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D-DAY 1944 AND A FULL MOON.
D-Day June 6, 1944 was very carefully timed to coincide with the moment of June’s Full Moon. It was reaching the highest point in the sky at 1:19 a.m. and just as the American airborne operations began. There was a Full Moon shining all night long in Normandy.
Why D-Day required a Full Moon.
As well as moonlight throughout the night, the tides were crucial, and that’s where a Full Moon really comes in. The Allies were able to use a low tide at 5:23 a.m. on D-Day to destroy the Germans’ underwater defenses at Omaha Beach.
But they also wanted rising water so that they could beach a craft and not get stranded.
If you want to have an insight into the conditions of the Normandy landings, 76 years ago, you could visit the invasion beaches of Normandy, France on June 5 and 6, when June’s Full Moon will shine all night long.
For those not able to be at the Normandy Beaches, you could experience an eerie feeling tonight, June 6, 2020 on our own beaches, when JUNE’s FULL MOON will SHINE ALL NIGHT LONG…….. REMEMBER D-DAY.
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Earth from Space – Arc de Triomphe, Paris
Status Report
May 13, 2022
Arc de Triomphe, Paris.
ESA
This striking, high-resolution image of the Arc de Triomphe, in Paris, was captured by Planet SkySat – a fleet of satellites that have just joined ESA’s Third Party Mission Programme in April 2022. The Arc de Triomphe, or in full Arc de Triomphe de l’Étoile, is an iconic symbol of France and one of the world’s best-known commemorative monuments. The triumphal arch was commissioned by Napoleon I in 1806 to celebrate the military achievements of the French armies. Construction of the arch began the following year, on 15 August (Napoleon’s birthday).
The arch stands at the centre of the Place Charles de Gaulle, the meeting point of 12 grand avenues which form a star (or étoile), which is why it is also referred to as the Arch of Triumph of the Star. The arch is 50 m high and 45 m wide.
The names of all French victories and generals are inscribed on the arch’s inner and outer surfaces, while the Tomb of the Unknown Soldier from World War I lies beneath its vault. The tomb’s flame is rekindled every evening as a symbol of the enduring nature of the commemoration and respect shown to those who have fallen in the name of France.
The Arc de Triomphe’s location at the Place Charles de Gaulle places it at the heart of the capital and the western terminus of the Avenue des Champs-Élysées (visible in the bottom-right of the image). Often referred to as the ‘most beautiful avenue in the world’, the Champs-Élysées is known for its theatres, cafés and luxury shops, as the finish of the Tour de France cycling race, as well as for its annual Bastille Day military parade.
This image, captured on 9 April 2022, was provided by Planet SkySat – a fleet of 21 very high-resolution satellites capable of collecting images multiple times during the day. SkySat’s satellite imagery, with 50 cm spatial resolution, is high enough to focus on areas of great interest, identifying objects such as vehicles and shipping containers.
SkySat data, along with PlanetScope (both owned and operated by Planet Labs), serve numerous commercial and governmental applications. These data are now available through ESA’s Third Party Mission programme – enabling researchers, scientists and companies from around the world the ability to access Planet’s high-frequency, high-resolution satellite data for non-commercial use.
Within this programme, Planet joins more than 50 other missions to add near-daily PlanetScope imagery, 50 cm SkySat imagery, and RapidEye archive data to this global network.
Peggy Fischer, Mission Manager for ESA’s Third Party Missions, commented, “We are very pleased to welcome PlanetScope and SkySat to ESA’s Third Party Missions portfolio and to begin the distribution of the Planet data through the ESA Earthnet Programme.
“The high-resolution and high-frequency imagery from these satellite constellations will provide an invaluable resource for the European R&D and applications community, greatly benefiting research and business opportunities across a wide range of sectors.”
To find out more on how to apply to the Earthnet Programme and get started with Planet data, click here.
– Download the full high-resolution image.
https://spaceref.com/earth/earth-from-space-arc-de-triomphe-paris/ |
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Biden conmemorará aniversario del Día D en Francia mientras alianzas occidentales enfrentan amenazas
El presidente estadounidense Joe Biden llega a Francia para el 80 aniversario del Día D, donde se unirá a otros líderes mundiales para conmemorar la invasión que ayudó a poner fin a la Segunda Guerra Mundial.
PARÍS —
El presidente de Estados Unidos, Joe Biden, conmemorará esta semana el 80 aniversario de la invasión del Día D en Francia, mientras intenta demostrar un firme apoyo a la seguridad europea en un momento en el que algunos aliados temen que Donald Trump amenace con poner en entredicho los compromisos estadounidenses si gana otro mandato en la Casa Blanca.
El viaje se produce mientras continúan los combates más letales en el continente desde la Segunda Guerra Mundial en Ucrania y los países aliados luchan por encontrar formas de cambiar el rumbo contra Rusia, que recientemente ha ganado terreno en el campo de batalla. También se produce en medio de las grietas cada vez más profundas entre Estados Unidos y muchos aliados europeos sobre cómo gestionar la actual guerra entre Israel y Hamás en Gaza.
Biden llegó a París el miércoles por la mañana y fue recibido por funcionarios franceses y una guardia de honor. El jueves, visitará un terreno sagrado cerca de las playas de Normandía, donde hileras de lápidas blancas marcan las tumbas de los soldados estadounidenses que murieron para poner fin a la Segunda Guerra Mundial. Biden también hablará el viernes en Pointe du Hoc, un lugar de la costa francesa donde los Rangers del ejército escalaron acantilados costeros para superar las defensas nazis.
El asesor de Seguridad Nacional de la Casa Blanca, Jake Sullivan, dijo a bordo del Air Force One camino a Francia que Biden enfatizará cómo los hombres en esos acantilados "pusieron al país por delante de ellos mismos" y detallará "los peligros del aislacionismo y cómo, si apoyamos a los dictadores y no nos enfrentamos a ellos, seguirán adelante y, en última instancia, Estados Unidos y el mundo pagarán un precio mayor".
"Ochenta años después, vemos a los dictadores una vez más intentando desafiar el orden, intentando marchar en Europa", dijo Sullivan, "y que las naciones amantes de la libertad necesitan unirse para oponerse a eso, como lo hemos hecho nosotros".
También dijo que Biden se reunirá con el presidente ucraniano Volodymyr Zelenskyy en Francia para discutir "cómo podemos continuar y profundizar nuestro apoyo a Ucrania".
El sábado, Biden y su esposa Jill serán honrados por el presidente francés Emmanuel Macron con una visita de Estado que incluirá un desfile militar en París y un banquete en el Palacio del Elíseo, así como sesiones de negocios en las que los líderes discutirán el fortalecimiento de su alianza, comercio y cooperación en materia de seguridad para los próximos Juegos Olímpicos.
También se espera que los dos líderes discutan sobre Medio Oriente. Biden ha invertido capital geopolítico en negociar un alto el fuego en la guerra entre Israel y Hamás que permitiría la liberación de rehenes, aunque ha mantenido su firme apoyo a Israel y se ha resistido a los esfuerzos europeos de reconocer un estado palestino o investigar a Israel por su manejo de la guerra.
https://www.vozdeamerica.com/a/biden-conmemorara-80-aniversario-dia-d-francia-alianzas-occidentales-enfrentan-amenazas-/7643479.html |
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Midnight in Paris
Midnight in Paris |
Theatrical release poster
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Directed by |
Woody Allen |
Written by |
Woody Allen |
Produced by |
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Starring |
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Cinematography |
Darius Khondji |
Edited by |
Alisa Lepselter |
Production companies |
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Distributed by |
Sony Pictures Classics (United States) Alta Films (Spain)[1] |
Release dates |
- May 11, 2011 (Cannes)
- May 13, 2011 (Spain)
- May 20, 2011 (United States)
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Running time |
94 minutes[2] |
Countries |
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Language |
English |
Budget |
$17 million[1] |
Box office |
$151.7 million[1] |
Midnight in Paris is a 2011 fantasy comedy film written and directed by Woody Allen. Set in Paris, the film follows Gil Pender (Owen Wilson), a screenwriter and aspiring novelist, who is forced to confront the shortcomings of his relationship with his materialistic fiancée (Rachel McAdams) and their divergent goals, which become increasingly exaggerated as he travels back in time to the 1920s each night at midnight.[3]
Produced by the Spanish group Mediapro and Allen's US-based Gravier Productions, the film stars Wilson, McAdams, Kathy Bates, Adrien Brody, Carla Bruni, Tom Hiddleston, Marion Cotillard, and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in the United States on May 20, 2011.[3][4] The film opened to critical acclaim. In 2012, it won the Academy Award for Best Original Screenplay and the Golden Globe Award for Best Screenplay. It was nominated for three other Academy Awards: Best Picture, Best Director and Best Art Direction.[5]
In 2010, disillusioned screenwriter Gil Pender and his fiancée, Inez, vacation in Paris with Inez's wealthy parents. Gil, struggling to finish his debut novel about a man who works in a nostalgia shop, finds himself drawn to the artistic history of Paris, especially the Lost Generation of the 1920s, and has ambitions to move there, which Inez dismisses. By chance, they meet Inez's friend, Paul, and his wife, Carol. Paul speaks with great authority but questionable accuracy on French history, annoying Gil but impressing Inez.
Intoxicated after a night of wine tasting, Gil decides to walk back to their hotel, while Inez goes with Paul and Carol by taxi. At midnight, a 1920s car pulls up beside Gil and delivers him to a party for Jean Cocteau, attended by other people of the 1920s Paris art scene. Zelda Fitzgerald, bored, encourages her husband Scott and Gil to leave with her. They head to a cafe where they run into Ernest Hemingway and Juan Belmonte. After Zelda and Scott leave, Gil and Hemingway discuss writing, and Hemingway offers to show Gil's novel to Gertrude Stein. As Gil leaves to fetch his manuscript, he returns to 2010; the cafe is now a laundromat.
The next night, Gil tries to repeat the experience with Inez, but she leaves before midnight. Returning to the 1920s, Gil accompanies Hemingway to visit Gertrude Stein, who critiques Pablo Picasso's new painting of his lover Adriana. Gil becomes drawn to Adriana, a costume designer who also had affairs with Amedeo Modigliani and Georges Braque. Having heard the first line of Gil's novel, Adriana praises it and admits she has always longed for the past.
Gil continues to time travel the following nights. Inez grows jaded with Paris and Gil's constant disappearing, while her father grows suspicious and hires a private detective to follow him. Adriana leaves Picasso and continues to bond with Gil, who is conflicted by his attraction to her. Gil explains his situation to Salvador Dalí, Man Ray, and Luis Buñuel; as surrealists, they do not question his claim of coming from the future. Gil later suggests the plot of "The Exterminating Angel" to Buñuel.
While Inez and her parents travel to Mont Saint Michel, Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He later finds Adriana's diary at a book stall, which reveals that she was in love with Gil and dreamed of being gifted earrings before making love to him. To seduce Adriana, Gil tries to steal a pair of Inez's earrings but is thwarted by her early return to the hotel room.
Gil buys new earrings and returns to the past. After he gives Adriana the earrings, a horse-drawn carriage arrives, transporting them to the Belle Époque, an era Adriana considers Paris's Golden Age, they go to the Moulin Rouge where they meet Henri de Toulouse-Lautrec, Paul Gauguin, and Edgar Degas, who all agree that Paris's best era was the Renaissance. Adriana is offered a job designing ballet costumes; thrilled, she proposes to Gil that they stay, but he, observing the unhappiness of Adriana and the other artists, realizes that chasing nostalgia is fruitless because the present is always "a little unsatisfying." Adriana decides to stay, and they part ways.
Gil rewrites the first two chapters of his novel. He retrieves his draft from Stein, who praises his rewrite. Still, he says that on reading the new chapters, Hemingway does not believe that the protagonist does not realize that his fiancée, based on Inez, is having an affair with the character based on Paul. Gil returns to 2010 and confronts Inez, who admits to sleeping with Paul but disregards it as a meaningless fling. Gil breaks up with her and decides to move to Paris. The detective following him takes a "wrong turn" and ends up being chased by the palace guards of Louis XVI just before a revolution breaks out. While walking by the Seine at midnight, Gil encounters Gabrielle. As it begins to rain, he offers to walk her home and learns that they share a love for Paris in the rain.
Main cast
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Governor General David Johnston (right) with actor Michael J.Fox at Rideau Hall on May 27, 2011 during an Order of Canada ceremony.
PATRICK DOYLE / THE CANADIAN PRESS
OTTAWA—Actor Michael J. Fox is now an officer of the Order of Canada.
The Edmonton-born actor and activist is among 43 people who received their medals from Gov. Gen. David Johnston at a Rideau Hall ceremony.
Others include rock legend Robbie Robertson, hockey commentator Howie Meeker, Acadian filmmaker Phil Comeau, former cabinet minister Anne McLellan and Trudeau biographer Stephen Clarkson.
Fox was honoured for his efforts on behalf of those suffering from Parkinson’s disease, as well as his television and film work.
Fox, diagnosed with Parkinson’s two decades ago, called the award a great honour.
He chuckled that he felt like an imposter when he glanced around at his fellow inductees.
“I don’t begin for a second to put myself in the league of any of these people,” he said. “When I listen to what they’ve done, that’s Canadian to me. It’s a seriousness and a sense of humour, it’s a lot of contradictions.”
He said Canada always makes him think “of vast spaces and tight communities.”
“We think of ourselves huddled against the elements and helping each other. It’s very moving to be part of it.”
https://www.thestar.com/entertainment/michael-j-fox-receives-order-of-canada/article_8f612aa5-9d87-5133-9984-8c2b1b3eaa4f.html |
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First, NYC/Long Island can be associated with 'knowledge' through the symbolisms of 'apple' ("Big Apple"), 'rose' (state flower), 'fire' (Statue of Liberty, its connection to Paris/'torch'), etc. and as we've seen in foregoing sections it's part of the 'ark' complex via VI-97. Furthermore from the 'apple' connection follows the notion of the 'serpent'. Now, all those 'knowledge'/Sirius connections of NYC can be transferred to Mars because, as illustrated in 'Babylon Matrix', NYC is also related to Mars, especially the Cydonia region with all the potentially artificial structures. Mars being red and circular is associatable with the 'apple', the red and round 'Big Apple' (NYC). Now, some might argue that the fruit Eve ate was not necessarily an 'apple', but we generally thought of it as an apple today and that has to count in symbolism. But there is a much more precise connection - the latitudes of NYC and Cydonia are exactly the same, 40.5~41N.
The events closely associated earlier with X-72 and more or less with the ark, the two random shootings in a library and school ('Resonance' #7 and 8), appear to back up the Mars-Sirius connection also. Those two similar events, only five days apart, occurred one on the Cydonian latitude and the other on the Sirius 'angle' latitude. The Mormon library shooting took place at ~40.5N, and the Colorado school shooting at ~39.5N. The name 'Salt Lake City', where the library shooting occurred, may be relevant also since mythologically the 'salt water' is of female - and Sirius is filled with female associations ('goddess', 'star of Women', etc.).
Moreover, Temple mentions in his book that "when making rhetorical allusion to the Dog Days, the Latins would often speak of Sirius being red at the time..." Now, this is quite significant for not only is Sirius described as 'red' like Mars, but the "Dog Days" would refer to a period in or around July - the exact time-frame indicated by Quatrain X-72.
The Sirius-correlated Argo also turns out to be very relevant here. Because the main mission of Jason, the leader of the Argonauts who has been identified as the "appeasing King"/"King of terror" of X-72 earlier, was to obtain the 'golden fleece', and in Temple's words, "Aries was definitely identified with the golden fleece". In case you don't know, Aries is the Greek Mars. Aries is also a sign of the zodiac, "ruled" by Mars, and it is classified as a 'fire sign' - correlating with the fire-knowledge symbolism. I should also point out that Mars is called 'fire star' in Japanese.
Moreover, Sirius/Isis' son Horus provides intriguing correlations. First, the Great Sphinx associated earlier with 'ark' was called by Egyptians "Horus of Horizon" which also happens to be a name given to Mars. And the word 'Cairo', where the Sphinx is (actually slightly west of Cairo), is derived from 'Mars'. Mars was also called 'Horus the Red'. And the word 'Heru' (Egyptian name for Horus) also has the meaning of 'face' - seemingly a reference to the infamous 'Face on Mars' at Cydonia! (So, as you can see, the Mars-Horus connection is quite obvious.) Next, Sirius/ark comes into the web of associations, as the Argo also relates to Horus (thus to Mars too) as the Greek derivation of Horus, 'Circe', plays a prominent role in the story of Argo. Also, as Temple hypothesizes, the names of the original captain of Argo, Herakles, and his protectress Hera may be derived from 'Heru' - the Egyptian name for Horus. Furthermore, we're told that Herakles/Hera is related to the word 'Seirios' from which we have the word 'Sirius' - strengthening the Mars-ark-Sirius connection. But as if it wasn't enough, Temple goes on to point out that 'Seirios' also has the meaning of 'fiery/scorching', that can easily be a reference to Mars.
And finally, Mars and Sirius are linked by the 'tetrahedral angle' of 19.5 degrees. '19.5 degrees' is one of the most significant notions derived from the supposed artificial structures of Cydonia that suggests their artificiality, according to investigators like Richard Hoagland ('The Monuments of Mars'). It is viewed as a definite 'signal in the noise' - some kind of a 'message' left there by some intelligence. This number, '19.5', is called t, the 'tetrahedral constant', because of its significance in tetrahedral geometry (a tetrahedron is a pyramid shape composed of four equilateral triangular sides): the apexes of a tetrahedron when placed within a circumscribing sphere, one of the tetrahedron's apexes touching the south (or north) pole, the other three apexes touch the surface of the sphere at 19.5 degrees north latitude. So it is interesting that the Egyptian symbol for Sirius is a triangle which can be viewed as a 2-dimensional representation of a tetrahedron.
https://www.goroadachi.com/etemenanki/1999-sirius.htm |
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