simboliza a la union entre el hombre y la mujer
Hechos 12:12: Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre MARCOS, donde muchos estaban reunidos orando.
OBSERVEN QUE HASTA LAS LETRAS ESTAN CODIFICADAS
 
APOCALIPSIS 22:16 (1 mas 6 es igual a 7), osea 22:7 (numero PI) se lo relaciona con ISTAR-VENUS, EL LUCERO DE LA MAÑANA

16 Yo Jesús he enviado mi ángel para daros testimonio de estas cosas en las iglesias. Yo soy la raíz y el linaje de David, la estrella resplandeciente de la mañana.

17 Y el Espíritu y la Esposa dicen: Ven. Y el que oye, diga: Ven. Y el que tiene sed, venga; y el que quiera, tome del agua de la vida gratuitamente. (FUERTE NEXO CON OSHANAH RABBAH, JUAN 7:39, Y CON EL UNGIMIENTO DE BETANIA)

 
 
 
 
HOMBRE DE VITRUBIO-CUADRATURA DEL CIRCULO
 
 
LA LETRA T/TAURO EN CONJUNCION CON LOS COLORES AZUL Y ROJO. PARIS/LA CIUDAD LUZ DE LA ILUMINACION.
 
 
C=LUNA CRECIENTE
L=LA ESCUADRA
A=EL COMPAS
SANTO GRIAL
A=COMPAS
L=ESCUADRA
 
 
MAGDALENE TIENE LAS LETRAS DE EAGLE/DAN/M
MARY MAGDALENE
EAGLE/DAN/M
 
 
 
 
A=ESCUADRA
L=COMPAS
G=GOD/GNOSIS/GALAXY/GRIAL

 

Sign Type

Zodiac

Celestial Position

Tribe

Living Creature

Fire

Leo

Fall Equinox

Judah

Lion

Air

Aquarius

Spring Equinox

Reuben

Man

Water

Scorpio

Winter Solstice

Dan

Eagle

Earth

Taurus

Summer Solstice

Ephraim

Ox

QUE CASUALIDAD QUE EL AGUILA TIENE RELACION CON EL AGUA
 
 
MAR-IA/MIR-YAM-YAM=MAR=GENTILES O EXTRANGEROS

Respuesta  Mensaje 4 de 427 en el tema 
De: BARILOCHENSE6999 Enviado: 29/07/2012 16:42
 
HORA CLAVE (¿HORA TIENE ORIGEN DE HORUS?)
Considerando que cada hora tiene 60 minutos tenemos que en 3 horas y 14 minutos (Numero PI) HAY 194 minutos, osea la misma cantidad de dias que hay desde el primero de Nissan hasta el 17 del septimo mes (Genesis 8:4). Vemos que en el mismo diseño del rejoj esta codificada EL ARCA DE NOE EN FUNCION AL NUMERO PI Y AL 17 DE TISRI.
 
PRIMER MES=30 DIAS
SEGUNDO MES=29 DIAS
TERCER MES=30 DIAS
CUARTO MES=29 DIAS
QUINTO MES=30 DIAS
SEXTO MES=29 DIAS
17 DEL SEPTIMO MES=17 DIAS
 
SUMANDO TODAS LAS CIFRAS TENEMOS 194 DIAS

Respuesta  Mensaje 5 de 427 en el tema 
De: BARILOCHENSE6999 Enviado: 29/07/2012 16:43
YHWH MANEJA TODO CON MENSAJES SUBLIMINALES EN NUESTRAS NARICES
C-SAR BANANA PUEYRREDON
 
 
INTERESANTE COMBINACION LA DE C-SAR CON BANANA
FUERTE NEXO CON LA LUNA CRECIENTE Y EL GRIAL
¿PORQUE EL NEXO CON EL 21 DE MARZO? OBVIO, EL EQUINOCCIO, QUE FUE EN CONTEXTO A LA RESURRECCION DE NUESTRO SEÑOR, TIPO DEL EXODO EN CONTEXTO AL MAR ROJO, TIENE FUERTE NEXO CON EL GRIAL
 
MAR ROJO

Respuesta  Mensaje 6 de 427 en el tema 
De: BARILOCHENSE6999 Enviado: 29/07/2012 16:48

PleiadesSilverGate-1ALARGE.jpg
(Taken From)  http://keyofsolomon.org/Pleiades%20starmap.php

Further evidence of the Pleiades being used for this purpose can be found at Stonehenge   

The decoding of the final ‘cross’ symbol is as follows:

http://www.keyofsolomon.org/The%20Lost%20Symbol%20Dan%20Brown.php


Respuesta  Mensaje 7 de 427 en el tema 
De: BARILOCHENSE6999 Enviado: 31/07/2012 20:02
 

Welcome to the Key of Solomon

Pope Sixtus V


In Rome, there are a total of 8 Egyptian and 5 Roman obelisks.  In the context of this article, we will focus on four obelisks that were re-erected by Pope Sixtus V.  Around 1587, all of Rome’s obelisks were toppled down and it was Pope Sixtus V who started re-erecting four of the fallen obelisks in Rome. Pope Sixtus V also redesigned the Piazza in front of the Saint Peter Basilica that was itself under construction at the time. The current oval shaped piazza with the obelisk at the Vatican was designed and built at the orders of Pope Sixtus V. It was part of an overall urban redesign of the city of Rome in which four of the obelisks were given new locations. These four new locations were centered around the obelisk at St. Peter’s Square which became the focal point.  

The first Egyptian obelisk was originally shipped by Emperor Augustus in 10 BC from Heliopolis, Egypt (dedicated to Seti I/ Ramesses II) to the Circus Maximus in Rome. Circus Maximus was a Roman hippodrome used for chariot racing. The obelisk was moved by Sixtus V from Circus Maximus to Piazza del Popolo where it still resides today.

The second Egyptian obelisk was originally shipped from Thebes (temple of Amun, Tuthmosis IV) to Circus Maximus in Rome by Constantine II the son of Constantine the Great. The initial plans to ship the obelisk to Circus Maximus (Latin for the greatest circus) in Rome however were made by Contantine the Great who didn’t have the facilities to actually ship the largest of the Egyptian obelisks (32.18 m tall) to Rome. Eventually, his son succeeded in carrying out his father plans. Both obelisks were placed on the Spina of Circus Maximus. The Spina (backbone) is a 217 meter long wall in the centre of the hippodrome. This obelisk was moved by Pope Sixtus V from Circus Maximus to Piazza di San Giovanni (Laterno) next to the Basilica of San Giovanni.

It’s important to realize that both obelisks of Circus Maximus aligned with the Winter Solstice Sun at sunrise, since the Spina on which they were placed also aligned with the Winter Solstice Sun at sunrise! (see Vatican Alignment calculations)

The third Egyptian obelisk was originally moved to Rome in 37 AD by Emperor Caligula and situated at the Vatican Circus. The origin of this obelisk is unclear. It’s the only obelisk without hieroglyphs. This obelisk was again relocated by Sixtus V to St. Peter’s Square where it is seen today.

The fourth and last obelisk is a Roman obelisk that originally stood in Mausoleum of Augustus and was moved by Sixtus V to the piazza in front of the Basilica of Santa Maria Maggiore at the Piazza del Esquillino.

What is interesting in the context of this article are the before and after locations of these obelisks in the overall urban redesign plan of Pope Sixtus V.

Circus Maximus, for instance, was built in a bend on the bank of the River Tiber, and on a Winter Solstice day the Sun would be seen rising over the Tiber River in line with both obelisks at the Spina when viewed from the Vatican. Pope Sixtus V could have restored Circus Maximus and placed the obelisks at their original locations. It’s interesting to notice that viewed from the St. Peter’s Square these obelisks would be aligned with the Winter Solstice Sun! This is because St. Peter’s Square lies exactly in line with Circus Maximus and the Winter Solstice Sun. Instead, Sixtus had chosen to relocate one of the obelisks of Circus Maximus to the Piazza del Popolo.

The obelisk at the Piazza del Popolo, however, aligns with the obelisk at St. Peter’s Square and the summer solstice Sun at sunrise!  (See Vatican Alignment calculations)

Like the Equinox Sun, the summer solstice Sun is seen rising over the River Tiber from St. Peter’s Square since the obelisk at the Piazza del Popolo is situated only two blocks away from the river.

The other obelisk of Circus Maximus was Rome’s tallest obelisk and was moved to the Piazza di San Giovanni in Laterno (in southeast direction from the Vatican) which resides at an azimuth of 114° 0’ which is 9 degrees off the Winter Solstice sunrise azimuth of 123° for Rome. While both obelisks in Circus Maximus originally aligned to the Winter Solstice, Pope Sixtus V deliberately altered these alignments and made sure that one of the obelisks now aligned with the Summer Solstice Sun.  The other obelisk that previously aligned to the Winter Solstice Sun was now deliberately misaligned.

It’s obvious that the alignment of both the obelisk at St. Peter’s Square and the obelisk at Piazza del Popolo must have been intentional since both obelisks were put there by Sixtus V. While he could have chosen for a Winter Solstice alignment of St. Peter’s Square obelisk by erecting the other obelisk at Cricus Maximus itself, he chose otherwise.

It’s beyond any doubt that Sixtus V was well aware of these alignments since he designed St. Peter’s Square to be a giant sun dial. In 1817, circular stones were set marking the tip of the obelisk’s shadow at noon. Since the Sun moves in between the tropics during a solar year, it enters all of the signs of the zodiac in one solar year, and the marks set out in stone therefore make a gnomon of the obelisk at St. Peter’s Square. But there’s more …

We surmise that Pope Sixtus V was also well aware of the significance of the Great Celestial Conjunction around 2012 and its association with the biblical End Times.

To enhance this argument, it’s interesting to realize that the coat of arms of Pope Sixtus V contained an eight-pointed cross above four stacked mountains (or hills). The coat of arms of Sixtus was sometimes also depicted with three instead of four hills.

As explained before, in ancient Egypt and freemasonry mountains, pillars and clouds all represent the Milky Way. The four mountains in Pope Sixtus coat of arms could therefore represent the four Great Celestial Conjunctions or the four Milky Way Equinox/Solstice alignments that occur in a Great Year!

Santa Maria Piazza del Popolo (coat of arms of Pope Sixtus V), eight-pointed cross over the four mountains.


Pope Sixtus V used the eight-pointed cross in abundance in architectures and; in many cases he even placed the four-pointed Christian cross on top of an eight-pointed cross! The obelisk at Piazza di Giovanni, for instance, was adorned with both a four and eight-pointed cross by Pope Sixtus V. It was also a reference to this coat of arms! 

The four Great Celestial Conjunctions in a Great Year are the four mergers of the two superimposed four-pointed crosses (Earth Cross and Galactic Cross) to form a single four-pointed cross!

Obelisk at Piazza di Giovanni, four-pointed cross on top of the eight-pointed cross! Although a symbol of the Great Celestial Conjunction, this obelisk no longer aligns with the Winter Solstice Sun as viewed from the Vatican.


We therefore suggest that the eight-pointed cross at St. Peter’s Square symbolically represents a Great Celestial Conjunction.

St Peter’s Square


It’s the alignment of the Earth Cross with the Galactic Cross that is being symbolized at St. Peter’s Square. Notice that there is a small four-pointed cross in the center around the obelisk (the Sun) that is aligned with the outer eight-pointed cross.  The eight-pointed cross is the superposition of the Galactic Cross and the Earth Cross. This is why Pope Sixtus V placed a four-pointed cross on top of the eight pointed cross! The crosses are recognized as follows:

  • The axis on which the two fountains at St. Peter’s Square reside is the Galactic Equator of the Milky Way since the Milky Was is associated with water.
  • The cardinal direction of this Galactic Equator axis corresponds with the Milky Way that straddles the East horizon from North to South.
  • The Earth Cross aligns closely (but not perfectly) with the two solstice axis

The esoteric significance of the Summer Solstice alignment of St. Peter’s Square obelisk with the obelisk at the Piazza del Popolo is that it symbolizes a Summer Solstice Galactic Alignment. Since the sky chart over St. Peter’s Square with the Pleiades residing over the Seven Hills symbolizes the Silver Gate, we postulate that the Vatican alignments represent a Summer Solstice Galactic Alignment at the Silver Gate. This alignment occurs right now in era 2012!

Summer and Winter Solstice alignments as viewed from St. Peter’s Square. The white arrows show the displacements of the obelisks from Circus Maximus by Pope Sixtus V.



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