Our job here is to discern and decode a set of "time codes" lurking just below the surface of reality which in this case is celestially anchored by two stars: Sirius and Regulus.

Sirius is the star of Isis per ancient Egyptian tradition, and Paris ("Par-Isis") is semi-officially a city of Isis-Sirius where we find the Historical Axis (including the world-famous Champs Elysees boulevard) oriented toward the daily rising of Sirius.

The same axis happens to align with the sunset on August 6–8...

…as well as May 4–5 which this year gave us highly meaningful events already:

Caída de la República de Venecia

 

 

Caída de la República de Venecia
Parte de la campaña italiana de 1796-1797
Grabado contemporáneo de la entrada de las tropas francesas en Venecia en 1797
Fecha 11 de mayo de 1796 – 12 de mayo de 1797 Ubicación Terraferma veneciana Cambios territoriales República de Venecia disuelta Véneto ocupado por Francia como Municipalidad Provisional de Venecia hasta su anexión por el Imperio austríaco Istria y Dalmacia anexadas por el Imperio austríaco Lombardía veneciana anexada por la República Cisalpina Islas Jónicas anexadas por Francia
Beligerantes
Primera República Francesa	República de Venecia
Comandantes y líderes
Napoleón Bonaparte	Ludovico Manin Nicolò Foscarini Giacomo Nani

La República de Venecia fue disuelta y desmembrada por el general francés Napoleón Bonaparte y la Monarquía de los Habsburgo el 12 de mayo de 1797, poniendo fin a aproximadamente 1100 años de su existencia. Fue la última acción de la campaña italiana de Napoleón de 1796-1797 antes de que la Guerra de la Primera Coalición terminara formalmente en octubre.

En 1796, el joven general Napoleón había sido enviado por la recién formada República Francesa para enfrentarse a Austria, como parte del frente italiano de las Guerras Revolucionarias Francesas . Eligió pasar por Venecia, que era oficialmente neutral. A regañadientes, los venecianos permitieron que el formidable ejército francés entrara en su país para que pudiera enfrentarse a Austria. Sin embargo, los franceses comenzaron a apoyar de forma encubierta a los revolucionarios jacobinos dentro de Venecia, y el senado veneciano comenzó a realizar preparativos silenciosos para la guerra. Las fuerzas armadas venecianas estaban mermadas y difícilmente podían competir con los franceses, experimentados en batalla, o incluso con un levantamiento local. Después de la captura de Mantua el 2 de febrero de 1797, los franceses abandonaron cualquier pretexto y llamaron abiertamente a la revolución en los territorios de Venecia. Para el 13 de marzo, hubo una revuelta abierta, con la separación de Brescia y Bérgamo . Sin embargo, el sentimiento proveneciano siguió siendo alto, y Francia se vio obligada a revelar sus verdaderos objetivos después de brindar apoyo militar a los revolucionarios de bajo rendimiento.

El 25 de abril, Napoleón amenazó abiertamente con declarar la guerra a Venecia a menos que se democratizara. El Senado veneciano accedió a numerosas demandas, pero ante la creciente rebelión y la amenaza de una invasión extranjera, abdicó en favor de un gobierno de transición de jacobinos (y, por lo tanto, de los franceses). El 12 de mayo, Ludovico Manin , el último dux de Venecia, abolió formalmente la Serenísima República de Venecia después de 1.100 años de existencia.

El 17 de abril, en el Tratado de Leoben, los franceses y los austriacos habían acordado en secreto que, a cambio de entregar Venecia a Austria, Francia recibiría las posesiones de Austria en los Países Bajos. Francia ofreció a la población la oportunidad de votar si aceptaba los términos, ahora públicos, del tratado que los cedía a Austria. El 28 de octubre, Venecia votó a favor de aceptar los términos. La preferencia por Austria sobre Francia estaba bien fundada: los franceses procedieron a saquear Venecia a fondo. Además, robaron o hundieron toda la Armada veneciana y destruyeron gran parte del Arsenal veneciano , un final humillante para la que una vez había sido una de las armadas más poderosas de Europa.

El 18 de enero de 1798, los austriacos tomaron el control de Venecia y pusieron fin al saqueo. Sin embargo, el control de Austria duró poco, ya que Venecia volvería a estar bajo control francés en 1805. Luego regresó a manos austriacas en 1815 como el Reino de Lombardía-Venecia hasta su incorporación al Reino de Italia en 1866.

This postcard, copyright 1907 by E. Phillips, a U.S. card publisher, speaks for the universally high regard in which the swastika was held as a good luck token before use by the Nazis corrupted its meaning.

The text on the card back reads:

GOOD LUCK EMBLEM

"The Swastika" is the oldest cross and emblem in the world. It forms a combination of four "L's" standing for Luck, Light, Love and Life. It has been found in ancient Rome, excavations in Grecian cities, on Buddhist idols, on Chinese coins dated 315 B.C., and our own Southwest Indians use it as an amulet.

It is claimed that the Mound Builders and Cliff Dwellers of Mexico, Central America consider "The Swastika" a charm to drive away evil and bring good luck, long life and prosperity to the possessor.

 

It should be noted that this text is not entirely accurate: The Mound Builders inhabited the Ohio River Valley and the Cliff Dwellers lived in the Southwestern United States; however, both did use the swastika, as did the Mayas of Mexico. Furthermore, although the swastika may look like four "L's" to one who uses the Roman alphabet, in Greek it forms four Gammas ("G's"), in Hebrew it can be seen as four Daleths ("D's"), and among the non-literate people of North America, it corresponded to no letters at all. Thus the ascription of Luck, Light, Love, and Life to the amulet is simply an English mnemonic, although it is prettily reinforced on this card by images of a horseshoe (luck), the rising Sun (light), twin hearts (love), and Earth (life). Finally, not mentioned in the text is the swastika's use as the specific emblem of Ganesha, the Hindu god of good luck, who is also represented as an elephant.

At left is a very nice American-made beaded item from the 1920s that bears the initials J.B.Y. and a black swastika on a white background. It is a simple strap-woven seed-bead piece of the type often made for a merit badge by Girl and Boy Scouts, or, as in this case, woven on a "while you wait" basis by American Indians for tourists at places like the Fred Harvey hotel chain in Arizona and New Mexico. It was found in an estate collection of Native American bead-work that had been put away and wrapped in 1929-dated newspapers. The twisted cotton threads terminate in a brass pin for hanging.

The use of the swastika in domestic ornament was fairly common in the 19th century. I have seen a beautiful white wedding dress, circa 1900, covered all over with embroidered swastikas. It came from the trousseau of a Polish-German immigrant woman, a "mail-order-bride" who was married in the U.S.

The swastika or hackencreuz was not a Nazi symbol originally, but was adopted by them as a "lucky" logo. (Imagine a political party of butchering madmen adopting the four-leaf clover as their symbol!) Some people believe that the swastika has been permanently co-opted or ruined by its brief appropriation by the Nazis -- who stood it up diagonally and placed it in a circle rather than running it four-square, and gave it their brand-logo colour scheme of black, white, and red, thus making THEIR swastika a national seal, unlike the non-Nazi swastikas of varied colour and form one finds all around the world.

It is a common misconception, almost an urban legend of sorts, to impute directional or positional preference or meaning to the swastika, and to claim that the Nazis "reversed the swastika" or "rotated it backwards" and therefore rendered it "evil." But this idea that directionality is important in the history of swastika usage is demonstrably untrue: counter-balancing (bilaterally symmetrical) arrays of clockwise and counterclockwise swastikas are common in both ancient and modern Indian art.

I believe that these considerations concerning the left- and right-turning swastika arose after the Nazis adopted the device -- and were part of a failed attempt to salvage at least a part of its former meaning by establishing a "good swastika versus bad swastika" dichotomy. Unfortunately, this swastika purity restoration attempt failed because ancient monuments and steles do not bear the theory out: The swastika appears in both left- and right-turned models in virtually all past cultures with no "deosil" and "widdershins" thought behind the direction, nor with "good" or "evil" concepts attached. The Nazis tipped the swastika up on end (diagonally), but it is even found that way in some old historical artifacts as well, such as this lovely example of the lucky swastika -- an embossed and airbrushed American postcard of the 1905 - 1910 era, bearing the legend "To Darling Baby," accompanied by a lavender swastika and a bunch of Lily-of-the-Valley flowers.

It is said that Paris esoterically derives its name from 'Par Isis' ('near Isis'). There is a lot of evidence to support this. As Robert Bauval writes in Secret Chamber (p.341):

Napoleon had acquired two nicknames, one being 'L'Aigle' (the Eagle) and the other being 'L'Etoile' (the Star). That 'his star' was Sirius, the star of Isis, is not only made obvious by the coat-of-arms which he chose for Paris but, in a more arcane manner, it seems to have been linked to Napoleon's most famous monument, the Arc de Triomphe, also known as the the Place de L'Etoile (the Place of the Star), located on the western side of the so-called Historical Axis of Paris, better known as the Champs-Elysees, [which is oriented twenty-six degrees north of west]... The star Sirius, as seen from the latitude of Paris, rises twenty-six degrees south of east.

And sure enough the 'Axis of Paris' (the Champs Elysees) was designed to align with the sunset on ~August 6.

This first of all confirms that the date is to be seen as a special day of Sirius' rising, and makes it clear that August 6 is a 'magical date' that is considered very important by past and modern 'esotericists' whose knowledge stems from ancient Egypt. Judging from the 'rise of Schwarzenegger' masterfully brought about on this date in 2003, we can infer that there is something big underway at this time. The encoded symbolism of the Osirian resurrection - or the birth of Horus - should therefore be treated seriously. Indeed, we just may be talking about something akin to the 'rise of Antichrist' here, if that gets your attention... Think Napoleon; think Hitler.

Napoleon is often thought to have been an 'antichristic' figure especially in the context of Nostradamus' prophecies. We often hear that he was 'Antichrist 1', Hitler was 'Antichrist 2', and the third has yet to come... Well, Terminator 3 was in theaters last year just before Schwarzenegger's rise in politics. So we wonder: Was 'Terminator 3' an allusion to 'Antichrist 3'? The answer we find here is amusing and ominous.

The following passage is from the Book of Revelation, apparently talking about an antichristic figure:

And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.

The two names given here, 'Abaddon' and 'Apollyon', both mean the same thing - 'Destroyer'... or even 'Terminator'! And Arnold is not only the Hollywood 'Terminator', he's also been Conan the Destroyer (1984)! The name 'Napoleon' has also been interpreted to mean none other than 'destroyer'... The parallel goes even further as we find that just as Napoleon had the nickname 'the Eagle', the name 'Arnold' means 'eagle rules'.

So, yes - the title 'Terminator 3' does scream 'Antichrist 3'... at least on a symbolic level.

What's more ominous, the chapter/verse number of the Revelation passage above from the New Testament happens to be... 9:11. We are about to see just how fitting this 'coincidental' reference is.