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General: VATICAN CASTEL SANT ANGELO BRONZE STATUE OF THE ARCHANGEL MICHAEL PENTAGON
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https://www.romesightseeing.net/castel-santangelo/


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Castel Sant’Angelo, structure in RomeItaly, that was originally the mausoleum of the Roman emperor Hadrian and became the burial place of the Antonine emperors until Caracalla. It was built in AD 135–139 and converted into a fortress in the 5th century. It stands on the right bank of the Tiber River and guards the Ponte Sant’Angelo, one of the principal ancient Roman bridges. In plan, the fort is a circle surrounded by a square; each corner of the square is protected by an individually designed barbican, or outwork, while the central circle is a lofty cylinder containing halls, chapels, apartments, courtyard, and prison cells.

 
 
Castel Sant'Angelo
Castel Sant'AngeloCastel Sant'Angelo, Rome.

In 590 Pope Gregory the Great, conducting a penitential procession to pray for the end of a plague, had a vision of the archangel Michael sheathing his sword over the castle, signifying the end of the plague; from that incident came the structure’s modern name and the marble statue of the archangel that surmounts the building. Throughout the Middle Ages the castle served as a refuge in times of trouble, especially for the popes, who could reach it from the Lateran through a protected passage. Clement VII took refuge there from the troops of the Holy Roman emperor Charles V during the sack of Rome in 1527. The papal apartments were substantially reconstructed for their residents, and they contain significant Renaissance decorative paintings; one lavishly decorated bedroom is attributed to Raphael. The popes used part of the castle as a prison, and eventually the building became a military barracks and prison. The military use ended in 1901, when the castle’s restoration was begun. Part of it is now a museum of military history.

https://www.britannica.com/topic/Castel-SantAngelo

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Midnight in Paris

Midnight in Paris
Theatrical release poster
Directed by Woody Allen
Written by Woody Allen
Produced by
Starring
Cinematography Darius Khondji
Edited by Alisa Lepselter
Production
companies
Distributed by Sony Pictures Classics (United States)
Alta Films (Spain)[1]
Release dates
  • May 11, 2011 (Cannes)
  • May 13, 2011 (Spain)
  • May 20, 2011 (United States)
Running time 94 minutes[2]
Countries
  • United States
  • Spain
Language English
Budget $17 million[1]
Box office $151.7 million[1]

Midnight in Paris is a 2011 fantasy comedy film written and directed by Woody Allen. Set in Paris, the film follows Gil Pender (Owen Wilson), a screenwriter and aspiring novelist, who is forced to confront the shortcomings of his relationship with his materialistic fiancée (Rachel McAdams) and their divergent goals, which become increasingly exaggerated as he travels back in time to the 1920s each night at midnight.[3]

Produced by the Spanish group Mediapro and Allen's US-based Gravier Productions, the film stars Wilson, McAdams, Kathy BatesAdrien BrodyCarla BruniTom HiddlestonMarion Cotillard, and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in the United States on May 20, 2011.[3][4] The film opened to critical acclaim. In 2012, it won the Academy Award for Best Original Screenplay and the Golden Globe Award for Best Screenplay. It was nominated for three other Academy Awards: Best PictureBest Director and Best Art Direction.[5]

Plot

[edit]

In 2010, disillusioned screenwriter Gil Pender and his fiancée, Inez, vacation in Paris with Inez's wealthy parents. Gil, struggling to finish his debut novel about a man who works in a nostalgia shop, finds himself drawn to the artistic history of Paris, especially the Lost Generation of the 1920s, and has ambitions to move there, which Inez dismisses. By chance, they meet Inez's friend, Paul, and his wife, Carol. Paul speaks with great authority but questionable accuracy on French history, annoying Gil but impressing Inez.

Intoxicated after a night of wine tasting, Gil decides to walk back to their hotel, while Inez goes with Paul and Carol by taxi. At midnight, a 1920s car pulls up beside Gil and delivers him to a party for Jean Cocteau, attended by other people of the 1920s Paris art scene. Zelda Fitzgerald, bored, encourages her husband Scott and Gil to leave with her. They head to a cafe where they run into Ernest Hemingway and Juan Belmonte. After Zelda and Scott leave, Gil and Hemingway discuss writing, and Hemingway offers to show Gil's novel to Gertrude Stein. As Gil leaves to fetch his manuscript, he returns to 2010; the cafe is now a laundromat.

The next night, Gil tries to repeat the experience with Inez, but she leaves before midnight. Returning to the 1920s, Gil accompanies Hemingway to visit Gertrude Stein, who critiques Pablo Picasso's new painting of his lover Adriana. Gil becomes drawn to Adriana, a costume designer who also had affairs with Amedeo Modigliani and Georges Braque. Having heard the first line of Gil's novel, Adriana praises it and admits she has always longed for the past.

Gil continues to time travel the following nights. Inez grows jaded with Paris and Gil's constant disappearing, while her father grows suspicious and hires a private detective to follow him. Adriana leaves Picasso and continues to bond with Gil, who is conflicted by his attraction to her. Gil explains his situation to Salvador DalíMan Ray, and Luis Buñuel; as surrealists, they do not question his claim of coming from the future. Gil later suggests the plot of "The Exterminating Angel" to Buñuel.

While Inez and her parents travel to Mont Saint Michel, Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He later finds Adriana's diary at a book stall, which reveals that she was in love with Gil and dreamed of being gifted earrings before making love to him. To seduce Adriana, Gil tries to steal a pair of Inez's earrings but is thwarted by her early return to the hotel room.

Gil buys new earrings and returns to the past. After he gives Adriana the earrings, a horse-drawn carriage arrives, transporting them to the Belle Époque, an era Adriana considers Paris's Golden Age, they go to the Moulin Rouge where they meet Henri de Toulouse-LautrecPaul Gauguin, and Edgar Degas, who all agree that Paris's best era was the Renaissance. Adriana is offered a job designing ballet costumes; thrilled, she proposes to Gil that they stay, but he, observing the unhappiness of Adriana and the other artists, realizes that chasing nostalgia is fruitless because the present is always "a little unsatisfying." Adriana decides to stay, and they part ways.

Gil rewrites the first two chapters of his novel. He retrieves his draft from Stein, who praises his rewrite. Still, he says that on reading the new chapters, Hemingway does not believe that the protagonist does not realize that his fiancée, based on Inez, is having an affair with the character based on Paul. Gil returns to 2010 and confronts Inez, who admits to sleeping with Paul but disregards it as a meaningless fling. Gil breaks up with her and decides to move to Paris. The detective following him takes a "wrong turn" and ends up being chased by the palace guards of Louis XVI just before a revolution breaks out. While walking by the Seine at midnight, Gil encounters Gabrielle. As it begins to rain, he offers to walk her home and learns that they share a love for Paris in the rain.

Cast

[edit]

Main cast

Supporting cast



 
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