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Cathedral of the Madeleine

 
 
 
 
 
From Wikipedia, the free encyclopedia
 
 
Cathedral of the Madeleine
U.S. National Register of Historic Places
Cathedral of the Madeleine - Salt Lake City.jpg
Cathedral of the Madeleine in May 2019
Cathedral of the Madeleine is located in Utah
Cathedral of the Madeleine
Location in Utah
Location 331 East South Temple Street
Salt Lake City, Utah
United States
Coordinates 40°46′11″N 111°52′54″W
Area 1.2 acres (0.49 ha)
Built 1900-09
Architect Carl M. Neuhausen and Bernard O. Mecklenburg
Architectural style Neo-Romanesque (outside) and Neo-Gothic (inside)
NRHP reference No. 71000845[1]
Added to NRHP March 11, 1971

The Cathedral of the Madeleine is a Roman Catholic church in Salt Lake City, Utah, United States. It was completed in 1909 and currently serves as the cathedral, or mother church, of the Diocese of Salt Lake City. It is the only cathedral in the U.S. under the patronage of St. Mary Magdalene.

Description[edit]

The cathedral was built under the direction of Lawrence Scanlan, the first bishop of Salt Lake City, who dedicated it to St. Mary Magdalene.[2] It was designed by architects Carl M. Neuhausen and Bernard O. Mecklenburg. The exterior is predominantly a Neo-Romanesque design, while the inside displays more Neo-Gothic details. Construction began in 1900 and was completed in 1909. It was dedicated by James Cardinal Gibbons, Archbishop of Baltimore.

It is theorized that Bishop Scanlan chose Mary Magdalene as the patron saint of the Diocese of Salt Lake because her feast day is on July 22, two days before Pioneer Day, a celebration commemorating the arrival of the Mormon pioneers in Salt Lake Valley, so that Catholics would have something to celebrate alongside the region's dominant faith.[3]

The interior of the cathedral was created under the direction of Joseph S. Glass, the second bishop of Salt Lake. Bishop Glass enlisted John Theodore Comes, one of the preeminent architects in the country, to decorate the interior of the cathedral. His plans for the interior were largely based upon the Spanish Gothic style. The colorful murals and polychrome were added at this time, as were the ornate shrines. In 1916, Bishop Glass also changed the name of the cathedral to the French spelling after visiting her purported tomb.[2]

In the 1970s, the exterior of the building was restored, and between 1991 and 1993, the interior of the cathedral was renovated and restored under Bishop William K. Weigand. This included not only the removal of dust and dirt and restoration of the interior but also changes to the liturgical elements of the cathedral to bring them into conformity with certain widespread changes in liturgical practice that developed after the Second Vatican Council.

This included constructing a new altar, moving the cathedra, creating a separate chapel for the Blessed Sacrament, and adding an ample baptismal font. The Blessed Sacrament Chapel also contains the tomb of Bishop Scanlan.[4] Resting atop the tomb is a case containing a small relic of Saint Mary Magdalene. The cathedral in Salt Lake City and the Basilica of Saint-Maximin-la-Sainte-Baume in France are the only cathedrals in the world holding first-class relics of the saint and are named in her honor.[5] The major restoration of the interior of the cathedral was accomplished through the vision of Monsignor M. Francis Mannion.[6]

The cathedral is home to the only co-educational Catholic Choir School in the United States. The Madeleine Choir School, established in 1996, now serves over 400 students in Pre-Kindergarten through Grade Eight.[7] The Cathedral Choir has recorded several CDs and routinely tours both nationally and internationally. In addition to singing daily services at the Cathedral of the Madeleine, choristers have sung at St. Peter's Basilica (Vatican City), Notre Dame de Paris (France), and in churches across the United States of America, Spain, Italy, France, Belgium, and Germany, among other places.[8]

Composer Amédée Tremblay notably served as the church's organist from 1920 to 1925.[9]

 
 
 
 
 
 
 
The Mystery of Salt Lake City's Missing Church Stained Glass Windows | Salt  Lake City Stained Glass | Salt Lake City Stained Glass
Cathedral of the Madeleine, Salt Lake City, UT - YouTube
Utah Elevated: Cathedral of the Madeleine in SLC - YouTube


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    First, NYC/Long Island can be associated with 'knowledge' through the symbolisms of 'apple' ("Big Apple"), 'rose' (state flower),  'fire' (Statue of Liberty, its connection to Paris/'torch'), etc. and as we've seen in foregoing sections it's part of the 'ark' complex via VI-97.  Furthermore from the 'apple' connection follows the notion of the 'serpent'.  Now, all those 'knowledge'/Sirius connections of NYC can be transferred to Mars because, as illustrated in 'Babylon Matrix', NYC is also related to Mars, especially the Cydonia region with all the potentially artificial structures.  Mars being red and circular is associatable with the 'apple', the red and round 'Big Apple' (NYC).  Now, some might argue that the fruit Eve ate was not necessarily an 'apple', but we generally thought of it as an apple today and that has to count in symbolism.  But there is a much more precise connection -  the latitudes of NYC and Cydonia are exactly the same, 40.5~41N.

    The events closely associated earlier with X-72 and more or less with the ark, the two random shootings in a library and school ('Resonance' #7 and 8), appear to back up the Mars-Sirius connection also.  Those two similar events, only five days apart, occurred one on the Cydonian latitude and the other on the Sirius 'angle' latitude.  The Mormon library shooting took place at ~40.5N, and the Colorado school shooting at ~39.5N.  The name 'Salt Lake City', where the library shooting occurred, may be relevant also since mythologically the 'salt water' is of female - and Sirius is filled with female associations ('goddess', 'star of Women', etc.).

    Moreover, Temple mentions in his book that "when making rhetorical allusion to the Dog Days, the Latins would often speak of Sirius being red at the time..."  Now, this is quite significant for not only is Sirius described as 'red' like Mars, but the "Dog Days" would refer to a period in or around July - the exact time-frame indicated by Quatrain X-72.

    The Sirius-correlated Argo also turns out to be very relevant here.  Because the main mission of Jason, the leader of the Argonauts who has been identified as the "appeasing King"/"King of terror" of X-72 earlier, was to obtain the 'golden fleece', and in Temple's words, "Aries was definitely identified with the golden fleece".  In case you don't know, Aries is the Greek Mars.  Aries is also a sign of the zodiac, "ruled" by Mars, and it is classified as a 'fire sign' - correlating with the fire-knowledge symbolism.  I should also point out that Mars is called 'fire star' in Japanese.

    Moreover, Sirius/Isis' son Horus provides intriguing correlations.  First, the Great Sphinx associated earlier with 'ark' was called by Egyptians "Horus of Horizon" which also happens to be a name given to Mars.  And the word 'Cairo', where the Sphinx is (actually slightly west of Cairo), is derived from 'Mars'.  Mars was also called 'Horus the Red'.  And the word 'Heru' (Egyptian name for Horus) also has the meaning of 'face' - seemingly a reference to the infamous 'Face on Mars' at Cydonia! (So, as you can see, the Mars-Horus connection is quite obvious.)  Next, Sirius/ark comes into the web of associations, as the Argo also relates to Horus (thus to Mars too) as the Greek derivation of Horus, 'Circe', plays a prominent role in the story of Argo.  Also, as Temple hypothesizes, the names of the original captain of Argo, Herakles, and his protectress Hera may be derived from 'Heru' - the Egyptian name for Horus.  Furthermore, we're told that Herakles/Hera is related to the word 'Seirios' from which we have the word 'Sirius' - strengthening the Mars-ark-Sirius connection.  But as if it wasn't enough, Temple goes on to point out that 'Seirios' also has the meaning of 'fiery/scorching', that can easily be a reference to Mars. 

    And finally, Mars and Sirius are linked by the 'tetrahedral angle' of 19.5 degrees.  '19.5 degrees' is one of the most significant notions derived from the supposed artificial structures of Cydonia that suggests their artificiality, according to investigators like Richard Hoagland ('The Monuments of Mars').  It is viewed as a definite 'signal in the noise' - some kind of a 'message' left there by some intelligence.  This number, '19.5', is called t, the 'tetrahedral constant', because of its significance in tetrahedral geometry (a tetrahedron is a pyramid shape composed of four equilateral triangular sides):  the apexes of a tetrahedron when placed within a circumscribing sphere, one of the tetrahedron's apexes touching the south (or north) pole, the other three apexes touch the surface of the sphere at 19.5 degrees north latitude.  So it is interesting that the Egyptian symbol for Sirius is a triangle which can be viewed as a 2-dimensional representation of a tetrahedron. 

     

https://www.goroadachi.com/etemenanki/1999-sirius.htm

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En el pasado siglo (siglo XX), los hombres con muy poco respeto por el Evangelio, inventaron otro "salvador": un "dios extraterrestre" venido de otros planetas, llamado Superman. En estos cuentos, difícilmente se ve ninguna señal del cristianismo en sus fantásticas escenas...

CUENTOS DE MAGIA DE WALT DISNEY Y DE HARRY POTTER...

En este siglo pasado, tambien aparecerían los cuentos fantasticos de la magia de walt Disney.... Cuentos que han invadido al mundo y que han llenado de fantasias las cabezas de tantos millones de niños... Todos estos cuentos serían el terreno abonado para dar paso a los cuentos fantasticos de Harry Potter y su escuela de magia...

En estos cuentos se nos presentan el Ministerio y el gobierno de la comunidad mágica británica en las películas dedicadas a estos cuentos de Harry Potter...  Pero ninguno de los autores de estos cuentos de magia se habían decidido a imponer a los personajes de estos cuentos como "dioses de la Navidad"... El ""dios"" impuesto en navidad para los magos pasaría a ser el personaje conocido como: "papa Noel" o "santa Claus"...  

"PAPA NOEL O "SANTA CLAUS" UN "DIOS" MÁGICO IMPUESTO PARA ANULAR LA CELEBRACIÓN SAGRADA DEL NACIMIENTO DE JESUCRISTO...

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The History of Women on Coins

 

By Stephanie Meredith
March 8, 2022

 

Watch this video to explore the history of women on U.S. coins.


American Women Quarters™ Program brings recognition to women and their contributions to this country.

 

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In 1893, Queen Isabella of Spain became the first woman featured on a United States coin, the Queen Isabella Commemorative Quarter. It was almost 100 years later, in 1979, that the first U.S. circulating coin depicted a woman. Since then, there have been a limited number of other circulating coins celebrating women. Although coin designs should represent a country’s values and culture, women are historically under-represented on American coins. But this year, the American Women Quarters™ Program brings recognition to women and their contributions to this country.

Women on Circulating Coins

Although U.S. circulating coins from the 18th to early 20th centuries portrayed female likenesses, they all depicted the mythical figure of Liberty. When creating legislation for a national mint, Congress decided that coins should represent the concept of liberty on the obverse rather than a real person. In early America, symbols of liberty as a Greco-Roman goddess were prevalent. Because of those origins, early coin designs portrayed her with classically styled clothes, facial features, and symbols.

By the early 20th century, opinions about featuring real people on coins changed, and President Abraham Lincoln replaced the figure of Liberty on the penny in 1909. The other circulating coins changed throughout the first half of the 20th century to show different presidents. Legislation still required the obverse of coins to represent the concept of liberty, but instead of a mythical figure, the presidents became that depiction.

Almost 200 years after the Mint produced its first circulating coin, Susan B. Anthony appeared on the dollar. The Susan B. Anthony Dollar was the first circulating coin to depict a non-mythical woman. Her portrait replaced President Dwight D. Eisenhower on the obverse. The reverse continued to include an adaptation of Apollo 11’s insignia used on the Eisenhower Dollar. The Mint produced the Susan B. Anthony Dollar from 1979 to 1981 and again in 1999.

The Sacagawea Golden Dollar replaced the Susan B. Anthony Dollar. The obverse showed Sacagawea carrying her baby Jean Baptiste on her back. Her portrait is unlike the traditional side-facing image; she is in three-quarters profile and looks out at the viewer. The reverse featured a soaring eagle. The Mint made the Sacagawea Golden Dollar from 2000 to 2008, before it transitioned into the Native American $1 Coin Program in 2009.

Both the Susan B. Anthony and Sacagawea dollars are unique because their portraits appear on the obverse. They are the representations of liberty instead of a male president.

1979 Susan B Anthony Dollar and 2000 Sacagawea Golden Dollar obverses 1979 Susan B. Anthony Dollar and 2000 Sacagawea Golden Dollar
 

Circulating coin reverse designs follow different themes named in legislation, including as part of coin programs. Some of these coins show women as part of the design. The 2003 Alabama State Quarter featured Helen Keller. But even though her image was in the design, the quarter was part of the 50 State Quarters Program and honored Alabama, not Helen Keller herself.

American Women Quarters Program

The American Women Quarters Program is the first circulating coin program to exclusively honor women and their contributions to this country as the reverse theme. From 2022 through 2025, the Mint will release five designs each year recognizing a different American woman.

The women will be from ethnically, racially, and geographically diverse backgrounds and from a variety of fields. The program will celebrate familiar names such as author Maya Angelou and Dr. Sally Ride, the first American woman in space. It will also introduce Americans to under-recognized women such as Anna May Wong, the first Chinese American film star in Hollywood.

The obverse of the quarters will still depict George Washington, but in a new design sculpted by famous 20th century artist Laura Gardin Fraser. Her right-facing portrait of Washington was the recommended design for the 1932 quarter when the obverse changed from Liberty to Washington. The Treasury Secretary at the time ultimately selected the familiar left-facing portrait by John Flanagan, which the Mint used on the quarter for 90 years.

Watch for these quarters in circulation or buy American Women Quarters Program products in the Mint’s online catalog.

https://www.usmint.gov/news/inside-the-mint/history-of-women-on-coins


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