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General: MATEO 16:18-VATICANO=WASHINGTON D.C=MASONERIA=SAN MARCOS=LIBERTAD
Elegir otro panel de mensajes |
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EL VATICANO ESTA DISEÑADO EN FUNCION A LA FIESTA DE LOS TABERNACULOS (LEVITICO 23:33)-RELACION CON EL LIBRO DE DAN BROWN (THE LOST SYMBOL/EL SIMBOLO PERDIDO)
En la pelicula "ANGELES Y DEMONIOS", CON REFERENCIA A EL LIBRO HOMONIMO DE DAN BROWN, el mismo escritor del "CODIGO DA VINCI" se hace referencia a los cuatro puntos cardinales, en el contexto al DISEÑO DEL VATICANO. LA PIAZZA DEL POPOLO (MARIA DE POPOLO), la relaciona con LA TIERRA, osea una referencia al SOLSTICIO DE VERANO, PIAZZA DI GIOVANNI con el solsticio de INVIERNO, en el marco al AGUA, LA PIRAMIDE DE LA PLAZA DE SAN PEDRO, en el marco al equinoccio de OTOÑO (HEMISFERIO NORTE) con referencia al AIRE y MARIA DE LA VICTORIA (REFERENCIA ESOTERICA A MARIA MAGDALENA EN EL CONTEXTO A LA RESURRECCION DE NUESTRO SEÑOR=VICTORIA=ISRAEL) con referencia al FUEGO Y AL EQUINOCCIO DE PRIMAVERA (RESURRECCION DE CRISTO). NOTEN QUE IS/ISIS/MARIA MAGDALENA, RA, ELHOHIM/OSIRIS/ORION/JESUCRISTO. LA SOLA REFERENCIA A VICTORIA/VENCEDOR/VENUS/ VENECIA/ SAN MARCOS. Esto explica el nexo con el numero de ORO en el marco a la alquimia de la resurreccion del Señor. VENUS ES SINONIMO DE LA ESTRELLA DE 5 PUNTAS Y EL NUMERO DE ORO PHI. EL MISMO TERMINO ISRAEL=VENCEDOR=VENUS AL ESTAR INTERRELACIONADO CON VENUS EVIDENCIA DE QUE LA RESURRECCION DEL SEÑOR FUE EN LUNA CRECIENTE Y QUE MARIA MAGDALENA ES LA NUEVA ISHTAR. POR ESO LA FUERTE CONNOTACION ALQUIMICA DEL SACRIFICIO Y RESURRECCION DEL SEÑOR. INSISTO PARA QUE QUEDE CLARO, QUE ISRAEL=VENCEDOR =VICTORIA=VENUS.
 LA V CORTA QUE CONTIENE LA LETRA M EN EL CENTRO EQUIVALE A LA V CORTA DE VENUS/VIRGEN/VICTORIA.V=SEXO FEMENINO-A=SEXO MASCULINO. MARIA DE LA VICTORIA ES LA MISMA MARIA LA MAGDALENA.
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A gauche, l'emblème maçonnique.
A droite, l'"étoile de David".
Deux barres ou lignes horizontales appliquées sur le compas et l'équerre maçonniques suffisent à faire de l'emblème une étoile de David.
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¿CASUALIDAD QUE LA LETRA M EN EL ABECEDARIO INGLES SEA LA NUMERO 13?
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CICLO PENTAGONAL ENTRE VENUS Y GEA. LAS CURVAS DE VENUS.
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Pentagonal se refiere al Ciclo formado por 5 ciclos sinódicos.
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Venus y la Tierra danzan en sincronía matemática y geométrica en el salón del Espacio, al son de la sutilísima vibración de la música de las esferas, pues esferas son. El milenario mito de la llamada "Música de las Esferas" es mito mientras no se comprende qué es o a qué se refiere. Es como si una persona no reconociera que los instrumentos musicales suenan y por eso concluye que la "música de los instrumentos" es mito. Sólo le basta escuchar, sentir, vibrar y comprender. Nosotros estamos en una de esas esferas: el Planeta Tierra, aunque si pensamos un poco comprenderemos que es normal que sea posible que no conozcamos la maravilla en la que estamos inmersos ni que participemos activamente en ella, como aquel espectador que está de gratis en un maravilloso concierto y él mismo es un instrumento y se queda dormido, pero no porque la música sea aburrida sino porque no sabe que está ahí.
Cada 8 años, que son 8 órbitas de la Tierra y 13 de Venus, ambos planetas se encuentran 5 veces en sus puntos más cercanos, al mismo lado del Sol, 5 puntos que son equidistantes y que forman los 5 vértices de una estrella de 5 puntas. Puedes pulsar sobre la imagen para ver la animación.
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Si continúas observando podrás comprobar cómo Venus y la Tierra continúan trazando la figura pentagonal, aunque ya no desde el mismo punto que la anterior. De hecho, comienzan una nueva 2,33 días antes que la anterior. La actual la comenzaron el 8 de junio de 2004 y termina el 6 de junio de 2012. Esto significa que esa estrella de 5 puntas gira también alrededor del Sol hasta dar una vuelta en 1.252 años: un Ciclo mayor compuesto por 156 subciclos Pentagonales (1.252 órbitas de la Tierra y 2.035 de Venus). Así es como los planetas crean los Ciclos Cósmicos. 1.252 años son 457.457 días, que es prácticamente 676 x 676 ó 26x26x26x26 ó (13+13)x(13+13)x(13+13)x(13+13) días.
Aquí puedes verlo de otra manera comenzando desde el 8 de junio de 2004 (cuando se produjo un tránsito de Venus) hasta el 6 de junio de 2012 en que se produce otro tránsito. Puedes hacer click sobre la escena repetidamente.
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Los números 5, 8 y 13 son números consecutivos de la serie Fibonacci en la que cada número dividido por su anterior tiende al valor del número Phi, el que marca la llamada "proporción divina" de ciertos elementos de la Naturaleza, por no decir muchos o todos, y entre los cuales están las propias piezas que componen el esqueleto de nuestros cuerpos: los huesos. En la vigésima división de la serie Fibonacci, entre los números 6.765 y 4.181, se obtiene un valor de phi afinado hasta el sexto decimal: 1'6180339. También se puede ver que los números de la serie Fibonacci 6.765 y 4.181 como días terrestres convertidos a Tzolkins son 26 y 16 Tzolkin, y mientras el año de la Tierra (365 días) es 1,62 veces más largo que el de Venus (225 días), siendo 1,62 el redondeo de 1,618 que es el valor de Phi, en el ciclo sinódico Venus da 2'6 órbitas y la Tierra da 1'6 (fracciones de 26 y 16). Y por fin, reproduciendo los tres números de la serie Fibonacci 5, 8 y 13 en el ciclo pentagonal resulta que 5 es el número de encuentros entre La Tierra y Venus durante 8 órbitas de la Tierra y 13 de Venus.
8. Mateo 16:18: Y yo también te digo, que tú eres PEDRO, y sobre esta roca edificaré mi iglesia; y las puertas del Hades no prevalecerán contra ella. (JUSTO ADONDE ESTA ALDEBARAN, LA ESTRELLA ROJA DE LA CONSTELACION DE HYADES, ENTRE ORION Y PLEYADES)
19. Y a ti te daré las llaves del reino de los cielos; y todo lo que atares en la tierra será atado en los cielos; y todo lo que desatares en la tierra será desatado en los cielos.
2. Job 38:31: ¿Podrás tú atar los lazos de las Pléyades,
O desatarás las ligaduras de Orión?
Si ustedes observan el DISEÑO DEL VATICANO, EL CASTILLO "SAN ANGELO", que es adonde esta ubicada la bomba esta en un contexto a los mismos equinoccios, osea en la misma linea incluso QUE EL DISEÑO DEL MISMO VATICANO QUE ESTA DISEÑADO CON EL MISMO PATRON DEL TEMPLO DE SALOMON Y DEL TABERNACULO, OSEA ORIENTADO ESTE A OESTE. LA BOMBA DE ANTIMATERIA, en el contexto al "CAMINO DE LA ILUMINACION" que se hace en la misma pelicula y el libro, EN EL CONTEXTO A LA ESTRELLA DE 5 PUNTAS (CASTILLO SAN ANGELO) es una obvia referencia a la ESCALERA DE JACOB O ALQUIMIA, OSEA EL GRIAL. TODO ES ESOTERICO CON REFERENCIA AL SANTO GRIAL. Lo que es increible que esta pelicula FUE ESTRENADA EN EL MISMO AÑO 2010, EL AÑO DEL RESCATE DE LOS 33 CHILENOS Y EL AÑO INSISTO, EN QUE EL 4 DE JULIO CAYO EN SABADO/SABIDURIA/SOPHIA/SABA/REINA DE SABA LUNAR. TODOS SON CODIGOS GRIALICOS. YHWH NOS LLENA DE MENSAJES SUBLIMINALES.
 Si observamos la foto superior EL VATICANO, INSISTO, ESTA DISEÑADO EN FUNCION DE ESTE A OESTE, OSEA QUE LA PLAZA DE SAN PEDRO/LLAVE/ORION/ESTRELLA DE 8 PUNTAS/EAST STAR ESTA UBICADA HACIA EL ESTE. EN EL EQUINOCCIO DE PRIMAVERA (22 DE MARZO), ORION, SE ENCUENTRA EN EL ESTE AL MEDIO DIA U HORA SEXTA BIBLICA, EN EL CENITH A LA PUESTA DEL SOL Y EN EL OESTE A LA MEDIA NOCHE APROXIMADAMENTE Y EN EL EQUINOCCIO DE OTOÑO (22 DE SEPTIEMBRE) EN EL ESTE A LA MEDIA NOCHE, EN EL CENITH A LA SALIDA DEL SOL Y EN EL OESTE EN EL MEDIO DIA.
CONCRETAMENTE EL DISEÑO DEL VATICANO, AL ESTAR LA LLAVE EN EL ESTE ESTA EN FUNCION a la foto superior esta cercano al 22 de septiembre. EL OBELISCO DE WASHINGTON D.C CUMPLE CON ESTE PATRON.
En los equinoccios la luz del sol choca con el ECUADOR. Noten en la foto superior ORION, POR LA MEDIA NOCHE, en WASHINGTON D.C POR EL ESTE. CON ESTO SE CONFIRMA EL MONSTRUOSO DISEÑO DE WASHINGTON D.C Y EL VATICANO, CON UN FUERTE MARCO CON EL SANTO GRIAL.
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Número áureo
El número áureo surge de la división en dos de un segmento guardando las siguientes proporciones: La longitud total a+b es al segmento más largo a, como a es al segmento más corto b.
También se representa con la letra griega Tau (Τ τ),[3] por ser la primera letra de la raíz griega τομή, que significa acortar, aunque encontrarlo representado con la letra Fi (Φ,φ) es más común.
Se trata de un número algebraico irracional (su representación decimal no tiene período) que posee muchas propiedades interesantes y que fue descubierto en la antigüedad, no como una expresión aritmética sino como relación o proporción entre dos segmentos de una recta; o sea, una construcción geométrica. Esta proporción se encuentra tanto en algunas figuras geométricas como en la naturaleza: en las nervaduras de las hojas de algunos árboles, en el grosor de las ramas, en el caparazón de un caracol, en los flósculos de los girasoles, etc.
Asimismo, se atribuye un carácter estético a los objetos cuyas medidas guardan la proporción áurea. Algunos incluso creen que posee una importancia mística. A lo largo de la historia, se ha atribuido su inclusión en el diseño de diversas obras de arquitectura y otras artes, aunque algunos de estos casos han sido cuestionados por los estudiosos de las matemáticas y el arte.
El número áureo es el valor numérico de la proporción que guardan entre sí dos segmentos de recta a y b (a más largo que b), que cumplen la siguiente relación:
La longitud total es al segmento a, como a es al segmento b.
Escrito como ecuación algebraica: 
Siendo el valor del número áureo φ el cociente 
Surge al plantear el problema geométrico siguiente: partir un segmento en otros dos, de forma que, al dividir la longitud total entre la del segmento mayor, obtengamos el mismo resultado que al dividir la longitud del segmento mayor entre la del menor.
Cálculo del valor del número áureo[editar]
Dos números a y b están en proporción áurea si se cumple:
-
Si  es igual a entonces la ecuación queda:
Multiplicando ambos miembros por , obtenemos:
Igualamos a cero:
La solución positiva de la ecuación de segundo grado es:
que es el valor del número áureo, equivalente a la relación .
El número áureo en las matemáticas[editar]
Propiedades y representaciones[editar]
Ángulo de oro[editar]
 razón número áureo
Propiedades aritméticas[editar]
La expresión anterior es fácil de comprobar:
- φ posee además las siguientes propiedades:
- Las potencias del número áureo pueden expresarse en función de una suma de potencias de grados inferiores del mismo número, establecida una verdadera sucesión recurrente de potencias.
- El caso más simple es:
 , cualquiera sea n un número entero. Este caso es una sucesión recurrente de orden k = 2, pues se recurre a dos potencias anteriores.
- Una ecuación recurrente de orden k tiene la forma
 ,
- donde
 es cualquier número real o complejo y k es un número natural menor o igual a n y mayor o igual a 1. En el caso anterior es  ,  y  .
- Pero podemos «saltar» la potencia inmediatamente anterior y escribir:
 . Aquí  ,  , ,  y  .
- Si anulamos a las dos potencias inmediatamente anteriores, también hay una fórmula recurrente de orden 6:
- En general:
![Phi^n = sum_{i=0}^{ extstyle frac {1}{2} k}{ extstyle frac{1}{2}kchoose i}Phi^{left [ extstyle n-left( extstyle frac{1}{2}k+i ight) ight]} extstyle;k=2jin mathbb{N}, extstyle, nin mathbb{N}, extstyle, iin mathbb{N}](http://upload.wikimedia.org/math/0/b/5/0b5f0a694a9936edc4f0b64f663c8366.png) .
- En resumen: cualquier potencia del número áureo puede ser considerada como el elemento de una sucesión recurrente de órdenes 2, 4, 6, 8,..., 2k; donde k es un número natural. En la fórmula recurrente es posible que aparezcan potencias negativas de
 , hecho totalmente correcto. Además, una potencia negativa de corresponde a una potencia positiva de su inverso, la sección áurea.
- Este curioso conjunto de propiedades y el hecho de que los coeficientes significativos sean los del binomio, parecieran indicar que entre el número áureo y el número e hay un parentesco.
- El número áureo
 es la unidad fundamental «ε» del cuerpo de números algebraicos  y la sección áurea  es su inversa, « ». En esta extensión el «emblemático» número irracional  cumple las siguientes igualdades:
 .
Representación mediante fracciones continuas[editar]
La expresión mediante fracciones continuas es:
Esta iteración es la única donde sumar es multiplicar y restar es dividir. Es también la más simple de todas las fracciones continuas y la que tiene la convergencia más lenta. Esa propiedad hace que además el número áureo sea un número mal aproximable mediante racionales que de hecho alcanza el peor grado posible de aproximabilidad mediante racionales.[5]
Por ello se dice que es el número más alejado de lo racional o el número más irracional. Este es el motivo por el cual aparece en el teorema de Kolmogórov-Arnold-Moser.
El número áureo en la geometría[editar]
El tríangulo de Kepler:
El número áureo y la sección áurea están presentes en todos los objetos geométricos regulares o semiregulares en los que haya simetría pentagonal, que sean pentágonos o que aparezca de alguna manera la raíz cuadrada de cinco.
- Relaciones entre las partes del pentágono.
- Relaciones entre las partes del pentágono estrellado, pentáculo o pentagrama.
- Relaciones entre las partes del decágono.
- Relaciones entre las partes del dodecaedro y del icosaedro.
El rectángulo áureo de Euclides[editar]
El rectángulo AEFD es áureo porque sus lados AE y AD están en la proporción del número áureo. Euclides, en su proposición 2.11 de Los elementos, obtiene su construcción.>
Con centro en G se obtiene el punto E, y por lo tanto:
con lo que resulta evidente que
de donde, finalmente,
Por otra parte, los rectángulos AEFD y BEFC son semejantes, de modo que este último es asimismo un rectángulo áureo.
Generación de un rectángulo áureo a partir de otro.
En el pentagrama[editar]
El número áureo tiene un papel muy importante en los pentágonos regulares y en los pentagramas. Cada intersección de partes de un segmento se interseca con otro segmento en una razón áurea.
El pentagrama incluye diez triángulos isóceles: cinco acutángulos y cinco obtusángulos. En ambos, la razón de lado mayor y el menor es φ. Estos triángulos se conocen como los triángulos áureos.
Teniendo en cuenta la gran simetría de este símbolo, se observa que dentro del pentágono interior es posible dibujar una nueva estrella, con una recursividad hasta el infinito. Del mismo modo, es posible dibujar un pentágono por el exterior, que sería a su vez el pentágono interior de una estrella más grande. Al medir la longitud total de una de las cinco líneas del pentáculo interior, resulta igual a la longitud de cualquiera de los brazos de la estrella mayor, o sea Φ. Por lo tanto, el número de veces en que aparece el número áureo en el pentagrama es infinito al añadir infinitos pentagramas.
El teorema de Ptolomeo y el pentágono[editar]
Claudio Ptolomeo desarrolló un teorema conocido como el teorema de Ptolomeo, el cual permite trazar un pentágono regular mediante regla y compás. Aplicando este teorema, se forma un cuadrilátero al quitar uno de los vértices del pentágono, Si las diagonales y la base mayor miden b, y los lados y la base menor miden a, resulta que b2 = a2 + ab lo que implica:
El número áureo en el arte y en la cultura[editar]
- Relaciones en la forma de la Gran Pirámide de Gizeh. La afirmación de Heródoto de que el cuadrado de la altura es igual a la superficie de una cara es posible únicamente si la semi-sección meridiana de la pirámide es proporcional al triángulo rectángulo
 , donde 1 representa proporcionalmente a la mitad de la base, la raíz cuadrada del número áureo a la altura hasta el vértice (inexistente en la actualidad) y el número áureo o hipotenusa del triángulo a la apotema de la Gran Pirámide. Esta tesis ha sido defendida por los matemáticos Jarolimek, K. Kleppisch y W. A. Price (ver referencias), se apoya en la interpretación de un pasaje de Heródoto (Historiae, libro II, cap. 124) y resulta teóricamente con sentido, aunque una construcción de semejante tamaño deba contener errores inevitables a toda obra arquitectónica y a la misma naturaleza de la tecnología humana, que en la práctica puede manejar únicamente números racionales.
http://es.wikipedia.org/wiki/N%C3%BAmero_%C3%A1ureo
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TEOTIHUACAN-GIZE-NUMERO DE ORO PHI=1.618-RELACION CON LA INDEPENDENCIA DEL ESTADO DE ISRAEL
ISRAEL
ISIS
RA
ELOHIM
330 AÑOS EXACTOS MAS 1618=1948 (INDEPENDENCIA DE ISRAEL)
¿Qué es phi?
Phi y la serie de Fibonacci
Funciones trigonométricas
Razones matemáticas
Pentágono
Espirales Áureas
Inicio :: Ver temas relacionados: Decalogo Geometria Sagrada :: Número de Oro :: Merkaba
¿Qué es phi?
Phi (1.618033988749895... ), pronunciado como fi, es un numero irracional como Pi ( 3.14159265358979... ), pero con muchas características matemáticas inusuales. Phi es la base de la Proporción Dorada. La razón o proporción determinada por Phi (1.618...) era conocida por los Griegos como la “Sección Dorada” y por los artistas del renacimiento como la “Proporción Divina”. También se le conoce como la razón Dorada o la Proporción Áurea.
Phi, como Pi, es una razón definida por una construcción geométrica.
Pi es la relación de la circunferencia de un círculo respecto a su diámetro. Phi es la proporción de los segmentos de una línea que resultan cuando una línea es dividida de una forma única y especial.
La línea es dividida para que la proporción de la longitud de la línea entera (A) respecto a la longitud del segmento de la línea mayor (B) sea igual que la proporción de la longitud del segmento de la línea mayor (B) a la longitud del segmento de la línea menor (C)
Esto es que A es 1.618... veces B, y B es 1.618… veces C. Recíprocamente, C es 0.618... de B y B es 0.618... de A. Phi con mayúscula "Phi" es 1.6180339887..., mientras que phi con minúscula es 0.6180339887, el reciproco de Phi o Phi menos 1.
Lo que hace a phi incluso mas inusual es que puede derivarse de muchas formas y ser encontrado en proporcionalmente en el universo. Phi F puede ser derivado por: la serie numérica descubierta por Leonardo Fibonacci, matemáticas y geometría.
Phi y la serie de Fibonacci
Leonardo Fibonacci, por herencia del mundo árabe, descubrió la serie que nos lleva a phi. En el siglo XII, Leonardo Fibonacci descubrió una serie numérica simple que es la base de la increíble relación que encontramos detrás de phi. Empezando con 0 y 1, cada número de la serie es simplemente la suma de los dos anteriores. Así: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, . . .
La razón (proporción) de cada par sucesivo de números en la serie se aproxima a phi (1.618. . .). Así si dividimos 5 entre 3 es 1.666..., y 8 entre 5 es 1.60. En la medida en la que vamos mas lejos del 0 (punto de inicio de la secuencia) nos acercamos al valor de phi.
La tabla de abajo nos muestra como las proporciones de números sucesivos en la serie Fibonacci se aproxima a Phi.
Puedes computar cualquier número de la serie Fibonacci fácilmente. Usa phi para saber cualquier numero (n) de la serie Fibonacci (f)
fn = Fn / 5½
Phi puede derivarse matemáticamente resolviendo la ecuación:
n2 - n1 - n0 = 0 que es lo mismo que n2 - n - 1 = 0
Esta ecuación la rescribimos y nos queda así:
n2 = n + 1 y 1 / n = n - 1
La solución a la ecuación es la raíz cuadrada de 5 más 1 dividido entre 2
( 5½ + 1 ) / 2 = 1.6180339... = F
Esto resulta en dos propiedades únicas de phi:
Si elevas al cuadrado a phi, obtienes un numero exactamente 1 mayor que phi: 2.6180...
F2 = F + 1
Si divides a phi entre 1, obtienes un numero exactamente a 1 menos phi: 0.6180...:
1 / F = F - 1
Phi, curiosamente, puede ser expresado en cinco: 5 ^ .5 * .5 + .5 = F
Puedes usar phi para computar un número n en la serie Fibonacci (fn): fn = Fn / 5½
Como por ejemplo, el número 40 de la serie Fibonacci es 102, 334, 155, que puede expresarse
f40 = F40 / 5½ = 102,334,155
Este método en realidad nos provee un estimado que siempre esta cerca del numero correcto Fibonacci.
http://www.iuca.net/gs/que%20es%20phi.htm
¿Qué es phi?
Phi y la serie de Fibonacci
Funciones trigonométricas
Razones matemáticas
Pentágono
Espirales Áureas
Inicio :: Ver temas relacionados: Decalogo Geometria Sagrada :: Número de Oro :: Merkaba
¿Qué es phi?
Phi (1.618033988749895... ), pronunciado como fi, es un numero irracional como Pi ( 3.14159265358979... ), pero con muchas características matemáticas inusuales. Phi es la base de la Proporción Dorada. La razón o proporción determinada por Phi (1.618...) era conocida por los Griegos como la “Sección Dorada” y por los artistas del renacimiento como la “Proporción Divina”. También se le conoce como la razón Dorada o la Proporción Áurea.
Phi, como Pi, es una razón definida por una construcción geométrica.
Pi es la relación de la circunferencia de un círculo respecto a su diámetro. Phi es la proporción de los segmentos de una línea que resultan cuando una línea es dividida de una forma única y especial.
La línea es dividida para que la proporción de la longitud de la línea entera (A) respecto a la longitud del segmento de la línea mayor (B) sea igual que la proporción de la longitud del segmento de la línea mayor (B) a la longitud del segmento de la línea menor (C)
Esto es que A es 1.618... veces B, y B es 1.618… veces C. Recíprocamente, C es 0.618... de B y B es 0.618... de A. Phi con mayúscula "Phi" es 1.6180339887..., mientras que phi con minúscula es 0.6180339887, el reciproco de Phi o Phi menos 1.
Lo que hace a phi incluso mas inusual es que puede derivarse de muchas formas y ser encontrado en proporcionalmente en el universo. Phi F puede ser derivado por: la serie numérica descubierta por Leonardo Fibonacci, matemáticas y geometría.
Phi y la serie de Fibonacci
Leonardo Fibonacci, por herencia del mundo árabe, descubrió la serie que nos lleva a phi. En el siglo XII, Leonardo Fibonacci descubrió una serie numérica simple que es la base de la increíble relación que encontramos detrás de phi. Empezando con 0 y 1, cada número de la serie es simplemente la suma de los dos anteriores. Así: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, . . .
La razón (proporción) de cada par sucesivo de números en la serie se aproxima a phi (1.618. . .). Así si dividimos 5 entre 3 es 1.666..., y 8 entre 5 es 1.60. En la medida en la que vamos mas lejos del 0 (punto de inicio de la secuencia) nos acercamos al valor de phi.
La tabla de abajo nos muestra como las proporciones de números sucesivos en la serie Fibonacci se aproxima a Phi.
Puedes computar cualquier número de la serie Fibonacci fácilmente. Usa phi para saber cualquier numero (n) de la serie Fibonacci (f)
fn = Fn / 5½
Phi puede derivarse matemáticamente resolviendo la ecuación:
n2 - n1 - n0 = 0 que es lo mismo que n2 - n - 1 = 0
Esta ecuación la rescribimos y nos queda así:
n2 = n + 1 y 1 / n = n - 1
La solución a la ecuación es la raíz cuadrada de 5 más 1 dividido entre 2
( 5½ + 1 ) / 2 = 1.6180339... = F
Esto resulta en dos propiedades únicas de phi:
Si elevas al cuadrado a phi, obtienes un numero exactamente 1 mayor que phi: 2.6180...
F2 = F + 1
Si divides a phi entre 1, obtienes un numero exactamente a 1 menos phi: 0.6180...:
1 / F = F - 1
Phi, curiosamente, puede ser expresado en cinco: 5 ^ .5 * .5 + .5 = F
Puedes usar phi para computar un número n en la serie Fibonacci (fn): fn = Fn / 5½
Como por ejemplo, el número 40 de la serie Fibonacci es 102, 334, 155, que puede expresarse
f40 = F40 / 5½ = 102,334,155
Este método en realidad nos provee un estimado que siempre esta cerca del numero correcto Fibonacci.
http://www.iuca.net/gs/que%20es%20phi.htm
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WASHINGTON D. C. GEOMETRY
When the site for Washington D.C. was chosen to be the national capital of the United States, it was an undeveloped area. George Washington selected Pierre L'enfant to design the layout of the city. George Washington was the highest ranking member of the Masons at the time and the Masons were ardent students of ancient civilizations such as those of the ancient Egyptians and Greeks. This is evidenced by many of the monuments in and around the city. It has also been suggested that the streets, the broad diagonal avenues, and the blocks and circles left open for monumental structures, incorporated geometric designs of Masonic relevance, as shown in the 1862 map of Washington D.C. pictured below.
Johnson's Georgetown and the city of Washington
The island known today as Roosevelt Island (due west of the White House in the middle of the Potomac) was called Mason's Island until early in the 20th century. George Mason originally owned the island and he built a bridge from the Virginia side. He had a large retreat house on the island where he entertained friends and guests. George Washington was a neighbor and very good friend of George Mason. Mason was the author of the Virginia Bill of Rights, which became the U. S. Bill of Rights when it was added as the first ten amendments to the constitution of the U.S. There is some evidence that George Mason was a Mason, but it is not certain. Extending New Hampshire Avenue to the southwest, into the Potomac, it crosses over the southern tip of Mason's Island. The Masonic Headquarters of the Scottish Rites of the 33rd degree is just south of the point where New Hampshire Avenue crosses 16th Street, due north of the White House.
Highlighted below are Massachusetts and Connecticut Avenues radiating from the upper left circle, Rhode Island and Vermont Avenues radiating from the upper right circle, and the horizontal street is K street. The White House is located at the apex of the pentagram.
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Highlighted below are Massachusetts Avenue and 19th Street radiating from the upper left circle, Rhode Island Avenue and 13th Street from the upper right circle, New York Avenue and 19th Street from the lower left square and Pennsylvania Avenue and 13th Street from the lower right square. The White House is located at the lower intersection point of the two large triangles that form the Hexagram.
The pentagram and the hexagram are perfectly integrated with the White House in the layout of Washington D.C.
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Below is a diagram of a pentagram drawn into a true hexagram. Each of the six lines that form the hexagram are three inches long and each of the short segments of the hexagram are one inch long.
One is also the square root of one and three is the square root of nine. The distance between the adjacent outer points of the hexagram is 1.732 inches (AB, AC, BD, etc.) 1.732 is the square root of three. HD and all of the other segments that are comprised two of the short segments of the hexagram are two inches long. The distance HE is also two inches long. Two is the square root of four. The two diagonal lines of the pentagram (AE and BE) are 2.646 inches long. 2.646 is the square root of seven. The horizontal line of the pentagram (CD) is 3.464 inches long. 3.464 is the square root of 12.
The segment FH in the hexagram is bisected at G by the line AE of the pentagram. The proportion FG : GH is 1 : 2. The proportions of the segments in the entire line CB are as follows:
CF : FG : GH : HB = 3 : 1 : 2 : 3
The proportions of the line AE as bisected by the lines of the hexagram and the pentagram are as follows:
AG : GJ : JE : = 5 : 4 : 6
The proportions of the line CD as bisected by the lines of the hexagram and the pentagram are as follows:
CI : IJ : JK: KL : LD = 5 : 3 : 4 : 3 : 5
In the diagram below, points J and K from the diagram above are the centers and the segment JK is the radius of two circles, forming a vesica pisces that is perfectly inscribed by the four diagonal lines of the hexagram.
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The intersection point of the two circles (M) and the two intersection points of the hexagram diagramed below (N and O) form a triangle with angular dimensions nearly identical to the Great Pyramid of Giza.
In the diagram below, a hexagram is drawn into a true pentagram. All five of the lines that form the pentagram are 1.618 inches long. The distance between all of the adjacent outer points of the pentagram, and all of the adjacent outer points of the hexagram, is one inch. The φ proportion is 1.618 to one.
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All of the lines of the pentagram are divided into three segments by the other lines of the pentagram. Each line is divided as follows:
.618 : .372 : .618
.618 /.372 = 1.618
.618 + .372 = 1
1/.618 also equals 1.618
The length of the vertical lines in the hexagram are 1.902 inches long. The vertical lines are divided by the intersections of the diagonal lines as follows:
.7265 : .449 : .7265
.7265/.449 = 1.618
.7265 + .449 = 1.1755
1.1755/.7265 also equals 1.618.
All of the isosceles triangles in the hexagram have an apex angle of 72° and base angles of 54°. Bisecting these isosceles triangles forms 36° - 54° - 90° right triangles. This particular right triangle was an important geometric form known as the mr triangle in ancient Egypt.
As shown in the diagram above, all six of the outer points of the hexagram are perfectly inscribed by a vesica pisces.
The pentagram and the hexagram are also combined in the Great Seal of the United States, displayed on the back of one dollar bills.
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The traditional explanation of the 13 stars is the same as the 13 arrows and the 13 leaves and berries on the olive branch, representing the 13 original states, but the arrangement of the 13 five pointed stars forms a hexagram.
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« Reply #6 on: May 25, 2008, 04:01:19 am » |
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The truncated pyramid below the eye on the reverse side of the Great Seal is also comprised of 13 courses of masonry. A 13 stepped truncated pyramid is also on top of the Masonic headquarters on 16th Street in Washington D.C.
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The boundaries of the District of Columbia, established by George Washington in 1791, formed a square with sides ten miles long, centered on the originally proposed location for the Washington Monument. The east-west diagonal of the square also crosses over the Capitol building and the north-south diagonal also crosses over the White House as well as the Masonic headquarters.
 James Clements' map of Washington City The length of the north-south and east-west diagonals is ten miles times the square root of two, or 14.142 miles. This distance converts to 43,455 ancient Egyptian royal cubits, the same figure as the ratio between the Great Pyramid and the dimensions of the earth. The height of the Great Pyramid is 481.13 feet, divided by 5280 equals .0911231 miles. The mean radius of the earth is 3,960 miles, divided by .0911231 equals 43,457. The perimeter of the Great Pyramid is 3023 feet, divided by 5280 equals .5725 miles. The mean circumference of the earth is 24,880 miles, divided by .5725 = 43,458. 3960 miles (radius of the earth) divided by 14.142 miles = 280 (number of cubits in the height of the Great Pyramid) 24,880 miles (circumference of the earth) divided by 14.142 miles = 1,760 (cubits in the perimeter of the Great Pyramid) Converting the radius and circumference of the earth to cubits yields the same results: 3,960 miles times 5,280 = 20,908,800 feet divided by 1.718 = 12,170,430 (earth radius in ancient Egyptian cubits) 12,170,430 cubits divided by 43,455 cubits = 280 cubits 24,880 miles times 5,280 = 131,366,400 feet divided by 1.718 = 76,464,726 (circumference in ancient Egyptian cubits) 76,464,726 cubits divided by 43,455 cubits = 1,760 cubits http://home.hiwaay.net/~jalison/after2.htmlhttp://home.hiwaay.net/~jalison/afterword.html
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The Freemasonic symbology of the architecture in Washington, D.C. is replete with occult concepts and references.
The Square and Compass is aligned horizontally to revere the direction in which the Sun as well as the 'Sun behind the Sun' - the Star of Set, or Sirius which is also included in the layout as the White House is not only at the left side of the Compass, but it is at the bottom of the averse pentagram aligned with the North.
The Star Sirius is a binary star, and the lesser star - Sirius B - is depicted as the smaller star to the bottom left; 'The Pentagon'. Even the hieroglyph of Sirius contains the predominant elements of the architecture;
 the Obelisk (Washington Monument), the 5 pointed star, and the Dome (The Capital Building).
What's more is not only is the White House 13 blocks south the Masonic Temple, an inverted cross is formed by the lower line of the pentagram which is also 13 blocks.
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CLAVE 6-8 EN EL DISEÑO DE WASHINGTON D.C
El 21 de Diciembre coincide con el codigo de Jesus, su muerte y resurreccion 3 dias despues, el dia 24 o Navidad.
Sabemos que los Mayas conocian los codigos y sus calendarios eran muy exactos, si conocía la fecha con exactitud es un misterio.
Lo que he expuesto como mayor prueba de que estamos cerca de este acontecimiento es el componente magnetico del hipercubo a 60 grados, lo cual fue confirmado por el Voyager fuera del sistema solar, en realidad deberia ser inferior a 60, 59,9.. o simil ya que la forma hexagonal del hipercubo es incompatible con el fluido del tiempo, los cubos se fusionan al chocar el 9 y el 6, de 16 puntos de la matriz pasamos a 15, numero impar por lo tanto se pierde polaridad.
Por que 33, el misterioso numero? Simplemente por que 4/3 = 8/6 =1.33, 8 el octogono del orden conformado por 2 cubos sobre el hexagono como el caos.
El punto medio entre ambos simboliza el pasaje entre la muerte y la resurreccion, los 3 dias de noche, el sol negro, etc.
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 El corte grafico 8/6 desde un extremo la singularidad del octogono en el centro de la galaxia a 33 grados y la componente medio de Virgo/Virgen a medio Piscis/Jesus desde la circunferencia exterior pasando por el centro.
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 Las calles de Washington reflejan el octogono o la nueva era dorada.
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 Fractales de tiempo del octogono regenerativo-24 horas del dia 8 octogono/33 = 0.242424 8 octogono/33.333..=0.2400024 800/33.333=24.00024 La lineas amarillas que alternan en 33 grados tienden y por lo tanto median hacia la semilla de la flor octogonal en verde del toro geometrico comprendido en el hipercubo.
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Última edición por IndigoMerovingio; 12-nov-2012 a las 19:24
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EN LA FECHA 15 DE AGOSTO ESTA IMPLICITO Y EXPLICITO EL NUMERO PI Y EL NUMERO DE ORO, NUMEROS BAJOS LOS CUALES FUERON DISEÑADOS LA GRAN PIRAMIDE
GENESIS 49
49:8 Judá, te alabarán tus hermanos; Tu mano en la cerviz de tus enemigos; Los hijos de tu padre se inclinarán a ti.
49:9 Cachorro de león, Judá; De la presa subiste, hijo mío. Se encorvó, se echó como león, Así como león viejo: ¿quién lo despertará?
49:10 No será quitado el cetro de Judá, Ni el legislador de entre sus pies, Hasta que venga Siloh; Y a él se congregarán los pueblos.
¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN 49:11 Atando a la vid su pollino, Y a la cepa el hijo de su asna, Lavó en el vino su vestido, Y en la sangre de uvas su manto. 49:12 Sus ojos, rojos del vino, Y sus dientes blancos de la leche. (LAODICEA=ILUMINACION=APOCALIPSIS 3:14. LA ILUMINACION en la tora tiene un fuerte contexto con MARIA MAGDALENA Y EL SANTO GRIAL. En la pelicula "EL CODIGO DA VINCI" cuando ROBERT LANGDON Y SOPHIE NEVEU van a la mansion del INGLES SIR LEIGH TEABING es increible que PREVIO A QUE ESTE ULTIMO le revele a SOPHIE el nexo de MARIA MAGDALENA CON LEONARDO DA VINCI le hace cerrar los ojos y le pregunta de cuantas copas habia en la mesa en la SANTA CENA y justamente ella responde que una sola. TEABING, un ingles, cuando SOPHIE abre los ojos (ILUMINACION) le muestra que en dicha pintura no hay ninguna copa y que el GRIAL ES JUSTAMENTE LA MUJER QUE ESTA A LA DERECHA DEL SEÑOR CON PELO ROJIZO. LA ILUMINACION EN LA TORA ESTA 100% INTERRELACIONADA CON LA ESPOSA DE NUESTRO SEÑOR JESUCRISTO)
La gran piramide esta diseñada INCREIBLEMENTE en funcion a la ASUNCION DE LA VIRGEN (MARIA MAGDALENA) Y EL SANTO GRIAL. El 15 de agosto (dia numero 227 QUE EQUIVALE AL NUMERO PI (PI-RAMIDE/PYRAMID/P-YRAM-ID/MARY), que tambien esta UBICADO EN UNA POSICION AUREA (NUMERO DE ORO). EL ORO SIMBOLIZA AL GRIAL. EL SALMO 45:9 al hacer referencia a la REINA VESTIDA CON ORO DE O-PHI-R es un OBVIO NEXO ESPIRITUAL CON EL SANTO GRIAL en el contexto al NUMERO DE ORO (GOLDEN NUMBER) PHI=1.618033 INTERRELACIONADO CON EL HUEVO DE PASCUA en el contexto a que los conejos justamente se reproducen en forma AUREA. EL ORO ES UNA OBVIA INTERRELACION A LA ALQUIMIA/ESCALERA DE JACOB/CUADRATURA DEL CIRCULO/NUMERO 5/NUMERO DE ORO. EL MISMO NUMERO 5 ESTA DISEÑADO BAJO ESTE PATRON EN EL CONTEXTO a que en la parte superior es cuadrada y en la parte inferior es circular. El compas (masonico) simboliza el circulo (el cielo) y la escuadra simboliza el cuadrado (la tierra). LA G INFERIOR SIMBOLIZA A GOD/GNOSIS/GALAXY/GRIAL.
El 15 de agosto esta ubicado en la posicion DE ORO. 365.242256/227=1.6089 (Numero muy cercano al NUMERO DE ORO PHI=1.618033). Incluso tambien este dia esta en posicion aurea en contexto a la primera y ultima aparicion de la virgen de Fatima (13 de mayo y 13 de octubre), entre el 4 de julio y 11 de septiembre (VERDADERO MENSAJE DEL 911), VIRGEN DE LOURDES (11 DE FEBRERO Y 8 DE DICIEMBRE). TAMBIEN EL VERDADERO PENTECOSTES ESTA UBICADO EN UNA POSICION DE ORO COMPARADA CON LA FIESTA DE LOS TABERNACULOS. El 15 de agosto (numero 227 y en la semana numero 33) tiene origen del CALENDARIO DE NOE. Concretamente LA GRAN PIRAMIDE ES UN PARALELO AL MONTE DE ARARAT, adonde REPOSO EL ARCA DESPUES DE 7 MESES (210 DIAS) y 17 dias (TOTAL=227 DIAS). EL MENSAJE AQUI ES QUE EL ARCA DE NOE NO FUE UN MITO. LA EXISTENCIA DE PIRAMIDES A NIVEL MUNDIAL DEMUESTRA QUE DICHA ARCA FUE UNA REALIDAD, obviamente subestimada por la FALSA CIENCIA. LA NUEVA JERUSALEM TAMBIEN ESTA DISEÑADA BAJO ESTE PATRON. LOS CIENTIFICOS TRUCHOS, COMO ODIAN AL CREADOR, NIEGAN EL NEXO CIENTIFICO CON LA TORA. DESGRACIADAMENTE TIENEN EL EGO MUY INFLADO Y NO LES CONVIENE ANALIZAR LA CREACION PARA ENTENDER AL UNICO Y VERDADERO DIOS,simbolizados por NUESTROS PADRES ESPIRITUALES NUESTRO SEÑOR JESUCRISTO Y NUESTRA MADRE MARIA MAGDALENA. EL MAYOR CIENTIFICO DE TODA LA HISTORIA, que fue SIR. ISAAC NEWTON, fue UN GRAN RELIGIOSO Y NUNCA DEJO DE ESTUDIAR LA TORA. SIR ISAAC NEWTON TIENE MUCHA IMPORTANCIA EN EL CODIGO DA VINCI.
EL MENSAJE DE LA PI-RAMIDE ES QUE ESTA DISEÑADA EN FUNCION A LA CUBICACION DE UNA ESFERA (CUADRATURA DE UN CIRCULO), osea la ESCALERA DE JACOB (GENESIS 28-CASA DE DIOS Y PUERTA DEL CIELO/SANTO GRIAL). En la linea rosa (ROSE LINE) que es la que pasa por PARIS, sabemos que cientificamente de la misma se diseño el METRO/METER EN INGLES QUE EQUIVALE A MADRE EN GRIEGO. Sabemos tambien que el MERIDIANO DE PARIS ES UN OBVIO CIRCULO Y QUE TIENE UN OBVIO NEXO CON EL NUMERO PI.
EY = .5, The apothem is phi/1.618. This makes the 51 degree + degree angle.
Using a² + b² = c², this makes the height the square root of phi.
| phi in Simple Gematria Equals: 33 |
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| ophir in Simple Gematria Equals: 66 |
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66=33X2
La PI-RAMIDE de LOUVRE, tiene nexo esoterico en el contexto al metro/maestro/master/mister/istar/star/estrella/santo grial. Maestro tiene un fuerte nexo espiritual en la tora con el salmo 119 (muy interrelacionado con el santo Grial)
Sabemos que tambien que la distancia promedio de la tierra a Marte es de 227000000 de Km. Vemos tambien un nexo del 15 de Agosto, ROSE LINE, METRO, MARTE insisto en el contexto a que dicho dia es el numero 227=22/7=NUMERO PI DEL CALENDARIO GREGORIANO. ¿PENSAR QUE hay gente que afirma en INTERNET QUE EN LA BIBLIA NO SE CONOCIA EL PI?
MARCOS/MARTE/ROJO-LA SANGRE ROJA SIMBOLIZA A JUAN MARCOS, EL HIJO DE NUESTRO SEÑOR JESUCRISTO Y MARIA MAGDALENA. CONCRETAMENTE ROSE LINE tiene un NEXO CIENTIFICO CON MARTE/ROJO. ESTO EXPLICA DESDE OTRA PERSPECTIVA el porque LEONARDO DA VINCI LA PINTO PELIROJA A MARIA MAGDALENA. YHWH MUEVE LOS HILOS DEL MUNDO. Noten que en el mismo nombre de LEO-NARDO ESTA EN CLAVE LA ASUNCION DE MARIA MAGDALENA (CON NARDO NUESTRA MADRE UNGIO REY A JESUCRISTO) EN BETANIA.
PHI=NUMERO DE ORO=1.618033
FI=PHI=NUMERO DE ORO=1.618033
171. Salmos 45:9: Hijas de reyes están entre tus ilustres;Está la REINA a tu diestra con oro de OPHIR.
SO-FI-A/SOPHIA/S-OPHI-A/SO-PHI-A/SABIDURIA/S-OFI-A/FI-L-OFI-A
REINA VESTIDA CON ORO DE O-PHI-R/OFIR
ESTA TODO CALCULADO. SALMOS 45:9, EN CLAVE, HACE REFERENCIA AL NUMERO DE ORO PHI PARA GLORIA DEL CREADOR DEL UNIVERSO Y DE CRISTO Y MARIA MAGDALENA.
MARTE Y VENUS ESTAN DISEÑADOS EN FUNCION AL SANTO GRIAL (NUMERO DE ORO PHI=1.618033)
EL diseño cientifico de MARTE en funcion al NUMERO DE ORO, y al NUMERO PI es un OBVIO NEXO ESPIRITUAL con el SANTO GRIAL. No olvidemos que el EXODO DE EGIPTO, osea la PASCUA, fue en el primer mes hebreo que en el gregoriano equivale a MARZO/MARTE.
 
La LINEA ROSA/(ROSE LINE) que pasa por el MERIDIANO DE PARIS, tiene un OBVIO NEXO CON LA LINEA ROSA de WASHINGTON D.C. En el codigo DA VINCI, recordemos que Robert Landon y Sophie encuentran la CLAVE DEL CRIPTEX QUE ES MANZANA/APPLE.
| apple in Simple Gematria Equals: 50 |
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Hay un obvio nexo kavalistico con el numero 33 sumando las primeras tres letras y con el numero 50 (Jubileo) sumando sus 5 letras. APPLE incluso tiene interrelacion segun el libro de PROVERBIOS CON LA SABIDURIA/SOPHIA (GRIEGO)/NUMERO DE ORO/PHI.
| phi in Simple Gematria Equals: 33 |
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MANZANA de oro con figuras de plata
Es la palabra dicha como conviene.
¿LA MANZANA ES UNA RELACION CON EL ORO/NUMERO DE ORO PHI/SO-PHI-A, OSEA CON MARIA MAGDALENA LA NUEVA EVA? ¿PORQUE A NEWTON, EL MAYOR CIENTIFICO DE LA HISTORIA DESCUBRIO LA LEY DE LA GRAVITACION UNIVERSAL EN EL CONTEXTO A LA CAIDA DE UNA MANZANA? ¿PORQUE SIR. ISAAC NEWTON, UN GRAN ESTUDIOSO DE LA TORA TIENE MUCHA RELEVANCIA EN EL "CODIGO DA VINCI"? NOTEN EL NEXO EVANGELIO CON EVA Y ANGEL, OSEA EL ANGEL DE EVA, OSEA EL LINAJE DE EVA QUE ES EL SANTO GRIAL. PRIMERO CRISTO Y LUEGO SU LINAJE.
ES OBVIA LA INTERRELACION CON EL CICLO DE VENUS, EN EL CONTEXTO AL NUMERO DE ORO PHI=1.618033 Y A LA SERIE DE FIBONACCI CON LA MANZANA COMO LO EXPRESA LA TORA EN FUNCION AL LIBRO DE PROVERBIOS. HAY TAMBIEN UN NEXO CON EL JUBILEO (CICLO DE 50 AÑOS) EN FUNCION A LA GEMATRIA DE APPLE. ¿CASUALIDAD QUE LA SANTA CENA ESTA DISEÑADA (NUMERO 616) EN LA CANTIDAD DE CICLOS DE LUNARES, EN LA CANTIDAD DE CICLOS DE VENUS EN DICHO CICLO? LA RELIGION ES CIENCIA PURA.
NOTEN QUE EN SU MISMA LEY ESTA EL SELLO DE LA LETRA G CON REFERENCIA A GOD/GOLD/GNOSIS/GRIAL. LA LETRA G TIENE LA MISMA FORMA DE LA VIA LACTEA. ¿CASUALIDAD O CAUSALIDAD QUE APARECE ISAAC EN GALATAS 4:26 EN FUNCION A "NUESTRA MADRE" QUE ESTA EN EL CIELO? ESTO EXPLICA DESDE OTRA PERSPECTIVA LA RELACION ESPIRITUAL DE ISAAC CON LA LINEA ROSA.
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ESPAÑA/LEON/ SAN MARCOS/ CAMINO DE SANTIAGO/25 DE JULIO/ CONSTELACION DE LEO/LEO-NARDO DA VINCI/ DOLAR /911/ 311 / COLUMNAS DE HERCULES / ATLANTIDA /RELACION CON LA CONSTELACION DEL CISNE O CYGNUS (ULTRASECRETO ESOTERICO Y EXOTERICO DEL PORQUE SE PERSIGNAN LOS CATOLICOS)-RELACION CON LA ESCUADRA Y EL COMPAS MASONICO
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En Genesis 8:14 tambien tenemos un nexo con el numero 227 o 2/27 o 27/2.
8:14 Y en el mes segundo, a los veintisiete días del mes, se secó la tierra.
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Hay algo que es increible. Desde el 15/3 (153) hasta el 15 de Agosto tenemos 153 dias y desde el 13 de Octubre hasta el 15/3 tambien tenemos 153 dias. Concretamente hay una impresionante interrelacion entre el 15 de Agosto, el 13 de Octubre con el numero 153. Teniendo en cuenta de la interrelacion del 15 de Agosto desde el 1 de enero con el 227, relacionado con el pi=3.14 y en el contexto a que desde el 1 de Marzo hasta el 13 de Octubre, tambien tenemos 227 dias y considerando que 314-153=161 es igual al NUMERO DE ORO vemos otra interrelacion del 15 de Agosto con el NUMERO DE ORO. Otro detalle a tener en cuenta es que desde la primera aparicion de la VIRGEN DE FATIMA el 13 de mayo hasta su ultima aparicion el 13 de octubre tenemos tambien 153 dias.
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Columbus Sailed the Ocean Blue in 1492
The explorer Christopher Columbus was a member of the Roman Catholic Franciscan Order [1][2], and probably sailed with a crew of Knights Templar. Some report the ship flying their flag, the familiar red cross.[3][4][5][6][7]
In 1493 the Pope gave all of the Americas to the Spanish inquisition.[8][9][10][11][12] Soon after, Spain began slaughtering and subjugating the Natives, and bringing in African slaves to all the Americas.[13][14][15][16]
Colonist set sail in 1584 from England to found the American colonies, including Virginia, named after Elizabeth.
"The name Virginia originates from an expedition sent by Queen Elizabeth I in 1584, noting her status as the "Virgin Queen." Initially, the term "Virginia" was applied to the entire eastern coast of North America from the 34th parallel (near Cape Fear) north to the 48th parallel, including the shorelines of Acadia and a large portion of inland Canada. Although Spain, France and the Netherlands all had competing claims to the region, none of these prevented the English from becoming the first European power to colonize the Mid-Atlantic coastline. To the south, Spain attempted to establish settlements at least as far north as South Carolina."
The Spanish Armada of ships attack England in 1588 to depose the Protestant Queen Elizabeth I. The fleet sinks in bad weather.[17][18] Movie: Elizabeth, parts 1 & 2.
Roman Catholics were banned from political office in the colonies until after the American Revolution in 1775. Maryland was the only Roman Catholic colony.[19][20][21][22][23]
The Catholic Church builds Washington D.C.
"In December 1790, Maryland ceded land selected by President George Washington to the federal government for the creation of Washington, D.C. The land provided to Washington, D.C. is actually "sitting" inside the state of Maryland."
"Daniel Carroll (July 22, 1730 – July 5, 1796) was a politician and one of the Founding Fathers of the United States. He was a prominent member of one of America's great colonial families that included his cousin Charles Carroll of Carrollton who signed the Declaration of Independence, and his brother John Carroll who was the first Catholic bishop in the United States. He was one of only five men to sign both the Articles of Confederation and the Constitution of the United States." (DIA DE MARIA MAGDALENA)
"When the Congress, at the session held in October, 1784, at Trenton, New Jersey, enacted that a board of three commissioners should lay out a site to be the capital of the nation, Daniel Carroll was named with Thomas Johnson and David Stuart as his associates. The choice of the present site of Washington was advocated by Carroll, and he owned one of the four farms taken for it, Notley Young, David Burns, and Samuel Davidson being the others interested. The capitol was built on the land transferred to the Government by Carroll. And there is additional interest to Catholics in the fact that, in 1663, this whole section of country belonged to a man named Pope, who called it Rome. On 15 April, 1791, Carroll and David Stuart, as the official commissioners of Congress, laid the corner-stone of the District of Columbia at Jones' Point near Alexandria, Virginia. When the Congress met in Washington for the first time, in November, 1800, Carroll and Notley Young owned the only two really comfortable and imposing houses within the bounds of the city. Young's name is among those assisting as collectors of subscriptions (1787) for the founding of Georgetown College."[24][25]
The Jesuit Bishop John Carroll was probably the richest man in America in the late 1700's. Carroll allowed funding to construct D.C. (which is nicknamed "Rome on the Potomac"). The owner of the land used to be Francis Pope and his priest was Jesuit Andrew White (White House).
Washington D.C.'s original name was Rome, Maryland, and a branch of the Potomac River was called Tiber Creek, which was named after the Tiber river in Rome. Like Rome, Washington D.C. has 7 hills, whose names are: Capitol Hill, Meridian Hill, Floral Hills, Forest Hills, Hillbrook, Hillcrest, and Knox Hill.
Washington City
becomes Washington D.C.,
the District of Columbia
In the U.S., the big push to canonize or deify the pirate Columbus came after the fall of the Papal States in 1870. On June 1, 1871, the name of the headquarters of the government was changed from Washington City to Washington D.C., District of Columbia. No expense was spared by the Knights of Columbus to glorify this thief, and murderer. A seal and motto, "Justitia Omnibus" (Justice for All), was adopted for the District of Columbia.
In 1937 President Franklin Roosevelt proclaimed every Oct. 12 as Columbus Day and in 1971, President Nixon declared it a federal public holiday on the 2nd Monday in October.
• • • • •
IN 1492
In fourteen hundred ninety-two
Columbus sailed the ocean blue.
He had three ships and left from Spain;
He sailed through sunshine, wind and rain.
He sailed by night; he sailed by day;
He used the stars to find his way.
A compass also helped him know
How to find the way to go.
Ninety sailors were on board;
Some men worked while others snored.
Then the workers went to sleep;
And others watched the ocean deep.
Day after day they looked for land;
They dreamed of trees and rocks and sand.
October 12 their dream came true,
You never saw a happier crew!
"Indians! Indians!" Columbus cried;
His heart was filled with joyful pride.
But "India" the land was not;
It was the Bahamas, and it was hot.
The Arakawa natives were very nice;
They gave the sailors food and spice.
Columbus sailed on to find some gold
To bring back home, as he'd been told.
He made the trip again and again,
Trading gold to bring to Spain.
The first American? No, not quite.
But Columbus was brave, and he was bright.
http://protocolhistory.webs.com/columbus1492.htm
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227/1.618033=140.29
El 20 de mayo equivale al dia numero 140. Dicho dia esta muy interrelacionado con las `PLEYADES y LA PIRAMIDE MAYA.
227-87=140
227+87=314
Aqui tenemos una nueva INTERRELACION DEL 15 DE AGOSTO (DIA NUMERO 227 DEL AÑO) CON EL 9 DE NOVIEMBRE O 9/11 QUE ES EL DIA NUMERO 314 DEL AÑO.
314/227=1.3832
ES CURIOSO QUE 365-227=138
13/8 O 13 DE OCTUBRE
¿que hay detras de estas coincidencias matematicas?
Solo DIOS lo sabe
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EN LA FECHA 15 DE AGOSTO ESTA IMPLICITO Y EXPLICITO EL NUMERO PI Y EL NUMERO DE ORO, NUMEROS BAJOS LOS CUALES FUERON DISEÑADOS LA GRAN PIRAMIDE
GENESIS 49
49:8 Judá, te alabarán tus hermanos; Tu mano en la cerviz de tus enemigos; Los hijos de tu padre se inclinarán a ti.
49:9 Cachorro de león, Judá; De la presa subiste, hijo mío. Se encorvó, se echó como león, Así como león viejo: ¿quién lo despertará?
49:10 No será quitado el cetro de Judá, Ni el legislador de entre sus pies, Hasta que venga Siloh; Y a él se congregarán los pueblos.
¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN 49:11 Atando a la vid su pollino, Y a la cepa el hijo de su asna, Lavó en el vino su vestido, Y en la sangre de uvas su manto. 49:12 Sus ojos, rojos del vino, Y sus dientes blancos de la leche. (LAODICEA=ILUMINACION=APOCALIPSIS 3:14. LA ILUMINACION en la tora tiene un fuerte contexto con MARIA MAGDALENA Y EL SANTO GRIAL. En la pelicula "EL CODIGO DA VINCI" cuando ROBERT LANGDON Y SOPHIE NEVEU van a la mansion del INGLES SIR LEIGH TEABING es increible que PREVIO A QUE ESTE ULTIMO le revele a SOPHIE el nexo de MARIA MAGDALENA CON LEONARDO DA VINCI le hace cerrar los ojos y le pregunta de cuantas copas habia en la mesa en la SANTA CENA y justamente ella responde que una sola. TEABING, un ingles, cuando SOPHIE abre los ojos (ILUMINACION) le muestra que en dicha pintura no hay ninguna copa y que el GRIAL ES JUSTAMENTE LA MUJER QUE ESTA A LA DERECHA DEL SEÑOR CON PELO ROJIZO. LA ILUMINACION EN LA TORA ESTA 100% INTERRELACIONADA CON LA ESPOSA DE NUESTRO SEÑOR JESUCRISTO)
La gran piramide esta diseñada INCREIBLEMENTE en funcion a la ASUNCION DE LA VIRGEN (MARIA MAGDALENA) Y EL SANTO GRIAL. El 15 de agosto (dia numero 227 QUE EQUIVALE AL NUMERO PI (PI-RAMIDE/PYRAMID/P-YRAM-ID/MARY), que tambien esta UBICADO EN UNA POSICION AUREA (NUMERO DE ORO). EL ORO SIMBOLIZA AL GRIAL. EL SALMO 45:9 al hacer referencia a la REINA VESTIDA CON ORO DE O-PHI-R es un OBVIO NEXO ESPIRITUAL CON EL SANTO GRIAL en el contexto al NUMERO DE ORO (GOLDEN NUMBER) PHI=1.618033 INTERRELACIONADO CON EL HUEVO DE PASCUA en el contexto a que los conejos justamente se reproducen en forma AUREA. EL ORO ES UNA OBVIA INTERRELACION A LA ALQUIMIA/ESCALERA DE JACOB/CUADRATURA DEL CIRCULO/NUMERO 5/NUMERO DE ORO. EL MISMO NUMERO 5 ESTA DISEÑADO BAJO ESTE PATRON EN EL CONTEXTO a que en la parte superior es cuadrada y en la parte inferior es circular. El compas (masonico) simboliza el circulo (el cielo) y la escuadra simboliza el cuadrado (la tierra). LA G INFERIOR SIMBOLIZA A GOD/GNOSIS/GALAXY/GRIAL.
El 15 de agosto esta ubicado en la posicion DE ORO. 365.242256/227=1.6089 (Numero muy cercano al NUMERO DE ORO PHI=1.618033). Incluso tambien este dia esta en posicion aurea en contexto a la primera y ultima aparicion de la virgen de Fatima (13 de mayo y 13 de octubre), entre el 4 de julio y 11 de septiembre (VERDADERO MENSAJE DEL 911), VIRGEN DE LOURDES (11 DE FEBRERO Y 8 DE DICIEMBRE). TAMBIEN EL VERDADERO PENTECOSTES ESTA UBICADO EN UNA POSICION DE ORO COMPARADA CON LA FIESTA DE LOS TABERNACULOS. El 15 de agosto (numero 227 y en la semana numero 33) tiene origen del CALENDARIO DE NOE. Concretamente LA GRAN PIRAMIDE ES UN PARALELO AL MONTE DE ARARAT, adonde REPOSO EL ARCA DESPUES DE 7 MESES (210 DIAS) y 17 dias (TOTAL=227 DIAS). EL MENSAJE AQUI ES QUE EL ARCA DE NOE NO FUE UN MITO. LA EXISTENCIA DE PIRAMIDES A NIVEL MUNDIAL DEMUESTRA QUE DICHA ARCA FUE UNA REALIDAD, obviamente subestimada por la FALSA CIENCIA. LA NUEVA JERUSALEM TAMBIEN ESTA DISEÑADA BAJO ESTE PATRON. LOS CIENTIFICOS TRUCHOS, COMO ODIAN AL CREADOR, NIEGAN EL NEXO CIENTIFICO CON LA TORA. DESGRACIADAMENTE TIENEN EL EGO MUY INFLADO Y NO LES CONVIENE ANALIZAR LA CREACION PARA ENTENDER AL UNICO Y VERDADERO DIOS,simbolizados por NUESTROS PADRES ESPIRITUALES NUESTRO SEÑOR JESUCRISTO Y NUESTRA MADRE MARIA MAGDALENA. EL MAYOR CIENTIFICO DE TODA LA HISTORIA, que fue SIR. ISAAC NEWTON, fue UN GRAN RELIGIOSO Y NUNCA DEJO DE ESTUDIAR LA TORA. SIR ISAAC NEWTON TIENE MUCHA IMPORTANCIA EN EL CODIGO DA VINCI.
EL MENSAJE DE LA PI-RAMIDE ES QUE ESTA DISEÑADA EN FUNCION A LA CUBICACION DE UNA ESFERA (CUADRATURA DE UN CIRCULO), osea la ESCALERA DE JACOB (GENESIS 28-CASA DE DIOS Y PUERTA DEL CIELO/SANTO GRIAL). En la linea rosa (ROSE LINE) que es la que pasa por PARIS, sabemos que cientificamente de la misma se diseño el METRO/METER EN INGLES QUE EQUIVALE A MADRE EN GRIEGO. Sabemos tambien que el MERIDIANO DE PARIS ES UN OBVIO CIRCULO Y QUE TIENE UN OBVIO NEXO CON EL NUMERO PI.
EY = .5, The apothem is phi/1.618. This makes the 51 degree + degree angle.
Using a² + b² = c², this makes the height the square root of phi.
| phi in Simple Gematria Equals: 33 |
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p
16 |
h
8 |
i
9 |
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| ophir in Simple Gematria Equals: 66 |
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o
15 |
p
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h
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i
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r
18 |
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66=33X2
La PI-RAMIDE de LOUVRE, tiene nexo esoterico en el contexto al metro/maestro/master/mister/istar/star/estrella/santo grial. Maestro tiene un fuerte nexo espiritual en la tora con el salmo 119 (muy interrelacionado con el santo Grial)
Sabemos que tambien que la distancia promedio de la tierra a Marte es de 227000000 de Km. Vemos tambien un nexo del 15 de Agosto, ROSE LINE, METRO, MARTE insisto en el contexto a que dicho dia es el numero 227=22/7=NUMERO PI DEL CALENDARIO GREGORIANO. ¿PENSAR QUE hay gente que afirma en INTERNET QUE EN LA BIBLIA NO SE CONOCIA EL PI?
MARCOS/MARTE/ROJO-LA SANGRE ROJA SIMBOLIZA A JUAN MARCOS, EL HIJO DE NUESTRO SEÑOR JESUCRISTO Y MARIA MAGDALENA. CONCRETAMENTE ROSE LINE tiene un NEXO CIENTIFICO CON MARTE/ROJO. ESTO EXPLICA DESDE OTRA PERSPECTIVA el porque LEONARDO DA VINCI LA PINTO PELIROJA A MARIA MAGDALENA. YHWH MUEVE LOS HILOS DEL MUNDO. Noten que en el mismo nombre de LEO-NARDO ESTA EN CLAVE LA ASUNCION DE MARIA MAGDALENA (CON NARDO NUESTRA MADRE UNGIO REY A JESUCRISTO) EN BETANIA.
PHI=NUMERO DE ORO=1.618033
FI=PHI=NUMERO DE ORO=1.618033
171. Salmos 45:9: Hijas de reyes están entre tus ilustres;Está la REINA a tu diestra con oro de OPHIR.
SO-FI-A/SOPHIA/S-OPHI-A/SO-PHI-A/SABIDURIA/S-OFI-A/FI-L-OFI-A
REINA VESTIDA CON ORO DE O-PHI-R/OFIR
ESTA TODO CALCULADO. SALMOS 45:9, EN CLAVE, HACE REFERENCIA AL NUMERO DE ORO PHI PARA GLORIA DEL CREADOR DEL UNIVERSO Y DE CRISTO Y MARIA MAGDALENA.
MARTE Y VENUS ESTAN DISEÑADOS EN FUNCION AL SANTO GRIAL (NUMERO DE ORO PHI=1.618033)
EL diseño cientifico de MARTE en funcion al NUMERO DE ORO, y al NUMERO PI es un OBVIO NEXO ESPIRITUAL con el SANTO GRIAL. No olvidemos que el EXODO DE EGIPTO, osea la PASCUA, fue en el primer mes hebreo que en el gregoriano equivale a MARZO/MARTE.
Génesis
8:1 Y se acordó Dios de Noé, y de todos los animales, y de todas las bestias que estaban con él en el arca; e hizo pasar Dios un viento sobre la tierra, y disminuyeron las aguas.
8:2 Y se cerraron las fuentes del abismo y las cataratas de los cielos; y la lluvia de los cielos fue detenida.
8:3 Y las aguas decrecían gradualmente de sobre la tierra; y se retiraron las aguas al cabo de ciento cincuenta días.
8:4 Y reposó el arca en el mes séptimo, a los diecisiete días del mes, sobre los montes de Ararat. (LA EXPRESION EN EL MES SEPTIMO, A LOS DIECISIETE DIAS DEL MES ES SUBJETIVA. Se lo puede interpretar como el 17 del septimo mes o como siete meses y 17 dias. En contexto a la segunda posicion multiplicando 7x30 dias=210 dias que mas 17 nos da 227 dias. ¿En este versiculo tenemos un simbolo tipologico de la ASUNCION DE MARIA EL 15 DE AGOSTO QUE ES JUSTAMENTE EL DIA NUMERO 227 DELAÑO?. ES INCREIBLE QUE EL MONTE DE ARARAT ESTA EN TURQUIA, QUE ES UNA NACION ISLAMICA. ¿CASUALIDAD O CAUSALIDAD? Recordemos que el ARCA DE NOE, AL IGUAL QUE EL ARCA DEL PACTO estan diseñadas en funcion al NUMERO DE ORO Y QUE ES UN RECIPIENTE, OSEA UN SIMBOLO FEMENINO. LA MUJER EMBARAZADA ES RECIPIENTE DEL HIJO. Incluso TURQUIA/ANATOLIA que es adonde esta ubicada el MONTE DE ARARAT tiene nexo con las siete iglesias de apocalipsis 1 con fuerte nexo con las PLEYADES y con MARIA MAGDALENA E incluso con ANTIOQUIA que es adonde nacio EL CRISTIANISMO. )
 NOTEN LA UBICACION DE COLUMBIA EN LA PARTE SUPERIOR DE UNA PI-RAMIDE. COLUMBIA ES LA PALOMA DE NOE, CONSTELACION UBICADA EN LA PARTE INFERIOR A ORION. HOLLYWOOD RECURRE A MENSAJES SUBLIMINALES CON ALTA PROFUNDIDAD.
8:5 Y las aguas fueron decreciendo hasta el mes décimo; en el décimo, al primero del mes, se descubrieron las cimas de los montes. 8:6 Sucedió que al cabo de cuarenta días abrió Noé la ventana del arca que había hecho, 8:7 y envió un cuervo, el cual salió, y estuvo yendo y volviendo hasta que las aguas se secaron sobre la tierra. 8:8 Envió también de sí una paloma, para ver si las aguas se habían retirado de sobre la faz de la tierra. 8:9 Y no halló la paloma donde sentar la planta de su pie, y volvió a él al arca, porque las aguas estaban aún sobre la faz de toda la tierra. Entonces él extendió su mano, y tomándola, la hizo entrar consigo en el arca. 8:10 Esperó aún otros siete días, y volvió a enviar la paloma fuera del arca. 8:11 Y la paloma volvió a él a la hora de la tarde; y he aquí que traía una hoja de olivo en el pico; y entendió Noé que las aguas se habían retirado de sobre la tierra. 8:12 Y esperó aún otros siete días, y envió la paloma, la cual no volvió ya más a él. 8:13 Y sucedió que en el año seiscientos uno de Noé, en el mes primero, el día primero del mes, las aguas se secaron sobre la tierra; y quitó Noé la cubierta del arca, y miró, y he aquí que la faz de la tierra estaba seca. 13 de octubre fue la caida de los templarios-Misterio del 13/8
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LA CONSTELACION DE LAS PLEYADES ESTA UBICADO EN TAURO/TORO
1 Corintios 1:19: Pues está escrito: Destruiré la sabiduría de los sabios, Y desecharé el entendimiento de los entendidos.
sabiduría/s-ophi-a/so-phi-a/sabado
Corintios/ORIN/ORION
INDEPENDENCIA DE ESTADOS UNIDOS, EN EL CONTEXTO AL 4 DE JULIO, A LA SALIDA DEL SOL
LA LLAVE(ORION) EN EL HORIZONTE/HORUS/SOL ROJO/MARTE EN EL CONTEXTO A LA SALIDA DEL SOL.
A 33 GRADOS ESTAN LAS PLEYADES.
THE BLAZING STAR IS ALDEBARAN
TERMINATOR 3 Y ALDEBARAN
OBSERVEN QUE ALLI AFIRMA QUE LA GUERRA/MARTE SE INICIA EL 2 DE JULIO (VERDADERA INDEPENDENCIA DE ESTADOS UNIDOS), QUE INSISTO LLEVADOS AL AÑO 30 DC, EN EL CONTEXTO A LA DIFERENCIA DE DOS DIAS DEBIDO A QUE EN LA REFORMA DEL CALENDARIO JULIANO-GREGORIANO SE HIZO DE 10 DIAS, EN LUGAR DE 12, EN EL CONTEXTO AL AÑO 30 DC, DICHO DIA VERDADERAMENTE FUE EN MARTES 4 DE JULIO DE 1776 EN LUNA LLENA. ¿PORQUE LA RELACION CON ALDEBARAN, EL OJO ISQUIERDO, DEL TORO? 2003 FUE EL AÑO 227 DESDE LA INDEPENDENCIA DE LOS ESTADOS UNIDOS. ESE AÑO FUE TAMBIEN INCLUSO EL ESTRENO DEL CODIGO DA VINCI.
NUMERO PHI Y PI
ENLACES
Everything is Connected and there are no
coincidences
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CRISTO RESUCITO FRENTE A MARIA MAGDALENA, EL 17/18 DE NISSAN, EN LUNA CRECIENTE
LA VIUDA PIDE JUSTICIA
Lucas
18:1 También les refirió Jesús una parábola sobre la necesidad de orar siempre, y no desmayar,
18:2 diciendo: Había en una ciudad un juez, que ni temía a Dios, ni respetaba a hombre.
18:3 Había también en aquella ciudad una viuda, la cual venía a él, diciendo: Hazme justicia de mi adversario.
18:4 Y él no quiso por algún tiempo; pero después de esto dijo dentro de sí: Aunque ni temo a Dios, ni tengo respeto a hombre,
18:5 sin embargo, porque esta viuda me es molesta, le haré justicia, no sea que viniendo de continuo, me agote la paciencia.
18:6 Y dijo el Señor: Oíd lo que dijo el juez injusto.
18:7 ¿Y acaso Dios no hará justicia a sus escogidos, que claman a él día y noche? ¿Se tardará en responderles?
18:8 Os digo que pronto les hará justicia. Pero cuando venga el Hijo del Hombre, ¿hallará fe en la tierra?
55. Mateo 23:14: ¡Ay de vosotros, escribas y fariseos, hipócritas! porque devoráis las casas de las VIUDAs, y como pretexto hacéis largas oraciones; por esto recibiréis mayor condenación.
56. Marcos 12:40: que devoran las casas de las VIUDAs, y por pretexto hacen largas oraciones. Estos recibirán mayor condenación.
65. Lucas 20:47: que devoran las casas de las VIUDAs, y por pretexto hacen largas oraciones; éstos recibirán mayor condenación.
¿"Devoran la casas de las viudas" no es una alusion a que devoran la casa/linaje de la viuda? ¿Porque Jesucristo incluso relaciona la viuda con JUAN MARCOS en Hechos 12:12?
1. Hechos 12:12: Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre MARCOS, donde muchos estaban reunidos orando.
Es obvio que MARIA LA MADRE DE JUAN ES LA VIUDA.
¿PORQUE SE RELACIONA LA VIUDA CON LA EXPULSION DE LOS MERCADERES DEL TEMPLO? ¿HAY UNA CONSPIRACION CONTRA LA VIUDA? ¿QUE PIENSA USTED?
1. Isaías 56:7: yo los llevaré a mi santo monte, y los recrearé en mi casa de oración; sus holocaustos y sus sacrificios serán aceptos sobre mi altar; porque mi casa será llamada casa de oración para todos los pueblos.
2. Mateo 21:13: y les dijo: Escrito está: Mi casa, casa de oración será llamada; mas vosotros la habéis hecho cueva de ladrones.
3. Marcos 11:17: Y les enseñaba, diciendo: ¿No está escrito: Mi casa será llamada casa de oración para todas las naciones? Mas vosotros la habéis hecho cueva de ladrones.
4. Lucas 19:46: diciéndoles: Escrito está: Mi casa es casa de oración; mas vosotros la habéis hecho cueva de ladrones.
Éxodo 20:17: No codiciarás la casa de tu prójimo, no codiciarás la MUJER de tu prójimo, ni su siervo, ni su criada, ni su buey, ni su asno, ni cosa alguna de tu prójimo.
COMPAS=CIRCULO=INFINITO=CIELO=VIDA ETERNA=INFINITO=NUMERO 8
ESCUADRA=TIERRA=NUMERO 4
OBSERVEN EL NEXO CON EL NUMERO 4 Y EL 8
NO ES CASUALIDAD QUE LOS EEUU (BENJAMIN) SE LIBERARON EN LUNA LLENA (RAQUEL) EN EL DIA NUMERO 119. 1776=48X37
ESTA TODO FRIAMENTE CALCULADO. EL GRAN CREADOR DEL UNIVERSO ES EL GRAN MATEMATICO, SUBESTIMADO POR LA FALSA CIENCIA DEL HOMBRE, CUYO UNICO FIN ES EL INFLAR EL EGO DE LOS FALSOS CIENTIFICOS Y DESGRACIADAMENTE DE SUS ALUMNOS
SOLO EN CRISTO ESTA LA VERDAD AMIGO. TODO LO DEMAS ES MENTIRA.
ENTENDER A MARIA MAGDALENA Y EL GRIAL LIBERA
EY = .5, The apothem is phi/1.618. This makes the 51 degree + degree angle.
Using a² + b² = c², this makes the height the square root of phi.
| phi in Simple Gematria Equals: 33 |
( |
p
16 |
h
8 |
i
9 |
) |
| ophir in Simple Gematria Equals: 66 |
( |
o
15 |
p
16 |
h
8 |
i
9 |
r
18 |
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66=33X2
IMPRESIONANTE GRAFICA CODIFICADA. Observen la cruz de CRISTO en el CENTRO de la BALANZA/JUSTICIA. La VIUDA (PELIROJA) a la DERECHA y ANUBIS / PERRO /CHACAL / BENJAMIN /SIRIO / CAN MAYOR a la ISQUIERDA QUE SIMBOLIZA AL GRIAL/JUAN MARCOS. En la parte inferior los cuadrados, una referencia al numero 4, y en la parte superior el numero ocho/infinito que simboliza al cielo. Noten el sol y la luna que son una referencia obviamente, en el contexto al sueño de Jose de Genesis 37 a JACOB y RAQUEL y tambien al CUARTO DIA DE LA CREACION / MIERCOLES /MERCURIO. El actual 4to dia de la semana es el MIERCOLES que es una referencia al MERCURIO QUE ES EL UNICO ELEMENTO QUE FUE CONVERTIDO EN ORO POR LA CIENCIA (ALQUIMIA). En la parte inferior se ve a la derecha una referencia a la PLATA/LUNA y a la isquierda al ORO/SOL. Lo concreto que en esta grafica esta codificado el YOM KIPUR HEBREO EN UN CONTEXTO EGIPCIO. Esto es una REFERENCIA ESOTERICA A GALATAS 4:26 ADONDE LA NUEVA JERUSALEM/SARA OBVIAMENTE ES MARIA MAGDALENA Y EL NUEVO ISAAC ES JUAN MARCOS. Noten incluso la estrella de 7 puntas en la parte superior de la cabeza de la mujer. ES UNA REFERENCIA A LAS PLEYADES QUE ESTA EN LA CONSTELACION DEL TORO. EL 911 ESTA CODIFICADO AQUI. ES INCREIBLE LA PROFUNDIDAD ESOTERICA QUE TIENE ESTA GRAFICA. Otra manera de verlo es en el contexto a la CONSTELACION DEL CISNE/CRUZ DEL NORTE / CAMINO DE SANTIAGO DE COMPOSTELA /TRANSFIGURACION DE CRISTO.
HAY COMO UNA DUALIDAD ENTRE ESTA ULTIMA CONSTELACION CON LA DE ORION EN EL CONTEXTO AL COMPLEJO PIRAMIDAL DE GIZE. TODO ESTA CODIFICADO. ES INCREIBLE.
CYGNUS/SWAN/PARALELO 33
CYGNUS, ubicada en el meridiano fin de SAGITARIO Y COMIENZO DE CAPRICORNIO, incluso en el mismo de la constelacion de AGUILA, con referencia al ECUADOR (movimiento relativo de la tierra), que sabemos que esta ORION, VIRGO Y PISCIS, es casualidad que justo CYGNUS ESTA CRUZADO POR EL PARALELO 33. ES OBVIA QUE LA CRUCIFICCION DE CRISTO ES UNA REFERENCIA A CYGNUS, en el contexto a la RESURRECCION DEL SOL (SOLSTICIO DE INVIERNO).
NUMERO 33
CONSTELACION DEL CISNE/(CYGNUS)
Cygnus (constellation)
From Wikipedia, the free encyclopedia
Cygnus
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Attachment:
 solomon key.jpg [ 53.65 KiB | Viewed 824 times ]
Now look at the layout of the island where the Statue of Liberty is located:
Attachment:
Another possible key embedded in the layout of Washington, DC - this one has the Lincoln Memorial in the center of the star:
Attachment:
 Now Wheel of Dharma has the three turns Same three ladies with key in pink ribbon in a Masonic Tracing board stairway/rod to the star... Sirius...
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The breakthrough here leads to deciphering the Holy Grail...The Sang-real.
There is far more to this proposed Vatican secret than meets the eye. A two-dimensional star interpretation of Orion showing the way to a nearby Sun-like star is only half of the story.
What may also have some bearing on this secret are the positions of real ‘Sun worship’ Egyptian obelisks, which will be addressed in this article. Of equal importance, and yet to be mentioned, is that the geographical criterion may have inspired the site on which Rome was built.
Rome itself was built in close proximity to seven hills that have become legendary to the city. So legendary in fact, that they are even known and referred to as “The Seven Hills of Rome”.
This was the last clue Wayne had been looking for. He had previously found many accounts of seven manmade hills/pyramids/mounds that were venerated as representing the stars of the Pleiades by most of the great ancient civilisations.
A friend of Wayne asked if he had checked a very significant possibility. What were the implications of the Vatican causeway’s alignment with the ‘star fortress’ when looking East, as viewed from the Pope’s balcony? Was it designed this way intentionally, as was the case in many of the other great cultures that celebrated the rising of important stars with the Sun on the horizon?
It was a very significant possibility that Wayne had not yet tested.
In ancient Egypt, obelisks became synonymous with solar gods and Sun worship. Or to be more precise, worship that was once associated with stars that were like our own Sun. It was a once-advanced civilisation that most likely built the monuments:
- To celebrate their origins with the layout of the monuments
- For spiritual ritual inside the monuments
Over the millennia, this knowledge was lost; perhaps disappearing in a huge cataclysmic event Earth had been subjected to. All records and libraries would likely have been annihilated in the mass destruction; and as a consequence, the remnants of the aforementioned knowledge would have degenerated into a primitive cult that worshipped our Sun.
Ostensibly, the significance that the Sun-like stars held for the ancients had been all but forgotten over time. No small wonder, since these stars are too tiny to be seen without optical equipment.
The Sphinx secret, which has been found to mirror a recently exposed Freemason secret, can now be tested at the Vatican. What we are looking for is an Egyptian ritual in Rome. If it can be found then conclusions can be drawn far beyond this story being merely a coincidence.
The age-old solar cult celebrating three Sun-like stars as solar deities on the 25th December is Greco-Roman. This date later appears to have been adapted to celebrate the birth of Christ. Ref - three solar deities – solar trinity origin – Sol Invictus click here.
Perhaps this is another clue as to the exact date when one needs to test what is seen in the sky in Rome.
Sun worship was a well-known obsession in Egypt at the time of Christ. It would therefore not be surprising at all if some crucial knowledge pertaining to this solar cult has been preserved at the Vatican in some way if Christ himself addressed the subject with more clarity. One has only to look at the prevalence of Egyptian obelisks at the Vatican to come to the conclusion they were sufficiently important to warrant their inclusion in the layout.
After spending a few hours on his star program Wayne hit gold once again. In the image below, he has re-enacted an exaggerated perspective of the Pope’s view from his balcony and the view from Saint Peter’s statue looking down the causeway, specifically before the city of Rome became built-up. (The Sun-like stars and obelisks are magnified for clarity). The sky image has been reproduced from a computer star program. Here it is set at a little after 6pm on the 25th December. We seem to have discovered the meaning of the three great Magi in the East and importance of the cosmic bull of Taurus in the sky above the causeway. Given this extraordinary revelation, it is not in the least surprising that bull worship evolved from this very ancient secret.
It is extraordinary to note that on December 25th (Christmas) historically, the Pope stands at this balcony to address those gathered below.
If the Pope were to look at the sky in the direction of the causeway towards the East, (obviously at a time before city lights spoiled the view) he would be in the best position possible to get close to the visual experience you see in the image below where the sky mirrors the monuments on the ground:
“As above so below”.
The Christmas evening sky in Rome is comparable to that of ancient Egypt and this fundamental image is contained in the foundational secret of the Freemasons… their first degree tracing board! It is a secret that reveals humanity’s unexpected connection… with the heavens.
The Pleiades appear to be an accurate orientation match with the Seven Hills of Rome’. The three nearby Sun-like stars (researched on this website) in the vicinity of the Pleiades appear to be an accurate orientation match with two of the solar obelisks on the ground in relation to Rome’s “star fortress”… the ultimate star correlation.
Given this remarkable revelation, it hardly comes as a surprise that the Pope appears on this night with a public event celebrating midnight mass. At midnight the stars are higher up in the sky and more visible.
All indicators are that the three kings (Magi) that follow from the East are the three ‘belt’ stars of Orion. This interpretation is as old as the secret itself. Freemason reference… click here
"The three kings come from the east and follow (three in a row alignment) to locate the star associated with the birth of Christ". (Gospel of Mathew).
It is said that a stellar observatory once graced the top of the Castel Sant’ Angelo “star fortress”. Therefore, a star-shaped fortress and the ritual of solar alignment and Sun-like stars seem quite appropriate, not to mention that the so-called ‘hidden records’ of the Vatican are also said to be stored there.
The obelisk at St Peter’s square seems to designate the star that is at the centre of the Orion ‘belt’ stars, as it were representing the Orion constellation as a whole. The same reasoning seems to be true for the obelisk at the Bernini fountain, found at the foot of the most famous hill of Rome, the Hill Capitole. In all likelihood it designates the other great constellation of relevance… the Pleiades located in Taurus. (The two smaller obelisks in the image).
Wayne proposes that it is these very same star constellations and sacred stars in the vicinity of the Pleiades that past civilisations originally revered! These stars seem to be associated with their gods who came down from the sky. But here is where this story will truly stand on solid ground:
It appears to be the very same star secret also shared by the following:
- Egypt, as the ‘star of Ra’
- Freemasons, as their “blazing star”
- Christ, as the ‘Bethlehem star’
- Stonehenge, as the ‘star of their gods’
- Tikal’s largest monument in Guatemala, as the ‘star of their gods’
- Mars anomalies, as the ‘star of their gods’ in conjunction with a second Sun-like star as the ‘human genesis star’
- Angkor, the civilisation that celebrates the third Sun-like star in the vicinity of the Pleiades as their ‘star of their gods’.
Ref – click here
In Masonic tradition, the star with the inserted traditional beam of light/cosmic ladder is also synonymous with how the star of the gods has been depicted in Egypt’s Senmut tomb. It is most likely the star referred to as the “blazing star” by Freemasons long before they reinterpreted it as the star Sirius. The “star fortress” in Rome represents this critically important Sun-like star.
One could even further speculate that this secret originated from an Egyptian manuscript, and is now a hidden record that both the Vatican and the Freemasons share.
It is becoming increasingly evident that the Vatican once venerated the same Egyptian obelisks and pillars integral to the Freemason’s aforementioned tracing board. In both instances the pillars and obelisks are beacon markers celebrating star positions. Click here
It is the very same star theme mentioned in the biblical account of Jacob’s ladder coming down from the sacred star in the Genesis text where Jacob built a pillar on the ground to celebrate its position.
The “star fortress” encapsulates the Da Vinci Vitruvian man geometry thus suggesting that humanity is physically connected to the Sun-like star.
By now you must be wondering why ancient Rome, as a map of the heavens, was built so expansively that up until now no one has even noticed it due to its size.
Here is the twist to the story: The message appears to have been designed to be projected skywards!
Even the Pope’s vantage point from his balcony in earlier days was not really high enough to see the vast and intricate layout in all its majesty.
If at this point you remain unconvinced of the proposed interpretation of Rome as a star map, we challenge you to take a closer look at all the other star map interpretations that Wayne has identified in almost every ancient civilisation. (Links shown below). Or if you are still sceptical about the sacred cross of the St Paul’s piazza being Orion’s ‘belt’ as the sacred PX (Chi-rho insignia) for Christ, then ponder on this unique sacred cross depiction seen on the Pope’s stole. Note the ‘coincidence’ of the gold pin in identical orientation, like the arrow effect of Orion’s ‘belt’… showing the way in the heavens. It looks remarkably similar to the piazza and causeway or the key of St. Peter… showing the way to the sacred place in the heavens.
It is becoming increasingly evident that humanity has been way off track in its interpretation of the meaning of the three Sun-like stars in a the age old habit of sun veneration.
In early civilisations our ancestors were very proud of these stars, but as civilisation became more destructive we began to adore the ancient depictions of these stars in what had slowly degenerated into a very primitive and meaningless solar worshipping cult.
In addition, humanity also began to worship the celestial bull of the heavens, in a misconstrued teaching that should have been about the rising Sun entering Taurus. Our many cultures foolishly preferred to venerate the place these star visitors (linked to our ancestors) came from rather than focusing on the invaluable teachings that transpired from their visits.
It seems even with the arrival of Christ, part of his great teachings would appear to have involved putting the records straight. Sadly however, after the Romans murdered him they probably also decided that the truth needed to be hidden. Ever wonder what happened to the original Aramaic or Hebrew gospels before they were conveniently ‘found’ written in Greek, the prime language of early Rome?
Equally baffling is why nobody seems to be bothered with the reason behind the messiah’s original Hebrew name of Yeshua having been changed to a Greek name, Jesus. His altered name is pronounced as “I” – “Zeus” which sounds too close for comfort like the Greek reference to “of Zeus” i.e. son of Zeus. Christ was added from the Greek word Christus, which most likely describes “criss-cross”. Inadvertently: Son of Zeus - Man of the sacred cross of the sky.
The sacred cross knowledge associated with Christ makes one wonder if the crucifixion itself on a cross, just like St Peter’s crucifixion, was punishment for those who believed the sacred cross lost knowledge.
It is also strange that the Vitruvian man mimics the stance of the Christ… a cosmic ‘teacher’, showing the way as Orion to the Bethlehem star in the sky. The next time you have a close look at the Vitruvian man image, have a close look at the three exaggerated marks on his waistline. Why would DaVinci make errors in depicting muscles like this on a man who had very little physical development?
For the Roman Emperor Constantine this cross of the sky was the most important reason for accepting the Hebrew man as a messiah.
The Bethlehem star secret would appear to show that human life was divine so to speak. This is exactly what Judas was told by Christ in the recent Judas codex that was discovered, and in which Christ said to Judas:
“This star is also YOUR star.”
In other words, Jesus was telling him in his last moments that we all come from the heavens by virtue of our ancestors. It is a truth that would confirm that we are all equal and that human life is sacrosanct. Not a very pleasing thought to a Roman dictator who was used to conquering new lands and enslaving its people.
To compare this star interpretation to other ancient civilisations click here
As already mentioned, the important Sun-like stars in the night sky are not visible to the human eye at all, so it did not take long for our ancestors to assume that the bright star Sirius, or our Sun was the answer to the cosmic mystery. Coincidently, Sirius also lay in a position that aligns with the three ‘belt’ stars of Orion. Our Sun aligns with the ‘belt’ stars in the month of May as it enters Taurus the bull. The Freemasons thus assumed the “blazing star” secret was Sirius… a star not conducive to supporting life, as we know it. But some ancient texts also spoke of important Sun stars and they were decorated with human faces. Perhaps this was their way of suggesting these star systems had human beings colonise their planets. (See star map on Mars and face anomaly).
Our ancient civilisations apparently cared very little about the great lessons the star visitors taught them. This was their greatest downfall. They did not ever consider the possibility of prioritising world peace or the equality of all people. They were quite happy to continue the habit of cruel dictatorships and extorting money from their people where tradition insisted:
- You had to pay the church to have your sins forgiven
- Men were to be given preferential treatment over women
- New lands could be conquered and foreigners could be killed
- Foreign men, woman and children could be owned as slaves
One has to consider the possibility that both the Freemasons and the Vatican would want to keep any mysterious and primitive records of Sun worship hidden, especially since their great secret did not make much sense at all.
And if you think that this is where the story ends, you are mistaken, for there is infinitely more. The earliest Hebrew parchment of King Solomon referred to as the Key of Solomon (from the Clavicular Salomonis manuscript) is about to mirror the story. No wonder Dan Brown at a recent press conference revealed that his next book would be based around this story. Go to www.keyofsolomon.net for the story reveal and valuable references that is being timed in with exclusive magazines and periodical releases around the world.
This could all just be a coincidence, but if it is not then we need to revisit history from a new angle. At the beginning of the story it was suggested that this secret might be forbidden to humanity because it could change the world. How would this story change the world? If it is proven as factual (and there is now enough new research material to test it) then one has to ask the following three earth shattering questions:
· What is the Christ star? · What did Christ mean in the Judas codex "This star is also your star"? · What would it mean if our ancestors all originate from another star system? Ref - click here
Are the star maps saying the entire human lineage is not of this Earth and we are all descendant from a divine lineage so to speak? If this were true it means we evolved somewhere else and there is always going to be a missing link in Earth evolution. The Shugburough monument had a similar claim. Ref - click here.
The big secret in hiding this knowledge is obvious.
If all humankind is of the lineage of 'angelic' visitation would it not be certain that the logic of this revelation would insist we are all equal, no discrimination whatsoever, be it between male, female, society, race and religion? This would end slavery and human rights violations? Would this be worth hiding at the time of Christ… or at the time of Leonardo Da Vinci? Understandably and very sadly… yes.
We have just reached the time in the journey of life where any form of human discrimination is now recognised as completely unacceptable so the time is right for appraising the star map secret.
Is there more on the secret Grail story? Was a secret disc like this given to Judas by Christ before his crucifixion and was Judas murdered by the Romans and the disc confiscated? Ref - click here
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Now that you have clues as to how the Sang-real sacred lineage (grail) disc might look like, search codex archives for an ancient mysterious manuscript that looks like the image shown here. Look also for the stars inserted within the sacred cross and expect detail also of a human face in the position of the "x" star (like on Mars), and the extra detail of another cosmic pointer missing in the Vatican story… a line drawn from the Pleiades linking to it. Or.. go to the Grail itself right here...
Here is the release on the Holy Grail...The Sang-real.
It is important for those that feel uncomfortable about the star map theory that Wayne's new research fully supports the truth that the Creator of this universe spoke through Christ. The latest research is without doubt heading in a very new direction that will promote the value of the human spirit and promote peaceful living. It might even unite humanity, as all human races stem from this same lineage. The new research at the same time shows respect to those of firm traditional belief based on the original earliest texts that all religions refer to.
It is important for people to know in which direction the new research is Heading.
References:
Click here for the spiritual direction the hidden records research will be heading
Click here for the cosmic human blueprint code reference
Click here for the link to secret symbols honouring the secret human blueprint code and those that desecrate it
Click here for the human blueprint code found in Da Vinci's paintings
Click here for the human blueprint code found at Rosslyn Chapel
Click here for the Egyptian star map
Click here for the Stonehenge star map and its shocking latest breakthroughs
Click here for the Lascaux 17 250 year old star map
Click here for the Mars star map
Click here for the astronomical star data and Orion page
Click here to see sacred cross on coins
Click here for what may simply be a coincidental 300-year-old Freemason star map and human code pattern match
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If you are one of those readers who feels compelled to rush straight to the Vatican star map link at the bottom of the page, stop for a moment. There is some very critical reasoning leading up to the star map that you need to be aware of. It is important to state right now that what you are about to read might all be a coincidence and with the greatest of respect to the Catholic church many will treat it as so, but if it is not, then the time has come to re-evaluate who we are and where we come from.
For the 3 clues to 'The Lost Symbol' plot seen in the movie 'Angels and Demons', click the banner above.
Who would imagine that the key to unlocking the great Vatican mystery might be the actual key you see here. Many are going to wonder how on earth it has been missed. You read Dan Brown's books and watched the movie. No doubt you have questioned how much is real and what the secret symbols are all about? Critics have gone to great lengths to mock Dan Brown for writing about secret codes, symbols and forbidden knowledge, yet there are few who have commended his fantastic research in 'Angels and Demons'.
You may be one of those individuals, who have walked around Vatican City overwhelmed by the symbolism that is rife and almost intoxicating. Why would this religion have so much secret symbolism and then keep its meaning locked away in a secret vault?
Why not share the meaning of its symbols with the world if they are 'God given'? There must be something the Vatican and its linked societies do not want the world to know and it must be so important that if it were exposed it will change the world.
Wayne Herschel is a researcher of such mysterious codes and ancient mysticism. As seen on this website he presents ancient forgotten cosmology hidden from historic record, which he believes was previously forbidden to society.
You are about to see a whole new interpretation of the four most important clues outlined in 'Angels and Demons'. It is an interpretation that is measurable and easy to follow once you have deciphered the fundamental meanings of the symbols. The story that follows has been dramatised for better reading.
The journey begins in Rome in Italy.
There are four real Egyptian obelisks removed from Egypt that were rumoured to have been carefully placed in Rome that are part of a forbidden secret. Was this instigated by the Templars or was it the Roman Catholic Church?
The first day of the trip at Vatican City was chaotic. The massive crowds were overwhelming. Making sense of the array of symbolism proved more difficult than had been anticipated. However Wayne had a hunch that the secret lay in the Egyptian obelisks that had become so integral to his research on a repeating global pattern of ancient pyramid star maps. The most famous obelisk stands in the middle of the St Peter's Square, the great Piazza in front of the Basilica. It was impossible to make sense of the obelisk with so much going around him so the time there was spent in photographing interesting statues and paintings and symbols. He would have to return to this obelisk first thing the next morning in a hope there might be less people and rather move on to the next obelisk.
He embarked on his own 'Angels and Demons' tour of the Egyptian obelisk locations, and had his taxi take him to the Porto Del Popolo.
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To his astonishment Wayne would find exactly what he was hoping for. In front of the obelisk above the archway of the Porto Del Popolo was a carving of what appeared to be the Seven Hills of Rome rising up to a star. The seventh hill is right in the front and difficult to see. The first star that comes to mind in the Christ story is the star of Bethlehem associated with the birth of Christ. Wayne had his own thoughts about the Seven Hills and the star.
In ancient civilisations the obsession seemed focused on the importance of the ground mimicking the sky. He was wondering if the location of Rome was selected because the hills might have a pattern similarity to the pattern of the seven stars of the Pleiades.
This would be valid if the seven hills were large enough to be seen. They were however too inconspicuous, and according to historians over time excavated in many ways being farmed over, then built over. Wayne confirmed this with his searches on Google Earth months earlier. Even with an enhanced relief setting the original hills were now barely identifiable.
The biggest clue here was the focus on one very important star. Was it the famous Bethlehem star or was it a particular star that Wayne found important in other civilisations.
It was at the Piazza Della Rotunda and the next clue was not as easy to find. What was quite extraordinary about this site is that its design looked like a miniature version of the Vatican. Wayne noticed the name 'Agrippa' on the front of the Pantheon. It reminded him of Heinrich Agrippa, the historical contemporary of Leonardo Da Vinci, whose Vitruvian man he also replicated. Ref - click here.
This would however have been highly unlikely as this building predates the Agrippa he was thinking of. In many ways the Rotunda building was like the Basilica and had similar floor patterns to it. Wayne was heading for the exit through the Pantheon, something caught his eye.
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Massive marble tiles with a familiar pattern adorned the floor here. They were in a row and aligned with the obelisk. If anything this was reminiscent of the three 'belt' stars of Orion showing the way. The pattern might possibly be celebrating his theory of the proverbial "x" star that marks the spot on his Egyptian pyramid star map. Only Orion's 'belt' was prevalent in this symbolism. It was perhaps simplified not including the Pleiades. However this did not make it less significant for Wayne, who soon realised that this representation was the same as his recent three Magi (stars) of the Mathew text interpretation. Ref - Click here
The Orion three stars in a row were also secretly and mysteriously included n a recent National Geographic documentary on the Judas Gospel, where Christ points to Orion and tells Judas to follow to the star that is also his star. Ref - Click here.
By now Wayne felt the urge to press on and get to the last Egyptian obelisk location.
He arrived at the Fountain of the Four Rivers. It was also here that the fourth obelisk was located in Dan Brown's story. The location comprised an imposing waterfall with rock feature. The obelisk was positioned on the great rock. Was this celebrating a foundation of Rome on the great rock so to speak? The only clue here that Brown had recognised was the dove with a twig in its mouth perched on top the obelisk. Wayne imagined the dove in the Noah's Ark story which also had a kind of Genesis theme too. But Wayne could not help thinking of the bird-headed gods of all the beginnings of ancient civilisations, as well as the bird that looked exactly like this dove in the Lascaux cave in France.
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The Lascaux cave had a genesis star map theme and Wayne realised that this dove might not be such a coincidence.
Ref - Click here. In the 'Angels and Demons' story Dan Brown mentioned that the dove was facing west. It was looking towards the great fortress, the Castel Sant' Angelo, and what many believe are the rumoured secret archives of both the Freemasons and the Vatican.
The day had yielded some truly promising possibilities, but exhaustion was taking its toll. When he returned to his hotel, little was Wayne to know that the following day would yield an even bigger treasure trove. He still had not cracked the clue at the first obelisk so it needed revisiting if he had any chance of cracking the code.
Early the next day he decided he had to take another look at the great fortress and get back to the Obelisk at the Vatican.
He was in luck. The crowds of the previous day were only distant memory. The elements - a cold and slightly wet day seemed to reduce the amount of people visiting the sacred city. The imposing St Peter's Piazza looked majestic and Wayne could not help visualising in his mind the positions of all four obelisks.
The journey had progressed very methodically the previous day ending at the Castel Sant' Angelo. Wayne could clearly see its roof beyond the direction of the obelisk. Could this alignment be important? At a glance it looked unimportant and certainly nothing seemed obvious in a way that had been the case with his earlier pyramid star map theories.
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He looked in the opposite direction back at the Basilica. Conspicuous here was a statue of St Peter. What intrigued Wayne was what St Peter was holding in his hand. This looked odd… He was using the same hand pointing in a specific direction.
He had a key in his hand. Could it be that St Peter was holding the key to unlocking the secret of the obelisks? Was it possible that the statue was pointing to the grand secret? Perhaps the enigma of the Vatican itself was about to make sense! Wayne took a few pictures of the statue.
The only way to make sense of this mystery would be to go back to the hotel and look at all the photos he had downloaded.
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An earlier photo of another statue of St Peter was crowned with the sacred cross. Wayne could not help thinking how different this was to the sacred cross associated with Christ. Maybe this sacred cross was not a halo, but a metal plate. It might also be like a 'star god' crown depicted in ancient Egypt.
The Romans would also refer to such a plate as a "grail". Had Wayne inadvertently stumbled across the legendary Holy Grail?
Wayne had done some earlier research on Emperor Constantine and the story of the sacred cross he purportedly saw in the sky. This was again corroborated in the gospel of Matthew. Wayne concluded that both seemed to speak of a celestial cross in the sky that closely resembled the star constellation of Orion. Ref - click here.
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The sacred cross was something Wayne had also spotted during a visit to Westminster Cathedral. The image may seem insignificant but in the context of star themes associated with it, it comes into its own. The cathedral has seven stars along the arched gables. In a side room with small domed roof there are seven bright stars amongst many stars.
The idea of Christ being associated with stars was not new to Wayne. He was well aware of the Revelations text claiming he will return holding seven stars in his right hand. There are also artefacts on the coins page of this website showing the crucifix with seven stars above it and one Christian coin showing seven stars joined together making a fish symbol! Wayne could not hold back the thought that it represented the Pleiades.
The picture of St Peter holding a key must be the clue to the first obelisk that Wayne was still missing. Enhancing the picture of the key would reveal some remarkable detail. The serrations of the key would reveal more on the sacred cross. If this key is going to unlock a secret then surely it has a lot to do with the sacred cross (the Labarum) of Constantine, as seen at the top of the page. The Pope also wears similar insignia on his apparel.
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The Vatican coat of arms has two of these keys and the serrated segments also contain the sacred cross. Is it possible the two keys in criss-cross depiction emphasise its celestial importance?
The handles of the keys display peculiar circular patterns. What could this suggest and why is there such an obsession with keys? It could also be a coincidence but the coat of arms fits within a sacred pentagonal geometry template found with Wayne's human blueprint code.
A clearer picture was now beginning to form. If the sacred cross - 'the Christos' sacred cross as it is known - represents the stars of Orion and if the three 'belt' stars in a row are the "P" showing the way as a pointer to the sacred star (that Wayne had a feeling might be the Bethlehem star), then how conceivably does the Vatican layout have anything to do with this reasoning?
Wayne was looking for a much bigger sacred cross. Then he realised how his preconceived notion of what he hoped to find had blinded him. The sacred cross was not opposite the Egyptian obelisk, it was where St Peter was pointing. It was inscribed across the entire piazza around the Obelisk!
What lies at the end of the causeway? It is the Castel Sant' Angelo. One cannot go into it to see its hidden secret library but he felt certain if he were able to see the entire Vatican City from above then he would crack the code! Again he turned to Google Earth for the answers. Would it be too much to expect the outcome to be as obvious as the pyramid star map patterns Wayne had deciphered from space satellites?
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THE SPHINX UNLOCKS THE ORIGINS OF HUMANITY
Wayne Herschel, an author in the field of archaeo-astronomy launched his book internationally in 2002, and believes he has found the forgotton 'forbidden' secret behind Egypt's enigmatic Sphinx.
It was a secret that was hidden over the ages due to it revealing the sacred and equality of all human races... a secret that would hardly sit well with countries obsessed in plundering foreign nations for their treasures and to enslave their people.
Existing theories to date suggest that the side profile of the Sphinx represents the stars of Leo. However they do not explain convincingly why its architects would have chosen this constellation for its template. Wayne Herschel, an explorer of ancient civilisations for the last 17 years, proposes an entirely new theory. In his book, 'The Hidden Records', he sets out to prove that the Sphinx is the key to unlocking the secret behind a grand unified '50 pyramid' star map.
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In 1995 author R. Bauval suggested that the three pyramids at Giza represented the three stars of Orion's 'belt'. However because his theory did not find a way to incorporate the entire field of pyramids, let alone the Sphinx, academics had difficulty accepting it.
In 2003 Wayne Herschel published his cosmic interpretation of the Sphinx which helped him interpret the pyramids in a completely new way. He discovered that the angle at which the Sphinx intersects the collective three Giza pyramids on the ground, is virtually identical to the angle at which the brightest star of Leo, aligns with the collective row of stars that form Orion's 'belt'. (See the image below).
Here are the critical clues in reasoning the theory. The Sphinx appears to have its stare fixed on the rising stars each night (not just the rising Sun). Then at a very unique moment in the night sky, the Sphinx watches its mirror image of itself rising in a perfectly upright stance as Leo.
It is here where the Sphinx is literally crying out:
"All the pyramids in Lower Egypt represent a ring of adjoining constellations around the Earth, and the secret of the star map begins here at my feet with Leo."
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But there is more to the secret of the Sphinx merely telling us that all the pyramids reproduce a string of constellations. It is also the key to deciphering the pyramid mystery itself. It is showing the observer where to begin in cracking the mystery of the star map, urging one to follow the three star alignment direction of Orion's 'belt' as a 'cosmic signpost' to what seems to be the ultimate star.
Herschel's idea that the whole pyramid field in Lower Egypt represents stars was inspired by one of the oldest known prophecies. The mystic Hermes Trismegistus. claimed:
"Egypt is an image of the heavens… the 'whole' cosmos dwells here.
"Herschel subsequently conducted an experiment to prove all the pyramids in Lower Egypt represent stars. He overlaid a transparency of the stars onto a map of the pyramids. The result was breathtaking. All the brightest stars within the known constellations were represented in one complete 360 degree ring along side the Milky Way (which is also a ring around the Earth). All the brightest stars had all the pyramid counterparts on the ground. The star map started with the brightest star in the night sky Sirius... logical to start with one could say... and it has one star that is different to all the other 49 bright stars in the complete star map. It has this unique star set at the exact centre of the pyramid field... is this the 'x' that marks the spot? Logic again would suggest!
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However, there were some important stars for which pyramids were apparently missing. In Giza for example, Herschel found four potential, as yet unrecognised pyramid ruins on an antique early map that would conclude a previously incomplete Orion interpretation at Giza.
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For the full story on this 'New Orion interpretation' and the comparison to Robert Bauval's original Orion interpretation... Click here.
One finding would lead to another. Not only were his new correlations 'mirror images', but the pyramids were virtually divided into two separate layout scales on each side of the area of Abusir, thus providing another clue. It seems the Solar Temple obelisk was intentionally placed exactly at the epicentre of the pyramid field. What could this mean?
The giant obelisk was most likely the only ever gold capped monument. Perhaps to highlight that it was more important than any other. At last the meaning of the star map becomes clear.
Do we have the proverbial 'x' that marks the spot?
Does it provide the reason that would have prompted the ancients to design their star map using giant structures in the first place? One thing is certain, the star seems to be of paramount importance as the place in the heavens that the three Orion 'belt' stars align with.
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The ancient Egyptians revered a Sun... but it was not our OUR Sun! Astronomers can confirm that the Solar Temple obelisk is the only monument in the entire pyramid field to emulate a 'Sun-like' star (Ref HD 283271 'G' spectrum) and it is relatively nearby.
Here is the full measurement of the Sun-like star The correlation only occurred at its most precise position 17 250 years ago, perhaps documenting the dawning of humanity. All the other pyramids match bright stars that are nothing like our Sun. Herschel suggests the 'Sun' Temple was named after a 'Sun'-like star and has nothing to do with our Sun at all.
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Both halves of the star map (the two large images) are shown here as well as a zoom in on the Saqqara area with its real 'fly over' image. There are two independent layout scales on each side of the Sun Temple 'x' that marks the spot, located at the exact centre of the pyramid field. it is as if the ancients are saying as they do in all their ancient murals ... "look at the centre of the murals to see that which is most important. They did it with the Zodiac disc at Dendera.. they did it in the Senmut tomb... they did it in every important depiction involving the secrets of their star gods! The author is convinced that the reason for the pyramid star map was to isolate the 'star of the gods'. He believes it presents a whole new theory of who we are and where we come from.
To add fuel to the fire, Herschel believes that he has found evidence of a repeating geometric blueprint of the human form within other ancient pyramid and megalithic star map representations found across the globe.
The geometric blueprint is unique only to the human form and is identical to the original geometric man codex documented by a Roman engineer and writer, Marcus Vitruvius, who lived 25 years before the birth of Christ.
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Leonardo Da Vinci has acceded to fame for his Vitruvian man, however few realise he reproduced it from an ancient manuscript. Da Vinci did not show the raised arms as you see here, but chose to reposition the arms where the square touches the circle.
He may have chosen to depict his version like he did to avoid the same fate that the German scholar, Agrippa (who lived at the same time as Da Vinci), faced for duplicating Vitruvius' work as seen in the image above. Agrippa died a horrific death. He was burned at the stake.
Without digressing too much, it is worth considering a few very important 'what if' scenarios.
One would naturally expect that if the star maps are true then why doesn't the Christ story mention it?
If what was encapsulated in the representation of the human form by Agrippa and Da Vinci had relevance to these star maps, why did Christ make no mention of this? It is indeed a very sensitive question and is currently open to debate on the author's website. There are many sources of early translations of the gospels that include references to the star associated with Christ's birth and other stars, such as Orion and the Pleiades. There is also a lot more being debated than this.
For starters, the meaning of 'Sang-real' has been rumoured to mean 'sacred lineage'.
What if the Holy Grail is real and contains an inscribed record of who we are and where we come? For arguments sake let us assume that it does. What if the ultimate secret was given to Judas by Christ (as the Judas codex seems to suggest) on a beautiful metal plate that was uniquely inscribed? (Wayne Herschel has a strong feeling that in Renaissance art this metal plate is shown symbolically behind Christ's head). If one refers to the recently discovered Judas gospel, one could even conclude that there is a chance Judas may have been captured by the Roman authorities with this artefact that was to become known as the grail in his possession. An artefact that had inscribed on it detail of humanity's lineage. for more, click the Grail link on the home page carousel.
If this hypothetical scenario does indeed prove to be true, then one would have to ask whether the Roman authorities murdered him to cover up the existence of this amazing artefact, and more specifically its contents.
Perhaps we are approaching a new renaissance age in which humankind will begin to question its true origins? It seems likely now that Vitruvius was not the first person to portray the human form in this unique way.
In his book, 'The Hidden Records', Herschel goes to great lengths in detailing the snowball effect of his story. He claims confidently that the geometry of the human blueprint is a code that fits accurately into the layout at Giza, as well as that of Stonehenge, and last but not least in the layout of the most controversial place of all. In the layout of what are perceived to be pyramids in an area researchers call 'Cydonia'.
In later years it appears this geometry of the 'human code' was also encrypted in the paintings of Leonardo Da Vinci and of his contemporary, Nicolas Poussin.
It may sound completely fabricated and fictional having such a vast collection of coincidences here, but in light of the importance of the claims, the author has made his fundamental research freely available for all to see. The human codex research, Renaissance paintings and star map images are now available at thehiddenrecords.com website.
In summary, the author believes that by encrypting the human form in ancient pyramid star maps in this unique way (a code that later made its reappearance in the paintings of the Renaissance era) the ancients appear to show us that the human lineage is 'divine' so to speak and from above.
Coincidently the recent Judas gospel codex discovery makes another earth shattering claim, the significance of which seems to have eluded most observers. Christ beckons Judas to look at the night sky and says to him:
"Follow the star above… it is also your star".
If the star maps are truly genuine, surely someone with a mission as unique as that of Christ would have wanted to pass on to humanity this extraordinary piece of knowledge, even if it was not ready for his time. He probably would want it to be revealed in the future at a time when it was safer to debate such a 'provocative' version of humankind's genesis.
In time, the star maps and human code theory may well challenge the mystery of the 'missing link', which academics on evolution are still grappling with to this very day. Perhaps human beings evolved elsewhere in our vast universe, replacing Neanderthal after arriving here on Earth.
The author has taken his Egyptian star chart template and has tested it on Stonehenge in the UK, Angkor in Cambodia, Tikal in Guatemala and on a nearby planet rumoured to have pyramid ruins. The results delineated on the internet and in great detail in his book speak for themselves.
So… at the end of the day, what does all this new material offer humanity?
A clear message is decipherable in three of the most conclusive cases of the star maps. They all appear to display the unique human blueprint geometry code. A pictographic story can be interpreted in relation to the star pattern.
Herschel believes its meaning is paramount in uniting all of humanity as one if the star map 'message' is true. Once we step back and review the original sources of great teachings from those that came from above, the truth emerges. It speaks clearly of the place of Creation of the universe, which has been told to humanity in many different lands, and sadly it has 'evolved' in every case, into very disparate interpretations that we call 'religion'.
The original sources of sacred texts must be given priority for true meaning. It is here where we have the chance of uniting humanity in one truth and understanding of a gentle Creator of the universe who has given us the gift of life. Our confusion about what we believe is fast manifesting itself in an ugly religious war that is playing out right now. Is it a coincidence that for the first time ever missiles are landing at a historical site near the northern boarder of Israel known as the valley of Meggiddo? It is here that prophecy has written where we will fight our last war.
If there is just a hint of truth in Wayne Herschel's collection of ancient star maps and his theory on the human blueprint, it should be reason enough for scholars to test it.
And if there is one crucial question that still remains unanswered it has to be: Who is the cosmic message intended for?
Why on earth is the grand secret represented with such massive constructions and pointing skywards?
Why can it only be deciphered completely, when it is viewed from a satellite?
Compare Egypt to Stonehenge ... then Tikal then Mars .
DISCOVERY OF SYMBOL CRACKS PYRAMID STAR SHAFT CODE
A forgotten symbol on the Dendera zodiac disc unlocks the secret of the position of the stars in the ancient night sky... ALL SCHOLARS GOT IT WRONG! And so did the authors that followed 1920's scholars errors on the meaning of some simple fundamental symbols meaning...
CLICK THE IMAGE BELOW TO SEE THE STAR SHAFT DISCOVERY
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http://www.thehiddenrecords.com/sphinx.htm |
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