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De: BARILOCHENSE6999  (Mensaje original) Enviado: 04/12/2018 18:58

Cubits

Fellow researcher Jim Hunter Miller contacted me a couple of months ago and shared with me his unpublished paper in which the cubit of 20.736 inches plays an important role.

I’m not yet at liberty to reveal which fascinating connections Jim has discovered but I look forward to discussing the specifics after he’s published.

One thing I can say is that Miller pointed out that Isaac Newton determined in his Dissertation on Cubits that the Egyptian Royal Cubit is 20.736 inches, after his analysis of the Great Pyramid.

John Neal called the cubit of 20.736 inches (which equals 1.728 English feet) the canonical Egyptian cubit in his seminal book on ancient metrology, All Done With Mirrors.

A couple of years ago I made the connection that (6/5) x (6/5) x (6/5) = 1.728. I presented this as the cubit that measures Jerusalem in Secrets in Plain Sight Volume 1 as (6/5)^3 = 1.728 feet, drawing on the work of Richard Heath’s book Sacred Number and the Origins of Civilization.

If you think about it, this metrology truly puts the cube in cubit as each edge of this cube measures 6/5 or 1.2 English feet. I’ve gone extensively into the fundamental significance of the 6/5 ratio in The Snowflake and the Flower.

Walter Bruegger pointed out that a cube of 1 ohm resistors has a conductance of 6/5 siemens, an interesting coincidence.

Conductance555

Here is a geometric angle on the 6:5 relationship:

1-5-6-triangle555

About a month ago I made a breakthrough when pondering the importance of 6/5 and cubits based on this ratio. I had identified (6/5)^4 as the hypercubit that measures the Earth in Secrets in Plain Sight Volume 1 but I didn’t fully comprehend its significance until now. The following graphic explains my new understanding:

analysis of cubit measures

If you raise (6/5) to the fourth power you get 2.0736 feet which is an interesting play on the 20.736 inches of the canonical Egyptian cubit.

I was blown away when I multiplied the hypercubit by 12 to find the number of inches in 2.0736 feet which is 24.8832 inches. I immediately recognized this as the a play on the number of miles in the Earth’s meridian circumference which is 24,883.2 miles(99.9% modern value).

24,883.2 miles is the “geodetic basis of ancient measures” as identified by John Michell and Robin Heath in The Lost Science of Measuring the Earth. In fact on page 12, this book shows how many families of ancient measures are related to 24,883.2 miles by whole number multipliers. For example, 108 million times the Roman Remen of 1.216512 feet equals 24,883.2 miles, and 86.4 million times the Greek Cubit of 1.52064 feet equals 24,883.2 miles, and so on.

The ratio of 6/5 raised to the fourth power encodes the meridian circumference of the Earth! I’m astounded thinking about this. This ties together and validates the Imperial system of inches, feet, and miles.

While I was in Austria a week ago I had another breakthrough. I realized that if you raise (6/5) to the fifth power you get 2.48832 feet or 29.85984 inches and the latitude of Memphis Egypt is 29.85984°N.

Memphis marks the boundary between upper and lower Egypt. Memphis was once the capital of Egypt and was “by far the largest settlement worldwide from the time of its foundation until around 2250 BCE and [again] from 1557 to 1400 BCE. –Source

Sadly, there is almost nothing left of Memphis Egypt. But maybe now we know why Memphis was located where it was, and have a greater appreciation for these ancient thinkers and builders who seemed to understand things in a far more elegant and holistic way than we do today.

Philip Pikart CC BY-SA 3.0

©2012 SIPS Productions Inc. – All Rights Reserved.

http://www.secretsinplainsight.com/cubits/


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(Romanos, 11: 33).

 

 
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Math in Architecture and the Golden Section

 
math in architecture

The Golden Section (aka Golden Mean, and Golden Ratio) phys.org

We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.

Using Math in Architecture for Function and Form

We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.

“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509

Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section

Math and Proportion – The Golden Section

Math in Architecture

Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.

We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.

The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4th century, artists and architects have applied the Golden Section to their work.

The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.

Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.

Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.

Famous Buildings Influenced by Mathematical Principles

Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:

Parthenon

The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.

Math in Architecture

Parthenon Golden Section

Notre Dame Cathedral in Paris

Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.

Math in Architecture.

Notre Dame Cathedral in Paris

Taj Mahal

Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.

Math in Architecture and the Golden Section

Taj Mahal designed by Ustad-Ahmad Lahori

As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.

 

https://bleckarchitects.com/math-in-architecture/


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