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General: VATICANO/CANA SAINT JOHN S GOSPEL SEVEN DAYS WEDDING IN CANA MARY MAGDALENE
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John 1:1-2:1 symbolize the first week of creation which ended on the 7th day with the wedding of Adam and Eve. John's week ends with the wedding in Cana.
Day #1 |
1:23-28 "This was the witness of John, when the Jews sent to him priests and Levites from Jerusalem..." "This happened at Bethany, on the far side of the Jordan, where John was baptizing." |
Day #2 |
1:29-34 "The next day..." "I have seen and I testify that he is the Son of God." |
Day #3 |
1:35-42 "The next day..." "You Simon son of John; you are to be called Cephas-which means Rock."
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Day #4 |
1:43-51 "The next day..." "...you will see heaven open and the angels of God ascending and descending over the Son of man." |
Day #5-6 |
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Day #7 |
2:1 "On the third day"...[from the last day which was day 4] there was a wedding at Cana in Galilee." |
Michal Hunt, Copyright © 2003 Agape Bible Study. Permissions All Rights Reserved.
Jesus identifies Himself with the significant and symbolic words: I AM, ego ami, which reminds us of Yahweh's revelation of Himself to Moses3 times as I AM in Exodus 3:13-14. In John's Gospel Jesus will use these words 26 times and in 7 different metaphors [each used with a predicate nominative]:
1. 6:35 |
"I AM the bread of life" |
2. 8:12 |
"I AM the light of the world" |
3. 10:7 |
"I AM the gate for the sheep" |
4. 10:11 |
"I AM the good shepherd" |
5. 11:25 |
"I AM the resurrection and the life" |
6. 14:6 |
"I AM the way and the truth and the life" |
7. 15:1 |
"I AM the true vine" |
Michal Hunt, Copyright © 2003 Agape Bible Study. Permissions All Rights Reserved.
St. John will also record four "I AM" statements in which Jesus does not use a predicate nominative:
"I AM" with predicate nominative |
"I AM" without predicate nominative |
1. 6:35 |
"I AM the bread of life" |
1. 8:24 |
"...if you do not believe that I AM, you will die in your sins." |
2. 8:12 |
"I AM the light of the world" |
2. 8:28 |
When you have lifted up the Son of man, then you will know that I AM (He)* |
3. 10:7 |
"I AM the gate for the sheep" |
3. 8:58 |
"In all truth (Amen, amen) I tell you, before Abraham ever was, I AM." |
4. 10:11 |
"I AM the good shepherd" |
4. 13:19 |
"I tell you this now, before it happens, so that when it does happen you may believe that I AM (He)*" |
5. 11:25 |
"I AM the resurrection and the life" |
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6. 14:6 |
"I AM the way and the truth and the life" |
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7. 15:1 |
"I AM the true vine" |
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John’s Disciples Follow Jesus (THIRD DAY)
35 The next day John was there again with two of his disciples. 36 When he saw Jesus passing by, he said, “Look, the Lamb of God!”
37 When the two disciples heard him say this, they followed Jesus. 38 Turning around, Jesus saw them following and asked, “What do you want?”
They said, “Rabbi” (which means “Teacher”), “where are you staying?”
39 “Come,” he replied, “and you will see.”
So they went and saw where he was staying, and they spent that day with him. It was about four in the afternoon.
40 Andrew, Simon Peter’s brother, was one of the two who heard what John had said and who had followed Jesus. 41 The first thing Andrew did was to find his brother Simon and tell him, “We have found the Messiah” (that is, the Christ). 42 And he brought him to Jesus.
Jesus looked at him and said, “You are Simon son of John. You will be called Cephas” (which, when translated, is Peter).
Jesus Calls Philip and Nathanael
43 The next day Jesus decided to leave for Galilee. Finding Philip, he said to him, “Follow me.”
44 Philip, like Andrew and Peter, was from the town of Bethsaida. 45 Philip found Nathanael and told him, “We have found the one Moses wrote about in the Law, and about whom the prophets also wrote—Jesus of Nazareth, the son of Joseph.”
46 “Nazareth! Can anything good come from there?” Nathanael asked.
“Come and see,” said Philip.
47 When Jesus saw Nathanael approaching, he said of him, “Here truly is an Israelite in whom there is no deceit.”
48 “How do you know me?” Nathanael asked.
Jesus answered, “I saw you while you were still under the fig tree before Philip called you.”
49 Then Nathanael declared, “Rabbi, you are the Son of God; you are the king of Israel.”
50 Jesus said, “You believe because I told you I saw you under the fig tree. You will see greater things than that.” 51 He then added, “Very truly I tell you, you will see ‘heaven open, and the angels of God ascending and descending on’ the Son of Man.”
The Empty Tomb
20 Early on the first day of the week, while it was still dark, Mary Magdalene went to the tomb and saw that the stone had been removed from the entrance. 2 So she came running to Simon Peter and the other disciple, the one Jesus loved, and said, “They have taken the Lord out of the tomb, and we don’t know where they have put him!”
3 So Peter and the other disciple started for the tomb. 4 Both were running, but the other disciple outran Peter and reached the tomb first. 5 He bent over and looked in at the strips of linen lying there but did not go in. 6 Then Simon Peter came along behind him and went straight into the tomb. He saw the strips of linen lying there, 7 as well as the cloth that had been wrapped around Jesus’ head. The cloth was still lying in its place, separate from the linen. 8 Finally the other disciple, who had reached the tomb first, also went inside. He saw and believed. 9 (They still did not understand from Scripture that Jesus had to rise from the dead.) 10 Then the disciples went back to where they were staying.
Jesus Appears to Mary Magdalene
11 Now Mary stood outside the tomb crying. As she wept, she bent over to look into the tomb 12 and saw two angels in white, seated where Jesus’ body had been, one at the head and the other at the foot.
13 They asked her, “Woman, why are you crying?”
“They have taken my Lord away,” she said, “and I don’t know where they have put him.” 14 At this, she turned around and saw Jesus standing there, but she did not realize that it was Jesus.
15 He asked her, “Woman, why are you crying? Who is it you are looking for?”
Thinking he was the gardener, she said, “Sir, if you have carried him away, tell me where you have put him, and I will get him.”
16 Jesus said to her, “Mary.”
She turned toward him and cried out in Aramaic, “Rabboni!” (which means “Teacher”).
17 Jesus said, “Do not hold on to me, for I have not yet ascended to the Father. Go instead to my brothers and tell them, ‘I am ascending to my Father and your Father, to my God and your God.’”
18 Mary Magdalene went to the disciples with the news: “I have seen the Lord!” And she told them that he had said these things to her.
Jesus Appears to His Disciples
19 On the evening of that first day of the week, when the disciples were together, with the doors locked for fear of the Jewish leaders, Jesus came and stood among them and said, “Peace be with you!” 20 After he said this, he showed them his hands and side. The disciples were overjoyed when they saw the Lord.
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ALCHIMIA E MASSONERIA A VENEZIA - SECONDA PARTE La Chiesa di Santa Maria Maddalena a Cannaregio
SULLE TRACCE DI SIMBOLI E LUOGHI DI TRADIZIONI INIZIATICHE
La Chiesa di Maria Maddalena, a Cannaregio, è l’edificio più rappresentativo del potere e della ricchezza di alcune famiglie appartenenti alla Massoneria veneziana, che riuscirono a far costruire il tempio secondo i criteri di questa associazione. L’architetto ed erudito Tommaso Temanza, confratello di un’importante loggia massonica, nel 1763 progettò l’edificio con pianta circolare, in stile neoclassico e fece incidere sull’architrave della porta uno dei simboli più caratteristici della Massoneria: l’occhio all’interno di un cerchio iscritto in un triangolo.
Al di sotto la scritta ‘SAPIENTIA AEDIFICAVIT SIBI DOMUM’, inneggiante alla divina sapienza. All’interno della Chiesa molti sono i richiami espliciti all’associazione e la stessa tomba del Temanza porta incisi sulla lapide la squadra, la riga ed il compasso, strumenti-simbolo che ne attestavano l’appartenenza alla Massoneria (i confratelli, tra loro, si chiamano ‘muratori’).
https://evenice.it/blog/curiosita/alchimiamassoneria-venezia2.html?fb=v3
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Hagia Sophia
From Wikipedia, the free encyclopedia
Hagia Sophia (Turkish: Ayasofya; Ancient Greek: Ἁγία Σοφία, romanized: Hagía Sophía; Latin: Sancta Sapientia; lit. 'Holy Wisdom'), officially the Hagia Sophia Grand Mosque (Turkish: Ayasofya-i Kebir Cami-i Şerifi; Greek: Μεγάλο Τζαμί της Αγίας Σοφίας),[3] is a mosque and former church serving as a major cultural and historical site in Istanbul, Turkey. The last of three church buildings to be successively erected on the site by the Eastern Roman Empire, it was completed in AD 537. The site was an Eastern rite church from AD 360 to 1453, except for a brief time as a Latin Catholic church between the Fourth Crusade and 1261.[4] After the fall of Constantinople in 1453, it served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque.
The current structure was built by the Byzantine emperor Justinian I as the Christian cathedral of Constantinople for the Byzantine Empire between 532 and 537, and was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles.[5] It was formally called the Church of God's Holy Wisdom (Greek: Ναὸς τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, romanized: Naòs tês Hagías toû Theoû Sophías)[6][7] and upon completion became the world's largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture[8] and is said to have "changed the history of architecture".[9] The present Justinianic building was the third church of the same name to occupy the site, as the prior one had been destroyed in the Nika riots. As the episcopal see of the ecumenical patriarch of Constantinople, it remained the world's largest cathedral for nearly a thousand years, until the Seville Cathedral was completed in 1520. Beginning with subsequent Byzantine architecture, Hagia Sophia became the paradigmatic Orthodox church form, and its architectural style was emulated by Ottoman mosques a thousand years later.[10] It has been described as "holding a unique position in the Christian world"[10] and as an architectural and cultural icon of Byzantine and Eastern Orthodox civilization.[10][11][12]
The religious and spiritual centre of the Eastern Orthodox Church for nearly one thousand years, the church was dedicated to the Holy Wisdom.[13][14][15] It was where the excommunication of Patriarch Michael I Cerularius was officially delivered by Humbert of Silva Candida, the envoy of Pope Leo IX in 1054, an act considered the start of the East–West Schism. In 1204, it was converted during the Fourth Crusade into a Catholic cathedral under the Latin Empire, before being returned to the Eastern Orthodox Church upon the restoration of the Byzantine Empire in 1261. Enrico Dandolo, the doge of Venice who led the Fourth Crusade and the 1204 Sack of Constantinople, was buried in the church.
After the fall of Constantinople to the Ottoman Empire in 1453,[16] it was converted to a mosque by Mehmed the Conqueror and became the principal mosque of Istanbul until the 1616 construction of the Sultan Ahmed Mosque.[17][18] Upon its conversion, the bells, altar, iconostasis, ambo, and baptistery were removed, while iconography, such as the mosaic depictions of Jesus, Mary, Christian saints and angels were removed or plastered over.[19] Islamic architectural additions included four minarets, a minbar and a mihrab. The Byzantine architecture of the Hagia Sophia served as inspiration for many other religious buildings including the Hagia Sophia in Thessaloniki, Panagia Ekatontapiliani, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Pasha Complex. The patriarchate moved to the Church of the Holy Apostles, which became the city's cathedral.
The complex remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum under the secular Republic of Turkey, and the building was Turkey's most visited tourist attraction as of 2019.[20]
In July 2020, the Council of State annulled the 1934 decision to establish the museum, and the Hagia Sophia was reclassified as a mosque. The 1934 decree was ruled to be unlawful under both Ottoman and Turkish law as Hagia Sophia's waqf, endowed by Sultan Mehmed, had designated the site a mosque; proponents of the decision argued the Hagia Sophia was the personal property of the sultan. The decision to designate Hagia Sophia as a mosque was highly controversial. It resulted in divided opinions and drew condemnation from the Turkish opposition, UNESCO, the World Council of Churches and the International Association of Byzantine Studies, as well as numerous international leaders, while several Muslim leaders in Turkey and other countries welcomed its conversion into a mosque.
Church of Constantius II
[edit]
 Hagia Sophia, Istanbul, Turkey, ca. 1897.
The first church on the site was known as the Magna Ecclesia (Μεγάλη Ἐκκλησία, Megálē Ekklēsíā, 'Great Church')[21][22] because of its size compared to the sizes of the contemporary churches in the city.[13] According to the Chronicon Paschale, the church was consecrated on 15 February 360, during the reign of the emperor Constantius II (r. 337–361) by the Arian bishop Eudoxius of Antioch.[23][24] It was built next to the area where the Great Palace was being developed. According to the 5th-century ecclesiastical historian Socrates of Constantinople, the emperor Constantius had c. 346 "constructed the Great Church alongside that called Irene which because it was too small, the emperor's father [Constantine] had enlarged and beautified".[25][23] A tradition which is not older than the 7th or 8th century reports that the edifice was built by Constantius' father, Constantine the Great (r. 306–337).[23] Hesychius of Miletus wrote that Constantine built Hagia Sophia with a wooden roof and removed 427 (mostly pagan) statues from the site.[26] The 12th-century chronicler Joannes Zonaras reconciles the two opinions, writing that Constantius had repaired the edifice consecrated by Eusebius of Nicomedia, after it had collapsed.[23] Since Eusebius was the bishop of Constantinople from 339 to 341, and Constantine died in 337, it seems that the first church was erected by Constantius.[23]
 View of the dome interior
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

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SABADO=SABIDURIA=SO-PHI-A
SOPHIE NEVEU
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FATIMA=SEPTEMBER 11TH (MARS)
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FATIMA=SEPTEMBER 11TH (MARS)/TUESDAY
MAY 1TH 1917 (FATIMA) MARS/TUESDAY
DECEMBER 25TH 1917 (FATIMA) MARS/TUESDAY
JANUARY 1TH 1918 MARS/TUESDAY
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Canada’s Holy Grail: Lord Stanley’s Political Motivation to Donate the Stanley Cup by Jordan B. Goldstein University of Toronto Press 341 pages, $32.95
For a hockey-crazy country, it makes sense that hockey’s ultimate award — the Stanley Cup — holds a prominent place in the Canadian psyche. The cup is a Canadian icon, but how did a silver trophy donated by a Governor General in 1892 become a meaningful part of our identity?
According to Jordan B. Goldstein, author of Canada’s Holy Grail: Lord Stanley’s Political Motivation to Donate the Stanley Cup, it was by design. When Lord Frederick Arthur Stanley, Canada’s sixth Governor General, donated the Dominion Hockey Challenge Cup (later known as the Stanley Cup) in March 1892, he set out to foster Canadian unity and nationalism.
“Donating the cup was an attempt on [Stanley’s] part to build a nation through sport. Given that as governor general, he was head of the Canadian state, his act was political. Setting aside that he had a personal interest in ice hockey and desired to promote it, the creation of the Stanley Cup had political implications,” writes Goldstein, a professor in the Department of Kinesiology at Wilfrid Laurier University.
When Stanley served as Governor General from 1888 to 1893, Canada faced two potential outcomes: grow as an independent nation and remain close to Great Britain, or join the United States. He also recognized the division between French and English Canada as well as the difficult and fractious nature of Canadian politics at the time.
While Stanley wanted to help Canada mature, he understood that his role required impartiality, so he approached the task of building unity — an inherently political act — via his mandate of celebrating excellence.
Stanley chose to celebrate hockey. He envisioned a national championship and provided it with an award. “A physical symbol of national ice hockey supremacy would help support the Canadian state by inducing competition across a national system of ice hockey participants and thereby fostering a shared national sentiment,” writes Goldstein.
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In exploring Stanley’s motivation, Goldstein looks at Stanley’s life as it intersected with Canadian history, identity, philosophy, politics, and, of course, sports. He also explains why Stanley thought only hockey could be Canada’s national sport, and not baseball or lacrosse, both of which were popular at the time. Baseball belonged to the United States, while lacrosse — Canada’s national game at the time of Confederation — had lost its appeal as its supporters chose to remain true to the British Amateur Code rather than seeing lacrosse grow as a professional sport.
In short, to understand why Stanley donated the cup, we must also understand his time as Governor General and why, during a time of “national pessimism, especially in terms of national identity and culture,” Canada needed a strong symbol.
Even though Goldstein shares Stanley’s love of hockey, Canada’s Holy Grail is not a light read about the Governor General and his prize. Instead, it involves meticulous analysis that relies on primary and secondary sources. While historical analysis may not be everyone’s silver cup, Goldstein’s research is fascinating, and his book allows readers to understand a unique part of Canada’s history and identity. It also tells us how a trophy donated by a Governor General became an enduring symbol of the country.
As a result, Canada’s Holy Grail is well suited for anyone who loves hockey, Canadian history, and Canadian political thought — and who is not afraid of some intellectual work. In the end, we owe Stanley great thanks for creating a Canadian icon and, at the same time, helping to create a more unified Canada.
https://www.canadashistory.ca/explore/books/canada-s-holy-grail |
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