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General: BANDERA DE ISRAEL=911=666="RELOJ MASONICO"=SATURNO="MAQUINA DEL TIEMPO"
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es.walyou.com
2 Alcancia cubo Rubik
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El interior de un cubo de
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EL MISMO "CUBO MAGICO" ES UN HIPERCUBO (HAY UN CUBO MAS CHICO EN EL CENTRO DEL MISMO)
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El término cuarta dimensión aparece en diversos contextos como la física, las matemáticas y la ciencia ficción. En cada contexto el significado es diferente:
En física, se hace referencia a la cuarta dimensión al hablar del tiempo, principalmente desde el planteamiento de la Teoría de la Relatividad.
En matemática, el concepto aparece asociado o bien a espacios euclídeos de más de tres dimensiones o, más generalmente, a espacios localmente euclídeos o 4-variedades diferenciables.
Hipercubo de 4 dimensiones espaciales girando, tal como se vería proyectado en el espacio tridimensional.
El interés en las dimensiones más altas alcanzó su clímax entre 1870 y 1920.1 En esos años se convirtió en tema frecuente en la literatura fantástica, el arte e incluso algunas teorías científicas. La cuarta dimensión, entendida como dimensión espacial adicional (no como dimensión temporal, como en la teoría de la relatividad) apareció en las obras literarias de Oscar Wilde, Fiódor Dostoyevski, Marcel Proust, H. G. Wells y Joseph Conrad, inspiró algunas obras musicales de Alexander Scriabin, Edgar Varèse y George Antheil y algunas obras plásticas de Pablo Picasso y Marcel Duchamp influyendo en el desarrollo del cubismo. Incluso personajes tan diversos como el psicólogo William James, la escritora Gertrude Stein o el socialista revolucionario Vladimir Lenin se interesaron en el tema.
Igualmente los matemáticos habían estado interesados en el tema al tratar de generalizar los conceptos de la geometría euclídea tridimensional. El matemático Charles L. Dodgson, que enseñó en la Universidad de Oxford, deleitó a generaciones de escolares escribiendo libros, bajo el pseudónimo de Lewis Carroll, que incorporaban algunas ideas sobre la cuarta dimensión. Desde el punto de vista académico, el estudio general de la geometría de la cuarta dimensión en gran parte resultado de los trabajos de Bernhard Riemann. Charles Howard Hinton, matemático y escritor de ciencia ficción británico, acuñó muchos neologismos para describir elementos en la cuarta dimensión. De acuerdo con el Oxford English Dictionary, fue el primero en emplear la palabra tesseract en su libro Una nueva era del pensamiento. También inventó las palabras “kata” (del griego “abajo”) y “ana” (del griego “arriba”) para describir las dos direcciones opuestas en la cuarta dimensión, equivalentes a derecha-izquierda, arriba-abajo, y adelante-atrás.
Los trabajos matemáticos sobre geometrías multidimensionales y geometrías no euclídeas habían sido considerado por los físicos como simples abstracciones matemáticas hasta que Henri Poincaré probó que el grupo de transformaciones de Lorentz que dejaban invariantes las ecuaciones del electromagnetismo podían ser interpretadas como "rotaciones" en un espacio de cuatro dimensiones. Más tarde, los trabajos de Einstein y la interpretación geométrica de estos por parte de Hermann Minkowski llevaron a la aceptación de la cuarta dimensión como una descripción necesaria para explicar los hechos observados relacionados con el electromagnetismo. Sin embargo, aquí la "cuarta dimensión" no era un lugar separado del espacio tridimensional (como en varias de las obras de ficción de la época) ni tampoco una dimensión espacial análoga a las otras tres dimensiones espaciales, sino una dimensión temporal que sólo puede recorrerse hacia el futuro. En la teoría general de la relatividad el campo gravitatorio es explicado como un efecto geométrico de la curvatura de un espacio-tiempo de cuatro dimensiones.
Más tarde, la teoría de Kaluza-Klein propuso que no sólo el campo gravitatorio podía ser interpretado de forma más sencilla como curvatura de un "espacio" de más de tres dimensiones, sino que si se introducía una nueva dimensión espacial enrollada o «compactificada», también el campo electromagnético podía ser interpretado como un efecto geométrico de la curvatura de dimensiones superiores. Así, la Kaluza proponía una teoría de campo unificado del electromagnetismo y la gravedad en un espacio-tiempo de cinco dimensiones, con una dimensión temporal, tres dimensiones espaciales extendidas y una dimensión espacial «compactificada» adicional, que, debido a su condición de compactificada, no era directamente visible pero su efecto era perceptible en forma de campo electromagnético.
Un ángulo recto se describe como un cuarto de una revolución. La Geometría Cartesiana escoge direcciones ortogonales arbitrariamente a través del espacio, lo que significa que cada dirección está en ángulo recto con las demás. Las 3 dimensiones ortogonales del espacio se conocen como altitud, longitud y latitud. La Cuarta Dimensión por lo tanto es la dirección en el espacio con ángulo recto a las 3 direcciones observables.
Un vector espacial es un conjunto de vectores, los cuales podemos imaginarlos como flechas, que proviene de un simple lugar llamado origen (vectores geométricos), que apuntan a otros lugares.
Un punto es un objeto de cero dimensiones. No tiene extensión en el espacio ni propiedades, como una flecha pero sin longitud. Este vector es llamado el vector cero y es el más simple vector espacial.
Una línea es un objeto unidimensional. Si escogemos un cierto vector distinto a cero en una cierta dirección, este vector tiene cierta longitud definida. Ese vector tiene una cabeza en un cierto punto en espacio y una cola en el origen. Si pensamos en estirar que ese vector así sea dos veces su largo, tres veces, etcétera y uniformemente, tomando todas las longitudes posibles (incluso la longitud cero, conseguir el vector cero), conseguiremos una sola línea con una sola dimensión: La de la longitud. Todos los vectores que describen puntos en esta línea serían paralelos. Aunque para visualizar la línea es necesario que ésta tenga un ancho mínimo, sin embargo, una línea de 1D no la tendría.
Un plano es un objeto de dos dimensiones. Tiene longitud y anchura pero no profundidad - algo como una hoja de papel, o más exactamente algo como las imágenes en un televisor común. El pensamiento en un plano en términos de vectores puede ser un poco más desafiante. Si pensamos en tomar un vector y lo movemos de modo que su cola esté tocando la cabeza del primero y esté formando un vector con su cola en el origen y la cabeza en la cabeza del segundo vector colocado de nuevo, tenemos una manera razonable de hablar de vectores de adición. Si tenemos dos vectores que no sean paralelos, podemos hablar de todos los puntos que podemos alcanzar por o solamente el estirar o ningunos de los vectores, y, agregando estos vectores juntos, estos puntos forman un plano.
El espacio, como lo percibimos, es tridimensional. Podemos pensar en poner una línea junto con un plano. Estas líneas son como un emparedado. Para conseguir a un cierto punto en espacio, podemos imaginarnos el viajar encima de la línea y después el movernos a través del plano al punto. Entonces tenemos tres vectores a pensar alrededor, uno a viajar una cierta distancia encima de la línea y dos para conseguir a un cierto punto en espacio.
Para tres rectas ortogonales en el espacio tridimensional (x, y y z) existe una cuarta, normal al espacio, ortogonal a estas tres rectas, que forma un eje p. ej. w.
El producto vectorial es la determinante de una matriz 4×4, donde una de las filas (o columnas) son los vectores unitarios h, i, j y k y las demás (filas o columnas respectivamente) están formadas por las componentes de tres vectores cuadradimensionales cualesquiera, este producto nos dará un cuarto vector perpendicular a estos tres mismos.
La Geometría euclidiana prevé una mayor variedad de formas para existir que en tres dimensiones. Los poliedros tridimensionales son recintos espaciales hechos de caras de dos dimensiones conectadas, los policronos cuadridimensionales son recintos del espacio cuadridimensional hechos de poliedros tridimensionales. Donde en tres dimensiones, hay exactamente cinco poliedros regulares, o los sólidos platónicos, que pueden existir, seis policronos regulares existen en la cuarta dimensión. Cinco de los seis se pueden interpretar como extensiones naturales de los sólidos platónicos, así como el cubo, un sólido platónico, es una extensión del cuadrado de dos dimensiones. El pentachoron está hecho de 5 tetraedros para las caras y 10 caras triangulares, y es el análogo cuadridimensional del tetraedro. El teseracto, o el hipercubo, se compone de 8 caras cúbicas y de 24 cuadrados, y es el politopo cuadridimensional medido. Los teseractos se doblan, la 16-celdas, son el equivalente del octaedro, pues son ambos politopos de cruz. Los politopos de 120 celdas y los de 600 celdas se doblan de igual modo, y son análogos al dodecaedro y al icosaedro, respectivamente. El de 24 celdas es un policrono regular único y que no tiene ningún equivalente tridimensional. Apenas pues la esfera, o 2-esfera, es una superficie de dos dimensiones curvada compuesta de todos los puntos equidistantes de un punto central dado, en un espacio tridimensional, la 3-esfera, una clase de hiperesfera, es el espacio que contiene todos los puntos equidistantes a un punto central dado, en un espacio cuadridimensional. Cada sección transversal tridimensional de un 3-esfera es un 2-esfera.
La analogía dimensional se usa frecuentemente para comprender el salto de una dimensión (en este caso, la tercera dimensión) a una más alta (cuarta dimensión). La analogía dimensional consiste en resolver un problema en n + 1 dimensiones relacionándolo primero con un problema análogo de (n - 1) dimensión, vale decir, "una dimensión menos". E igualmente debe analizarse el caso de cómo se relaciona el problema en n con el de (n + 1) dimensiones, es decir, "una más".
Edwin Abbott Abbott en su libro Planilandia (Flatland) escribe sobre un "ser cuadrado" que vive en un mundo de dos dimensiones, como la superficie de un pedazo de papel. Este "cuadrado" se enfrenta a experimentos de un ser tridimensional. El ser tridimensional es percibido por el "cuadrado" como un ser aparentemente divino, ya que puede poner y quitar objetos de una caja fuerte sin romperla ni abrirla (moviéndolos a través de su tercera dimensión), ver todo desde de la perspectiva de dos dimensiones sea incluido detrás de las paredes (puesto que ve "sobre" Planilandia), y totalmente invisible para los habitantes de Planilandia, puesto que está "arriba" y una dimensión por arriba de las dos dimensiones en las que el cuadrado está atrapado. No obstante, el ser tridimensional podría manifestarse en el mundo de dos dimensiones, pero sólo parcialmente, si fuera una esfera, aparecería como una secuencia de círculos sucesivos "que cambian de tamaño" (intersecciones de la esfera con el plano de dos dimensiones). Aplicando analogía dimensional, uno puede deducir que el ser cuadridimensional sería capaz de hazañas similares de nuestra perspectiva tridimensional.
Rudy Rucker demuestra esto en su novela "Spaceland", en la cual el protagonista encuentra los seres cuadridimensionales que demuestran tales energías. Un uso útil de la analogía dimensional en visualizar la cuarta dimensión está en la proyección. Una proyección es una manera para representar un objeto (n+1)-dimensional en la n-dimensión. Por ejemplo, las pantallas de computadora son de dos dimensiones, y todas las fotografías de objetos tridimensionales son representadas en dos dimensiones puesto que la información de la tercera dimensión (o de la profundidad) no puede ser representada por la pantalla (si el observador se mueve, aleje o acerque, la imagen no cambiará). En este caso, la profundidad se quita y se substituye por la información indirecta. La retina del ojo es un arsenal de dos dimensiones de receptores pero puede permitir que el cerebro perciba la naturaleza de objetos tridimensionales usando la información indirecta (como la perspectiva, el sombreado, visión binocular, etc.).
La perspectiva del uso de los artistas da profundidad tridimensional a los cuadros de dos dimensiones. Asimismo, los objetos en la cuarta dimensión se pueden proyectar matemáticamente a las familiares tres dimensiones, donde pueden entonces ser examinados más convenientemente. En este caso, la "retina de un ojo cuadridimensional" tendría un arsenal de receptores tridimensionales. El ser hipotético con tal ojo percibiría la naturaleza de objetos cuadridimensionales usando la información indirecta contenida en las imágenes que recibe en su retina. La proyección de la perspectiva a partir de cuatro dimensiones produce efectos similares como en el caso tridimensional, tal como la perspectiva.
Esto agrega "profundidad cuadridimensional" a estos cuadros tridimensionales. La analogía dimensional también ayuda a entender tales proyecciones. Por ejemplo, los objetos de dos dimensiones son limitados por límites unidimensionales: un cuadrado es limitado por cuatro bordes o líneas. Los objetos tridimensionales son limitados por superficies de bidimensionales: un cubo es limitado por 6 cuadrados. Aplicando analogía dimensional, uno puede deducir que un cubo cuadridimensional, conocido como teseracto, es limitado por los volúmenes tridimensionales.
Y de hecho, éste es el caso matemáticamente: el teseracto es limitado por 8 cubos. Saber esto es indispensable para entender cómo interpretar una proyección tridimensional del teseracto. Los límites del teseracto proyectan a los volúmenes en la imagen, superficies no simplemente de dos dimensiones. Esto ayuda a entender las características de dichas dimensiones que de otra manera sólo confundirían. De igual manera, el concepto de sombras puede ayudarnos mejor a entender la teoría de cuatro dimensiones. Si usted proyectara una luz sobre objeto tridimensional, éste proyectaría una sombra de dos dimensiones. Por lo tanto la luz en un objeto de dos dimensiones echaría una sombra unidimensional (en un mundo de dos dimensiones), y la luz en un objeto unidimensional en un mundo unidimensional echaría una sombra cero-dimensional, es decir, un punto de la no-luz. Esta idea se puede utilizar en la otra dirección; la luz en un objeto cuadridimensional proyectaría una sombra tridimensional. Como ejemplo, la sombra de un cubo transparente, proyectaría una sombra sobre el papel, de dos cuadrados, unidos por sus vértices con 4 segmentos.
Semejantemente, si era un cubo cuadridimensional iluminado con luz de 4 dimensiones, su sombra sería la de un cubo tridimensional dentro de otro cubo tridimensional. Siendo tridimensionales podemos solamente ver el mundo con nuestros ojos en dos dimensiones; el ser cuadridimensional consideraría el mundo en tres. Así podría, por ejemplo, ver los seis lados de una caja opaca simultáneamente. No solamente eso; también podría ver lo que hay al interior de la caja, como en Planilandia, en donde la esfera ve objetos en el mundo de dos dimensiones y todo dentro de ellos simultáneamente. Análogo, un espectador cuadridimensional vería todos los puntos en nuestro espacio tridimensional simultáneamente, incluyendo la estructura interna de objetos sólidos y de cosas obscurecidos de nuestro punto de vista.
Albert Einstein en su célebre teoría de 1905 de la relatividad especial habló por primera vez del tiempo como una cuarta dimensión y como algo indispensable para ubicar un objeto en el espacio y en un momento determinado. El tiempo en la teoría de la relatividad no es una dimensión espacial más, ya que fijado un punto del espacio-tiempo éste puede ser no alcanzable desde nuestra posición actual, hecho que difiere de la concepción usual de dimensión espacial. Aunque inicialmente se interpretó el tiempo como una "dimensión" matemática necesaria para ubicar un evento u objeto, en la teoría de la relatividad general el tiempo es tratado como una dimensión geométrica más, aunque los objetos materiales no puedan seguir una trayectoria completamente arbitraria a lo largo del tiempo (como por ejemplo "dar la vuelta" y viajar al pasado). La necesidad del tiempo dentro de la teoría de la relatividad es necesaria por dos motivos:
En primer lugar, los objetos no sólo se mueven a través del espacio sino que también lo hacen a través del tiempo, es decir su coordenada temporal aumenta continuamente, por lo que hubo la necesidad de hablar del tiempo ligado al espacio como la cuarta dimensión (en inglés spacetime, en castellano espacio-tiempo). Además el ritmo de avance en la dimensión temporal depende del estado de movimiento del observador, produciéndose una dilatación temporal efectiva para los observadores más rápidos en relación al tiempo medido por un observador estacionario.
En segundo lugar, el carácter intrínseco del espacio-tiempo y su cuatridimensionalidad requiere un modo conceptualmente diferente de tratar la geometría del universo, puesto que una cuarta dimensión implica un espacio plano (bidimensional) que se curva en la teoría de la relatividad general por la acción de la gravedad de la materia originándose la curvatura del espacio-tiempo.
Finalmente cabe añadir que algunas teorías físicas como la teoría de Kaluza-Klein y las teoría de supercuerdas, en sus varias versiones, añaden a las tres dimensiones físicas espaciales entre 1 y 9 dimensiones espaciales adicionales, de tipo compacto; además de la dimensión temporal.
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| Tanto el Tabernáculo y el Templo consistían de tres partes: |
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El Atrio |
El Lugar Santo |
El Lugar Santísimo |
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Con relación al Tabernáculo
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El Lugar Santísimo era un cubo (10 pies x 10 pies x 10 pies) |
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Con relación al Templo:
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El Lugar Santísimo era un cubo (20 pies x 20 pies x 20 pies) |
El tabernáculo propiamente dicho era una tienda cuadrangular, de 30 codos* de
largo, 10 de ancho y 10 de alto. Las dimensiones del conjunto de la estructura
no figuran con exactitud en los registros del Exodo, pero se las puede calcular
sobre la base de los detalles que se dan de las cortinas y las tablas que se
usaron en las paredes del tabernáculo, y de las medidas proporcionales, pero
mayores, del templo de Salomón (1 R. 6:2). La tienda estaba dividida en 2
compartimentos: el 1º conocido como "lugar santo" (Ex. 28:29), y el 2º como
"lugar santísimo", literalmente "el Santo de los Santos" (26:33, BJ). Este
constituía un cubo de 10 codos por lado, mientras el lugar santo era de 10
codos por 20. El tabernáculo estaba rodeado por un atrio o patio de 50 codos
de ancho por 100 de largo, limitado por cortinas de lino de 5 codos de alto
(27:18). Esta pared de cortinas estaba suspendida por 60 columnas, quizá de
maderas de acacia* (por ser esta la madera usada para los muebles y otras
columnas; cf 26:37) revestidas de plata y sostenidas por pedestales de bronce.
En la parte central del extremo oriental del patio se hallaba la entrada, que
estaba constituida por una cortina especial de 20 codos de largo (27:9-17). En
la mitad oriental del patio, cerca de la entrada, estaba el altar de los
holocaustos (vs 1-8) y el lavacro o lavatorio (30:17-21).
Leer más: Diccionario Biblico Cristiano Online y Gratis en Español - Significado o definicion de Tabernaculo
EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO DE MOISES TENIA FORMA DE CUBO Y ESTABA ORIENTADO DE ESTE A OESTE. CONCRETAMENTE DICHO COMPARTIMENTO ESTABA HACIA ADONDE SALE LA LUNA CRECIENTE. ESTO EXPLICA SU FUERTE NEXO CIENTIFICO CON DICHA LUNA, INTERRELACIONADA CON EL NACIMIENTO DE UN NIÑO. LA LUNA CRECIENTE TIENE LA CUALIDAD DE QUE SALE Y SE PONE A LA PUESTA DEL SOL SIEMPRE EN EL OESTE. CONCRETAMENTE EL MENSAJE ESPIRITUAL DEL LUGAR SANTISIMO DEL TABERNACULO DE MOISES Y DEL TEMPLO DE SALOMON TIENE UN FUERTE NEXO, INSISTO CON EL NACIMIENTO DE UN NIÑO, Y MAXIME QUE EN EL CONTEXTO A LOS MESES DEL AÑO EL OESTE NOS CAE EN SEPTIEMBRE U OCTUBRE, OSEA EN LA FIESTA DE LOS TABERNACULOS. TABERNA/VINO/GRIAL
Si usted mira objetivamente el cubo vera que esta relacionado con el NUMERO 6 (6 SUPERFICIES), 12 (LINEAS PERIMETRALES/12 MESES LUNARES), NUMERO 8 (PUNTOS PERIMETRALES/RESURRECCION) E INCLUSO CON EL NUMERO 28 CONSIDERANDO LAS LINEAS DIAGONALES INCLUIDAS LAS INTERIORES. CONCRETAMENTE EL CUBO ESTA DISEÑADO EN FUNCION EL MES LUNAR CON LOS SABADOS LUNARES.
INCLUSO TAMBIEN LE VEMOS AL CUBO UN NEXO ZODIACAL Y GALACTICO EN EL CONTEXTO A LOS EXTREMOS DEL ZODIACO SEGUN APOCALIPSIS 4:7
HIPERCUBO
SI CONTAMOS LA CANTIDAD DE PARTES DEL CUBO MAGICO TENEMOS EL ASOMBROSO NUMERO 26 RELACIONADO CON LA GEMATRIA EN EL HEBREO DE YHWH E INCLUSO EN EL INGLES DE GOD/DIOS.
| god in Simple Gematria Equals: 26 |
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g
7 |
o
15 |
d
4 |
) |
APOCALIPSIS 21
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales.
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel.
8 AÑOS SOLARES=13 PERIODOS SIDEREOS DE VENUS
16 AÑOS SOLARES=26 PERIODOS SIDEREOS DE VENUS
EN REALIDAD QUE LAS 12 HORAS DEL RELOJ, EN EL CONTEXTO A LA ESTRELLA DE DAVID (12 HORAS) Y EN EL CONTEXTO AL EXAGONO EN LA MISMA (NUMERO 13=SANTA CENA) TIENE ESTA CONNOTACION.
ESTE ES EL SECRETO DE LA RELACION DE LA GEMATRIA DE YHWH CON EL NUMERO 26.
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Message 219 of 219 on the subject |
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| MihrYazd wrote: |
Are there 3 values for alpha alphR?
Namaste
Mo |
well if there are two values does there exist a 3rd one between the two?
 http://breakfornews.com/forum/viewtopic.php?p=73045#73045
 
MODERN KEYPAD and a page taken out of the BOOK of SECRETS
Take notice where the numbers 1379 are positioned.
Notice that we can isolate a Lo Shu or Ho Tu 3x3 grid from the keypad.
Notice that we have 3 pillars on the keypad.
What PATTERNS do we notice IF we associate the cEL-PHOne to the 7 planets and 12 zodiacal signs used by the angELRazIEL in the Book of Secrets?
7 and 12 = 73
Bingo
3 LE-mon-S
THRICE lights light up when we start associating the angEL
RazIEL's Book of Secrets to the 21st century cEL-PHOne.
U be the SS witneSS to the observation:
I noticed a pattern the other day regarding the planets and the zodiac signs they influence.
It is a pattern I recognized when I placed the 12 signs of the zodiac into their respective positions on the 3×4 grid.
This grid had 12 gems inlaid and represents what was called the Breastplate of the High Priest.
The same 3×4 grid that is associated with the angEL RazIEL who is associated with the Book of Secrets given to Adam and Eve to help them find their way BACK to Eden.
The AHA?
It will take me a while to draw the chart but it is based on the same layout as your CELLPHONE.
Yes anybody using a CELLPHONE today, I can show is using a piece of technology that is profoundly connected to the 3×4 Breastplate of the High Priest.
This is quite an amazing correlation in how I show each number is associated to a planet and zodiacal sign. And the patterns revealed to me, the other day are no less amazing from my POV because again I am provided with MORE evidence, another confirmation that this approach I have taken, where I suss out the math in the poetry and the poetry in the math, works.
to the reader:
Of the ancient system, 5 of the 7 planets each represent 2 zodiac signs.
(i.e. 5×2=10 signs plus sun and moon)
The exceptions as noted are the Sun/Leo/#5 and Moon/Cancer/#4.
(keeping in mind the association of 4ths and 5ths in music….and the position of both in the NORTH when looking EAST toward the rising sun in Aries #1, also keeping in mind how the NORTH plays a vital role, because when the SUN traverses that section of the sky it cannot be seen)
cEL-PHOne planet/zodiac game …
#1 is assigned to Aries in 0 degrees
#2 is Taurus
#3 is Gemini
see the pattern?
So play the game
take out your cEL-PHOne and start making the associations.
Do you know which of the 7 planets are assigned to each of the 12 signs of the zodiac?
Sun 5 LEO
Moon 4 CANCER
Mercury 3 + 6
Venus 2 + 7
Mars 1 + 8
Jupiter 9 + 12
Saturn 10 + 11
ALL of the above, meditate on it…the PATTERNS will reveal themselves.
It takes time, but soon you will realize how HUMANITY will be able to use the cEL-PHOne to unite one day.
ALL I/WE NEED TO DO NOW is figure out THE RING TONE that humanity must ring THRICE….and then get the sheeple to download it as an *APP*…and I get my set of wings when the ding a lings ring the bELL THRICE real nice.
hELo is anybody home, the lights are on but....things are sILEnt.
namaste
XX
stay thirsty my friend
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
http://breakfornews.com/forum/viewtopic.php?t=5916&postdays=0&postorder=asc&start=84
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Did you ever notice how often Eli occurs as a prefix or iel as a suffix as names in the bible, the prophets and main players, along with all those angels and archangels?
I started to.
ELI and IEL and EL too?
The priestly tribe of LEvItes positioned around the tabernacle, surrounded by the other twelve tribes.
But please notice the simplicity of what I suggest using a MIRROR?
LEvI rotated 180 degrees, i.e. as in an out-of-phase wave, looks like I^37
there are many many occurrences of 'eli' or 'elijah'
scroll down the left margin >>> http://topicalbible.org/naves/e/eli--high_priest.htm
| Quote: |
Elieli (1 Occurrence in bible)
Matthew 27:46 and about the ninth hour Jesus cried out with a great voice, saying, 'Eli, Eli, lama sabachthani?' that is, 'My God, my God, why didst Thou forsake me?' |
therefore ELI ELI = my god my god
ELIjah (104 occurrences)
http://bibletab.com/e/elijah.htm
LEvI (79 occurrences)
http://bibletab.com/l/levi.htm
dEvIL (58 Occurrences)
http://bibletab.com/d/devil.htm
dEvILs (48 Occurrences)
http://bibletab.com/d/devils.htm
EvIL (1503 Occurrences) whoa!!
http://bibletab.com/e/evil.htm
like I thought....language is the prime moover of the herd...
EvIL = LEvI = I^37 >>> is it a number or an idea?
I37 is the age of LEvI, IshmEL, and later aMraN
shall we take a look at the number 37
one fella claims that the number 37 represents the collective unconscious.
| Quote: |
Concerning the collective unconscious constant which is any number when divided by the integer 37 creates the modulo decimal remainder , .891891891..., which is the link to the fine-structure constant:
( 10 ^ ( 143.9999879 / 37 )) / 37 / 18 = sqrt 137.035999701
...there have been many numbers associated to the divisor 37 and the collective unconscious forms:
Leahy's dream number .....2808
Van Halen's number..........5150
Hindu number ..................108
Druid number....................144
Hebrew number ................288
John of Patmos number.....1260 and 666
Leahy triple logic number....82944
Denglers number as name...1069
John Michell number...........1080+666 = 1746
Mayan/Aztec number ........2304
R.Tomes harmonic.............3456....etc.
...the key has always been the divisor number 37. The following is from an article in the Jan. 10 , 2009 , magazine , New Scientist, called , " Inside the Mind of a Autistic Savant ".
The article goes on to talk about the savant Daniel Tammet , who is a human calculator of whose one of many feats , set a European record for the number of digits of Pi he recited from memory ( 22514 ). The article interviewer , Celeste Biever , interviewed D. Tammet and here is a portion of her interview concerning the number 37 and D. Tammet's fascination with this particular number:
Question: When did you realize you had special talents?
Tammet: At the age of 8 or 9 , I was being taught maths at school and realised I could do the sums quickly , intuitively and in my own way--not using the techniques we were taught. I got so far ahead of the other children that I ran out of textbooks. I was aware already that I was different because of my autism, but at that point I realised that the relationship I had with numbers was different.
Question: To most people, the things you can do with your memory seems like magic. How do you do it ?
Tammet: The response that people often have to what I can do is one of " gee whiz" but I want to push back against that. One of the purposes of the book I've written , " Embracing the Wide Sky " , is to demystify this, to show the hidden processes behind my number skills. I have a relationship with numbers that is similar to the relationship that most people have with language. When people think of words they don't think of them as separate items , atomised in their head , they understand them intuitively and subconsciously as belonging to an interconnected web of other words.
Question : Can you give an example?
Tammet: You would'nt use a word like " giraffe " without understanding what the words " neck " or " tall " or " animal " mean. Words only make sense when they are in this web of interconnected meanings and I have the same thing with numbers . Numbers belong to a web. When somebody gives me a number , I immediately visualise it and how it relates to other numbers. I also see the patterns those relationships produce and manipulate them in my head to arrive at a solution, if its a sum , or to identify if there is a prime.
Question: But how do you visualise a number ? In the same way I visualise a giraffe ?
Tammet: Every number has a texture. If it is a " lumpy " number then immediately my mind will relate it to other numbers which are lumpy--the lumpiness will tell me there is a relationship , there is a common divisor , or a pattern between the digits.
Question: Can you give me an example of a " lumpy " number ?
Tammet: For me the ideal lumpy number is 37 . It's like porridge. So 111 , a very pretty number which is 3 times 37 , is lumpy but it is also round. It takes on the properties of both 37 and 3 , which is round. It's an intuitive and visual way of doing maths and thinking about numbers.
Question: Why do you think you treat numbers this way ?
Tammet: When I was growing up, because of my autism , I didn't make friends. Numbers filled that gap. The numbers came alive. My mind was able to pick out patterns and to make sense of them. It was similar to how a child would aquire his first language....
Question: What can we learn from the way your mind works ?
Tammet: The differences between savant and non-savant ability have been exaggerated. Savants are not freaks, cut off from the rest of humanity. The thinking of savants is an extreme form of the kind everyone has. The aim of my book is to show that minds that function differently such as mine , are not so strange , and that anyone can learn from them. I also hope to clear up some misconceptions about savant abilities and what it means to be intelligent or gifted ...( end of article quote )
Wolfgang Pauli knew through his mandelas and the collective unconscious parameters of Carl Jung that the fine-structure constant ( 1/137.035999701 ) , a primal number , has a connectiveness to the primal numbers of man.
This connectiveness number is the integer...37:
Leahy dream number ....2808:
( 10 ^ (( 2807.9999879 / 37 ) - 72 )) / 666 = sqrt 137.035999701
Van Halen's number ...5150:
( 10 ^ (( 5149.99999881 / 3.7 ) - 1388 )) / 666 = sqrt 137.035999701
Hindu number....108:
( 10 ^ ( 107.999999879 / .37 ) - 288 ) / 666 = sqrt 137.035999701
Druid , John of Patmos number ...144:
( 10 ^ ( 143.999987919 / 37 )) / 666 = sqrt 137.035999701
John of Patmos numbers ...1260 and 666:
( 10 ^ (( 1259.99978254 / 666 ) + 2 ) / 666 = sqrt 137.035999701
Leahy's triple logic number ...82944:
( 10 ^ ( 82943.9930413 / 32 / 666 )) / 666 = sqrt 137.035999701
Plato's number of the world soul...2592:
( 10 ^ ( 2591.99978254 / 666 )) / 666 = sqrt 137.035999701
Dengler's name change number ...1069:
( 10 ^ (( 1068.99998792 / 37 ) - 25 )) / 666 = sqrt 137.035999701
Mayan/Aztec number ...2304:
( 10 ^ (( 2303.99978254 + 288 ) /666 ) / 666 = sqrt 137.035999701
Harlston's Hunab number ( Aztec) ...378
378 + 288 = 666
R.Tomes master harmionic number ...3456:
( 10 ^ (( 3455.999789 / 666 ) - 46 ) / 666 = sqrt 137.035999701
J.Iuliano
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...hard to track down this Jerry Iuliano
namaste
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
http://breakfornews.com/forum/viewtopic.php?t=5916&postdays=0&postorder=asc&start=24&sid=efc5514d0281c68011e0ec73242201e6
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1379 and another direct hit!
Here are a couple of quotes, an image and the link.
| Quote: |
The Lamp by Vernon Jenkins
Clearly, 37 and its companion 91 - both remarkable as numbers per se, as we have seen - feature strongly in the first eight words of the Scriptures! However, the account is not complete for we have yet to consider the numerical implications of the Creator's name as it is rendered in the Greek, nominative case, of both Septuagint and New Testament:
5 - A summary of N-R
The foregoing account identifies 37 and 91 as trifigurate numbers. In other words, each may be represented as a symmetrical arrangement of uniform counters in three distinct ways: 37, as hexagon, hexagram and octagon; 91, as triangle, hexagon and pyramid. This shared attribute of trifiguracy is neither bettered nor matched by any other natural number! Furthermore, 37 and 91 are related as difference and sum, respectively, of the cubes of 3 and 4.
In a denary context (familiar to all!) - and particularly in association with 3 and its multiples - this relationship is extended, and gives rise to many eye-catching curiosities that are particularly appealing to those seeking recreation through numbers. No other number, in this context, offers anything approaching the same degree of interest!
These observations are augmented by information from another quarter: Mr. J. Iuliano has drawn this author's attention to the following:
the number 37 is rooted in the double periodic modular forms of Fermat's Last Theorem;
an expression of the fine structure constant - ie the amplitude of an electron to emit or absorb a photon - involves 37, thus:
http://freespace.virgin.net/vernon.jenkins/Symb.htm
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namaste
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
http://breakfornews.com/forum/viewtopic.php?t=5916&postdays=0&postorder=asc&start=24&sid=efc5514d0281c68011e0ec73242201e6
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So far so good over on Toequest, who can dispute the evidence anyhow?
| Raphael wrote: |
And if path 13 can be connected to the letter #13, i.e. the M, that would be sweet too.
Intersecting with path #14 or the letter N would be a bonus.
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| Quote: |
The following example shows how the value of 9 is encoded within the structure of the alphabet. It is revealed by folding the alphabet in half. Envision the alphabet written out along a ribbon. Now fold the ribbon in half, directly between the two middle letters, M and N. If you were to hold the folded ribbon up to a light you would see the 26 letters now form 13 pairs of letters. The first pair is A/Z. The second pair is B/Y, and so on all the way to the end where you have M/N.
Now combine the Alpha-Numeric Value (ANV) of the first letter "A" with the ANV of the last letter "Z", and add them together. Do the same with each pair of letters. Thus, [A]1+ [Z] 26 = 27. Reduced, 2+7=9. The same with B added to Y, and C added to X, and so on.
This "folding" process results in 13 pairs of letters. The number 13 is important to the whole Mayan calendar system. Interestingly and synchronistically, the reduced ANV of the word THIRTEEN is 9! Moreover, the ANV of TWENTY SIX is 6. Then 9x6=54, the same as the ANV of the word MAYAN which is 54! Coincidence or encoded clue?
4) 13 x 27 = 351, the mirror version of the ANV of the name of the Aztec/Toltec god, QUETZALCOATL, the ANV of which equals 153. Also the sum of the alphanumeric values of the letters in the english alphabet is 351. Notice both 351 and 153 reduce to 9 when the digits are cross added.
5) The ANV of KUKULCAN (the Mayan name for the same god) is 94 which reduces to 13 at the first level of reduction. |
http://www.secretofnine.com/gematria-1.html
26(trinity) 27(quarternity)
153 fish in jesus's net = 137
 
The hemisphere's of the brain can match as well as the zodiac.
 
 
The all seeing eye of Da'at given by Ma'at.
 
Were would path MN be? The middle pillar runs right through Daath.
So they try to hide the path from the daath? Epic Fail !! 
_________________
http://breakfornews.com/forum/viewtopic.php?t=5916&postdays=0&postorder=asc&start=72
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DAN WINTER and everything GOLDEN:
Is the World as We Know it Coming to an End????
will it be an explosion or an implosion IF it was to end?
http://www.soulsofdistortion.nl/
The above text came from a website supporting a fella called Dan Winter.
Who is Dan Winter and what is his 'growing' claim to fame?
More info and a video of Dan Winter: http://www.soulsofdistortion.nl/
Dan Winter explains how the Golden Ratio (Phase Conjugate / Fractality) Causes Gravity
Now would that be a big deal?
Can we use CARD X to summarize what Dan Winter says?
Many folks who study the tarot, feel this card is the KEY.
Is Gravity the KEY today? 
To summarize what Dan Winter is suggesting:
An understanding of the Golden Ratio is necessary to understand Gravity
To summarize what I have been trying to illustrate using this CARD, which is directly connected to those Egyptian mysteries and sacred geometry:
Golden Ratio = phi / fibonacci = 1, 1, 2, 3, 5, 8, = CARD X and the 4 Gospels/Gnostic 5th Gospel/Tetragrammaton/Plato.
And of course all the other prove I have been parking here re: CODE 11258, on this thread, here on Fintan's website.
2010 should be an interesting year.
Once more folks understand the 'basics' it will be easier to get everybody to ride the same wavelength or frequency.
namaste
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein
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Amazon.ca: Up to 37% Off Textbooks + Free Shipping
37 is everywhere once you start paying attention?
L0vE upside down read right to left becomes 3^07
PEACE in 37 Languages
This thread has a sister:
http://breakfornews.com/forum/viewtopic.php?t=5916&highlight=
Collective Unconscious, the MiNd, the heART, the Labyrinth, the numbers 3 and 7 and 11.
Is it a coincidence that the 3 most common labyrinths are the 3, 7, and 11 circuit?
3 Circuit Labyrinth:
Is 37 connected to a SEED PATTERN?
http://www.gothicimage.co.uk/books/labyrinths.html
7 Circuit Labyrinth:
Did I make famous the IDEAS contained in the above images?
No of course not.
The collective unconscious decided long before I arrived on the scene i.e. 7/3/1957, @5:28 a.m.
My gift to me is that I just happened to notice the same patterns that my ancestors did since the beginning of time and 'memory'.
psst
Sharing this gift has not been easy.
| Quote: |
 
The are two things which are particularly significant about this first and smallest prime magic square. Firstly, we note that the number 1 is included in the set. Secondly, the all-important figure at the centre of the square is 37. This prime number is without doubt the number of God and the most sublime of all numbers. The oldest name for God, an Aramaic word found only once in the Bible in the book of Daniel, has a gematria value of 37. Because 1 is included it means that the order numbers of these nine primes are different to what they would be if 2 were to be considered the first prime. In this case, the order numbers of the primes from left to right and row by row are 20, 1, 15, 7, 13, 19, 12, 22 and 5. The sum of these is 114 which is the exact difference between the 37th prime 151 and its order number 37. It seems therefore that this magic square by circumstance self-confirms the order of the primes. Be that as it may, we will investigate further to demonstrate that it is the number 37 that determines the order number of the primes.
worth the visit, scroll down the page. http://www.fivedoves.com/revdrnatch/Does_God_think_1_is_prime.htm
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Please note in the above magic square each line *reduces* to 417.
Interesting pattern of numbers, 147, along with 258, and 369.
4 1 7
4 1 7
4 1 7
http://www.youtube.com/watch?v=Ata2-mVt0cA&feature=related
go to 4:32 of this video.
was the reference to July 3, 7/3, a Freudian slip?
Did the priest let the cat out of the bag? IF we write 7/3 or 3/7 is there a connection to the IDEA that 37 is a prime number that represents the collective unconscious?
WHY NOT?
Have you seen the evidence?
Where science and religion collide in the realm of the metaphysical quantum world?
Keep reading >>>
| Quote: |
The Egyptians considered 3, 6 and 7 most sacred numbers. Three represented the Triple Goddess, six meant her union with God; seven meant the Seven Harthos, seven planetary spheres, seven-gated holy city, seven-year reigns of kings, and so forth. Egyptians were obsessed with the conviction that the total number of all deities had to be 37, because of the number’s magical properties. This was because it combined the sacred numbers of 3 and 7; and, 37 multiplied by any multiple of 3 gave a triple digit or "trinity": 111, 222, 333, 444, 555, etc. The miraculous number 666 is the product of 3 X 6 X 37.
http://www.themystica.com/mystica/articles/h/hex.html
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So is trying to identify the collective unconscious with a NUMBER instead of with ?, words like GOD or the dEvIL?
AM I naive trying to find TRUTH embedded in NUMB3R5 too and not just the wordy narratives that have been dispensed to each CULTure?
What if the number 37 is NOT just a number?
In the quote below I present the math re: 37
...the 20 year work/pursuit of Jerry Iuliano...
| Quote: |
Concerning the collective unconscious constant which is any number when divided by the integer 37 creates the modulo decimal remainder , .891891891..., which is the link to the fine-structure constant:
( 10 ^ ( 143.9999879 / 37 )) / 37 / 18 = sqrt 137.035999701
...there have been many numbers associated to the divisor 37 and the collective unconscious forms:
Leahy's dream number .....2808
Van Halen's number..........5150
Hindu number ..................108
Druid number....................144
Hebrew number ................288
John of Patmos number.....1260 and 666
Leahy triple logic number....82944
Denglers number as name...1069
John Michell number...........1080+666 = 1746
Mayan/Aztec number ........2304
R.Tomes harmonic.............3456....etc.
...the key has always been the divisor number 37 .
The following is from an article in the Jan. 10 , 2009 , magazine , New Scientist, called , " Inside the Mind of a Autistic Savant ". The article goes on to talk about the savant Daniel Tammet , who is a human calculator of whose one of many feats , set a European record for the number of digits of Pi he recited from memory ( 22514 ). The article interviewer , Celeste Biever , interviewed D. Tammet and here is a portion of her interview concerning the number 37 and D. Tammet's fascination with this particular number:
Question: When did you realize you had special talents?
Tammet: At the age of 8 or 9 , I was being taught maths at school and realised I could do the sums quickly , intuitively and in my own way--not using the techniques we were taught. I got so far ahead of the other children that I ran out of textbooks. I was aware already that I was different because of my autism, but at that point I realised that the relationship I had with numbers was different.
Question: To most people, the things you can do with your memory seems like magic. How do you do it ?
Tammet: The response that people often have to what I can do is one of " gee whiz" but I want to push back against that. One of the purposes of the book I've written , " Embracing the Wide Sky " , is to demystify this, to show the hidden processes behind my number skills. I have a relationship with numbers that is similar to the relationship that most people have with language. When people think of words they don't think of them as separate items , atomised in their head , they understand them intuitively and subconsciously as belonging to an interconnected web of other words.
Question : Can you give an example?
Tammet: You would'nt use a word like " giraffe " without understanding what the words " neck " or " tall " or " animal " mean. Words only make sense when they are in this web of interconnected meanings and I have the same thing with numbers . Numbers belong to a web. When somebody gives me a number , I immediately visualise it and how it relates to other numbers. I also see the patterns those relationships produce and manipulate them in my head to arrive at a solution, if its a sum , or to identify if there is a prime.
Question: But how do you visualise a number ? In the same way I visualise a giraffe ?
Tammet: Every number has a texture. If it is a " lumpy " number then immediately my mind will relate it to other numbers which are lumpy--the lumpiness will tell me there is a relationship , there is a common divisor , or a pattern between the digits.
Question: Can you give me an example of a " lumpy " number ?
Tammet: For me the ideal lumpy number is 37 . It's like porridge. So 111 , a very pretty number which is 3 times 37 , is lumpy but it is also round. It takes on the properties of both 37 and 3 , which is round. It's an intuitive and visual way of doing maths and thinking about numbers.
Question: Why do you think you treat numbers this way ?
Tammet: When I was growing up, because of my autism , I didn't make friends. Numbers filled that gap. The numbers came alive. My mind was able to pick out patterns and to make sense of them. It was similar to how a child would aquire his first language....
Question: What can we learn from the way your mind works ?
Tammet: The differences between savant and non-savant ability have been exaggerated. Savants are not freaks, cut off from the rest of humanity. The thinking of savants is an extreme form of the kind everyone has. The aim of my book is to show that minds that function differently such as mine , are not so strange , and that anyone can learn from them. I also hope to clear up some misconceptions about savant abilities and what it means to be intelligent or gifted ...( end of article quote )
Wolfgang Pauli knew through his mandelas and the collective unconscious parameters of Carl Jung that the fine-structure constant ( 1/137.035999701 ) , a primal number , has a connectiveness to the primal numbers of man.
This connectiveness number is the integer...37:
Leahy dream number ....2808:
( 10 ^ (( 2807.9999879 / 37 ) - 72 )) / 666 = sqrt 137.035999701
Van Halen's number ...5150:
( 10 ^ (( 5149.99999881 / 3.7 ) - 1388 )) / 666 = sqrt 137.035999701
Hindu number....108:
( 10 ^ ( 107.999999879 / .37 ) - 288 ) / 666 = sqrt 137.035999701
Druid , John of Patmos number ...144:
( 10 ^ ( 143.999987919 / 37 )) / 666 = sqrt 137.035999701
John of Patmos numbers ...1260 and 666:
( 10 ^ (( 1259.99978254 / 666 ) + 2 ) / 666 = sqrt 137.035999701
Leahy's triple logic number ...82944:
( 10 ^ ( 82943.9930413 / 32 / 666 )) / 666 = sqrt 137.035999701
Plato's number of the world soul...2592:
( 10 ^ ( 2591.99978254 / 666 )) / 666 = sqrt 137.035999701
Dengler's name change number ...1069:
( 10 ^ (( 1068.99998792 / 37 ) - 25 )) / 666 = sqrt 137.035999701
Mayan/Aztec number ...2304:
( 10 ^ (( 2303.99978254 + 288 ) /666 ) / 666 = sqrt 137.035999701
Harlston's Hunab number ( Aztec) ...378
378 + 288 = 666
R.Tomes master harmionic number ...3456:
( 10 ^ (( 3455.999789 / 666 ) - 46 ) / 666 = sqrt 137.035999701
The Works of Jerry Iuliano
Ancient Numbers Revealed in Scientific Formula
http://www.greatdreams.com/numbers/jerry/jindex.htm
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But there is SO MUCH MORE re: 37
it boggles and toggles between the left and right hemispheres of the mind.
more inPHO about how inFO gets around the universe:
http://www.people.vcu.edu/~chenry/Jerry%20Iuliano.htm
(the info at this link is good, but many of the links found listed are dead...go here for the work of DG Leahy:
http://dgleahy.com/ )
http://breakfornews.com/forum/viewtopic.php?p=71956#71956
update:
Hebrew number ................288
Which reminds me of this formula found on a 17x17 Hebrew/German magic amulet that bears an inscription in German "Der Herr Behute Dich" which means "the Lord watches over thee".
http://breakfornews.com/forum/viewtopic.php?p=73150#73150
The amulet is to be read starting from the center.
Thus 1 (center) + 288 = 289 = 17 x 17
And would it surprise you to find out that when searching for the TRUTH, using primarily your heART and MiNd to assist, you end up at what has been vEILed in plain site?
LIEs are used to vEIL the FIBS?
What if the FIBS are golden ones?
i.e. 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 ...
11 Circuit Labyrinth:
 
 
What if 3, 7, and 11 forms part of a cosmic mnemonic anagram telegram that has managed to withstand the test of time, space, and motion, and all for a very good reason?
What if?
It would help to explain why the word QaBaLaH was given an intentional value of 137 and why the maze at Chartres Cathedral was covered up.
137
A trinity of numbers suggesting to remember to remember.
Richard Feynman suggested "all good theorists should write the number '137' on the wall and worry about it."
Well the ancients who left records and those who came before them that did not leave records, they were all good theorists, so why would it surprise us to find out they came up with the same numbers?
Especially since the entire puzzle is embedded into the Great Pyramid?
http://breakfornews.com/forum/viewtopic.php?t=6554&highlight=
How much evidence is accumulating re: '137' as having great significance to the SS, the Secret Societies?
http://breakfornews.com/forum/viewtopic.php?t=5916&highlight=
namaste
p.s.
U do not have to be a physicist to have a valid theory about the simple things in life.
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein |
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| MihrYazd wrote: |
Just another coincidence I recovered from the collective unconscious
Devangari, Tibetan, Greek, Hebrew, and Arabic the Sacred LOGOs i SEE 137
Shalom
Mo
PS Ralph
Awesome finds regarding 925 and breastplate, I wish I could be close to you to learn from you mi Guru 528 |
Hey Mo nice to hear you are still with us.
How are the Dec. (12 = 3) 25 (7) holy-daze treating you?
I have a feeling magnetic U and your guru are connected.
Mo in Iran (which means land of Aryans) and ME across the Atlantis ocean, playing a game of leapfrog using the EM fIELd.
While I count the sheeple as I doze off, you were busy thinking about the collective unconscious number '37'.
So I did a search on what you suggested in your last post.
i.e. 'peace in 37 languages'
And this is what I found when I did a internet search.
Thanks Mo for planting a seed (photon?) into my gray matter while I was shleeping last night.
Apparently your inner alien/grey incepted my gray in falalalafal land.
2" Crystal Aqua Blue Earth Sphere W/ Peace In 37 Languages
I have inquired about ordering a few '37 Peace Crystal Balls', from China.
http://www.promo-wholesale.com/china/Globes/1/2--Crystal-Aqua-Blue-Earth-Sphere-W--Peace-In-37-Languages-91891.htm
(I now have a gimmick, a pet rock, the rock of st. peter = cube and the sphere)
I can promote them both as mod3Ls.
re: the AlternativeThinking seminars, that I will now be holding every 2nd Saturday starting later this month.
http://www.alternative-thinking.com/events/plans.cgi
Those I Ching dudes who have 64 Hexagrams as part of their underlying philosophy seem to be one step ahead of us?
64 = 37 + 27
64 = 37 (visible mini cubes on 3 faces) + 27 (invisible mini cubes on 3 faces)
Peace in 37 languages
Colors of LIGHT (RGB) vs. colors of PIGMENT (RYB)
The Crystal Ball is a great mod3L to be placed next to the 37 visible squares of the 4x4x4 Rubik's Cube.
i.e. SPHERE = 37 = CUBE
And here is yet another confirmation we are being conned and fused into ONE:
Nice to see that the collective unconscious is providing Mo and Me with powerful promotions >>> re: 37.
p.s. I found this while looking for a link to Iran = land of Aryan:
| Quote: |
According a 1957 theory by Laroche, Indo-Iranian ar-ya- descends from Proto-Indo-European (PIE) *ar-yo-, a yo-adjective to a root *ar "to assemble skillfully", present in Greek harma "chariot", Greek aristos, (as in "aristocracy"), Latin ars "art", etc. Thus, according to this theory, an Aryan is "one who skillfully assembles". Proto-Indo-Iranian *ar-ta- was a related concept of "properly joined" expressing a religious concept of cosmic order. |
Here is the FM or Free Mason Mantra being played on FM radios, as they plant seeds .... like Jack and the Beanstalk.
"Fee-fi-fo-fum"
"Me - my - mo - mum"
SSS
Solomon Slaloms among the Shaloms
namaste
XO
it is all a game of eXs and Ohs starting with the 3x3 magic square of Saturn.
(...guess who called while I was composing this post?
my 'eX' of course)
Bonus PEACE video:
 http://www.youtube.com/watch?feature=player_embedded&v=MsYlU-fGx3M
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein |
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‘KEY 528’ THE CELLPHONE AND THE SPHINX
Originally posted by Maya432http://www.abovetopsecret.com/forum/thread322096/pg37&addstar=1&on=4545375#pid4545375
I would say you were on a good path…
and now that you have this 432 information, hopefully
it will aid in your search…mabey help clarify some of it….
And perhaps you may want to investigate how my path following the KEY 528 and its accompanying message, is connected to your path called 432?
Read on, you will be glad you did.
How do I connect the above image showing that those 3 distinct rings are connected to the KEY 528 and the Riddle of the Sphinx and the numbers 432?
Please note that the 3 rings above each contain a grouping of 4 numbers.
i.e.
1, 4, 7 and 10
2, 5, 8 and 11
3, 6, 9 and 12
Now where have we seen that highlighted sequence of numbers before I ponder?
2, 5, 8 and 11?
Surprise Surprise
We find them marking the 4 points on the compass rose.
Spelling the name of YHVH using Hebrew glyphs.
We find them reading 4 books because they represent the 4 Gospels.
2 >>> Luke is Taurus
5 >>> Mark is Leo
8 >>> John is Scorpio the Eagle
11 >> Matthew is Aquarius and the age we are entering.
And later as we progress down the rabbit hole Alice we will do as Pythagoras suggested and work with only 9 numbers.
1, 4, 7
2, 5, 8
3, 6, 9
And these 9 numbers are coincidently the 3 sequences of numbers as laid out on the keypad of your CELLphone…or your computer keyboard where these sequences are inverted…like in a mirror.:up:
Maya432 betcha haven’t seen these connections that I am about to present.
Betcha.
In honor of your forum name.
432 = Riddle of the Sphinx
So how do I connect the above cross…the numbers 4321 to the enigmatic Riddle of the Sphinx which was a riddle not only detailing the cycle of a person’s life BUT the bigger picture reveals it was also a riddle regarding the Precession of the Equinoxes.
Above is Aleister Crowley’s interpretation of the Greek Zodiacal Cross.
Kepler’s documenting of the Saturn and Jupiter conjunctions occuring every 800 years.
Precession of the Equinoxes = 25920 years.
25920/800 = 32.4
OR
324 and the significance of this anagram of 432 becomes clear later.
(32 and 23 are a clue to the enantiodromia or is it in fact a enantiodrama that is taking place?)
So how do I connect the above images to the Riddle of the Sphinx?
Well the first thing we need to do is convert the 12 astrological signs >>> numbers.
Trust me…I provide a powerful KEY to unlocking the biblical babel.
No false claims here.
I provide the goods to connecting the following…
The Riddle of the Sphinx = Precession CYCLE = Greek Zodiacal Cross = Solomon’s Knot = Endless Knot = Celtic Knot = Swastika = PERU = KEY to Universal Movement = the Babylonian Gate of God = DNA = The Golden Age
kachina2012.wordpress.com…
In other words Maya432 I can describe how the Universe is structured by using the KEYpad of a cellphone.
And why not, why shouldn’t I be able too?
May I remind the reader if you can find the Universe in a grain of sand, or a blade of grass, guaranteed you will find it in a CELLphone.
Please when you find some time, use your CELLphone to call genome home?
Okay?
There is a message waiting for you, to be picked up.
But you do need a code to access it.
namaste
Raphael
https://kachina2012.wordpress.com/2008/07/06/key-528-cellphone-is-an-archetype-of-universal-structure/ |
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Anything 13th Century would involve 1,000 years of opportunity for corruption to take its toll in religion and art. St. George and his Cross were 3rd Century.
Ken my feeling is that St. George is another of the fictional characters invented/scripted by self-serving HIS-storians to support a particular Christian narrative. The victorious write the HIS-story. Or is that just another rumor? There are no conspiracies... 
Quote:
 The St George's Cross is a commonly used symbol for Freemasonry in the Swedish Rite, alongside the internationally otherwise more common square and compasses. The cross of the Swedish Order of Freemasons was defined back in 1928 by the King of Sweden to be a red St George's cross with triangular arms. So here we have another confirmation by a King that the Freemasons and the Cross of St. George have associations. Ken I was wondering what 3rd century information you have about St. George the DRAGON-slayer?  Samarra Iraq 4900 B.C. http://kachina2012.wordpress.com/2008/0 ... %E2%80%9D/Ken I have traced the Maltese Cross/St. George's Cross to Samarra Iraq, 5000 B.C. Yes this would be 5000 years before Christ and 7000 years before a Swedish Freemason King acknowledged this distinctive 'shape', and adopted it. History timeline: Clay plate Iraq 5000 BC >> ? >> Cross of St. George >> 12th-14th century Knights Templar Cross >> 1928 Swedish Freemason >> ? Bottom line? Why is this distinctive shape so 'important'? Why has this particular cross maintained the same 'shape' through 7000 years of space + time + motions and gone on to become popular and one of the most recognizable CROSSES throughout the world? IMHO it is because it represents SOUND. Simple concise reason...though the religious wackos and science ignorance has yet to acknowledge what the 'ancients knew and understood' about 'wave' formations.   Above we see the propagation of a longitudinal non-electromagnetic SOUND wave on a 2D grid. Take a close look…you will see a Maltese cross emanating from the center of that SOUND wave. In the beginning was the WORD or was it the WYRD? So the ineffable name of God is connected to SOUND, and perhaps/maybe VOWELS and CONSONANTS? AUM no vay... yes way >> jahway >> Y_HW_H The Hebrew G_D says the foul vowel plays a role. hey Vanna (white) I vonna buy a foul vowel.  The Hebrew alphabet veils vowels and focuses on consonants. That was in the Occident. But in the Orient, another belief system based on the Vedas had evolved. The Hindu loves vowels and takes great enjoyment in using vowels to address 'god'. Using words like OM/AUM ... these are words that are designed to use ALL the vowel sounds when uttered correctly. OM/AUM represents the SOUND first heard as the world was created. The SOUND of human language = vowels + consonants = communication So how do we connect the 'christian fairy tale' called St. George the Dragon Slayer to SOUND and an apparent scripted version of HIS-story that veils history?
Quote:
Saint George (ca. 275/281 – 23 April 303) was, according to tradition, a Roman soldier in the Guard of Diocletian, who is venerated as a Christian martyr. In hagiography Saint George is one of the most venerated saints in the Roman Catholic Church, Anglican Church, Eastern Orthodox Church, Oriental Orthodox Church, and the Eastern Catholic Churches. He is immortalized in the tale of Saint George and the Dragon and is one of the Fourteen Holy Helpers. His memorial is celebrated on 23 April, and he is regarded as one of the most prominent military saints.
Saint George born ca. 275/281 Sorry but the frequency that heals DNA 528 hertz jumps out at me. 275/281 More importantly 528 is also a Solfeggio frequency used by chanting Benedictine Monks. It forms part of a dedication, a hymm to St. John the Baptist.
Quote:
This hymn also goes by its Latin name which is, "Ut Queant Laxis Resonare Fibris [Hymn]," and can be found on the CD, "Chant II" by The Benedictine Monks of Santo Domingo de Silos. "The Hymn to St. John the Baptist" has become known as the most inspirational hymn ever written and features all six Solfeggio notes. http://www.miraclesandinspiration.com/s ... ncies.htmlCan we connect St. John the Baptist to the Freemasons and why the NAZIs adopted the 'swastika', and in particular, why those colors, BLACK cross, WHITE circle, and RED background were perhaps chosen?   BLACK center WHITE circle or plate RED background Coincidences...design? http://kachina2012.wordpress.com/2008/1 ... gan-nazis/And the memorial associated with St. George, the 'legendary hero', his martyrdom is celebrated on 23 April? 23rd of April? All I see is 234 or 432. Depends on which way folks are reading? Thousands of years ago...most folks read from the RIGHT <<< LEFT. And 432 is a number pagans have associated with the SUN for aeons. These numbers 864 ... 432 ... 216 ... 108... 54 ... 27 ... 18 ... 9 are found in the construction many pagan temples, including the VATICAN and:
Quote:
The cycle of Rangarhverfi, 216.000 feet in diameter. The cycle of Denmark, 432.000 feet in diameter. The cycle of Somerset, England, 216.000 feet in diameter. The cycle of Paris, France, 216.000 feet in diameter. The cycle of St. Peters Basilica in Rome, 216 feet in diameter and to the cycle of Egypt on the Nile Delta, 216 minutes of Earths circumference in diameter.  http://kachina2012.wordpress.com/2008/0 ... -864-1782/namaste
http://2012forum.com/forum/viewtopic.php?f=9&t=13811&start=90
APOCALIPSIS 13:18
13*18=234 (DIA DE SAN JORGE)
234+432=666
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