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General: ULTRASECRETO TEMPLARIO=SAN JORGE=VENECIA=SAN MARCOS
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La cruz masona de malta de los papas y del espía del Mi6 Adolf Hitler Rothschild
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7 7 7
VENECIA= VENUS= PHI= 1.618 =GRAN PIRAMIDE
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How many of these ‘ ~ ‘ notches can we count on the circumference of this Celtic brooch?
source of image: Walter Russell
Recall that the two Platonic solids the octahedron and the cube share unique relationships with each other.
http://euler.slu.edu/escher/index.php/Spherical_Geometry
But in the Great Pyramid we encounter a 55 vs. 56 anomaly in the Grand Gallery.
Why 56?
The number 56 looks like it may have been significant to the architects:
1. 56 x 56 x 56 times the size of the Great Pyramid: Here the circumference of the earth = length of the pyramid base.
2. 1/56 of the pyramid is the size of the missing capstone described by several sources
3. 1/(56 x 56) times the size of the pyramid is the tiny one of Figure 1 with a base approx. 7 x 7cm.
Coinciding with the unprecedented height of Cheops’s Pyramid there is also an unprecedented feature in its inner layout,
the Grand Gallery.
The length of the Grand Gallery is 91.37 cubits or 47.877 meters.
The middle of the grand gallery is 13.79 cubits (7.22 meters) east of the pyramid’s centre axis.
The Grand Gallery has 7-step corbeled side walls, 2 RC wide at the top and 4 RC wide at the floor.
The floor has a central groove 2 RC wide, flanked by 1 RC floor-ramps on each side.
The Grand Gallery is about 18 RC high vertically, or about 16 RC high perpendicular to its floor.
It is about (200/sqrt(5)) = about 89 RC long.
The Grand Gallery contains two grooves, one in the east wall and one in the west wall. They are 7 inches high, 1 inch deep, and 5 inches up from the 3rd overlapping corbel. They run the entire length of the gallery. Click for a diagram
There are a total of 55 ramp-holes on both sides of the floor-ramps.
Architectural Analysis of the Great Pyramid
http://www.ancient-wisdom.co.uk/Ghizaarchitecture.htm#2.25
Our Inheritance in the Great Pyramid
by Piazzi Smyth (pdf)
http://www.archive.org/stream/ourinheritancein00smytuoft#page/ii/mode/2up
Piazzi Smyth, Ramps, Ramps Holes, Well’s Upper Mouth
http://www.archive.org/stream/ourinheritancein00smytuoft#page/378/mode/2up
The absence of the twenty-eighth slot in the western banquette, whose place is now taken up by the opening of the ‘well’, serves to confirm the views expressed by Petrie; to wit, that the connection of the Grand gallery with the primitive shaft used by descending stonecutters, a hole drilled through the masonry, was a task undertaken after the pyramid had been built.
http://www.ancient-wisdom.co.uk/Ghizaarchitecture.htm#2.27
The details of the Grand Gallery are extremely important and have no parallel in any other structure on Earth*
Its geometric design predicts that sound originating within its space is focused through a passageway past the Antechamber and into the granite complex known as the King’s Chamber.
This phenomena has been noted by musicians, acoustical engineers, military scientist and laypeople alike.
Some of the more puzzling features of this architectural acoustical miracle, however, are not adequately explained by conventional literature or, indeed, in any other literature.
There are the 27 pair of slots that are cut into the ramps that traverse both side of the Grand Gallery.
* except this next image which contains 56 people of history.
In the center Plato (#1), holding the Timaeus and pointing to the heavens, speaks with Aristotle (#2), holding the Ethics and gesturing towards the earth. They are framed by the triumphal arch above as well as by barrel vaults and sky; they are also surrounded by the largest number of people (#3-10, 52-56). In addition, #11 is ascending the stairs, leaving the geometers and astronomers below, while #12 points out Plato and Aristotle to him. Figure #13 is intently writing while a friend (#14) looks on in interest. At the far right, others are coming in, the younger two (#17 and 18) looking curiously at those below. The old man (#16) is eagerly moving in a different direction, apparently towards Plato and Aristotle. Above the thoughtful old man (#15) who gestures downward like Aristotle, is the statue of Athena, goddess of wisdom, crafts, and war. She is dressed in military garb and on her shield is the terrifying face of the Gorgon. Below her is a relief of Virtue elevated upon clouds, holding one hand at her breast, the seat of valor, while extending the other toward the earth with the scepter of her empire.
http://thomasmorestudies.org/cu_history.html
* and except this well … and its accompanying myth regarding ‘CR’
‘Well of Initiation’, into the interior of the earth; picture shows also the Rose of the Winds over the Templar Cross, the Rose Cross, in “Quinta da Regaleira”,Sintra, Portugal (built ca. 1904-1910).
According to legend, Christian Rosenkreuz was a doctor who discovered and learned esoteric wisdom on a pilgrimage to the Middle East among Turkish, Arab, and Persian sages, possibly Sufi or Zoroastrian masters, supposedly in the early 15th century (see section below on Symbolism) ; returned and founded the “Fraternity of the Rose Cross” with himself (Frater C.R.C.) as Head of the Order. Under his direction a Temple, called Sanctus Spiritus, or “The House of the Holy Spirit”, was built.
The legend presented in the Manifestos has been interpreted symbolically (as were all hermetic and alchemical texts of those times). They do not directly state Christian Rosenkreuz’s years of birth and death, but in two sentences in thesecond Manifesto the year 1378 is presented as being the birth year of “our Christian Father”, and it is stated that he lived for 106 years, which would mean he died in 1484.[5] The foundation of the Order can be supposed in similar terms to have occurred in the year 1407. However, these numbers (and deduced years) are not taken literally by many students of occultism, who consider them to be allegorical and symbolic statements for the understanding of the Initiated. The justification for this relies on the Manifestos themselves: on the one hand, the Rosicrucians clearly adopted through the Manifestos the Pythagorean tradition of envisioning objects and ideas in terms of their numeric aspects, and, on the other hand, they directly state,
“We speak unto you by parables, but would willingly bring you to the right, simple, easy and ingenuous exposition, understanding, declaration, and knowledge of all secrets.”
“from the year of Our Lord 1378 (in which year our Christian Father was born)“, in Confessio Fraternitatis
The significance of 137–8 and 147 is best understood if NOT taken literally, I agree … allow me to illustrate.
The metaphorical nature of these legends lends a nebulous quality to the origins of Rosicrucianism. The opening of Rosenkreuz’s tomb is thought to be a way of referring to the cycles in nature and to cosmic events; and as well, to the opening of new possibilities for mankind consequent on the advances of the 16th and early 17th centuries. Similarly, Rosenkreuz’s pilgrimage seems to refer to the transmutation steps of the Great Work.
Similar legends may be found in Wolfram von Eschenbach‘s description of the Holy Grail as the “Lapis Exillis“, guarded by the Knights Templar, or in the Philosophers’ stone of the alchemists, the “Lapis Elixir“.
http://en.wikipedia.org/wiki/Christian_Rosenkreuz
 
Here comes the AHA!!!
Important to note the following: Especially since I have a habit of suggesting LEvIturned upside down becomes I^37
The word EXILLIS rotated 180 degrees appears as:
SI77IX3 or 51771X3
51771 X 3
What is the significance of those numbers 157?
Jesus Mihi Omnia 157
Some occultists including Rudolf Steiner, Max Heindel[3] and (much later) Guy Ballard, have stated that Rosenkreuz later reappeared as the Count of St. Germain, a courtier, adventurer, and alchemist who reportedly died on February 27, 1784. Steiner once identified Rembrandt’s painting “‘A Man in Armour’” as a portrait of Christian Rosenkreuz, apparently in a 17th century manifestation. Others believe Rosenkreuz to be a pseudonym for a more famous historical figure, usually Francis Bacon.
Jesus mihi omnia
It is described that on the Sarcophagus in the centre of the Crypt of Christian Rosenkreutz were written, among other inscriptions the words, “Jesus mihi omnia, nequaquam vacuum, libertas evangelii, dei intacta gloria, legis jugum,” (being in translation, “Jesus is everything to me, by no means a vacuum/a vacuum by no means exists, the freedom of the good news/gospel, the inviolate glory of god, the yoke of the law”) testifying to the builder’s Christian character. Rosenkreuz’s crypt, according to the description presented in the legend, seems to be located in the interior parts of the Earth, recalling the alchemical motto VITRIOL: “Visita Interiora Terrae Rectificando Invenies Occultum Lapidem
“Visit the Interior Parts of the Earth; by Rectification Thou Shalt Find the Hidden Stone.”
157 sources:
Cosmology
The evolution of man is divided into seven Periods:
- involution: the Saturn Period, the Sun Period, the Moon Period;
- the Earth Period (first half still involution, second half towards evolution);
- evolution: the Jupiter Period, the Venus Period, the Vulcan Period.
We are presently in the second half of the Earth Period: we have just passed the end of our involution and are beginning our evolution, or the spiritualization of matter and our return to God our Father.
http://en.wikipedia.org/wiki/Rosicrucian_Fellowship
Note the associations above given by Rosicrucian doctrine.
What happens if we add the magic squares associated with each planet listed?
- 369 is related to involution: Saturn 3×3, Sun 6×6, Moon 9×9
- 58 is related to the Earth Period and Caput 58 the head of St. John the Baptist
- (note Rosicrucian doctrine does NOT mention Mars 5×5 and Mercury 8×8)
- 4710 is related to evolution: Jupiter 4×4, Venus 7×7, Vulcan 10
The above Rosicrucian cosmology bears a close resemblance to how those numbers are divided by concentric rings on the …
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Part One
Overview
So you see, my dear Coningsby, that the world is governed by very different personages from what is imagined by those who are not behind the scenes.
—Benjamin Disraeli,
first Prime Minister of England, in his book Coningsby
At one time or another we've all questioned as to whether all that we see and are experiencing in our world has some sort of a rational plan behind it, because we understand now that both the Republican and Democratic Parties in America are basically run by the same people.
The same money finances both sides.
We now know through the work of many historians who have spent their lives working on research, that both sides of world conflicts have always been financed by the same people. And, as I've said many times before, this seems to be the method to the "madness" going on in the world. We know, of course, that we cannot depend on the truthfulness our leaders. Our leaders are "misleaders." There is a science they are following. They have their own agenda and it does not include you.
This agenda also does not include many of our politicians, who have sometimes felt helpless and spoke out as a result.
In 1922, New York City Mayor John F. Hylan said,
"The real menace of our republic is this invisible government which, like a giant octopus, sprawls its slimy length over city, state and nation. Like the octopus of real life, it operates under cover of a self created screen.... At the head of this octopus are the Rockefeller Standard Oil interests and a small group of powerful banking houses generally referred to as international bankers.
The little coterie of powerful international bankers virtually run the United States government for their own selfish purposes. They practically control both political parties."
What I have said, however, is that they do control both parties, among many other things in the world.
Conflicts require money and cooperation. World conflicts require world banks and international monetary funds. Professional groups all have fraternal orders. Doctors, attorneys, etc., have their own specific fraternal orders. In the banking world, it is the same way. They have the same fraternal order in banking and politics.
However, we are not supposed to know anything about that, because that's not any of our business. That fraternal order in politics and banking has been known for many years by those on the inside. It has been referred to by different names, at different times, in different countries.
The best overall name that we can confer on this fraternal order, which is running our country, politics, and monetary system, is Freemasonry.
Our country, like so many before us, and like so many after us, was in fact founded by Freemasons. Freemasonry, in one form or another, has played a role in almost every government that was founded in this world. It is powerful in operation today throughout the world. However, we do want to establish first that what we are not talking about is Blue Masonry, or the Masonic Lodges in your hometown.
We are not talking about the Freemasons that live across the street from you. We're talking about a worldwide fraternal organization that is powerful enough, old enough, and wise enough to operate behind all governments in the world, behind fraternal institutions, and behind international monetary systems in the world.
And, yes, they are, in fact, connected.
For instance, the idea that our country was founded by so many Freemasons and Rosicrucians, among others, will be consistently revealed throughout this book.
We ask ourselves,
"Why do we fold the American flag in a triangle?"
What does the pyramid or the triangle have to do with the American system of government on our dollar bill?
The Freemasonic royal arch.
We must now recall that our Constitution was signed in Philadelphia, Pennsylvania.
Pennsylvania is referred to as the Keystone State. The reason why Pennsylvania is the Keystone State, is because the Freemasons that founded this country were members of the Scottish Rite. Keep following here, and you will see what becomes quite evident surrounding the classification of "keystone."
In that Scottish Rite organization there is the Royal Arch Degree. And, of course, the Royal Arch, if you do not know, was originally designated because of the sun coming over the horizon in the morning, which made the royal arch. The Freemasonic Royal Arch Degree has been continually, and ever busy, throughout the world with their Freemasonic endeavors.
The United States, as I've written, founded its Constitution in Philadelphia, with Pennsylvania becoming the "key stone" of a royal arch. To this day, Pennsylvania is known as the keystone state.
There is much concerning this conceptual premise in this material that we each need to look at.
A version of the royal arch - the "gateway" arch in St. Louis, Missouri.
We might ask ourselves about the Red Cross.
The International Red Cross is a Masonic organization. They always, in every conflict are able to go behind enemy lines. Why is the Red Cross, the International Red Cross, able to go behind enemy lines in wartime, in conflict? There is a reason.
The International Red Cross, out of London, connected with the American Red Cross, comes from the Red Cross of Saint George, the cross on the British flag, the red cross - that is also from a Masonic institution.
You might also want to ask yourself about the biological warfare going on in the world today.
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lovuian wrote:
Michael the Archangel plays a part
This prayer to Saint Michael the Archangel, originally composed in Latin, was written by Pope Leo XIII in 1886.
Prayer to Saint Michael the Archangel
Saint Michael the Archangel, defend us in battle, be our protection against the wickedness and snares of the devil. May God rebuke him we humbly pray; and do thou, O Prince of the Heavenly host, by the power of God, cast into hell Satan and all evil spirits who wander through the world seeking the ruin of souls. Amen.
John Paul II and Pope Benedict XVI has requested to say the prayer after mass
Speaking of St Michael, there is only one item of stained glass in the church, in the east window of the South (Templar) chapel; I don't know when it dates from. I presume this is St Michael, slaying a dragon.  It could be St George, who also killed a dragon, but St Michael seems more likely, as he's the saint to whom the church is dedicated.
You know I LOVE the stained glass windows Richard but now remember your in a Templar church...look at the TRiangle and diamond white glass around St George its the diamond or triangles connected again like the water font and solomon seal Here is Arque's symbol ...the diamond the Templars were here too  The Rhombus The rhombus is often called a diamond, after the diamonds suit in playing cards, or a lozenge, though the former sometimes refers specifically to a rhombus with a 60° angle (see Polyiamond), and the latter sometimes refers specifically to a rhombus with a 45° angle   It's the floor tile at Rennes Chateau
_________________
Everything is Connected and there are no
coincidences
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MARTE=GUERRA = SANGRE= LINAJE= PLANETA ROJO=TERCER DIA (CREACION, RESURRECCION Y BODAS DE CANA)= JUAN 2:1 |
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richard.webster wrote:
lovuian wrote:
Michael the Archangel plays a part
This prayer to Saint Michael the Archangel, originally composed in Latin, was written by Pope Leo XIII in 1886.
Prayer to Saint Michael the Archangel
Saint Michael the Archangel, defend us in battle, be our protection against the wickedness and snares of the devil. May God rebuke him we humbly pray; and do thou, O Prince of the Heavenly host, by the power of God, cast into hell Satan and all evil spirits who wander through the world seeking the ruin of souls. Amen.
John Paul II and Pope Benedict XVI has requested to say the prayer after mass
Speaking of St Michael, there is only one item of stained glass in the church, in the east window of the South (Templar) chapel; I don't know when it dates from. I presume this is St Michael, slaying a dragon. It could be St George, who also killed a dragon, but St Michael seems more likely, as he's the saint to whom the church is dedicated.
You know I LOVE the stained glass windows Richard but now remember your in a Templar church...look at the TRiangle and diamond white glass around St George its the diamond or triangles connected again like the water font and solomon seal Here is Arque's symbol ...the diamond the Templars were here too http://perlbal.hi-pi.com/blog-images/17 ... Arques.jpgThe Rhombus The rhombus is often called a diamond, after the diamonds suit in playing cards, or a lozenge, though the former sometimes refers specifically to a rhombus with a 60° angle (see Polyiamond), and the latter sometimes refers specifically to a rhombus with a 45° angle It's the floor tile at Rennes Chateau
_________________
Everything is Connected and there are no
coincidences
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