Quote:
Originally Posted by maximumgravity1
OK, so I got looking at your Fibonacci Sequences, and I started to see some very interesting patterns emerging....and this is leading me into some weird places ATM. I think I am beginning to understand the mapping idea, but still not there - I rally need a 3-D modeling program to do it properly, but am struggling through without - more on that later. If nothing else, I will post my thoughts, and let some one far more mathematically inclined take it from there. Anyway, regarding the concept of the Fibonacci 12's. This is an interesting concept, and I think worth exploring further. What I did was take your sequences, and paired them up in the logical way that I see.
As can be seen, this immediately pairs up the opposite number groups. I have a feeling there is something unique going on with this, because we have almost mirror opposites going vertically as well as horizontally. The 9's are bizarre in this sequence at position 12, but this is very reminiscent of doing the multiplication table. When looking at the simplified multiplication table, there is a bounding box of 9's all around the last row, and the 8's tables is a reverse mirror image of the 1-9 sequence. This makes me feel that there should be a surrounding set of 9's in place of where we would write 0's on the outer perimeter. I get a similar feeling with this sequence. The 9's seem like a bounding box.
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The irrational Phi spiral might provide a type of damping that allows noise to organize into whole number harmonics within the fibonacci intervals that form when manifestation is attracted back to its source, the nodes that form are like the joints of free space that act like a resonance chamber, or egg for organized manifestation.
888 = 6
111 = 3
Each mirror set of 12 fibonacci numbers, oscillates between the 888:111; the 3:6. This could be like the dipole of the 9. Or relative to how the VBM circuit animation oscillates 9,3,9,6,9,3,9,6,9,3,9,6,9,3,9.
The in breath and the outbreath of cosmic manifestation of all scales, linked in proportional correspondence along Phi proportions like sacred geometry.
The 9 as Maximum gravity shows in the diagrams do surround all permutations of itself in a mathematical organization, allowing for all sorts of patterns and variety to form within a controlled boundary.
Some ideas that I think are relative to the first 65 posts of this thread.