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General: LETRA M=(TORRES GEMELAS / GEMINIS / VENUS)= MARIA LA MAGDALENA
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Respuesta  Mensaje 1 de 103 en el tema 
De: BARILOCHENSE6999  (Mensaje original) Enviado: 23/01/2015 19:21
 

1845. Apocalipsis 17:15: Me dijo también: Las aguas que has visto donde la ramera se sienta, son PUEBLOs, muchedumbres, naciones y lenguas.

MUJER/MADRE/MATRIX

MIR-YAM EN HEBREO

YAM ES MAR

13/AGUA/MIR-YAM

Revelacion de la sabiduria en las letras hebreas

El mismo diseño de la letra M tiene las dos columnas de JACHIN Y BOAZ que tenia el TABERNACULO Y EL TEMPLO DE SALOMON EN EL FRENTE y observe que tiene una V corta de VIRGEN en el medio e incluso con la forma de recipiente.

Kelim/recipiente/copa es sinonimo de la mujer

En los templos catolicos se suele ubicar a la virgen en el medio de las dos columnas. La letra M en el hebreo y en el alfabeto ingles esta ubicada exactamente en el TRECEAVO LUGAR (santa cena).

Las Letras Hebreas
El Significado Místico de las Letras Hebreas

 

MEM
La Fuente de la Sabiduría

La mem, la letra del "agua" (maim), simboliza la fuente de la Sabiduría Divina de la Torá. Así como las aguas de una fuente material, (manantial), ascienden desde su desconocido origen subterráneo, (el secreto del abismo en el relato de la Creación) para revelarse sobre la tierra, también la fuente de la sabiduría expresa el poder de fluir desde su origen supraconciente. En la terminología de la cabalá, este flujo es desde keter ("corona") hacia jojmá ("sabiduría"). Esta corriente es simbolizada en Proverbios como "la corriente que fluye, la fuente de la sabiduría".

En particular, se nos enseñó que hay trece canales de flujo, desde su origen supraconciente hasta el comienzo de la conciencia. Estos canales corresponden a los Trece Atributos de Misericordia revelados en el Monte Sinaí, como también a los trece principios de exégesis (interpretación) de la Torá, la (supraracional) "lógica de la Torá.

La mem es la decimotercera letra del alef-bet. En la cabalá, se nos enseña que "trece mem", como si fuera, aparecen en el "aire primordial", el "espacio exterior" en el que la letra lamed se eleva. Cada atributo de misericordia es de hecho una contracción de una relativamente Infinita sabiduría, ubicada a nivel de la supraconciencia ("aguas que no tienen fin"), para canalizar y revelar un destello de sabiduría en la "pantalla" de la conciencia. La sabiduría conciente atrae su foco de comprensión, primariamente desde ese atributo de misericordia, sobre el que se refiere la Torá como "El guarda benevolencia por miles de generaciones", las iniciales de estas palabras en hebreo, forman la palabra "corriente", "la primera palabra en la frase citada anteriormente: "la corriente que fluye, la fuente de la sabiduría".

En atbash, mem se transforma en iud, el punto de sabiduría o comprensión revelada, la gota de agua que emerge de la fuente de la mem.

Las palabra "uno" (ejad) y "amor" (ahavá), equivalen ambas a trece, el secreto de la letra mem. La mem final cerrada, el origen de la fuente de la sabiduría conectada e incluida dentro de su subterráneo origen supraconciente, corresponde al secreto de ejad, "uno". La mem abierta, de la que surge el punto (iud) del entendimiento conciente, es la primera manifestación de amor (es decir, el deseo de aferrarse a otro) en el alma. La conección entre las dos fuentes de la mem, la fuente "cerrada" y la "abierta", se realiza a través del poder de los Trece Atributos Divinos de Misericordia. Este es el secreto del Nombre Esencial de Di-s: Hava - el "Nombre de Misericordia". El valor numérico del nombre Hava es 26 = 2 veces 13, la unión de "uno" y "amor", el poder de atraer a la conciencia, la sabiduría de la Torá

 

Alphabet Shapes 2


 

Introducción a la Letras Hebreas

http://www.dimensiones.org/canales/topicos/Letras%20Hebreas/letras.htm

 
Hei Dalet Guimel Bet Alef
         
Iud Tet Jet Zain Vav
         
Samej Nun Mem Lamed Caf
         
Reish Cuf Tzadik Pei Ain
         
   
 
NOTEN LAS DOS COLUMNAS DE HERCULES (ATLANTIDA) CON LA LETRA V (V CORTA EN EL CENTRO,OSEA UNA REFERENCIA A VENUS / VENECIA / "NUEVA ATLANTIDA" / SAN MARCOS)


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Respuesta  Mensaje 44 de 103 en el tema 
De: BARILOCHENSE6999 Enviado: 22/03/2015 18:28
 
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9-11 las coordenadas de nuestro cubo

IX XI | Secrets In Plain Sight


ROME: JESUS RING
Click para ampliar

(17th Century)

"In the Mayan calendar, it was said that there would be 20 years of no-time.

A period of unrest where the planet is making a transition from one age to another.

Click para ampliar


9/11 stood 9 years from the start of this no-time and 11 years from the end.

The World Trade Centre stood like an 11; 9 + 1 + 1 = 11

September 11th is 111 days until the end of the year

The first plane to hit the World Trade Centre was Flight 11; total crew on Flight 11 was 11

9/11/01 stands 11 years from 2012

The World Trade Centre took 11 years to build

On 9/11/90 at 9.09PM, 11 years prior to 9/11/01, George Bush Senior made a speech to Congress entitled Toward A New World Order

On 9/11/41, 60 years prior to 9/11/01, the soil was broken and the foundations set for “The Pentagon” in Washington DC

A book written in 1981, 20 years prior to the 2001 attacks, called “The Birth of Christ Recalculated”. The author, Dr. Ernest L. Martin, claims to have calculated the exact date of Jesus Christ’s birth based on the celestial charts for that era.
The date of Christ’s birth, based on the famous Star of Bethlehem, is calculated to be September 11, 3 B.C.


According to Hebrew ******ures 9/11/99 was the 6,000th anniversary of Adam’s creation, and year 1 on the Hebrew calendar.

Saturn rules not only over 9/11 but over all illuminist time codes. There are precisely 66 years between these dates:

29 April 1945 Adolph and Eva were married in the Führerbunker
29 April 2011 William and Kate were married in Westminster Abbey"





Click para ampliar



Click para ampliar
 
 

Respuesta  Mensaje 45 de 103 en el tema 
De: BARILOCHENSE6999 Enviado: 22/03/2015 18:29

IX XI

Tyrone Sandalphon posted the following comment on my Hexagons post:

I could not help but notice the empty space left at Ground Zero during the “clean up” of the world trade centre in 2002. On a huge electric billboard facing the site, were the Roman numerals for 9 11 written as “IX XI” with the two numbers being separated by a space.

IXXI

First off the Roman numerals remind me of a Red Ice interview with Santos Bonacci where he explains how over the past two thousand years the Roman cult/empire has set up a system of ownership of all property and souls that exist on this Earth through their Papal bulls and trusts.

I did a bit of research and was amazed at what came up. The Jesuits made IXXI rings in the 17th century:

Jesuit rings

Left image source / Right image source

Hundreds of these Jesuit rings were recovered from the wreck of La Belle, Louis XIV’s ship that left La Rochelle (the Templars’ port) in 1684. It was La Salle’s ill fated expedition, the same man who two years before claimed the Mississippi River valley for the Sun King, naming the territory Louisiana in his honor.

LaSallesExpeditiontoLouisiana2

La Salle’s Expedition to Louisiana in 1684 by Theodore Gudin (1844)

Ian Le Cheminant says the following: “It may be implied but you don’t expressly mention that the two XXs (Dos Equis, muy buena cerveza) form a square and compass between the pillars in the IXXI diagram. This is particularly apparent in the first Jesuit rings you show.”

Some of the Jesuit rings have I’s (ones) that look more like towers, emphasizing the connection with the Twin Towers:

IXXI Towers

Image source

However the horizontal line running through this ring has led some to speculate that it is a schematized A over an M. A over M means Auspice Maria, or Under the Protection of Mary (Isis). Chris commented on this post and says the “Auspice Maria” symbol uses the two pillars from the visions of St. John Bosco. Note that not all the Jesuit rings have the horizontal line, but if you buy into the A over M theory then take a look at the emblem of the Jesuit Society of Saint Sulpice:

Sulpicians

The Society of Saint Sulpice is named for the Church of Saint-Sulpice in Paris that featured prominently in the Da Vinci code. It’s the place where the Priory of Sion villain Silas killed a Nun and pried up a stone in the floor near the obelisk, searching for the keystone. Interesting fiction but the Dossiers Secrets do mention Saint Sulpice. It’s the only church I’ve heard about that has solar alignments and an obelisk inside. The best fiction is a vehicle for truth.

StSulpice

Image courtesy Daniele Raffo under the Creative Commons Attribution-Share Alike 3.0 Unported license.

If you bring the IX and XI closer so that the X’s cross the symbol appears very much like the following logo that I wrote about in Arsenic and War:

Imperial war museum

Interestingly enough, Daniel Liebeskind, the master plan architect for the reconstruction of the World Trade Center site, designed the Imperial War Museum North in the UK.

Tyrone had more to say in his intriguing comment:

I got the strangest feeling that some kind of message was being relayed. I looked at the sign and wondered what it could mean. At first I thought of “X marks the spot” or “spots” in this case as the “X”s could represent the Twin Towers viewed from above. The “I” reminded me of “pillars” the towers acting as a symbolic doorway, but what really drew my eye in, was the vacant space between the two “X”s. This space forms an invisible “hexagram” and for some reason I felt that this was symbolic of an incredibly dark and foreboding place, something suppressive and imprisoning.

The void between the X’s reminds me of the architect’s Cesar Pelli’s statement on the unveiling of his Canary Wharf Tower (aka One Canada Square) that I talked about in my Red Ice interview:

“According to Lao Tse, the reality of a hollow object is in the void and not in the walls that define it. He was speaking, of course, of spiritual realities. These are the realities also of the Canary Wharf Tower. The power of the void is increased and… with its supporting structure creates a portal to the sky … a door to the infinite.”—Cesar Pelli (1991)

IXXI Hexagon

Tyrone tuned into the same thing I did when I wrote my post on Hexagons. Here is what I wrote:

We have seen how the hexagonal shape represents limitation, structure, and authority. If used positively these qualities can help one strengthen willpower, discipline, and perseverance.

If used negatively these same qualities can imprison.

Saturn teaches a hard lesson.

What do governments, the justice system, and religions have in common? They all strive to control the human mind in various belief systems.

Martin wrote a comment on this page revealing how the freemasons use a six-sided coffin in the Third Degree. Incidentally this ritual is the origin of the phrase “stop giving me the third degree”:

Tracing board

Third degree tracing board by Brother John Harris (1845) Source

Incidentally IBM unveiled its neurosynaptic core that mimics the function of neurons in the human brain. Not only does the shape of the chip mimic the logo of the Knights Templar of the York masonic rite (see my Bolton post), but my friend Rick counted the pins and noticed that there are 33 on each side. In addition the voids between each side seem to have the hexagonal masonic coffin shape (like in the above image).

IntelChip

Image by IBM

The hexagonal coffin is the ultimate prison of the body. Note the skull and crossbones as we will see this symbol again later in this post. Remember Saturn itself has a hexagon on its North pole:

Saturn hexagonal north pole feature

Image courtesy of NASA

Roman Saturn is the Greek Cronus.

Cronus had been conflated with the name of Chronos, the personification of time in Classical Antiquity. In the Renaissance, the combination of Cronus and Chronos give rise to “Father Time” wielding the harvesting scythe.

Rik Clay’s research on time and numerology was outstanding. Here are some of the facts he brought to light:

  • In the Mayan calendar, it was said that there would be 20 years of no-time. A period of unrest where the planet is making a transition from one age to another. 9/11 stood 9 years from the start of this no-time and 11 years from the end.
  • The World Trade Centre stood like an 11; 9 + 1 + 1 = 11
  • September 11th is 111 days until the end of the year
  • The first plane to hit the World Trade Centre was Flight 11; total crew on Flight 11 was 11
  • 9/11/01 stands 11 years from 2012
  • The World Trade Centre took 11 years to build
  • On 9/11/90 at 9.09PM, 11 years prior to 9/11/01, George Bush Senior made a speech to Congress entitled Toward A New World Order
  • On 9/11/41, 60 years prior to 9/11/01, the soil was broken and the foundations set for “The Pentagon” in Washington DC
  • A book written in 1981, 20 years prior to the 2001 attacks, called “The Birth of Christ Recalculated”. The author, Dr. Ernest L. Martin, claims to have calculated the exact date of Jesus Christ’s birth based on the celestial charts for that era. The date of Christ’s birth, based on the famous Star of Bethlehem, is calculated to be September 11, 3 B.C.
  • According to Hebrew Scriptures 9/11/99 was the 6,000th anniversary of Adam’s creation, and year 1 on the Hebrew calendar.

Saturn rules not only over 9/11 but over all illuminist time codes. There are precisely 66 years between these dates:

  • 29 April 1945 Adolph and Eva were married in the Führerbunker
  • 29 April 2011 William and Kate were married in Westminster Abbey

Goro Adachi is a master at decoding illuminist time signatures. The Royal Wedding began precisely at 11:11 Universal Time. At that precise moment looking due South from Westminster Abbey, the center of the Phoenix constellation reached culmination just below the surface of the horizon in the underworld and the planet Venus simultaneously reached culmination directly above.

In Latin from which the English word is derived, Lucifer means “light-bearer” (from the words lucem ferre). It was the name given to the dawn appearance of the planet Venus which heralds daylight. For this meaning, English generally uses the names “Morning Star” or “Day Star”, and rarely “Lucifer”.

Prince William resonates with rising Lucifer energy at his wedding. William was born of the moon goddess Diana on the summer solstice. See my post on Egyptian Royals.

The end of the Mayan Calendar ends on 21 Dec 12 at 11:11 Universal Time. Coincidence?

RoyalWedding astro1

Image courtesy Goro Adachi

Hexagons also represent cubes in isometric view. What does Reflecting Absence actually reflect? The Black Cube in Mecca. See my post on the Freedom Tower for background.

Kaaba 911

Image courtesy Mark Gray

“The Cube” in Astor Place Manhattan is yet another black cube in isometric emphasizing the connection with the hexagon. Astor Place is named for John Jacob Astor, at one time the richest person in the United States.

AstorCube

Image courtesy “I, DavidShankbone” under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Saturn is many things but the correlation many don’t want to see is with Satan. His scythe identifies him as the grim reaper. Don’t be afraid to look into the shadows or the people in the shadows will only get stronger.

Saturn LaVoie

Painting by Franklin LaVoie (1992)

George W Bush read The Pet Goat to a bunch of kids on the morning of 9/11/01. Here is the scene when the White House Chief of Staff whispered in his ear that the second plane had just hit the World Trade Center:

MyPetGoat

GW continued reading The Pet Goat to the kids for 7 more minutes before concluding the story and getting up. I recently read a fascinating article by Nila Sagadevan on this very subject:

“Sir, let’s for a moment say you were president of your country. One morning you find yourself in a classroom reading to a group of little children a story about a pet goat…I continued, “Your Chief of Staff rushes up to you and whispers in your ear, ‘Mr. President, terrorists have flown a plane into the Parliament Building; the nation is under attack.’ Now, I ask you, sir, how would you respond?”

Intending the question to be rhetorical, I continued with barely a pause. “I’ll tell you what my reaction would not be: It most certainly would not be the reaction demonstrated by the president of the United States on the morning of 9/11. I would be concerned for the thousands of my fellow citizens burning to death in an inferno. But I suspect before I would have a moment to react, my highly trained security detail would be whisking me out of that school to my limousine to put as many miles between the school and I as possible.

“Why? My location that morning common public knowledge, it was widely televised. So I — and my security team — would be very concerned these clearly well-organized ‘terrorists’ would be targeting me next by diving one of their aircraft into the school where I was located. But on 9/11, the President sat in that classroom for the next ten minutes narrating a tale about some pet goat — even after he was informed again, for the second time, that a second building had been hit.

What does the Commander-in-Chief then do in the midst of what is clearly a full-blown attack on the country? He stands up and casually drifts around the classroom taking advantage of a photo op by posing with some of the teachers, smiling as if he didn’t have a care in the world.”

I slowly surveyed my audience before continuing. To a man they were riveted.

“Gentlemen, that’s what I call confidence — confidence not for this President’s ability to remain calm under fire, but confidence that he wasn’t a target of the terrorists! Mr Bush, his staff, and his entire security detail had to have known with a good deal of certainty that the president was safe, because no effort whatsoever was made to get him out of that classroom in accordance with standard emergency procedures. And when he did eventually leave the school, the presidential motorcade casually drove back to the airport along the pre-determined route — also televised and widely known in advance — instead of following standard emergency procedure and taking an alternate route. I ask you, gentlemen: How could the president have been so absolutely sure he wasn’t a target when the nation was under a massive, concerted, clearly well-planned and ruthlessly executed attack?”

Everything with these people is symbolic.

Masons baphomet

Baphomet at a Freemason Session by Eliphas Levi (1890s)

Here’s another cube in isometric, this time red with a hole through it. Isamu Noguchi’s Cube is located in front of 140 Broadway, across the street from 33 Liberty (home of the Federal Reserve Bank of New York). See my post on 33.

RedCube

Image courtesy Corn Fed Chicks under the Creative Commons Attribution-Share Alike 3.0 Unported license.

140 Broadway has a leasable area of 111,000 square meters. It is reported as being approximately 688 and then 677 feet in height in the same article. I submit that this building is likely to actually be 666 feet in height.

The building’s main tenant is Brown Brothers Harriman (BBH) which leases 40,000 square meters of the building. The firm has 40 partners and 4,000 staff globally. BBH is the oldest and largest private bank in the United States. -Source

This reminds me of the Canon of 400 I discussed in my Paris Part 3 video. Here’s a quote from it:

For example, consider a solar eclipse. When one happens the Moon completely covers the Sun disc. The only reason this can occur so precisely is because the Moon is exactly 400 times smaller than the Sun and happens to be 400 times closer than the Sun during the eclipse.

Also the moon rotates at a rate of 400km per earth day and the earth rotates 40,000km a day.

On January 1, 1931, Brown Brothers And Company merged with Harriman Brothers & Company, an investment company started in 1912 with railway money. When TIME magazine announced this merger in its December 22, 1930 issue, they noted that of the company’s 16 founding partners a total of 11 were graduates from Yale University. Eight of the ten initial partners were members of Skull and Bones. -Source

Bones logo

The logo of Skull and Bones

Prescott S. Bush (George W. Bush’s grandfather) was one of BBH’s 10 initial founding members.

Prescott S. Bush was also one of seven directors of the Union Banking Corporation, an investment bank controlled by the Thyssen family (one of Germany’s leading industrial families). In October 1942 the United States seized the bank under the Trading with the Enemy Act and held the assets for the duration of World War II. -Source

Just an interesting coincidence, the Totenkopfring (“Death’s Head Ring”), was an award of Heinrich Himmler’s SS. It was not a state decoration, but rather a personal gift bestowed by Himmler. The ring shows skull and crossed bones – the SS symbol – on its top.

Totenkopf ring

It is always wise to follow the money:

A German real estate fund has paid a whopping $465 million for 140 Broadway, giving a huge vote of confidence to the downtown market. The sale of the fully tenanted building last week ranked second to the record $610 million sale of 60 Wall Street in 2001. -2004 article

See my post on the Stars of Lower Manhattan for my bit on 60 Wall Street. Of course the sale of 666 Fifth Ave for $1.8 billion in 2006 blew away the aforementioned records. See my post on 666.

In any case 140 Broadway was designed by Gordon Bunshaft of Skidmore, Owings & Merrill. Bunshaft had originally proposed a monolith type sculpture to go in front where Noguchi’s Cube ended up, but it was deemed to be too expensive. -Source

Arthur C. Clarke’s novel 2001: A Space Odyssey featured a monolith on Saturn.

Monolith Sun Moon

Image from 2001: A Space Odyssey by Stanley Kubrick

Stanley Kubrick changed the location of the monolith to Jupiter in the film version of 2001 because the rings of Saturn were too hard to make with the special effects of 1968. Never mind that he was too busy filming the Apollo 11 moon landings.


Respuesta  Mensaje 46 de 103 en el tema 
De: BARILOCHENSE6999 Enviado: 22/03/2015 19:53
From: Casimiro López Cano  (Original message) Sent: 22/03/2015 07:57

HITO MONUMENTAL
AL TRÓPICO DE CAPRICORNIO

 

(Hoy en Sagitario)
REGIÓN DE ANTOFAGASTA, CHILE

 

LOS SOLSTICIOS DE DICIEMBRE Y JUNIO, LOS EQUINOCCIOS DE MARZO Y SEPTIEMBRE

 
Hito Monumental al Trópico de Capricornio el Solsticio de Junio. Hito Monumental al Trópico de Capricornio al medio día un Solsticio de Junio.
 

El Hito Monumental del Trópico de Capricornio, está ubicado al norte de la ciudad de Antofagasta, Chile, Latitud: 23,44° Sur, Longitud: 70,23° Oeste, frente al aeropuerto Cerro Moreno. Mide 12,4 metros de altura y está enmarcado en un círculo de 30 metros de diámetro. Fue construido por el Rotary Club Antofagasta, y su impulsor y constructor fue su presidente del año 2000, el señor Armando Cordero Rivadeneira. Sus hermosas proporciones arquitectónicas, ideadas por la arquitecta Eleonora Román, tienen relaciones geométricas astronómicas que lo transforman en un observatorio solar. En sus estructuras se pueden seguir los movimientos aparentes del Sol durante el año y calcular las estaciones.

Se ha transformado en una de las mayores atracciones turísticas de Antofagasta y un punto de encuentro de los amantes de la astronomía. Se inauguró el 21 de diciembre del 2000, para el último solsticio del milenio pasado, en momentos en que el meridiano del lugar pasaba bajo el Sol, momento en que las sombras desaparecieron por varios minutos. Fue diseñado por la arquitecta Eleonora Román. (Foto: Armando Cordero)


 

El Departamento de Vialidad del Ministerio de Obras Públicas de Chile, marcó en 1999, la posición exacta del Trópico de Capricornio mediante sus más instrumentos de Posicionamiento Satelital Global, GPS.


 

Está formado por cuatro estructuras principales:


 

  • EL ARCO DE CAPRICORNIO: Es un arco de 10,40 metros de altura, cuyo borde superior sur sirve de instrumento demarcatorio para las estaciones.
  • EL CAMINO DEL SOL: Orientado de Sur a Norte y perpendicular al Trópico de Capricornio, es una senda de 2 metros de ancho y 11,1 m de largo, por donde se mueve la sombra del Arco de Capricornio al Medio Día Verdadero. Para el Solsticio de Diciembre, la sombra del arco cae justo al comienzo del Camino, sobre la línea del Trópico de Capricornio, ubicada en la base sur del Arco, mientras que seis meses después para el Solsticio de Junio, cae en su borde extremo sur al Medio Día Verdadero.
  • LAS PUERTAS DEL SOL: Son dos paredes monumentales, de 12,40 metros de alto, que rodean el camino del Sol. La sombra del arco cae justo en su entrada para los Equinoccios. Esto ocurre si el Equinoccio ocurre en la misma longitud o cerca de la longitud geográfica del monumento.
  • EL CIRCULO DEL MUNDO: Es el círculo de 30 metros que enmarca el conjunto. En él la línea del Trópico de Capricornio se ubica exactamente a 23,44 grados de distancia del centro del círculo, por donde pasaría el ecuador de la Tierra.

En sus años de funcionamiento el instrumento ha demostrado una precisión muy grande y permite medir incluso la longitud donde se producen los equinoccios y el Solsticio de Junio de cada año, midiendo la distancia a la línea que une la entrada de las Puertas del Sol o al borde sur del Camino del Sol, a la cae la sombra del Arco al mediodía verdadero, durante los equinoccios y el Solsticio de Junio, respectivamente.

El Medio Día Verdadero en este lugar ocurre a las 12:40 hora local y en Horario de Verano a las 13:40 hora local. El Medio Día Verdadero ocurre cuendo el meridiano del lugar pasa bajo el Sol y es el momento en que se deben realizar las mediciones en el lugar.

LA CONSTRUCCION

 

Está construido con una resistente estructura de vigas de acero recubierto. Jorge Ianiszewski, en la fotografía, calculó las proporciones de los componentes de la construcción, para darle su significación astronómica. (Foto: Armando Cordero)


 


 

EL SOLSTICIO DE DICIEMBRE
EL CAPAC RAIMY - FIESTA DEL SOLSTICIO INCA
 


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From: BARILOCHENSE6999 Sent: 22/03/2015 16:31
 
 
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From: BARILOCHENSE6999 Sent: 22/03/2015 16:46
SAGITARIO=GOLDEN GATE
GEMINIS=SILVER GATE

Respuesta  Mensaje 47 de 103 en el tema 
De: BARILOCHENSE6999 Enviado: 30/03/2015 18:30
 
KEY OF SOLOMON
 
SOL = ORO = GOLD=FATHER
MON= PLATA = SILVER=MOTHER
 
KEY OF SOLOMON= GOLDEN AND SILVER GATE
 
LETRA M= COLUMNAS DE JACHIN Y BOAZ= SOLSTICIOS = GOLDEN AND SILVER GATE
 
PIRAMIDE DEL VATICANO= INTERSECCION= "AGUJERO DE GUSANO"= "MAQUINA DEL TIEMPO" = "EXPERIMENTO FILADELFIA" = 22/7=3.14 (DIA DE MARIA LA MAGDALENA)=PI-RAMIDE =PYRAMID =MARY
 
EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENCES
 
: BARILOCHENSE6999 Sent: 31/07/2012 00:23

 
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Welcome to the Key of Solomon

Pope Sixtus V


In Rome, there are a total of 8 Egyptian and 5 Roman obelisks.  In the context of this article, we will focus on four obelisks that were re-erected by Pope Sixtus V.  Around 1587, all of Rome’s obelisks were toppled down and it was Pope Sixtus V who started re-erecting four of the fallen obelisks in Rome. Pope Sixtus V also redesigned the Piazza in front of the Saint Peter Basilica that was itself under construction at the time. The current oval shaped piazza with the obelisk at the Vatican was designed and built at the orders of Pope Sixtus V. It was part of an overall urban redesign of the city of Rome in which four of the obelisks were given new locations. These four new locations were centered around the obelisk at St. Peter’s Square which became the focal point.  

The first Egyptian obelisk was originally shipped by Emperor Augustus in 10 BC from Heliopolis, Egypt (dedicated to Seti I/ Ramesses II) to the Circus Maximus in Rome. Circus Maximus was a Roman hippodrome used for chariot racing. The obelisk was moved by Sixtus V from Circus Maximus to Piazza del Popolo where it still resides today.

The second Egyptian obelisk was originally shipped from Thebes (temple of Amun, Tuthmosis IV) to Circus Maximus in Rome by Constantine II the son of Constantine the Great. The initial plans to ship the obelisk to Circus Maximus (Latin for the greatest circus) in Rome however were made by Contantine the Great who didn’t have the facilities to actually ship the largest of the Egyptian obelisks (32.18 m tall) to Rome. Eventually, his son succeeded in carrying out his father plans. Both obelisks were placed on the Spina of Circus Maximus. The Spina (backbone) is a 217 meter long wall in the centre of the hippodrome. This obelisk was moved by Pope Sixtus V from Circus Maximus to Piazza di San Giovanni (Laterno) next to the Basilica of San Giovanni.

It’s important to realize that both obelisks of Circus Maximus aligned with the Winter Solstice Sun at sunrise, since the Spina on which they were placed also aligned with the Winter Solstice Sun at sunrise! (see Vatican Alignment calculations)

The third Egyptian obelisk was originally moved to Rome in 37 AD by Emperor Caligula and situated at the Vatican Circus. The origin of this obelisk is unclear. It’s the only obelisk without hieroglyphs. This obelisk was again relocated by Sixtus V to St. Peter’s Square where it is seen today.

The fourth and last obelisk is a Roman obelisk that originally stood in Mausoleum of Augustus and was moved by Sixtus V to the piazza in front of the Basilica of Santa Maria Maggiore at the Piazza del Esquillino.

What is interesting in the context of this article are the before and after locations of these obelisks in the overall urban redesign plan of Pope Sixtus V.

Circus Maximus, for instance, was built in a bend on the bank of the River Tiber, and on a Winter Solstice day the Sun would be seen rising over the Tiber River in line with both obelisks at the Spina when viewed from the Vatican. Pope Sixtus V could have restored Circus Maximus and placed the obelisks at their original locations. It’s interesting to notice that viewed from the St. Peter’s Square these obelisks would be aligned with the Winter Solstice Sun! This is because St. Peter’s Square lies exactly in line with Circus Maximus and the Winter Solstice Sun. Instead, Sixtus had chosen to relocate one of the obelisks of Circus Maximus to the Piazza del Popolo.

The obelisk at the Piazza del Popolo, however, aligns with the obelisk at St. Peter’s Square and the summer solstice Sun at sunrise!  (See Vatican Alignment calculations)

Like the Equinox Sun, the summer solstice Sun is seen rising over the River Tiber from St. Peter’s Square since the obelisk at the Piazza del Popolo is situated only two blocks away from the river.

The other obelisk of Circus Maximus was Rome’s tallest obelisk and was moved to the Piazza di San Giovanni in Laterno (in southeast direction from the Vatican) which resides at an azimuth of 114° 0’ which is 9 degrees off the Winter Solstice sunrise azimuth of 123° for Rome. While both obelisks in Circus Maximus originally aligned to the Winter Solstice, Pope Sixtus V deliberately altered these alignments and made sure that one of the obelisks now aligned with the Summer Solstice Sun.  The other obelisk that previously aligned to the Winter Solstice Sun was now deliberately misaligned.

It’s obvious that the alignment of both the obelisk at St. Peter’s Square and the obelisk at Piazza del Popolo must have been intentional since both obelisks were put there by Sixtus V. While he could have chosen for a Winter Solstice alignment of St. Peter’s Square obelisk by erecting the other obelisk at Cricus Maximus itself, he chose otherwise.

It’s beyond any doubt that Sixtus V was well aware of these alignments since he designed St. Peter’s Square to be a giant sun dial. In 1817, circular stones were set marking the tip of the obelisk’s shadow at noon. Since the Sun moves in between the tropics during a solar year, it enters all of the signs of the zodiac in one solar year, and the marks set out in stone therefore make a gnomon of the obelisk at St. Peter’s Square. But there’s more …

We surmise that Pope Sixtus V was also well aware of the significance of the Great Celestial Conjunction around 2012 and its association with the biblical End Times.

To enhance this argument, it’s interesting to realize that the coat of arms of Pope Sixtus V contained an eight-pointed cross above four stacked mountains (or hills). The coat of arms of Sixtus was sometimes also depicted with three instead of four hills.

As explained before, in ancient Egypt and freemasonry mountains, pillars and clouds all represent the Milky Way. The four mountains in Pope Sixtus coat of arms could therefore represent the four Great Celestial Conjunctions or the four Milky Way Equinox/Solstice alignments that occur in a Great Year!

Santa Maria Piazza del Popolo (coat of arms of Pope Sixtus V), eight-pointed cross over the four mountains.


Pope Sixtus V used the eight-pointed cross in abundance in architectures and; in many cases he even placed the four-pointed Christian cross on top of an eight-pointed cross! The obelisk at Piazza di Giovanni, for instance, was adorned with both a four and eight-pointed cross by Pope Sixtus V. It was also a reference to this coat of arms! 

The four Great Celestial Conjunctions in a Great Year are the four mergers of the two superimposed four-pointed crosses (Earth Cross and Galactic Cross) to form a single four-pointed cross!

Obelisk at Piazza di Giovanni, four-pointed cross on top of the eight-pointed cross! Although a symbol of the Great Celestial Conjunction, this obelisk no longer aligns with the Winter Solstice Sun as viewed from the Vatican.


We therefore suggest that the eight-pointed cross at St. Peter’s Square symbolically represents a Great Celestial Conjunction.

St Peter’s Square


It’s the alignment of the Earth Cross with the Galactic Cross that is being symbolized at St. Peter’s Square. Notice that there is a small four-pointed cross in the center around the obelisk (the Sun) that is aligned with the outer eight-pointed cross.  The eight-pointed cross is the superposition of the Galactic Cross and the Earth Cross. This is why Pope Sixtus V placed a four-pointed cross on top of the eight pointed cross! The crosses are recognized as follows:

  • The axis on which the two fountains at St. Peter’s Square reside is the Galactic Equator of the Milky Way since the Milky Was is associated with water.
  • The cardinal direction of this Galactic Equator axis corresponds with the Milky Way that straddles the East horizon from North to South.
  • The Earth Cross aligns closely (but not perfectly) with the two solstice axis

The esoteric significance of the Summer Solstice alignment of St. Peter’s Square obelisk with the obelisk at the Piazza del Popolo is that it symbolizes a Summer Solstice Galactic Alignment. Since the sky chart over St. Peter’s Square with the Pleiades residing over the Seven Hills symbolizes the Silver Gate, we postulate that the Vatican alignments represent a Summer Solstice Galactic Alignment at the Silver Gate. This alignment occurs right now in era 2012!

Summer and Winter Solstice alignments as viewed from St. Peter’s Square. The white arrows show the displacements of the obelisks from Circus Maximus by Pope Sixtus V.

 

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'G', the letter of 'God', the 'Great Architect', the 'Geometer', for G is the 7th letter -

    

 
 
11. Proverbios 25:11: MANZANA de oro con figuras de plata
Es la palabra dicha como conviene.
 
 
 
 
  
 
 
 
 


Rome star map

 
1. Job 9:9: El hizo la Osa, el Orión y las Pléyades,
Y los lugares secretos del sur;

2. Job 38:31: ¿Podrás tú atar los lazos de las Pléyades,
O desatarás las ligaduras de Orión?

3. Amós 5:8: buscad al que hace las Pléyades y el Orión, y vuelve las tinieblas en mañana, y hace oscurecer el día como noche; el que llama a las aguas del mar, y las derrama sobre la faz de la tierra; Jehová es su nombre;

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Crimea-Symbolism

 
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EL 911 tiene fuerte relacion con la GRAN PIRAMIDE, en funcion al coeficiente 7/11, osea con la CREACION DIVINA EN 8 DIAS. Justamente las TORRES GEMELAS simbolizan EL SEXO MASCULINO Y EL SEXO FEMENINO, EL ALFA Y EL OMEGA, EL ESCORPION Y EL TORO, EL SOY Y LA LUNA O EL ALEF Y EL TAV. EL SALMO 119, EN FUNCION A SUS 8*22=176 VERSICULOS, TIENE FUERTE RELACION CON LA CREACION DIVINA EN 8 DIAS. Todo es una referencia a las BODAS DE CANA, que tambien fueron en un OCTAVO DIA. DE ALLI SE EXPLICA LA FUERTE CONNOTACION ALQUIMICA DE LA GRAN PIRAMIDE. CUANDO EL SEÑOR HACE LA CONVERSION DEL AGUA EN VINO, EN LAS BODAS DE CANA, SE EXPRESABA EN ESTE MARCO. CONCRETAMENTE EL EVANGELIO DE JESUCRISTO ESTA CODIFICADO EN TODAS LAS CULTURAS A NIVEL MUNDIAL.  EL MISMO VATICANO, ESTA DISEÑADO EN FUNCION AL PATRON ASTRONOMICO Y MATEMATICO DE LA GRAN PIRAMIDE. ESTO EXPLICA LA UBICACION DEL CASTILLO SAN ANGELO, AL ESTE DEL TEMPLO DE SAN PEDRO Y EN EL CONTEXTO A UNA ESTRELLA DE 8 PUNTAS. TODO TIENE EL MISMO PATRON ESOTERICO. PARIS, VATICANO, WASHINGTON D.C, TABERNACULO DE MOISES, TEMPLO DE SALOMON, KAABA ISLAMICA, GRAN PIRAMIDE DE EGIPTO, TEOTIHUACAN, ETC,ETC. ES IMPOSIBLE ESCAPAR DE LA VERDAD. TODO ES UNA REFERENCIA A LA MANZANA DORADA Y DE PLATA DE PROVERBIOS 25:11, EN EL CONTEXTO A UNA ESTRELLA DE 5 PUNTAS. ALLI ESTA EL GRAN SECRETO DE LA SABIDURIA DE SALOMON. ES OBVIA LA REFERENCIA AL NUMERO DE ORO PHI=1.618033.. E INCLUSO AL NUMERO DE PLATA=1.41421356.., OSEA LA RAIZ CUADRADA DE DOS. ES OBVIO QUE LO QUE ESTA EN JUEGO AQUI ES EL CONCEPTO DE QUE DIOS ES EL CREADOR DEL UNIVERSO Y DEL PLANETA TIERRA. INSISTO, ESTO ESTA CODIFICADO EN TODAS LAS CULTURAS A NIVEL MUNDIAL. ¿ADONDE NO HAY PIRAMIDES? ALLI ESTA EL ORIGEN DE LA RELACION DEL CODIGO APPLE O MANZANA CON LA FLEUR DE LIS, OSEA EL ESCORPION, QUE ES UNA REFERENCIA AL MISMO SEXO MASCULINO EN EL CODIGO DA VINCI. TODO ESTO OBVIAMENTE ES ULTRA SECRETO PERO ES OBVIO QUE JESUCRISTO MANEJABA TODOS ESTOS CODIGOS QUE SON SECRETOS. LA MISMA REFERENCIA A LA RELACION DE LA MANZANA CON LA PLATA, TAMBIEN ES UN NEXO CON EL NUMERO 8. ES PARADOJICO QUE EN UN MUNDO QUE DICE SER CIENTIFICO, NO SABEN NI TIENEN NI IDEA DEL MAYOR SECRETO DE LA HISTORIA. ES OBVIO QUE EN ESTE MUNDO TODO ES MENTIRA E HIPOCRESIA. POR ESO EL MUNDO HA NEGADO Y NIEGA AL TODOPODEROSO. ES TERRIBLE PERO EL MUNDO NO QUIERE SABER LA VERDAD. INVENTA FILOSOFIAS PARA NEGAR AL DIOS CREADOR Y TODO EN EL NOMBRE DE LA CIENCIA. ASI SOMOS DE HIPOCRITAS LOS SERES HUMANOS.  ESE ES NUESTRO MUNDO. TODO ES ALQUIMIA. LA BIBLIA ES SINONIMO DE CIENCIA Y ALQUIMIA, PERO JESUCRISTO MISMO, AFIRMA QUE ESTE CONOCIMIENTO NO ES PARA LOS INTELECTUALES, SINO QUE PARA LOS INICIADOS. POR ESO TODO ESTO ES ULTRA SECRETO. EL TODOPODEROSO MISMO NO QUIERE QUE LOS INTELECTUALES LO SEPAN. TAL CUAL LO AFIRMA EL CODIGO DA VINCI, SOLO LOS DIGNOS, TIENEN DERECHO A SABER DEL GRIAL. GRACIAS DAN BROWN Y GRACIAS A DIOS, A JESUCRISTO Y MARIA LA MAGDALENA, POR PERMITIR QUE HAYA UN DAN BROWN. JUSTAMENTE, INSISTO, EL NUMERO DE ORO ES UNA REFERENCIA AL NUMERO 5 Y EL NUMERO DE PLATA ES AL NUMERO 8. ALLI TENEMOS LA CAUSA DEL PORQUE LAS BODAS DE CANA SON EN UN SEPTIMO DIA, EN UN OCTAVO DIA CONSIDERANDO LA LUNA Y TAMBIEN UN TERCER DIA EN FUNCION A JUAN 2:1. TODO ES UNA REFERENCIA, INSISTO, A LA MANZANA DE ORO Y DE PLATA, OSEA EL FRUTO PROHIBIDO.
 
 
11. Proverbios 25:11: MANZANA de oro con figuras de plata
Es la palabra dicha como conviene.
 
 
 
Pie
Haz clic en la imagen para volver

INICIACIÓN A LOS NÚMEROS DE LA ARQUITECTURA O DE COMO DARLE FORMA A UN EDIFICIO

Los números pueden estar explicados matemáticamente en la “red” pero el problema que plantea el conocimiento de la arquitectura es: ¿cómo se le da forma con esos números a un edificio?. En arquitectura los números operan a partir de los polígonos estrellados formando concatenaciones, tal y como a continuación vamos a describir.

Pentágono

NÚMERO DE ORO - PENTÁGONO

El número de oro viene dado por la solución a la ecuación de segundo grado
x + x² = 1     x =   1+√5 /2  =  1,618033989
Propiedades  1/ 1,618   =  0,618        1,618... x 1,618...  =   2,618...
Dado una circunferencia de radio 1 el lado del decágono inscrito en él es 0,618...
Dado un pentágono de lado 1, las diagonales de ese pentágono = 1,618...
La técnica con la que opera la arquitectura es la de las concatenaciones.
Una de ellas, la más usual, es la que presentamos en el dibujo. Si la circunferencia en color azul tiene R=1 el radio de la roja es R= 2,618, correspondiente a la que presentamos en El vitruvio” de Leonardo da Vinci en la portada de este trabajo.

Se aplicará en la restitución de una tabla de F. Brunelleschi  Nº 6.
Octógono
Hexágono

NÚMERO DE PLATA - EL OCTÓGONO

Así como el número de oro está asociado a la √5 el número de plata está asociado a √2 y presenta una serie de propiedades similares a las del número de oro.
√2 = 1,414213562        tg. 22,5º = 0,414213562
tg.67,5º = 2,414213562
1/2,4142... =  0,4142...          2,4142... x 1,4142... =   3,4142...
Observa nuevamente la concatenación, esta vez con el octógono, de la circunferencia en color azul sobre la de color rojo.
Si el radio de la circunferencia azul es 1 la de color rojo es 2,4142....
Si el radio de la circunferencia azul es 0,4142... la de rojo es 1.
Aquí tenéis un ejemplo.

Se aplicará en la Rix House de J. Soane  Nº 3.

NÚMERO DE PLATINO - EL HEXÁGONO

De igual forma que el número de oro está relacionado con la √5 y el de plata con la √2, el de platino lo va a estar con la √3
√3 = tg.60º = 1,732050808
1,732... x 2,732...  =  4,732...
Combinación, esta, muy utilizada por Andrea Palladio.
Observa la concatenación de la circunferencia azul sobre la de rojo, a través del hexágono, directamente a la circunferencia azul. Si el radio de la circunferencia color azul es 1 el de la circunferencia en color rojo es 2 y el lado del triángulo inscrito es 2 x 1,732...
Este polígono es el más prolífico en la historia de arquitectura como vamos a verlo en los ejercicios.
Aquí tenéis un ejemplo.

Se aplicará al resto de los trabajos Nº 1 - 2 - 4 y 5.
Todos los derechos reservados. Depósito Legal ZA - Nº 69 - 1998
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Génesis 49:27: Benjamín es LOBO arrebatador; A la mañana comerá la presa, Y a la tarde repartirá los despojos.

 

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or After Yule Full Moon.
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ROMULO Y REMO (JACHIN Y BOAZ), OSEA UNA REFERENCIA A LAS DOS COLUMNAS DEL SIGNO PESO E INCLUSO A LAS DOS COLUMNAS DE HERCULES, EN EL MARCO A LA MANZANA DORADA. ROMULO Y REMO, EN UN CONTEXTO BIBLICO, SON UNA REFERENCIA A ESAU Y JACOB, OSEA LOS HIJOS DE ISAAC Y REBECA. ES OBVIA LA REFERENCIA A GALATAS 4:26. LA LOBA ROMANA ES REBEKA MISMA.

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714. Mateo 23:17: ¡Insensatos y ciegos! porque ¿cuál es mayor, el ORO, o el templo que santifica al ORO?

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Casualidad que el EL DOBLE DEL SENO del numero 126 (8 de AV ES EL DIA NUMERO 126 DEL CALENDARIO HEBREO) ME DA 1.618033 Y QUE INCLUSO EL 11/11 (GENESIS 8:6) DEL ARCA DE NOE, OSEA EL DIA NUMERO 306 DEL CALENDARIO HEBREO, EL DOBLE DEL SENO DE DICHO NUMERO TAMBIEN ME DA 1.618033. Recordemos que LA FUNCION SENO ES LA MISMA SERPIENTE, OSEA UNA REFERENCIA A LA SABIDURIA O SOPHIA, QUE TIENE FUERTE REFERENCIA CON EL NUMERO PHI. SOL-O-MON ES UNA REFERENCIA A GEMINIS. GEMINIS ES UNA REFERENCIA A TOMAS EL DIDIMO O EL GEMELO.
 
OCT-AV-O DE AV
 
AV= RELACION SEXUAL = ESTRELLA DE D-AV-ID- LL-AV-E= D-AV-INCI= BODAS DE CANA (FUERTE CONNOTACION SEXUAL EN EL MARCO A LA CONVERSION DEL AGUA EN VINO, UNA OBVIA REFERENCIA AL LINAJE DEL SEÑOR) - JUSTAMENTE VENECIA / VENUS ES SINONIMO DEL PENTAGONO, OSEA DEL NUMERO DE ORO PHI=1.618033.
 
RELIGION ES CIENCIA PURA.
Rome star map
 
EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENCES

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MARK (COLUMNAS DE JACHIN Y BOAZ Y EL ARCA DEL TABERNACULO EN FUNCION A SIRIO)
M=JACHIN Y BOAZ (COLUMNAS DEL TABERNACULO Y DEL TEMPLO DE SALOMON)
ARK=ARCA DEL PACTO
 OBVIAMENTE QUE EL ARCA DE NOE TAMBIEN ES UNA REFERENCIA AL ARCA DEL PACTO.

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NEACP Boeing 747 E-4B Venus 77 and American Airlines Flight 77 on 11 September 2001 As Above So Below

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1) The Vatican courtyard.

When viewed from the air, we can see that the Vatican courtyard is, in fact, shaped like a keyhole. There is a reason ... Do you know why?

Below we can see that within the "keyhole" of the Vatican courtyard is yet another symbol: two crosses superimposed on each other. This is the symbol from which the British Union Jack flag is derived.

This is where we get the term "double-crossers."

 

While we're on the subject, there is another interesting symbol at the entrance to the Vatican.

 

5

 

2

Left:
Aerial View
Below: Close-Up

3

LA CLAVE DEL "EXPERIMENTO FILADELFIA", LA "MAQUINA DEL TIEMPO", LA TENEMOS EN EL NEXO DE LA PLAZA DE SAN PEDRO CON LA BANDERA DE INGLATERRA, EN EL MARCO A LA CRUZ DE SAN JORGE O GIORGIO, QUE ES JUSTAMENTE EN DICHA ISLA EN VENECIA, ADONDE ESTA ENTERRADO SAN MARCOS. EL DIA DE SAN JORGE / GIORGIO, QUE ES EL 23 DE ABRIL, ES EL DIA NUMERO 225 (CICLO SIDEREO DE VENUS) DEL CALENDARIO COPTO. ESTO CONFIRMA EL NEXO SAN JORGE CON VENECIA / VENUS.

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