Midnight in Paris is a 2011 fantasy comedy film written and directed by Woody Allen. Set in Paris, the film follows Gil Pender (Owen Wilson), a screenwriter and aspiring novelist, who is forced to confront the shortcomings of his relationship with his materialistic fiancée (Rachel McAdams) and their divergent goals, which become increasingly exaggerated as he travels back in time to the 1920s each night at midnight.^[3]

Produced by the Spanish group Mediapro and Allen's US-based Gravier Productions, the film stars Wilson, McAdams, Kathy Bates, Adrien Brody, Carla Bruni, Tom Hiddleston, Marion Cotillard, and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in the United States on May 20, 2011.^[3][4] The film opened to critical acclaim. In 2012, it won the Academy Award for Best Original Screenplay and the Golden Globe Award for Best Screenplay. It was nominated for three other Academy Awards: Best Picture, Best Director and Best Art Direction.^[5]

In 2010, disillusioned screenwriter Gil Pender and his fiancée, Inez, vacation in Paris with Inez's wealthy parents. Gil, struggling to finish his debut novel about a man who works in a nostalgia shop, finds himself drawn to the artistic history of Paris, especially the Lost Generation of the 1920s, and has ambitions to move there, which Inez dismisses. By chance, they meet Inez's friend, Paul, and his wife, Carol. Paul speaks with great authority but questionable accuracy on French history, annoying Gil but impressing Inez.

Intoxicated after a night of wine tasting, Gil decides to walk back to their hotel, while Inez goes with Paul and Carol by taxi. At midnight, a 1920s car pulls up beside Gil and delivers him to a party for Jean Cocteau, attended by other people of the 1920s Paris art scene. Zelda Fitzgerald, bored, encourages her husband Scott and Gil to leave with her. They head to a cafe where they run into Ernest Hemingway and Juan Belmonte. After Zelda and Scott leave, Gil and Hemingway discuss writing, and Hemingway offers to show Gil's novel to Gertrude Stein. As Gil leaves to fetch his manuscript, he returns to 2010; the cafe is now a laundromat.

The next night, Gil tries to repeat the experience with Inez, but she leaves before midnight. Returning to the 1920s, Gil accompanies Hemingway to visit Gertrude Stein, who critiques Pablo Picasso's new painting of his lover Adriana. Gil becomes drawn to Adriana, a costume designer who also had affairs with Amedeo Modigliani and Georges Braque. Having heard the first line of Gil's novel, Adriana praises it and admits she has always longed for the past.

Gil continues to time travel the following nights. Inez grows jaded with Paris and Gil's constant disappearing, while her father grows suspicious and hires a private detective to follow him. Adriana leaves Picasso and continues to bond with Gil, who is conflicted by his attraction to her. Gil explains his situation to Salvador Dalí, Man Ray, and Luis Buñuel; as surrealists, they do not question his claim of coming from the future. Gil later suggests the plot of "The Exterminating Angel" to Buñuel.

While Inez and her parents travel to Mont Saint Michel, Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He later finds Adriana's diary at a book stall, which reveals that she was in love with Gil and dreamed of being gifted earrings before making love to him. To seduce Adriana, Gil tries to steal a pair of Inez's earrings but is thwarted by her early return to the hotel room.

Gil buys new earrings and returns to the past. After he gives Adriana the earrings, a horse-drawn carriage arrives, transporting them to the Belle Époque, an era Adriana considers Paris's Golden Age, they go to the Moulin Rouge where they meet Henri de Toulouse-Lautrec, Paul Gauguin, and Edgar Degas, who all agree that Paris's best era was the Renaissance. Adriana is offered a job designing ballet costumes; thrilled, she proposes to Gil that they stay, but he, observing the unhappiness of Adriana and the other artists, realizes that chasing nostalgia is fruitless because the present is always "a little unsatisfying." Adriana decides to stay, and they part ways.

Gil rewrites the first two chapters of his novel. He retrieves his draft from Stein, who praises his rewrite. Still, he says that on reading the new chapters, Hemingway does not believe that the protagonist does not realize that his fiancée, based on Inez, is having an affair with the character based on Paul. Gil returns to 2010 and confronts Inez, who admits to sleeping with Paul but disregards it as a meaningless fling. Gil breaks up with her and decides to move to Paris. The detective following him takes a "wrong turn" and ends up being chased by the palace guards of Louis XVI just before a revolution breaks out. While walking by the Seine at midnight, Gil encounters Gabrielle. As it begins to rain, he offers to walk her home and learns that they share a love for Paris in the rain.

Main cast

El Gran Colisionador de Hadrones (LHC; en inglés: Large Hadron Collider) es el acelerador de partículas más grande y de mayor energía que existe y la máquina más grande construida por el ser humano en el mundo.¹​²​ Fue construido por la Organización Europea para la Investigación Nuclear (CERN) entre 1989 y 2001 en colaboración con más de 10 000 científicos y cientos de universidades y laboratorios, así como más de 100 países de todo el Mundo.³​ Se encuentra en un túnel de 27 kilómetros de circunferencia y a una profundidad máxima de 175 metros bajo tierra, debajo de la frontera entre Francia y Suiza, cerca de Ginebra.

Las primeras colisiones se lograron en 2010 a una energía de 3,5 teraelectronvoltios (TeV) por haz, aproximadamente cuatro veces el récord mundial anterior, alcanzados en el Tevatron.⁴​⁵​ Después de las correspondientes actualizaciones, alcanzó 6,5 TeV por haz (13 TeV de energía de colisión total, el récord mundial actual).⁶​⁷​⁸​⁹​ A finales de 2018, entró en un período de parada de dos años, que finalmente se ha prolongado hasta 2022, con el fin de realizar nuevas actualizaciones, con lo cual se espera posteriormente alcanzar energías de colisión aún mayores.

El colisionador tiene cuatro puntos de cruce, alrededor de los cuales se colocan siete detectores, cada uno diseñado para ciertos tipos de experimentos en investigación. El LHC hace colisionar protones, pero también puede utilizar haces de iones pesados (por ejemplo de plomo) realizándose colisiones de átomos de plomo normalmente durante un mes al año. El objetivo de los detectores del LHC es permitir a los físicos probar las predicciones de las diferentes teorías de la física de partículas, incluida la medición de las propiedades del bosón de Higgs¹⁰​ y la búsqueda de una larga serie de nuevas partículas predicha por las teorías de la supersimetría,¹¹​ así como también otros problemas no resueltos en la larga lista de elementos en la física de partículas.

El término "hadrón" se refiere a aquellas partículas subatómicas compuestas de quarks unidos por la fuerza nuclear fuerte (así como los átomos y las moléculas se mantienen unidos por la fuerza electromagnética).¹²​ Los hadrones más conocidos son los bariones, como pueden ser los protones y los neutrones. Los hadrones también incluyen mesones como el pion o el kaón, que fueron descubiertos durante los experimentos de rayos cósmicos a fines de la década de 1940 y principios de la de 1950.¹³​

Un "colisionador" es un tipo de acelerador de partículas con dos haces enfrentados de partículas que chocan entre sí. En la física de partículas, los colisionadores se utilizan como herramientas de investigación: aceleran las partículas a energías cinéticas muy altas que les permiten impactar con otras partículas.¹​ El análisis de los subproductos de estas colisiones, captados por los sensores, brinda a los científicos una buena evidencia de la estructura del mundo subatómico y de las leyes de la naturaleza que los gobiernan. Muchos de estos subproductos se producen sólo mediante colisiones de alta energía y se descomponen después de períodos de tiempo muy breves. Por lo tanto, muchos de ellos son difíciles o casi imposibles de detectar de otra manera.¹⁴

Valère Basilica
Basilica of Our Lady in Valère
Basilique Notre-Dame de Valère
Valère Castle and Haut de Cry, as seen from Sion
Valère Basilica Location of Valère Basilica in Switzerland
46°14′2″N 7°21′52″E
Location	Sion, Valais, Switzerland
Denomination	Roman Catholic
Website	Valeria
History
Status	Minor basilica
Founded	1200–1300
Architecture
Functional status	Active
Heritage designation	Cultural Property of National Significance
Architectural type	Basilica
Style	Romanesque, Gothic
Administration
Diocese	Roman Catholic Diocese of Sion
Swiss Cultural Property of National Significance
Official name	Église et chteau Notre-Dame de Valère
Reference no.	7037

The Valère Basilica (French: Basilique de Valère), also called Valère castle (French: Chteau de Valère), is a fortified Roman Catholic church situated in Sion in the canton of Valais in Switzerland. It is located on a hill and faces the Chteau de Tourbillon, situated on the opposite hill. It is a Swiss heritage site of national significance.^[1]

The castle of Valère is located on the Valère hill at 615 meters (2,018 ft) above sea level and dominates the town of Sion in the canton of Valais, Switzerland.^[2] The castle's church is located at the top of the hill, while the fortified village and its walls surround it. The relief of the Valère hill is very uneven and access to the castle is only possible from the north-east.^[3]

Since 1977, the site has been included in the Federal Inventory of Sites and Monuments of National Importance due to the large number of protected species present on Valère Hill.^[4] The fauna of the hill includes the European green lizard (Lacerta viridis), the European mantis (Mantis religiosa), the scarce swallowtail (Iphiclides podalirius), the green-underside blue (Glaucopsyche alexis), the blue-winged grasshopper (Oedipoda caerulescens), the rock bunting (Emberiza cia), the common redstart (Phoenicurus phoenicurus), the common raven (Corvus Corax) and the common kestrel (Falco tinnunculus). Valère's flora is composed of a feather grass (Stipa) species, Ephedra distachya, Indian fig (Opuntia humifusa), hoary berteroa (Berteroa incana), early star-of-Bethlehem (Gagea bohemica), cotton thistle (Onopordum acanthium), motherwort (Leonurus cardiaca) and patience dock (Rumex patientia).^[5]

4.9 hectares (530,000 sq ft) of the Tourbillon Hill are also included in the catalogue of protected places in the category of dry meadows and pastures of national importance. This area was so classified in 2017 with the aim of conserving Switzerland's dry meadows and pastures, almost 95% of which have disappeared since 1900.^[6]

The Diocese was founded in Octodurum, now called Martigny, in the early 4th century. In 589 the bishop, St. Heliodorus, transferred the see to Sion, as Octodurum was frequently endangered by the inundations of the Rhone and the Drance. Very little is known about the early Bishops and the early churches in Sion. However, in the late 10th century the last King of Upper Burgundy Rudolph III, granted the County of Valais to Bishop Hugo (998–1017). The combination of spiritual and secular power made the Prince-Bishops the most powerful nobles in the Upper Rhone valley. Sion became the political and religious center of the region. By the 12th century they began building impressive churches and castles in Sion to represent their power and administer their estates.^[7] Valère, as the residence of the cathedral chapter in Sion, was one-third of the administrative center of the powerful Diocese of Sion. In the 12th century the Cathedral Notre Dame de Sion (du Glarier) was built in the town below Valère hill.^[8] Glarier Cathedral became the seat of the Diocese of Sion, while the Prince-Bishop of Sion lived in Tourbillon Castle.^[9]

The name Valère is first mentioned in 1049 as the site of the cathedral chapter in Sion. The first parts of the church were built between 1100 and 1130 in the Romanesque style. The next construction phase began after 1130 and included the semi-circular apse, the walls and windows and a roof. The third phase saw the church expand and the style changed to the new Gothic style. Between 1235 and 1267 the nave expanded and was flanked with two aisles. During the 13th century, the choir was covered with a Gothic ribbed vault and a rood screen was installed to separate the chancel from the nave. The famous organ was installed around 1430–1435 and other than a modification in the 1700s is essentially unchanged. The murals date from about 1435 as well.^[10] The Gothic marble statue of the Madonna with the baby Jesus was added in the 15th century over the high altar. The current choir stalls were added in the mid-17th century.^[11]

The church obtained the rank of minor basilica in the Roman Catholic tradition on 7 October 1987, during the visit of Pope John Paul II.

The Valère Basilica has been restored with the larch structures preserved and tested by Sylvatest in 2000.^[12][13]

The Pipe organ on the west side of the Valère Basilica, believed to have been built in 1435, is one of the oldest functioning in the world. It was probably brought to the church by Guillaume de Rarogne, who eventually ended up as the bishop of Sion. Its pipes are arranged to form a rough outline of a church; the larger pipes form two towers, and the smaller ones create a triangular church roof. The organ was modified in the 1700s to play Baroque music, but otherwise remains essentially unchanged.^[10] It was renovated in 1954.^{[citation needed]}