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AGUJERO DE GUSANO=ALTA ALQUIMIA=GRIAL: SANTA CENA=NUMERO 13=VESICA PISCIS=MISA CATOLICA="AGUJERO DE GUSANO=SANTO GRIAL
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Reply  Message 1 of 226 on the subject 
From: BARILOCHENSE6999  (Original message) Sent: 04/11/2014 15:16
TABERNACULO =TEMPLO DE SALOMON = KAABA = GIZE= VATICANO= WASHINGTON D.C = NUEVA JERUSALEN = JUAN MARCOS
CENACULO DE JERUSALEN=SAN MARCOS= EUCARISTIA CATOLICA (VESICA PISCIS)= SANTA CENA (NUMERO 13=VESICA PISCIS =ESTRELLA DE 6 PUNTAS)= SANTO GRIAL= ALQUIMIA="AGUJERO DE GUSANO"
 
"AGUJERO DE GUSANO MUNDIAL" ES VESICA PISCIS. NEXO CON EL CUBO
En diversos periodos de la historia ha sido tema de especulaciones místicas; probablemente los primeros fueron los Pitagóricos, que la consideraban una figura sagrada. La razón matemática de su anchura (medida por los puntos extremos del "cuerpo", sin incluir la "cola") por su altura fue aproximada por el cociente 265:153. Esta razón, que da 1,73203, se consideró un número sagrado llamado la medida del pez. Exactamente, la razón geométrica de estas dimensiones es la raíz cuadrada de 3, o 1,73205... (ya que si se traza la línea recta que une los centros de ambos círculos, junto con los dos puntos donde los círculos se intersecan, se obtienen dos triángulos equiláteros unidos por un lado). El cociente 265:153 es una aproximación a la raíz cuadrada de 3, y tiene la propiedad de que no se puede obtener ninguna aproximación mejor con números más pequeños. El número 153 aparece en el Evangelio de Juan (21:11) como el número de peces que Jesús hizo que se capturaran en la milagrosa captura de los peces, lo que algunos consideran como una referencia cifrada de las creencias pitagóricas.
 
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SANTA CENA=NUMERO 13=VESICA PISCIS ="AGUJERO DE GUSANO" ="MAQUINA DEL TIEMPO"
       

(ABCD) Double Square in Solomons Temple

 
EL LUGAR SANTISIMO DEL TABERNACULO Y DEL TEMPLO DE SALOMON TENIA FORMA DE CUBO
 
 
 
NOTEN LA ESTRELLA DE 5 PUNTAS EN EL CENTRO DEL EXAGONO CENTRO DE LA ESTRELLA DE 6 PUNTAS
EL EXAGONO TAMBIEN ES UNA REFERENCIA AL CUBO.
 
NOTEN QUE EN ESTA ESTRELLA DE 6 PUNTAS HAY 13 TRIANGULOS DE 5 PUNTAS, OSEA QUE NOS DA UN NEXO CON LAS 12 CONSTELACIONES DEL ZODIACO, CON LAS 12 HORAS DEL DIA, CON LAS 12 LUNAS QUE HAY EN EL CALENDARIO, CON LA SANTA CENA EN EL CONTEXTO A LOS 12 APOSTOLES, CON LAS 12 TRIBUS DE ISRAEL, CON EL MERIDIANO DE GREENWICH E INCLUSO CON ROSE LINE, ETC,ETC. TODO TIENE COMO PATRON LA ESTRELLA DE 6 PUNTAS, OSEA LA UNION ENTRE EL HOMBRE Y LA MUJER QUE LA TRADICION RELIGIOSA "OLVIDO". ESTE ES EL PATRON ESOTERICO DETRAS DE APOCALIPSIS 22 EN SU RELACION CON VENUS.
Image
 
Religion-Star-of-David-Jewish-Judasim-Custom-Wall-Clock-100-FREE-S-H-Worldwide

FLOWER-of-LIFE

floweroflife_giza1

 
Noten el MONSTRUOSO NUMERO 36, incluso con la FORMA DE ORION, en una estrella de 6 puntas. Son siete pelotitas, con 6 perimetrales. 6x6=36



 

  

 

  • There are 13 leaves on the left olive branch with 13 berries.

  • 13 stripes on the middle shield.

  • 13 arrows on the right.

  • 13 stars above the eagles head.

  • 13 letters in the "E Pluribus Unum" on the ribbon.

  • 13 letters in Annuit Coeptis.

  • There are 13 blocks top to bottom on the pyramid.



NOTEN EL NEXO DE LA SANTA CENA CON EL NUMERO 13 (PATRON ALQUIMICO MUNDIAL="AGUJERO DE GUSANO")
 
  • EL DISCIPULO AMADO DE LA SANTA CENA ES EL MISMO JUAN MARCOS-IMPRESIONANTE CLAVE DEL EVANGELIO DE MARCOS CON JUAN 13 (SANTA CENA)
Juan
13:1 Antes de la fiesta de la pascua, sabiendo Jesús que su hora había llegado para que pasase de este mundo al Padre, como había amado a los suyos que estaban en el mundo, los amó hasta el fin. (David significa amado. David es el escritor del salmo 119)
13:2 Y cuando cenaban, como el diablo ya había puesto en el corazón de Judas Iscariote, hijo de Simón, que le entregase, (Hay como una referencia a que JUDAS CONSPIRA CONTRA JUAN MARCOS al mostrar que la palabra es "HIJO DE SIMON")
 

13:3 sabiendo Jesús que el Padre le había dado todas las cosas en las manos, y que había salido de Dios, y a Dios iba,
13:4 se levantó de la cena, y se quitó su manto, y tomando una toalla, se la ciñó.
 
13:5 Luego puso agua en un lebrillo, y comenzó a lavar los pies de los discípulos, y a enjugarlos con la toalla con que estaba ceñido.
13:6 Entonces vino a Simón Pedro; y Pedro le dijo: Señor, ¿tú me lavas los pies?
13:7 Respondió Jesús y le dijo: Lo que yo hago, tú no lo comprendes ahora; mas lo entenderás después.
13:8 Pedro le dijo: No me lavarás los pies jamás. Jesús le respondió: Si no te lavare, no tendrás parte conmigo.
13:9 Le dijo Simón Pedro: Señor, no sólo mis pies, sino también las manos y la cabeza.
13:10 Jesús le dijo: El que está lavado, no necesita sino lavarse los pies, pues está todo limpio; y vosotros limpios estáis, aunque no todos.
13:11 Porque sabía quién le iba a entregar; por eso dijo: No estáis limpios todos.
13:12 Así que, después que les hubo lavado los pies, tomó su manto, volvió a la mesa, y les dijo: ¿Sabéis lo que os he hecho?
13:13 Vosotros me llamáis Maestro, y Señor; y decís bien, porque lo soy. (El mismo termino MAESTRO/MASTER tambien tiene una analogia con METER (MADRE EN GRIEGO Y METRO EN FRANCES) /METRO. Esto es una analogia esoterica a LA LINEA ROSA QUE PASA POR PARIS. ESTO SE CONFIRMA POR EL NEXO PEDRO CON EL GALLO EN ESTE MISMO CAPITULO. Recordemos que el metro esta diseñado en funcion al MERIDIANO DE PARIS)
 MASTER/MAESTRO/MOTHER-SON/MOTHER-STAR/MASON-
13:14 Pues si yo, el Señor y el Maestro, he lavado vuestros pies, vosotros también debéis lavaros los pies los unos a los otros. (El termino maestro/master esconde un nexo esoterico con EL SALMO 119. En la ARGENTINA NO ES CASUALIDAD QUE EL DIA DEL MAESTRO ES EL 11 DE SEPTIEMBRE. DIOS MUEVE LOS HILOS DE TODO. NOTEN QUE SARMIENTO NACIO EN SAN JUAN, TIERRA DEL VINO Y MURIO EN ASUNCION DEL PARAGUAY. Hay un OBVIO NEXO CON MARIA MAGDALENA EN CONTEXTO A LA TIERRA ROJA PARAGUAYA Y A LA ASUNCION DE LA VIRGEN)

13:15 Porque ejemplo os he dado, para que como yo os he hecho, vosotros también hagáis.
13:16 De cierto, de cierto os digo: El siervo no es mayor que su señor, ni el enviado es mayor que el que le envió. (Aqui tenemos un NEXO CON NOE EN CONTEXTO a CAM que es declarado SIERVO DE SEM. Hay un obvio nexo CON EL LINAJE. GENESIS 9)
13:17 Si sabéis estas cosas, bienaventurados seréis si las hiciereis.
13:18 No hablo de todos vosotros; yo sé a quienes he elegido; mas para que se cumpla la Escritura: El que come pan conmigo, levantó contra mí su calcañar.
13:19 Desde ahora os lo digo antes que suceda, para que cuando suceda, creáis que yo soy.
13:20 De cierto, de cierto os digo: El que recibe al que yo enviare, me recibe a mí; y el que me recibe a mí, recibe al que me envió. (IMPRESIONANTE EL MARCO CON EL NIÑO DE MARCOS 9:37, tambien en contexto al SALMO 119)

MARCOS

 
9:35 Entonces él se sentó y llamó a los doce, y les dijo: Si alguno quiere ser el primero, será el postrero de todos, y el servidor de todos. (UNA REFERENCIA ESPIRITUAL ESOTERICA CON EL SALMO 119, OSEA APOCALIPSIS 1:8, OBVIAMENTE CON FUERTE NEXO CON EL DISCIPULO AMADO Y LA RESURRECCION)
9:36 Y tomó a un niño, y lo puso en medio de ellos; y tomándole en sus brazos, les dijo:
9:37 El que reciba en mi nombre a un niño como este, me recibe a mí; y el que a mí me recibe, no me recibe a mí sino al que me envió. (ES CLARO QUE CRISTO ESTA HABLANDO DEL GRIAL AQUI Y TAMBIEN ES CLARO EL FUERTE MARCO DE LA SANTA CENA, INSISTO EN JUAN 13, CON ESTE NIÑO. RECORDEMOS QUE JUAN MARCOS EN LA EPOCA DE CRISTO ERA UN NIÑO Y QUE INCLUSO LA SANTA CENA FUE EN LA CASA DE MARIA, LA MADRE DE ESTE ULTIMO.)
 
 
VOLVIENDO CON JUAN 13
13:21 Habiendo dicho Jesús esto, se conmovió en espíritu, y declaró y dijo: De cierto, de cierto os digo, que uno de vosotros me va a entregar.
13:22 Entonces los discípulos se miraban unos a otros, dudando de quién hablaba.
13:23 Y uno de sus discípulos, al cual Jesús amaba, estaba recostado al lado de Jesús. (ES OBVIO EN TODO ESTE CONTEXTO QUE EL DISCIPULO AMADO ES JUAN MARCOS)
¿EL DISCIPULO AMADO FUE MARIA MAGDALENA O JUAN
13:24 A éste, pues, hizo señas Simón Pedro, para que preguntase quién era aquel de quien hablaba.

13:25 El entonces, recostado cerca del pecho de Jesús, le dijo: Señor, ¿quién es?
13:26 Respondió Jesús: A quien yo diere el pan mojado, aquél es. Y mojando el pan, lo dio a Judas Iscariote hijo de Simón.


First  Previous  62 to 76 of 226  Next   Last 
Reply  Message 62 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 19/05/2015 15:46
BARILOCHENSE6999 Sent: 19/05/2015 12:35

Jesus, whether a real man or not is being portrayed as a Sun Deity.

The Last Supper

Here Jesus (the Sun) pushes away from Summer with his right hand but opens his hand and looks toward Autumn. The female looking disciple to the right of Jesus is Virgo.

Libra File:Libra.svg can be seen pushing away Scorpio File:Scorpio.svg Libra prepares the way of the Anti-Christ Scorpio.

An anteroom is a room that you go through before you enter a larger i.e. A room before another room. The Anti-Christ was a prophet before the main prophet i.e. John the Baptist, hence Leonardo Da Vinci depicts Scorpio the same as he depicts his previous paintings of John the Baptist i.e. finger pointing upwards.

In December 2012 the Sun crossed the Galactic plain and entered the Age of Aquarius this was done when the sun was between the arrow of Sagittarius and the sting of Scorpio.

*************************

  •  Wedding at Cana

    The story is related in John 2:1 -10

    1 On the third day a wedding took place at Cana in Galilee. Jesus' mother was there,

    2 and Jesus and his disciples had also been invited to the wedding.

    3 When the wine was gone, Jesus' mother said to him, "They have no more wine."

    4 "Dear woman, why do you involve me?" Jesus replied, "My time has not yet come."

    5 His mother said to the servants, "Do whatever he tells you."

    6 Nearby stood six stone water jars, the kind used by the Jews for ceremonial washing, each holding from twenty to thirty gallons.[a]

    7Jesus said to the servants, "Fill the jars with water"; so they filled them to the brim.

    8 Then he told them, "Now draw some out and take it to the master of the banquet."

       They did so,

    9 and the master of the banquet tasted the water that had been turned into wine. He did not realize where it had come from, though the servants who had drawn the water knew. Then he called the bridegroom aside

    10 and said, "Everyone brings out the choice wine first and then the cheaper wine after the guests have had too much to drink; but you have saved the best till now."

    11 This, the first of his miraculous signs, Jesus performed in Cana of Galilee. He thus revealed his glory, and his disciples put their faith in him.

     

Prior to this Jesus collects together the TWELVE disciples.

First thing that strikes you is that we are not told whose wedding this is but not only have Jesus and the disciples been invited but also Mary mother of Jesus.

The second question is what spiritual significance does this have? Turning water into wine? The significance was that it was Jesus' first miracle?

The answer is that it is linked to Astrotheology

Firstly we must understand that when the Gospels were first written they would only have been written for trained eyes schooled with understanding. they were never envisaged for inclusion into a book written for everyone. All religious writing was done in the form of a reference to the scriptures. The meaning of the inclusion of this apparent 'party trick' is on another level of meaning called a 'Pesher'. Jesus is breaking with tradition for only celibates (this would have included Jesus at this point) could receive communion. In this apparent miracle he was allowing the 'unclean' persons (Gentiles) to receive communion.

But whose wedding was this? There is nothing sinister about us not being told because it would have been irrelevant to the Pesher and the assumption is clear to those with understanding. Mary mother of Jesus was part of the story and so was included in the text.

When Essene marriage rules are brought together it is clear that this was in fact ONE of the marriages of Jesus to Mary Magdalene at Cana (Ain Feshkha) conducted under Hellenist rules. Three marriages are required, the wedding at Cana is in fact merely a betrothal but is a little more than just an engagement. The phrase 'my time has not yet come' means that this was the feast that preceded the ceremony. We actually can make a very good guess of the date of this wedding, it is June 6th 30CE. It occurred in the evening on the same day that Jesus was in the corn fields with the disciples which is depicted in parchment one. We know this from a correlation between the four Gospels (Mark 2, Luke 6 and John 2) and a deep understanding of the strict rules surrounding Essene marriage from the Temple Scrolls worked out from the Sabbatical year.

The transcripts of the two Priory Of Sion parchments, Jesus in the corn fields and the anointment of the feet of Jesus by Mary Magdalene, signify a quite definite allusion to the marriage of Jesus and Mary Magdalene. Clearly the authors of these two parchments knew something. 

http://www.cromleck-de-rennes.com/mary_magdalene.htm

 
 
 
Reply  Message 33 of 33 on the subject 
From: BARILOCHENSE6999 Sent: 19/05/2015 12:36
 
BARILOCHENSE6999 Sent: 12/05/2015 22:00

 
IMPRESIONANTE NEXO CON FATIMA EN EL CONTEXTO AL NUMERO 47
 
 
 
Reply Hide message Delete message  Message 119 of 210 on the subject 
From: BARILOCHENSE6999 Sent: 07/10/2012 23:46


Reply  Message 63 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 21/05/2015 15:07
Image

I just saw an article comparing this crop circle to the background of Da Vinci`s Last Supper,

they use the same perspective!

Image

I knew that room looked familiar!

_________________
From the Borderlands - mjastudio.com

Reply  Message 64 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 21/05/2015 15:57
Image

A page for L. - triangles.

Image

Reply  Message 65 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 21/05/2015 16:50
 
Image

Saint Germaine
has the Tetragrammaton that Sauniere wore in his regalia
It has the cube like pattern around it
like the floor pattern at Rennes Chateau


Image

Saunieres regalia
Image

and the cube like pattern on the floor of Rennes

The Tiles of Bethanie at Rennes Chateau are octagons
http://www.geolocation.ws/v/L/6083241274/tiles-in-bethania-at-rennes-le-chateau/en

and this pattern at Magdala Tower
looks similar to the crop circle in Italy
proclaiming Ea Enki

http://www.geolocation.ws/v/L/6083180770/tiles-in-magdala-tower-at-rennes-le/en


I want to point out there is a difference between the cubes in the stained glass windows at St Sulpice and the cubes on the floor at Rennes

the floor cubes at Rennes are Black and the ones at Saint Sulpice is White

DaVinci's Flower of Life
Image

the cube pattern is there
Image

Fruit of Life Platonic Solids

The "Fruit of Life" symbol is composed of 13 circles taken from the design of the Flower of Life
The Fruit of Life is said to be the blueprint of the universe, containing the basis for the design of every atom, molecular structure, life form, and everything in existence.

The number 13 has a connection with the Templars
There are 13 Archimedean solids
The apparitions of the Virgin of Fátima in 1917 were claimed to occur on the 13th of six consecutive months.[3]

In Catholic devotional practice, the number thirteen is also associated with Saint Anthony of Padua, since his feast day falls on June 13. A traditional devotion called the Thirteen Tuesdays of St. Anthony involves praying to the saint every Tuesday over a period of thirteen weeks. Another devotion, St. Anthony's Chaplet, consists of thirteen decades of three beads each.


The end of the Mayan calendar's 13th Baktun is superstitiously feared as a harbinger of the apocalyptic 2012 phenomenon
At Jesus Christ's last supper, there were thirteen people around the table, counting Christ and the twelve apostles

37 years which have 13 full moons compared with 63 years with 12 full moons,
http://en.wikipedia.org/wiki/13_%28number%29

_________________
Everything is Connected and there are no
coincidences
 
http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=100

Reply  Message 66 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 21/05/2015 16:56
Image

You can see the Four fixed points the eagle lion water man and bull angels
We find them in Ezekiel and in Revelations
there are 13 spheres

Enoch lived for 365 years before he became the Metraton.....365 = a year
In the Southern Jourisdiction of the Scottish Rites the Thirteenth Degree relates to what is called the Royal Arch of Enoch (as in an arch supported by two columns). In this Enoch legend he is instructed to excavate nine chambers featuring nine arches and to hide a white cube bearing a golden triangle inscribed with the name of God. Instead of dealing with the soul's journey alone (as Metatron's Cube appears to) this legend deals with the history of the World/Universe. In Enoch's myth, the cube represents materiality in general (Shekinah), and the golden traingle represents the divine spark inherent in everything. (see Alchemy, Hasidism etc.) The lowest of the nine arcs (ark, arch) in this scheme is the earth. This is the Shekinah story again.

Manley Hall suggests that the nine worlds image relates to the nine stages of the Nordic initiation, the chambers where the rites were performed and the nine divisions of their cosmological template. Albert Pike suggests the same thing of the Enoch legend, that it pointed to a rite with nine stages that was performed literally underground, the form of which was related mathematically to their astronomical template. The logic goes like this: We'll form a club based on the nine planetary spheres, there with will be nine degrees to represent the phases of the souls journey. These numbers and ideas will inform our architecture and ceremonies. Underground chambers symbolize the womb, and nine of them would represent the human gestation period, nine months. The legend is an astronomy learning tool fashioned around the story of human reproduction.
http://dcsymbols.com/journey/treebook3.htm great article
The Great Seal of the US stars above the eagle
has a pattern of the Seal of Solomon
arranged in rows of 1-4-3-4-1, forming a six-pointed star.
The Number thirteen is the arrows and circles(olives) on the leaves

_________________
Everything is Connected and there are no
coincidences

Reply  Message 67 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 22/05/2015 17:22
 
The Metratron Cube and the Koch Snowflake together
http://i19.photobucket.com/albums/b199/Stormfronter/MetatronKoch2.jpg

and a Spiral with a Koch Snowflake
http://3.bp.blogspot.com/-9_8-Sder21Y/T4HR7jDM8PI/AAAAAAAAAOU/jQXXu7LGJqo/s1600/Koch+Snowflake+Spiral.png

Metratron cube
Image

Metatron, an angel mentioned in apocryphal texts including the Second Book of Enoch and the Book of the Palaces.[1] These texts rank Metatron second only to YHVH in the hierarchy of spiritual beings.
Metatron as the means by which humanity was given knowledge of YHVH; presumably implying that study of Metatron's cube would be necessary to understanding the tree of life.

The Latin word Metator (messenger, guide, leader, measurer) had been suggested by Eleazar ben Judah of Worms (c. 1165 - c. 1230), Rabbi Moshe ben Nachman, and brought to light again by Hugo Odeberg.[13] When transliterated into the Hebrew language, we get מטיטור or מיטטור. Gershom Scholem argues that there is no data to justify the conversion of metator to metatron.[18] Philip Alexander also suggests this as a possible origin of Metatron, stating that the word Metator also occurs in Greek as mitator–a word for an officer in the Roman army who acted as a forerunner. Using this etymology, Alexander suggests the name may have come about as a description of "the angel of the Lord who led the Israelites through the wilderness: acting like a Roman army metator guiding the Israelites on their way".[21][22
Another possible interpretation is that of Enoch as a metator showing them "how they could escape from the wilderness of this world into the promised land of heaven". Because we see this as a word in Hebrew, Jewish Aramaic, and Greek, Alexander believes this gives even more strength to this etymology



Occultists sometimes associate archangels in Kabbalistic fashion with various seasons or elements, or even colors. In some Kabbalah-based systems of ceremonial magic, all four of the main archangels (Michael, Gabriel, Raphael and Uriel) are invoked as guarding the four quarters, or directions, and their corresponding colors are associated with magical properties

_________________
Everything is Connected and there are no
coincidences

Reply  Message 68 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 24/05/2015 16:47
 
Image



Image


The following Cartesian coordinates define the vertices of an icosahedron with edge-length 2, centered at the origin:
(0, ±1, ±φ)
(±1, ±φ, 0)
(±φ, 0, ±1)
where φ = (1+√5)/2 is the golden ratio (also written τ). Note that these vertices form five sets of three concentric, mutually orthogonal golden rectangles, whose edges form Borromean rings.
If the original icosahedron has edge length 1, its dual dodecahedron has edge length , one divided by the golden ratio.


Image

Image

Gold nanoparticle - monoatomic gold - alchemy symbolic transmutation


Image

Luca Pacioli - gyroscope -borromean rings - hourglass


Image

Luca Pacioli - icosahedron - Sem priest - Leopard skin

Image

Earth grid - Phi - Icosahedron


Image


Image

Dali Tiger - The beast


Image

William Blake Tyger poem

TIGER, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?



Image

The Lamb
William Blake

Little Lamb, who made thee
Does thou know who made thee
Gave thee life & bid thee feed.
By the stream & o'er the mead;
Gave thee clothing of delight,
Softest clothing woolly bright;
Gave thee such a tender voice.
Making all the vales rejoice:
Little Lamb who made thee
Does thou know who made thee

Little Lamb I'll tell thee,
Little Lamb I'll tell thee;
He is called by thy name,
For he calls himself a Lamb:
He is meek & he is mild,
He became a little child
I a child & thou a lamb,
We are called by His name,
Little Lamb God bless thee,
Little Lamb God bless thee.

_________________
E.T.A.E
 
http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=600

Reply  Message 69 of 226 on the subject 
From: BARILOCHENSE6999 Sent: 25/05/2015 16:10
 
Anoche he visto nuevamente las dos peliculas de VOLVER AL FUTURO I Y II. Impresionante. Al comienzo de la primera version el PERRO ES EL PRIMERO EN TRASLADARSE EN EL TIEMPO EXACTAMENTE EL 26 DE OCTUBRE DE 1985, A LA 1:19 MINUTOS, UN NEXO CON EL 11 DE SEPTIEMBRE DEL 2001 E INCLUSO CON EL SALMO 119 (YO SOY EL ALFA Y EL OMEGA, EL PRINCIPIO Y EL FIN EN FUNCION A APOCALIPSIS 1:8 Y 22:12).
INCLUSO EN LA SEGUNDA VERSION, SE VE QUE EL NACIMIENTO DE MARTY (MICHAEL FOX) ES EL 6 DE AGOSTO DE 1968 (TRANSFIGURACION DE CRISTO) E INCLUSO QUE EL PADRE (GEORGE MCFLY, obviamente relacionado con la ISLA SAN GIORGIO EN VENECIA) muere el 15 de MARZO DE 1973, debido a UN ACCIDENTE QUE BROWN Y MARTY, LUEGO TIENEN QUE REPARAR AL VOLVER AL 12 DE NOVIEMBRE DE 1955. (15 DE MARZO=SAN LONGINO=15/3 (VESICA PISCIS)). CUANDO MARTY, EN LA PRIMERA VERSION, TIENE QUE VOLVER AL 26 DE OCTUBRE DE 1985, DESDE EL 12 DE NOVIEMBRE DE 1955, tambien me llamo la atencion que BROWN, OSEA EL CIENTIFICO, LE AFIRMA QUE FALTAN 7 MINUTOS Y 22 SEGUNDOS PARA QUE CAIGA EL RAYO, QUE VA A PRODUCIR LOS 121 GIGAWATIOS QUE NECESITA EL VEHICULO PARA REGRESAR EN EL TIEMPO. ES OBVIA LA REFERENCIA AL DIA DE MARIA MAGDALENA, EL 22 DE JULIO. INCLUSO TAMBIEN EN LA PRIMERA VERSION, SE VE QUE CUANDO VUELVE A 1985, EL VEHICULO CHOCA UNA IGLESIA CRISTIANA. ES OBVIA LA REFERENCIA EN ESTE MARCO. ESTAS PELICULAS SON OTROS CODIGOS DA VINCIS, OSEA QUE HAY QUE VERLAS MUCHAS VECES POR TODO EL MENSAJE ESOTERICO QUE TIENEN.
 
 
EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENCES
 

Mensajes Subliminales en VOLVER AL FUTURO - YouTube

www.youtube.com/watch?v=uxckIsLbBPA20 Mayo 2014 - 12 min. - Subido por SECRET UNIVERSAL en español
Salfate revela mensajes subliminales de la pelicula Volver al Futuro.
  • El error mas grande de Volver al Futuro - YouTube

    www.youtube.com/watch?v=YbgvorfWKnk20 Jul. 2012 - 2 min. - Subido por Adam Fender
    Este es a mi juicio el error mas grande de mi película favorita Volver al futuro. Si Einstein viajo ...
  • REGRESO AL FUTURO 4 TRAILER OFICIAL - YouTube

    www.youtube.com/watch?v=ClUVPCeRaDo28 Jun. 2013 - 3 min. - Subido por Marti Mcflay
    REGRESO AL FUTURO 4 TRAILER OFICIAL. ... no te voy a insultar, porque tambien eres fan ...
  • 13 Predicciones de Volver al Futuro 2015 / Predictions ... - YouTube

    www.youtube.com/watch?v=_8lnLoNCtFs11 Ene. 2015 - 8 min. - Subido por JackIncongruente
    Predicciones de Volver al futuro II cumplidas en el 2015. Predictions back to the future part II ...
  • Regreso al futuro 1 tráiler en castellano - YouTube

    www.youtube.com/watch?v=NDS1myoYUzs16 Oct. 2012 - 3 min. - Subido por amboliatoto
    La típica leyenda de la máquina del tiempo llevada a cabo de una manera cómica y fresca.
  • Volver al Futuro 4 - YouTube

    www.youtube.com/watch?v=D9rVOnQhzXI3 Jun. 2010 - 3 min. - Subido por miamifiction
    Inicio de la cuarta entrega de Volver al Futuro. Filmada por los Estudios Universal en 1991 y ...

  • Reply  Message 70 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 27/05/2015 14:59
    The structure featured mosaics with Christian symbols such as fish and a dedicatory inscription “to God Jesus Christ.” Dated to around 230 C.E
    http://www.google.com/imgres?q=Megiddo+ ... 00&bih=770

    http://www.armageddonchurch.com/?Transl ... do_mosaics

    the fishes
    153
    The Gospel of John (chapter 21:1–14) includes the narrative of the Miraculous catch of 153 fish as the third appearance of Jesus after his resurrection.[6]

    The precision of the number of fish in this narrative has long been considered peculiar, and many scholars, throughout history, have argued that 153 has some deeper significance.
    Writers claiming a major role for Mary Magdalene have noted that in Greek isopsephy her epithet "η Μαγδαληνή" bears the number 8 + 40 + 1 + 3 + 4 + 1 + 30 + 8 + 50 + 8 = 153, thus, it is suggested, revealing her importance.[14] Similarly, the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153

    Writers claiming a major role for Mary Magdalene have noted that in Greek isopsephy her epithet "η Μαγδαληνή" bears the number 8 + 40 + 1 + 3 + 4 + 1 + 30 + 8 + 50 + 8 = 153, thus, it is suggested, revealing her importance.[14] Similarly, the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153
    Louis de Montfort, in his fifth method of saying the Rosary, connects the catch of 153 fish with the number of Hail Marys said (3 plus 15 sets of 10
    http://en.wikipedia.org/wiki/153_(number)#In_the_Bible

    I got to keep things in order

    _________________
    Everything is Connected and there are no
    coincidences
     
    http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=925

    Reply  Message 71 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 27/05/2015 15:29
    153
    the mysterious number from the Miraculous catch
    the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153,

    the net is a criss cross pattern sometimes square
    http://images.search.yahoo.com/images/v ... k.UUdshM49
    the pattern above hit the link

    like the Meggido Mosaic floor has the checkerboard pattern....a net to catch the fishs on the symbol

    like a web of a spider


    Rules for fishing were stringent. When the haul was brought ashore, the fish first had to be sorted into clean and unclean fish. According to Leviticus 11:9-12, fish with scales and fins were regarded as clean, but those without them, such as catfish and eel, were unclean. Then they were counted. Counting was necessary for tax purposes and in order to ensure that each party received his due. Fish had to be sold while the water still remained on them.

    Much of the catch was taken to Magdala. Salting of fish for preservation had been in vogue since the time of the Ptolemies. The center of this industry was Magdala, where fish was dried and exported to various parts of the Roman Empire. Magdala in Greek is Tarichaea, which means —dried fish.— There, the fish would be packed in baskets for export and the fishermen would take it on wagons pulled by mules to shops in Jerusalem, or to a seaport where they would be loaded on ships and taken to Rome. Dried fish from Galilee was considered a delicacy among the Roman aristocracy. We know, too, that fish from Galilee were also popular in Damascus.

    153 the Magdalene

    the center of the fishing industry Magdala


    At the archaeological site at Bethsaida (which means —house of the fishermen—), numerous fishing implements have been found: a clay seal, which was probably used to stamp jar handles, depicting two fishermen in a small boat; lead weights, hooks, bronze and iron needles, basalt and iron weights and anchors. There is no doubt that fishing was a major occupation of the people of Bethsaida. An unfinished fishing weight suggests that there may have been a factory in Bethsaida for the making of fishing equipment. Flax spores have been found in abundance. Fishing nets were made of flax, as were the sails for fishing boats.

    At Bethsaida the government of Philip Herod sold fishing rights to wealthy individuals with the means of underwriting a large business, and they sublet the rights to fishermen. The fishermen paid a hefty tax to the investors and little love was lost between them. Matthew, the tax collector, may have been one of these. Five of the apostles—Peter, Andrew, James, John and Philip—came from Bethsaida.

    http://www.americancatholic.org/newslet ... an0704.asp

    _________________
    Everything is Connected and there are no
    coincidences
     
    http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&sid=e54de4b8b1e7221ed8cf966314a8cc5c&start=950

    Reply  Message 72 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 31/05/2015 14:56

    Reply  Message 73 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 31/05/2015 16:14
    PART II - THE GALACTIC CONNECTION

    The giant ones of old were called "Els" because they could make the 90 degree el (as in El-o-him) between circle/light in matter, vs. line/light as energy. This is a meaning of picking up off "the cross" (of time and space) and following (the principle of) Crystos.

     

    The story we tell is that if you connected the seven places in Pennsylvania named seven, the arrow would point through the crown of the Eagle to where the Pleiades should be when the Earth’s tilt is corrected. At any rate, just east of Oriole the eye, is the town of "El-ims-port." They could come and go from here.

    As Earth tilts to new symmetry with the galactic 12-faced zodiac, the cup runneth over, and the serpent feeds the eagle. This refers to the sweet Kundalini tantric sting proceeding up the spine to the center of vision, the Cave of Brahma in the brain. The return of Quetzlcoatl, the many plumed one (an eye on each plume-consumed in perspective) is presaged by this drink from the silver cup, when the serpent nour-ishes the eagle. The rivers will flow on a new tilt.

    Perhaps, as our psychologists would say, we are "just" projecting?

     

    First the holographic film we call biomass, the surface of Earth, is cre-ated by zodiacal projection, then those dodecahedral faces permit us to project the "memories of biology" (or shall we say, how to turn light donuts into biology and metabolize starlight directly) into the cosmos.

    An important angelic colleague of ours has this to say about the Eagle in the zodiac projected onto the Earth’s grid:

    "The Eagle eats awareness. The Eagle is one of the four (cardinal) elemental logo figures for the zodiac. Each logo, as a zodiac figure, represents an aspect of consciousness."

    Further research leads us to Don Juan’s first rule of the nagual as it pertains to the eagle (cf. Castanada’s Eagle’s Gift).

    "The power that governs the destiny of all living beings is called the Eagle, not because it is an eagle, but because it appears to the seer as an immeasurable jet-black eagle, standing erect as an eagle stands, its height reaching to infinity… The Eagle is devouring the awareness of all the creatures that, alive on Earth a moment before and now dead, have floated to the Eagle’s beak, like a ceaseless stream of fireflies, to meet their owner, their reason for having had life".

    The evolution of consciousness as feedback narrowing-into-aper-ture is a description of the evolution of perception.

     

    By grasping the threads of ray’s tracing light into optical cortex hologram, the finer resolution phase/face locks the reality to which the symbol points. Result: take back the grid. Own her. Re-own re-sponse-ability for the nest. Only the inner optical hologram fed by phase discipline (Hebrew) to the coherent light of its maker, actually affects the matter (cross-ings) of light which it sees.

     

    Here the symbol participates in the reality to which it points.

    The grid is ours to weave. The inner (w)hologram (opticus Eagle’s eyrie) bends the focus of light which made matter. Persuade ma to terr, light to cross, line to circle; E=mm see^2, because momentum in a line is energy. Entering the circle/the turn/the labyrinth, entering into mass, requires symmetry. Order is the price a ray pays attention to.

    To create is to see clearly. Only that resolves. Coherence is the eye beam which sharpens the shadows. Make a conscious resolution. Since after the dust settles only ONE coherence is possible.

    So the two light cones, Yod and Vau (say them slowly to see their shape), knew that there was more here than the present eye could see. To wit, wishing to see more, they made a holographic film onto bio-mass Earth. This was like yearning to zoom in on a fractal on high res-olution film. You can only focus in so far until you encounter a grainy quality. Even God couldn’t focus on anything smaller than the light waves She was shining in.



     
     
    Reply Hide message Delete message  Message 6 of 6 on the subject 
    From: BARILOCHENSE6999 Sent: 31/05/2015 13:02
     
    The twelve houses of the zodiacal dodeca project-ed through a plane, makes a round table, which on Chartres’ maze opens a space in the center for the 13th ONE. There, new symmetry consumes all the faces round the table in a new order/dimension. The fractal projection of the zodiac on the faces of the tectonics of Earth, became an exercise in recreating the object which rendered the film in the first place.

     

    All of this place making on the crystallizing clay of the tectonics, amounts to an unpacking of image out of star seed which planted in that first cup: the grid. No wonder they grew into a chip off the old block. Those planet faces are wearing their paternity suit.

    The inner fire of Gaia becomes a cup that runneth over, when her light warps back up the spine of the galaxy, which will taste sweetness.

     

    If the light shining through the film is (phase) coherent with the light that made the hologram in the first place, then you can USE the mirror and the magnifying glass INSIDE of the hologram to see objects OUT-SIDE the same hologram. The fire inside Earth is that light. The designer genes of womb man are the lens, the mirror and the magnify-ing glass. Who is the ONE who sees? Whom does the grail serve?

    Arthur and the land are ONE.

    And how was this cryst-all architecture etched onto the fabric of history?

    After those two halves of the green stone breastplate of Earth divided across the rib cage of the Atlantic, they were still hinged and connected. It was up to the Reverend Mothers to shepherd the genepool to touch those breast plate faces, so that prophecy could be kept alive. The seers and the seer stones, the Sirius stones, these kept the light of the long wave here focused, far from downtown.

    So let us matriarchally reinterpret history: from a motherly per-spective.

    The "God-Men" did more than to announce to an advanced age Rachel and Sarah that they were with child. Rachel was ritually virgin for temple rites producing a genetic cement between neighboring king-doms.

    This was the practice of the time. Only in this case, the king-doms whose gene pools needed cementing, were separated by galactic space.

    The great women of the bible knew how to save the seeds. They were tantric. They could raise the red fire of their own passion up through the green stone of the heart to the blue aura of tantra: "The Blue Fire." This training enabled them to meet the star men whose command was: "From y branch unto x a cross this gene Isis."

    When the Pleiadean starseed outpost was established here to enrich the genepool, the original assignment was the males were to fertilize the indigenous peoples on Earth but the females were to abstain. I believe this had to do with the y chromosome’s additive pres-ence? Y is branch, X is cross, here they needed a branch.

    Apparently the presence of "space people" or "star people" or "God men," was quite common. The literature suggests common associations with Latvians, Mayan, and Hebrew.

    What the green moss does for the stone is chelate the mineral so that maximized surface area makes the memory of pattern in mineral accessible to the touch/digestion/absorption (consumed perspective) of biology. What the fold of membrane in the skull of the holy women does is surface unpack the memory (the pressure waves) of touch with stars seeds.

     

    The skull of Magdalen was the vessel which contained the star seeds of Jesus. Her perfect Heart was the green cross point between red-orange passion/erotic energy and the blue light aura around their tantric heads. Thus she saved the seeds. His sperm con-tained DNA lightning. In proper kundalini process, the force of sperm not ejaculated is collected and pooled by tantric sexual excitation. (There are references to the unusual nature of young Jesus’s late unmarried state. In Kazantzakis’ Last Temptation of Christ, there is even reference to what all that sperm did to his brain.)

    The coiled braid of DNA contains a lightning life force. It is the ulti-mate programming language because braid within braid within braid can contain the complete discipline to nest machine code within assem-bler within Dbase within Report Form Generator within whatever many times over. All switches are morphic/shape active site-aligned & switched context-dependent.

     

    Aligning active sites switches the codes of DNA on and off. The braid aligns the sites. Coherence is the intelligence of emotion to (s)witch DNA. The braid within braid of DNA is woven phase coherent (long wave nested in "synch" with short) by ecstatic coherent emotion/Eros/tantra. The lightning of the memories within the high baud rate gene pool of Jesus and Magdalen (recombinant starseed) were thus unpacked and saved for biology that way.

    The role of tantra in the necessary high voltage/pressure incubation of starseeds should be taught. Frequent pregnancies not accompanied by sexual intercourse (virgin birth) are described in women with kun-dalini experience. Thus describing something about the profound func-tion of the ritual virginity of Sarah, and Mary. The massaging of infor-mation into the haploid genetic egg, is the perfect symmetry to mate with the half helix which is lightning, and kundalini. ("ANGLE"-ic touch.) It is potentially a profoundly erotic marriage with a larger con-textual body. In my personal experience, Earth responds dramatically and erotically to kundalini.

    She yearns for meaningful touch, a massage, even deeper than we do. Her response is to relax/align her geometry of pressure (tectonic/jet stream). In the past this would have been a technology so advanced as to be indistinguishable from magic (once said of comput-ers). A simple emotional alphabet (of long wave beat note ratios) con-nects us to the planet metabolism. In this way we can "phase lock"/ become at one, with our symbiotic role.
     

    The genepool is a grail cup, a chalace, and a light receiving vessel.

    There is a long history of the need to hide the starseed origin of branches of the genepool. This was why the priests of Egypt were sys-tematically poisoning the Kingship/Pharaonic line. The message of ONEness which Tut and Akhnaton brought would unify the dream force of the people, creating a "Godforce."

     

    Schizophrenic dreams for the people were preferred by the priests so the illusions of their control over the kindergarten could be maintained.

     

    Tut and Akhnaton’s line possessed the classic indications of starseed genetic origins: pointed skull up and back, nose length, dis-tended belly, and extra braid or turn on the muscles of the inner organs (hence the need to hide these in Canopic jars.)

     

    The starseed contingent overlooking the Earthly blossoming of their seeds, wanted to orchestrate an avataric birth in the Egyptian the-ater (cf: Secret Places of the Lion by George Hunt Williamson). However, when the interference of the priests became too great, other destinies were arranged. This pat-tern repeats itself with the Coptic, the Albigensian, the Cathar, the Templar, and the Druid.

    The priests represent a false-faced Patriarchy, NOT the true Father.

     

    In fact, the story of the concealment of the true star origins of Father seed, BECAME literally "The Myth of the Birth of the Hero" (also a book by Otto Rank). It is the story of the "virgin" birth of Moses and Jesus. Tantric ladies could preserve the seed. Tut took a secret Jewish lover.

     

    They bore twins Moses and Aaron. That Jewish lover mothered Moses her real son, by concealing his Father in the Starseed and Pharaoh’s genetic line. In this way the flame of Starseed was passed from Joseph in Egypt, via Tut, back out of Egypt into the Hebraic theater, one hopefully more responsive to the Oneness mes-sage of the "God" men.

     

    The Pleiadean and Sirian forces never wished to be mythologized as "separate" from the ONE God. They knew that only one "form" of coherence was possible. (In an interfering system, when interactions go to their "limit" only ONE phase-locked coherent system can remain.)

    So let us go back to our biblical remothered interpretation.

    Rachel’s passage of starseed went to Benjamin, and Joseph (whose coat/raiment was of many colors). Benjamin’s lineage beget Magdalen.

    Joseph’s story tells of Benjamin’s link to a cup among the seeds. The genepool is a grail cup. "Blossoming gene, cup of the grail". DNA’s chalice is a web work planar surface or an infinite tube, tempting light out of the fast lane into biology..

    Joseph’s seed includes Jesus. Benjamin’s seed is Magdalen (born of his lineage). Jesus and Magdalen had three children. (Holy Blood Holy Grail). The passage of the contents of those recombinant starseed becomes our story.

    So, having filtered some of the false patriarchy out of our look at biblical times, a matriarchal lineage also emerges.

    To review: Abraham undertakes an important rite with Sarah, when three "God Men," Sirius representatives, announce that she, Sarah, would bear her first child then, even though she was over 100. Apparently she was not barren, but rather ritually virgin (teacher of tantra?) as part of her priestess line (a significant lineage of matri-arch). The rite they did was always done when royal blood was mar-ried to her lineage. She was fertilized as if by lightning from the stars, presaging another "angel" Gabriel who came to Mary.

    Sarah, as ancestor to Magdalen, received starseed as did others in the feminine tradition of "The Myth of the Birth of the Hero(ine)" in which one of the chief features was the concealing of true (starseed?) parentage.

    We can now understand the symbolism of tearing off the roots, ADAMic meant damned or stopped up or segregated, literally red mak-ing or hard making power. The "red" hard making was damming (in the sense of creating a stoppage in the flow of light: matter). Adamic race would create the illusion that the stars did not Father them. The parental lineage from Godhood was exactly what patriarchy would segregate or forget (Siriusly).

    Remember that in the mother all the eggs are born with her, so that all human eggs were born at once with the first mother, irretriev-ably rooted. IEVE means tempted unto knowledge of separateness by WORD (the illusion that substances are "separate" as shape symbol or womb).

    So then, in the Hebraic story as starseed, Isaac, the Magical child of Sarah & Abraham, begets Jacob with Rebeccah. Of Jacob’s 12 sons, the magical ones are by Rachel (whose lineage was said to begin the Messianic age?). These are Joseph (coat of colors & link to Egypt) and the favorite young one, Benjamin.

    From Joseph, the attempt to incarnate an avatar moves to Egypt. Akhnaton is straight Pleiadean, or starseed blood, as is Nefertitti. Tut, their son, undertakes the message of ONEness, and the familial ideal. Patriarchy and the priests poison this. SO, Tut fathers Moses (& twin) by a secret Hebrew lover (amidst great intrigue ) and Moses returns the identity and coherence of the starseed lineage to Hebrews.

    Then, Magdalen is born of the Benjamin line, Jesus is born of the Joseph line, they have three children which begins the "Holy Blood, Holy Grail" story.

    It is lightning quickening her story.

    Thus, Iesus/Magda is adiabatically the reunion of the (star)seeds through Rachel. He folds seeds, she unpacks –– matriarchy now leads to unfolding of Bio-logos’ seeds to galactic Milky spaces.

    After the death of Joseph, the husband of Mary/mother of Jesus. The household was run by older brother Lazarus. Lazarus was a bit Father intoxicated, over-imbued with his new role as "head of house-hold". Young sister Magdalen, really a cousin of Jesus, (the Essenes were a carefully bred extended family) decided she must exit from under the oppression of Lazarus & family.

     

    She runs away, and later manages to acquire a fortune running a house of prostitution in Northern Palestine. This was consistent with her promise to herself, that if she couldn’t have the ONE man (Jesus) she would have every man. (When Jesus was at an age appropriate for betrothal, as he reached out for beautiful Magdalen, he was struck down as if by light-ning. The sense of electrical seizure is on occasion an unwitting tantric moment, but with the Earth itself. Sometimes the lover cannot resist.)

    The wealth of Magda became the seed for the Templar treasure she founded. (Even the cobalt blue of the Templar Marianist Gothic Cathedrals was taught by her, the tantric blue only seen as you turn.) What she managed to save in that oldest profession was not just mate-rial currency/symbol for human energy, but also a treasure of informa-tion. She became consort to the rulers of nations and expert in the energy of sexuality.

    So, when Magdalen becomes expert at Tantra, while running the celebrated house of prostitution in northern Palestine, before Jesus returned from his initiatory travels, she was learning a critical biologi-cal lesson on saving the seeds. Her former profession paid for his later travels, and her skills to conserve the lightning of tantra, created the genetic nest for his children to redeem history. Magdalen is empowered feminine. She is here with us, as is her green stone.

    We approach the mysteries of the green stone itself, and the crys-tal skull, and the skull and crossbones.

    Jesus meantime had departed for India, and later initiations in Egypt at around age 13-14. Instead of the prescribed marital energet-ics, his Eros was conserved for initiation. On his travels he gradually learned an appropriate Yogic Tantric discipline for the lightning in his loins. His seed moved explosively upward. However a critical break-through was required before he could taste the sweetness from the sil- ver cup. Silver cords of information-sweet lightning pounded for access to the cave of Brahma in his brain. But there was a necessary stricture.

    At this juncture, a knowledge of Kundalini’s biological mechanics is essential to understand the true origins of the green stone.

    The highest frequency, ultraviolet & information-richest, nectar of the collective cells of the body are focused in the lower sexual glands. Erotic attention concentrates them into a pool. They are assembled in the male via the gonads into a genetic single arrow/haploid helix/light-ning bolt. The prostate surrounds them with sweetness.

    Discipline in what is consumed visually and informationally can con-serve the excitation/aggravation of these lower glands. This translates to mean that red meat and "dirty" (sex without love) movies make for a different quality of sperm release than whole grain and readings on love and oneness.

    There is a suction tube at the lowest tip of the spine, the stinging tail of the serpent, the "organ kundabuffer" of Gurdjieff. When the pool of sweetness around the sexual organs is full and still, this pump-ing tube in the clear liquids of the spine, can "come" to have access to this sweetest nectar of biology.

     

    Particularly in the beginning when this pump is just being primed, great care and discipline are required to nourish this alternate flow of erotic energy. If successful, the nectar will ultimately spill over in the high brain, exploding the psychoactivity there with congruent unflowering of the cells of the third eye/pineal pituitary complex. The cave of Brahma (in the brain) has the organs of Eros as its entry point.

    The pelvic tilt and electric relaxation at the point of orgasm are some of the discipline that feed this "Sushumna" up the spine. Another very vital ingredient to achieving the flooding of the upper brain with these everlasting life-producing juices is described in the literature on the "Sacro Cranial Pump." The part most relevant to our understanding of the Green Stone has to do with the function of the heart in making this pump work.

    Getting these sweet Tantric juices into the spine does not happen unless there is a pumping action upward. The motor for this pump is the sound waves created by the glands at the moment of emotional coherence. Understand please, that the electrical information product of the collective orgone cellular process exists largely in the blue ultra-violet.

     

    This is the energy current which drives all of cellular mechanics. The human egg draws to itself the chosen sperm/information seed, by a blue UV tractor beam. Exactly in the same way mother Earth Gaia draws to herself her chosen information seed by a blue UV tractor beam. She however must draw that high frequency information folded-ness up the human spine into the realm of the longer waves within which is her bloodstream of mind.

    The frequency distance between the UV (ultraviolet) currency of cellular reproductive Eros, and the sonic information fabric of ecstasy arranging liquids to crystal in brain, is seven octaves!

     

    At each chakra glandular/nervous plexi, an additional turn or braid of light is woven on the petals of the lotus.

    The sacro cranial pulse so perceptible in the Upledger school, is the low frequency sonic coherence which massages the envelope of the spinal pump upward. The key turning point in that process upward is the sound of the heart. The heart, half way between red erotic orgone energy and the blue aura of tantra, is also the green stone.

    Her sweet immaculate heart sets the peritoneum around the heart to ring. It massages the spine, pumping the sweetness. Pure heart does it all. Magdalen taught Jesus that, as he embraced her.

    It is common, as the force of kundalini surges upward for block-ages to be balled up and expelled. This is often in the form of dense mucus, but it can also be actual calcified excipient from the lymph pas-sages. This has been called a lingum stone. It comes from above the plate above the mouth, which is the classic tantric switch to the "micro-cosmic orbit." The tongue touching the back roof of the mouth per-forms this switching. That same area is connected to the sphenoid/occiput gate which opens to permit the sweetness to enter the brain.

    That stone released in dramatic cases of kundalini arising is a potent electrical "ball of lightning." His lingum stone, the symbol of released blockage, became the green stone. She treasured it.

    Her skull held his tantric star seeds. Her feet walked those green stone faces of Earth. From Jerusalem, to Southern France, to the Scottish Highlands, she massaged the envelope of Earth, guiding her children there. Shepherding the lineage of the genepool of her children across that sequence of tectonic green breastplates, across lifetimes, was the Marian legacy; reverend mothers touching the stones of the breastplate in sequence to massage alive the envelope of prophecy for a’closing time.

     

    Face locking as they walked the memories of Earth, crystallized unpacked in stone faces, into one consumed perspective: body of Gaia: fractal of Zodiac.

     


    Reply  Message 74 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 02/06/2015 14:52

    Solomun

    TheEYE

     

    Reply  Message 75 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 09/06/2015 00:43
    Mientras preparaba un post para el hilo de "La ultima cena ¿quien estaba presente?" he hechon un analisis detallado de Marcos 14, 15-20 y en uno de los versiculos he hallado LA PRUEBA INEQUIVOCA DE QUE LA CENA FUE EN JERUSALEN Y NO EN BETANIA. Y esto no solo porque la tradicion asi lo dice, y no solo porque era la costumbre el hacerlo en Jerusalen, sino porque el texto lo deja bien claro. Mire usted:
    Marcos 14:15-20
    15 Entonces él os mostrará un gran aposento alto[a] ya dispuesto. Haced allí los preparativos para nosotros.
    16 Fueron sus discípulos, entraron en la ciudad, hallaron lo que les había dicho y prepararon la Pascua.[b]
    17 Cuando llegó la noche vino él con los doce.
    De ser en Betania la cena no se podria decir que "entraron en la ciudad". Y esto por dos motivos obvios, el primero ¡porque ya estaban en Betania! y por tanto no puede decir "entraron". Y el segundo porque Betania era en el siglo I una pequeña aldea de apenas 30 casas segun los arqueologos e historiadores.
    De haber sido en Betania el evangelista no hubiera dicho "entraron en la ciudad" puesto que ya estaban en Betania y mucho menos hubiese llamado "la ciudad" a Betania.
    paz y bien
     
     
    Reply Hide message Delete message  Message 9 of 52 on the subject 
    From: BARILOCHENSE6999 Sent: 15/01/2012 22:13

    MARÍA, LA MADRE DE JUAN MARCOS. Madre de Juan Marcos y tía de Bernabé (Colosenses 4:10), puso su hogar a disposición de los creyentes como centro de adoración. Quizá fue allí donde se realizó la última cena, y el Pentecostés. También consta que al salir de la prisión Pedro fue allá (Hechos 12:12). Además, María era mujer de recio carácter; probablemente era una viuda acaudalada, que poseía casa propia y sirvientes (Hechos 12:13). Se dice que el hogar de María estaba en el extremo occidencial en tiempos de Jesús.

     
     
     
    Reply Hide message Delete message  Message 10 of 52 on the subject 
    From: BARILOCHENSE6999 Sent: 10/06/2012 20:15
    SE LEE MARCOS 14 EN LA FESTIVIDAD DE "CORPUS CRISTI" EN LA IGLESIA CATOLICA
     

    Corpus Christi

     
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