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| Tanto el Tabernáculo y el Templo consistían de tres partes: |
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El Atrio |
El Lugar Santo |
El Lugar Santísimo |
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Con relación al Tabernáculo
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El Lugar Santísimo era un cubo (10 pies x 10 pies x 10 pies) |
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Con relación al Templo:
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El Lugar Santísimo era un cubo (20 pies x 20 pies x 20 pies) |
El tabernáculo propiamente dicho era una tienda cuadrangular, de 30 codos* de
largo, 10 de ancho y 10 de alto. Las dimensiones del conjunto de la estructura
no figuran con exactitud en los registros del Exodo, pero se las puede calcular
sobre la base de los detalles que se dan de las cortinas y las tablas que se
usaron en las paredes del tabernáculo, y de las medidas proporcionales, pero
mayores, del templo de Salomón (1 R. 6:2). La tienda estaba dividida en 2
compartimentos: el 1º conocido como "lugar santo" (Ex. 28:29), y el 2º como
"lugar santísimo", literalmente "el Santo de los Santos" (26:33, BJ). Este
constituía un cubo de 10 codos por lado, mientras el lugar santo era de 10
codos por 20. El tabernáculo estaba rodeado por un atrio o patio de 50 codos
de ancho por 100 de largo, limitado por cortinas de lino de 5 codos de alto
(27:18). Esta pared de cortinas estaba suspendida por 60 columnas, quizá de
maderas de acacia* (por ser esta la madera usada para los muebles y otras
columnas; cf 26:37) revestidas de plata y sostenidas por pedestales de bronce.
En la parte central del extremo oriental del patio se hallaba la entrada, que
estaba constituida por una cortina especial de 20 codos de largo (27:9-17). En
la mitad oriental del patio, cerca de la entrada, estaba el altar de los
holocaustos (vs 1-8) y el lavacro o lavatorio (30:17-21).
Leer más: Diccionario Biblico Cristiano Online y Gratis en Español - Significado o definicion de Tabernaculo
EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO DE MOISES TENIA FORMA DE CUBO Y ESTABA ORIENTADO DE ESTE A OESTE. CONCRETAMENTE DICHO COMPARTIMENTO ESTABA HACIA ADONDE SALE LA LUNA CRECIENTE. ESTO EXPLICA SU FUERTE NEXO CIENTIFICO CON DICHA LUNA, INTERRELACIONADA CON EL NACIMIENTO DE UN NIÑO. LA LUNA CRECIENTE TIENE LA CUALIDAD DE QUE SALE Y SE PONE A LA PUESTA DEL SOL SIEMPRE EN EL OESTE. CONCRETAMENTE EL MENSAJE ESPIRITUAL DEL LUGAR SANTISIMO DEL TABERNACULO DE MOISES Y DEL TEMPLO DE SALOMON TIENE UN FUERTE NEXO, INSISTO CON EL NACIMIENTO DE UN NIÑO, Y MAXIME QUE EN EL CONTEXTO A LOS MESES DEL AÑO EL OESTE NOS CAE EN SEPTIEMBRE U OCTUBRE, OSEA EN LA FIESTA DE LOS TABERNACULOS. TABERNA/VINO/GRIAL
Si usted mira objetivamente el cubo vera que esta relacionado con el NUMERO 6 (6 SUPERFICIES), 12 (LINEAS PERIMETRALES/12 MESES LUNARES), NUMERO 8 (PUNTOS PERIMETRALES/RESURRECCION) E INCLUSO CON EL NUMERO 28 CONSIDERANDO LAS LINEAS DIAGONALES INCLUIDAS LAS INTERIORES. CONCRETAMENTE EL CUBO ESTA DISEÑADO EN FUNCION EL MES LUNAR CON LOS SABADOS LUNARES.
INCLUSO TAMBIEN LE VEMOS AL CUBO UN NEXO ZODIACAL Y GALACTICO EN EL CONTEXTO A LOS EXTREMOS DEL ZODIACO SEGUN APOCALIPSIS 4:7
HIPERCUBO
SI CONTAMOS LA CANTIDAD DE PARTES DEL CUBO MAGICO TENEMOS EL ASOMBROSO NUMERO 26 RELACIONADO CON LA GEMATRIA EN EL HEBREO DE YHWH E INCLUSO EN EL INGLES DE GOD/DIOS.
| god in Simple Gematria Equals: 26 |
( |
g
7 |
o
15 |
d
4 |
) |
APOCALIPSIS 21
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales.
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel.
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Astronomical alignment[edit]
Looking east through nave on 23 June 1976, two days after the summer solstice Mary Magdalene's relics in the crypt
In 1976, Hugues Delautre, one of the Franciscan fathers charged with stewardship of the Vézelay sanctuary, discovered that beyond the customary east-west orientation of the structure, the architecture of La Madeleine incorporates the relative positions of the Earth and the Sun into its design. Every June, just before the feast day of Saint John the Baptist, the astronomical dimensions of the church are revealed as the sun reaches its highest point of the year, at local noon on the summer solstice, when the sunlight coming through the southern clerestory windows casts a series of illuminated spots precisely along the longitudinal center of the nave floor.[13][14][15][16][17]
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Did You Know About the Relics of the Three Wise Men?
When I was in college, I journeyed to Cologne, Germany and visited the city’s glorious cathedral. I was a Protestant at the time, but I remember being amazed that people had been building this cathedral for so many centuries. It is one of the greatest Gothic churches of all time.
 St Peter and St Mary Cathedral in Cologne, Germany
A tour guide informed me that the bodies of the three Wise Men were enshrined inside. I wasn’t much impressed by the remains of dead people, but this was something that perked my interest – the earthly remains of “we three kings of orient are.” It was perhaps my first investigation into one of those things that Protestants find icky: relics.
According to legend, the bodies of Gaspar, Balthasar, and Melchior (the traditional names of the Wise Men) were discovered by Saint Helena during her pilgrimage to the Holy Land. The fourteenth century account by John of Hildesheim entitled History of the Three Kings explains how Queen Saint Helen brought the mummies of the Magi to Constantinople.
After she had found the bodies of Melchior, Balthazar, and Gaspar, Queen Helen put them into one chest and ornamented it with great riches, and she brought them into Constantinople.
Later, the three mummies were transferred from Constantinople to Milan. The city of Milan was once known for its festive observance of the feast of Epiphany, and the presence of the three Wise Men’s relics in that city may be the context and origin for this ancient custom. The Holy Roman Emperor Frederick moved the mummified Magi one last time to Cologne in AD 1164 where they rest till this day. If you get to Germany, be sure to check it out.
 Photo of the golden casket of the three Wise Men
Are the bones of three Wise Men really in Germany? God only knows…but I like to think so. And remember: Wise Men still seek Jesus.
You may also like:
https://taylormarshall.com/2010/01/did-you-know-about-relics-of-three-wise.html
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LAST UPDATED: 27 NOVEMBER 2024
You may know Paris for its cathedral Notre-Dame, the Eiffel Tower, its café culture and its amazing museums and art galleries. The French capital is also famous for its fantastic perspective that runs from the Louvre to La Défense. This is the ‘Voie Triomphale’, aka the Historical Axis of Paris.
This line is one of the most prestigious perspectives in the world. In fact, its design has inspired cities such as Buenos Aires, Washington DC, New Delhi and Canberra. In this article, we’ll learn more about the Historical Axis of Paris. We’ll discover the stunning monuments and I reveal to you some stunning facts.
What is the Historical Axis of Paris?
 The glass pyramid and the historical axis of Paris © French Moments
The Historical Axis, also known in French as “Axe Historique”, “Voie Triomphale” or “Voie Royale” is orientated on a 26° angle.
It follows the course of the Sun from its rising in the East to its setting in the West.
Oddly, this angle of orientation is the same as that of Paris’ Notre-Dame Cathedral, some 1,000 metres away from the Louvre Palace.
More than just a series of monuments placed along the axis, it seems that a complex symbolism was at work in the mind of the successive urban planners.
The Historical Axis runs through some of Paris’ most celebrated monuments and squares:
Let’s move along the Historical Axis of Paris, from East to West, starting from the Louvre.
The Palace of the Louvre
Today the great perspective starts at the Louvre, immediately beyond the Church of St Germain l’Auxerrois.
The crab-shaped Palace was the main residence of the kings of France until 1682, when Louis XIV, the ‘Sun King’, moved his court to Versailles. It currently houses one of the world’s most wonderful museums in a complex that is known as the “Grand Louvre”.
 The Louvre today © French Moments
The controversial glass pyramid of the Louvre
President François Mitterrand left his mark with his pharaonic project of “Le Grand Louvre”. He wished to complete it for the bicentennial celebration of the French Revolution in 1989. The titanic project comprised of major renovation works and the construction of a new landmark along the Historical Axis: the celebrated (and controversial) Glass Pyramid.
But if you look closer, you’ll notice that the glass pyramid is not aligned with the other monuments on the Historical Axis.
That’s why something had to be added in this vast courtyard of the Louvre…
https://frenchmoments.eu/historical-axis-of-paris-la-voie-triomphale/ |
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That's right: Sirius rises at 26 degrees south of east, or bearing 116 degrees, from the latitude of Paris, and this is the direction in which the Champs Elysées is aligned. The Champs Elysées. The name is French for " Elysian Fields":
Quote:
| Elysium or the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon) is a conception of the afterlife that evolved over time and was maintained by certain Greek religious and philosophical sects, and cults. Initially separate from the realm of Hades, admission was initially reserved for mortals related to the gods and other heroes. Later, it expanded to include those chosen by the gods, the righteous, and the heroic, where they would remain after death, to live a blessed and happy life, and indulging in whatever employment they had enjoyed in life. |
Remember how the novel Arch of Triumph 1948 describes the Arc de Triomphe?: as the " huge gate to Hades" Now, the star Sirius, which is the star associated with Isis, rises from Paris every day at 116 degrees, but it does so at a different time each day. On August 31 each year, and on August 31 1997, Sirius rises about 5:30am. That means that if you had stood in the Champs Elysées and sighted along the avenue, before dawn on the morning that Diana died, you would see this sight: or at least, this is a version of what it would look like stitched together out of Google earth and Stellarium.  I got a bit more creative:  Then, a few minutes later, the moon rose, though it was almost imperceptible. Nevertheless it was there: so this was the scene in the skies to the east of Paris, literally as the official announcement of the death of Diana was made. Sirius rising through the Arc de Triomphe and along the Champs Elysées, and the moon further to the north, breaking the horizon within minutes. The moon, Diana, and Sirius, Isis, hovering over the city waking up to the news.  So how is Diana equal to Isis, or Sirius? Diana was born with the sun conjunct Sirius. Her astrology chart for those of you who are happy with that kind of thing, is here. Her natal sun is at 9 degrees 40 minutes of Cancer, and Sirius is at 13 degrees 32 minutes of Cancer, which is within the orb of a conjunction. So Diana's sun at birth is conjunct Sirius! Now this is true for any one who is born on July 1, or a day or two either side. Like Charles Laughton. Anyone with a July 1 birthday is a fitting archetype, potentially, for Isis, as their sun, or individuality, aligns with that of Isis. Diana certainly steps into her archetypes, no question of that, as the images above show, and plenty more to come on that. There are enough clues on the table now to be able to bring some ideas into focus. Elysian Fields. Gate to Hades. Arc de Triomphe sited on the "star", symbol of Isis. Champs Elysées aligned to the rising of Sirius=Isis. Paris as ancient temple of Isis. Isis who came to Paris on a boat. Diana, who came to Paris on a boat, whose name was changed to Osiris. The moon at it's lowest ebb, at it's darkest, at it's nadir. Death, as the moon is extinguished. And then rebirth, as Sirius rises above the horizon, reborn, through the gates, the portals, of the Arch of Triumph. This is a ritual, a theatrical presentation, a play that runs without a script yet everything, somehow, happens right on cue. Down to the minute. Yet it seems to resonate across the centuries, even the millennia...
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What is the Historical Axis of Paris?
The glass pyramid and the historical axis of Paris © French Moments
The Historical Axis, also known in French as “Axe Historique”, “Voie Triomphale” or “Voie Royale” is orientated on a 26° angle.
It follows the course of the Sun from its rising in the East to its setting in the West.
Oddly, this angle of orientation is the same as that of Paris’ Notre-Dame Cathedral, some 1,000 metres away from the Louvre Palace.
More than just a series of monuments placed along the axis, it seems that a complex symbolism was at work in the mind of the successive urban planners.
The Historical Axis runs through some of Paris’ most celebrated monuments and squares:
Let’s move along the Historical Axis of Paris, from East to West, starting from the Louvre.
https://frenchmoments.eu/historical-axis-of-paris-la-voie-triomphale/ |
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 Una multitud en los Campos Elíseos contemplando el desfile de tanques y carros de combate franceses y estadounidenses después de la liberación de París el 26 de agosto de 1944. |
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