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General: ROME TEMPLE OF SATURN AND ARCH OF SETTIMO SEVERO
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Rome. Temple of Saturn and Arch of Settimo Severo
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https://www.meisterdrucke.uk/fine-art-prints/Unknown-photographer/1457072/Rome.-Temple-of-Saturn-and-Arch-of-Settimo-Severo.html |
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Architectural Art, Rome, Arch of Septimius Severus, Temple of Saturn, Italian Antique Painting, 19th Century
$1,500
Italian School Arch of Septimius Severus in Rome Rome, 1st Half, 19th Century Watercolor and ink painting on paper 12 x 17.25 inches, image 15 x 20.25 inches, overall
Painting on paper of the Arch of Septimius Severus on the Via Sacra in the Forum Romanum in Rome. It was likely intended as a souvenir for tourists on the Grand Tour. The main arch and a smaller one in the background are painted in great detail, with the inscription on the attic of the arch and the relief friezes on either side rendered clearly. In the background, the ruins of the Temple of Saturn is also shown in great detail. Pedestrians on the road and seated on the ruins in the foreground provide a sense of scale and city life. The subject of the painting is surrounded by a painted grey border, as originally rendered.
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Description
The arch was built by the emperor Septimius Severus in 203 AD to commemorate the Roman victories over the Parthians, when Septimius Severus took the city of Ctesiphon and created the new Roman province of Mesopotamia between the years of 197 and 199 in what is today northeastern Iran. The marble and travertine structure is richly decorated with sculpture depicting scenes of battle, triumphal processions, and winged victory figures, as well as the seasons and representations of Mars, the Roman god of war, and other deities. The lettering on the attic is a dedication to Septimius Severus and his sons Caracalla and Geta who “restored the Republic and expanded the dominion of the Roman people.”
The Temple of Saturn was an ancient Roman temple to the god Saturn. Its ruins stand at the foot of the Capitoline Hill at the western end of the Roman Forum. The original dedication of the temple is traditionally dated to 497 BC, but ancient writers disagreed greatly about the history of this site. The ruins, comprising the front porch, have a partially preserved pediment inscribed: “Senatus Populusque Romanus incendio consumptum restituit,” meaning “The Senate and People of Rome restored [the temple] consumed by fire.” The pediment and eight surviving columns represent one of the iconic images of Rome’s ancient architectural heritage.
In the 18th and 19th centuries, an essential part of the education of a young “aristocratic gentleman” of England was to go on a “Grand Tour” of Europe, often Italy, to explore the great architecture, archeology, and culture of the ancient Greeks and Romans. Grand Tour members loved to participate in theatrical spectacles, and during this era, archaeological “discoveries” were sometimes staged for well-to-do visitors on the Grand Tour to give them a taste of the drama of making a find.
Inscription in pencil verso: Arch of Septimius Severus in Rome.
Condition: Generally very good with the usual overall light toning, handling, wear. Upper corners professionally reinforced verso.
References:
Cartwright, Mark. “The Arch of Septimius Severus, Rome.” Ancient History Encyclopedia. 29 June 2013. https://www.ancient.eu/article/502/the-arch-of-septimius-severus-rome/ (8 January 2018).
“Italy on the Grand Tour: Witness Ceremonies and Theater.” J. Paul Getty Trust. 2001. http://www.getty.edu/art/exhibitions/grand_tour/t7_spectacle.html (14 June 2002).
https://www.georgeglazer.com/wpmain/product/architectural-art-rome-arch-of-septimius-severus-temple-of-saturn-italian-antique-painting-19th-century/ |
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Roman Forum (Foro Romano), Temple of Saturn and Arch of Septimius Severus, Rome, Lazio, Italy
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New International Version
7 Therefore Jesus said again, “Very truly I tell you, I am the gate for the sheep. 8 All who have come before me are thieves and robbers, but the sheep have not listened to them. 9 I am the gate; whoever enters through me will be saved. They will come in and go out, and find pasture.
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LA SANGRE DEL CORDERO EN EL DINTEL, EN CONTEXTO AL EXODO PASCUAL, ES UN TIPO DEL GRIAL
1. Éxodo 12:7: Y tomarán de la sangre, y la pondrán en los dos postes y en el DINTEL de las casas en que lo han de comer.
2. Éxodo 12:22: Y tomad un manojo de hisopo, y mojadlo en la sangre que estará en un lebrillo, y untad el DINTEL y los dos postes con la sangre que estará en el lebrillo; y ninguno de vosotros salga de las puertas de su casa hasta la mañana.
3. Éxodo 12:23: Porque Jehová pasará hiriendo a los egipcios; y cuando vea la sangre en el DINTEL y en los dos postes, pasará Jehová aquella puerta, y no dejará entrar al heridor en vuestras casas para herir.
Dintel
De Wikipedia, la enciclopedia libre
Esquema de estructura adintelada.
Un dintel es un elemento estructural horizontal que salva un espacio libre entre dos apoyos. Es el elemento superior que permite abrir huecos en los muros para conformar puertas, ventanas o pórticos. Por extensión, el tipo de arquitectura, o construcción, que utiliza el uso de dinteles para cubrir los espacios en los edificios se llama arquitectura adintelada, o construcción adintelada. La que utiliza arcos o bóvedas se denomina arquitectura abovedada.
Los mejores exponentes de arquitectura adintelada en piedra son los edificios monumentales del Antiguo Egipto y la Grecia clásica. La palabra dintel proviene de la palabra latina: limitellus, que deriva etimológicamente de limen y limes. En latín la palabra limen significa umbral, puerta, entrada o comienzo, y limes se refiere a un sendero entre dos campos, límite o muralla.
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Comparen las dos figuras anteriores y noten que la LUZ SOLAR PENETRA, en este caso EN LA PUERTA DE TIWANAKU (BOLIVIA) en los equinoccios, osea el 20/21 de marzo y los 21/22 de septiembre. CONCRETAMENTE LA FIESTA DE LOS TABERNACULOS ES PRIMA HERMANA DE LA FIESTA PASCUAL. EN ESTE MARCO, INSISTO, EL SOL, SI USTED COMPARA CON LA FIGURA SUPERIOR, EN LOS MISMOS EQUINOCCIOS LA LUZ SOLAR CHOCA CON LA PIRAMIDE VATICANA E INCLUSO INGRESA O PENETRA ADENTRO DEL TEMPLO DE SAN PEDRO. PREGUNTO: ¿SI LA PLAZA DE MARIA DE LA VICTORIA ESTA UBICADA EN LA MISMA LINEA EQUINOCCIAL, QUIEN ES EN ESTE MARCO LA MISMA, EN EL CONTEXTO QUE LA PASCUA TAMBIEN TIENE ESA REFERENCIA? CUALQUIER PERSONA QUE TIENE TRES DEDOS DE FRENTE SE DA CUENTA QUE ES MARIA LA MAGDALENA. SI NO ES ASI PREGUNTO:
¿PORQUE CRISTO SE PRESENTO SIENDO VENCEDOR EL 17 DE NISSAN, OSEA EN EL EQUINOCCIO FRENTE A MARIA MAGDALENA?
CONCLUYO:
MARIA LA VICTORIA ES MARIA MAGDALENA
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