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General: ¿EL HIPERCUBO ES LA CUADRATURA DEL TORO GEOMETRICO?
Elegir otro panel de mensajes |
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XLA X-stem Logic Alphabet and the New Jerusalem (tesseract)
note: the 16 CUBES
note: keep in mind that St. Peter Square, is demarcated by 16 'winds'
note: keep in mind that the Tarot KEY I have recovered (see below) clearly indicates we should notice the first 15 letters have passed, and currently the stem indicates MNO.
Which I have suggested can be rotated/reflected into words like OWN, NWO, ONE, WON, NOW, hey MON!
Thus the 16th letter on the TAROT KEY is P or p.
Now the p used in this next link/article will make so much more sense.
>>> http://www.logic-alphabet.net/mirrors_title.htm
Let The Mirrors Do The Thinking
and
Let The People Do The Reflecting
 
LANGUAGE, LETTER, NUMBER AND FORM COLLIDE
Be sure to link on the interview at the end of this post.
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Introduction
Our story begins with a simple example. Suppose that someone asked you to keep a record of your thoughts, exactly, and in terms of the symbols given, when you are making an effort to multiply XVI times LXIV. Also suppose that, refusing to give up, you finally arrive at the right answer, which happens to be MXXIV. We are sure that you would have had a much easier time of it, to solve this problem, if you would have found that 16 times 64 equals 1024.
This example not only looks at what we think and what we write. It also looks at the mental tools, the signs and symbols, that we are using when that thinking and that writing is taking place. How we got these mental tools is a long story, one that now includes the presence of some new developments.
Our main idea comes from calling attention to a deep commonality that cuts across the parallel streams of development that in recent millennia have unfolded in the ways and byways of evolutionary notation. It took many centuries of collective search to devise a place-value notation for counting. Likewise to devise a sound-value notation for reading. Likewise to devise a note-value notation for singing. And so forth, for each neurologically specialized ability; in effect, a different specialized notation for each specialized ability. These observations, easily recognized in the history of evolutionary notation, strongly suggest that every kind of intelligence needs its own kind of notation.
In what follows, with emphasis on a fast-forward recapitulation, we will run a replay of what happened when Europe took several centuries to go from MXXIV to 1024. This replay in not for numbers. It is for another specialized ability. It is for logic, when it is recast in terms of a shape-value notation. Modern logic starts in the middle of the 1800s and, as is well recognized, with the work of George Boole. This means that we have had only about 150 years to think up and to grow into the symbols we now use for symbolic logic.
These symbols, and they are only symbols, leave a lot to be desired. We hope that we can draw you into taking a look at a lesson in lazy logic. If you follow us all the way, we hope to leave you with a new set of signs, signs that are much better than any you have seen yet. Not only will it be much easier for you to use them. Even mirrors will be able to use them.
X-stem Logic Alphabet:
http://www.logic-alphabet.net/
Background:
http://www.logic-alphabet.net/background.htm |
Why only 15 cubes in this version of XLA?
It appears two have been combined into one.
Take a look at the first image of the tesseract.
It is clear in this second image the S and Z have been combined into one center cube.
And I find that interesting, because the S is one of the 8 vertices of the outside cube, and the Z belongs to one of the 8 vertices of the inner cube.
AHA??
Who does not see two intersecting SHAPES resembling 'SZ' in the center of the image above or in the image below we see a ZZ in the center of the 7000 year old plate found in Samarra Iraq....from the SZ, the SueZ region? 
What does the geometric shape look like if we reflect one of the 'Z' in ZZ into a S?
The SHAPE resembling an '8' perhaps?
More research is necessary in this fIELd by (me?) because the pieces are fitting rather well.
WOW MOM Interview with a kindred spirit:
http://www.cabinetmagazine.org/issues/18/crystal.php
I have found myself a new hero.
Shea Zellweger makes far more sense than that wanker Zechary Stitchen, in fact proving ZS along with his planet Nibiru are flights of UFO fancy taking off in his head and coming out of his mouth like a swarm of locusts.
May ZSitchen Rest In PieceS and some of his music decompose along with him.
YAhoo YAHU
Which reminds me of another TRUE to LIFE real hero who used his imagination NOT to script science fiction and confuse the sheeple even more like that wanker ZS, but instead the imagination of ELI-YAHU RIPS will still pay dividends to humanity in the years to come.
DOT >>> 1D LINE >>> 2D SQUARE >>> 3D CUBE >>> 4D TESSERACT
important to know about the tesseract:
http://en.wikipedia.org/wiki/Tesseract
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The tetrahedron forms the convex hull of the tesseract's vertex-centered central projection. Four of 8 cubic cells are shown. The 16th vertex is projected to infinity and the four edges to it are not shown.
http://en.wikipedia.org/wiki/Tesseract
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namaste
_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein |
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. Juan 16:21 La mujer cuando da a luz, tiene dolor, porque ha llegado su HORA; pero después que ha dado a luz un niño, ya no se acuerda de la angustia, por el gozo de que haya nacido un hombre en el mundo.
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These fundamental blocs appear in nature in the structure of crystals and the five natural elements; earth, air, fire, water and the quintessence of the heavens (ether). Each of them is associated with a platonic solid. Earth is associated with the cube, air with the octahedron, water with the icosahedron, fire with the tetrahedron and ether with the dodecahedron. The heavenly bodies were encoded in the Great Pyramid of Giza through the number 7. Another key number is 5,040, the Earth’s radius in miles 3,960 added to the Moon’s radius 1,080. The number 5,040 is 7 x 6 x 5 x 4 x 3 x 2 x 1 and carried an important metaphysical meaning to early civilizations.
The fifth element, or ether, is a subtle medium through which the celestial bodies move in harmony. This element encourages the prosperity of life and order in nature. Entropy is the measure of disorder in any process. The Second Law of Thermodynamics stipulates that “the entropy of the universe increases during any spontaneous process”, which contradicts the orderly celestial signature described by the heavenly bodies. As a consequence of the Second Law of Thermodynamics only technologies based on explosion and destruction are explored. When the ether is considered the second law must be dismissed, allowing further explorations into technologies based on implosion and harmony of life.
The beautiful geometric patterns found in nature are a direct expression of the ether or ‘The All’ which orchestrates order in the universe through sound, light, numbers and geometry. In the past physical objects were considered to be connected to their essence in the subtle world. Philosophy, Art and Mathematics were studied with an awareness of the divine transcendental connection of the soul on the earthly plane to the One Quintessence. The Pythagoreans for example considered reality as ‘mathematically describable’. The practice of philosophy aided the transformation of the soul and a connection to a divine order through the science of numbers.
The Great Pyramid has an approximately square base with a perimeter equal to the circumference of a circle with radius equal to its height. The dimensions of the Great Pyramid incorporate measurements from which can be calculated :
- The dimensions of the Earth and Moon.
- The radius ratio between the Earth and Moon.
- The Pythagorean Triangle 3 – 4 – 5.
The pyramid builders appear to have been advanced astronomers.
“Few things in this world are more predictable than the reaction of conventional minds to unconventional ideas.” John Anthony West
Squaring the circle is the challenge of constructing a square with the same area as a given circle by using only a finite number of steps with compass and straight-edge. The resolution approximates the dimensions of the Great Pyramid with a base leg equal to 11 and a height equal to 7. This gives an approximate value of Pi (π) equal to 22÷7 = 3.1428.
Another approach is to take the dimensions of the Great Pyramid in relation to the Golden Ratio Phi (φ) 1.618, divine proportion observed in nature. The square of Phi (√φ) is the height and 2 is the base leg.
Perimeter of the circle : 2 π r = 8
Since 4 divided by √φ is approximately equal to Pi (π), the circumference of a circle of radius r is the height of the pyramid, respecting the equation below.
2 π r = 2 π√φ =
2 (4 ÷√φ) √φ = 2 x 4 = 8
Since the perimeter of the base of the pyramid is 8, the Great Pyramid squares the circle with a value of PI equal to 4 ÷√φ = 3.1446055.
If you are willing to go deeper in this research, there is further discovery about this value in the work presented by the researcher Jain, in his own books and website :
http://www.jainmathemagics.com/bookofphivol8/
http://www.jainmathemagics.com/truevalueofpijainpi/
https://universalzeropoint.com/category/mathematics/
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432 is a Multdimensional Code
“And philosophers tell us, Kallikles, that communion and friendship and orderliness and temperance and justice bind together heaven and earth and gods and men, and that this universe is therefore called Cosmos or order, not disorder or misrule, my friend.”
The Tetractys is the foundation stone of the Divine Architecture. It held an important mystical meaning to the Pythagoreans who considered it as the base of the structure of the universe in terms of arithmetic, music and geometry. The Tetractys means literally “the number four” and is a triangle composed of 10 points rising upwards, arranged in four rows. The number ten is mathematically known as the fourth “ triangular number” with rows of one, two, three and four points. Each row has an important meaning and brings forward an understanding of the connection between the innermost and the outermost.
The first harmonic number encoded in the Tetractys is 432, a cosmic code which can be read from the base to the top of a step pyramid, such as the ones found in central America. This is another form of pyramid with a flat top (see picture below).
The step pyramids in Central America and Egypt come from the geometry of the Tetractys. A second Tetractys is placed on the top of the first as a fractal forming the second step. The numerical sequence 432 432 … rises from the base upwards.
Step Pyramid of Djoser. Constructed at Saqqara about 4,700 years ago and attributed to Imhotep. The pyramid stood 203 ft tall, with a base of 358 ft x 410 ft and clad in polished white stone.
 The Temple of Kukulkan. A 79-ft -high pyramid in southeastern Mexico with nine layers and a square base with sides measuring 181 ft . There are 4 stairways each with 91 steps making a total of 364 steps, the exact number of days in a lunar year. Added to the base platform, the total comes to 365, the number of days in a solar year.
The harmonic number 432 rises from the base upwards. This is a very important number when tuning instruments to resonate with consciousness. 432 is the gematria value for ‘All things’ (παντα) in Greek. From planetary systems to atoms, everything surrounding us is an embodiment of perfect harmony created by numbers, referred to in music as “ Harmonics”.
The Tetractys representing the organization of space from a two dimensional view.
First row : From a single original point everything is created and brought into existence from nothingness. This could be considered as a state of awareness to that which is about to manifest into creation.
Second row : From a single point two further points are generated defining the first dimension. The possibility of going from one point to another brings the idea of motion into consciousness.
Third row : A line drawn between these three dots defines the second dimension. Structure is formed into consciousness with the possibility of quantification and measurement.
Fourth row : A line drawn between these four dots defines the third dimension where geometry takes form. From this triangle all regular polygons can be generated, such as the square, the pentagon, the hexagon etc.
Other fundamental blocs can be built from the original bloc. The first solid appearing is the projection of the tetrahedron shown in light blue. The red hexagon represents the projection of the octahedron with the green cube projected inside.
The icosahedron and dodecahedron are both dual platonic solids. The icosahedron can be placed inside the dodecahedron and vice versa. One has 20 faces with 12 vertices and the other has 12 faces with 20 vertices.
The rhombic dodecahedron has 4,320 degrees and is made from 12 rhombus. The sum of the four angles of a rhombus is always 360 degrees. The rhombic dodecahedron appears in nature in the structure of the honeycomb cells. At the top is a pyramid made from three blue rhombus closing the end of the cell. The opening is a red hexagon prism at the bottom joining to the top with six green trapezes. Each cell is called “half of a rhombic dodecahedron”.
The sum of the angles is 3,240 degrees, again adding up to 9.
3 + 2 + 4 + 0 = 9
The number 9 is an important pillar in the structure of space-time and acts uniquely in the system of numbers. Below is a table listing some musical notes. Notes are based on a D scale from 144 Hz.
“Music is geometry in time.” Arthur Honegger
© Salah-Eddin Gherbi, From the book The Etheric Particle 216
https://universalzeropoint.com/category/mathematics/
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The depth of a mysterious Pyramid
The music of the heavens was believed to be describable through numbers and geometry with a system of codes originating from the fundamental structure of space-time. The pyramid builders taught that relationships between all things can be expressed through geometry and numbers. Music tuned with these harmonic numbers is a way of expressing resonance within the geometric construct of the universe. The Great Pyramid of Giza is one of the most famous examples of musical architecture since the ratio between Earth and Moon’s radius (11÷3) is a seventh of 528 Hz on a scale from D at 288 Hz. This frequency is supposed to be the frequency of Love, one of the Solfeggio frequencies.
The base of the Great Pyramid is not a perfect square. Each side is slightly concaved. This must be an important factor in its function as an etheric energy device, considering that energy waves are based on hyperbolic geometry.
Top view of the Great Pyramid of Giza
Hyperbolic geometry can be approached through sacred geometry. Below is an example through the geometric construction of the octagon.
The left diagram shows the construction of the octagon in straight lines and the right diagram shows the construction of a curved octagon representing hyperbolic geometry.
The Great Pyramid is linked to Sacred Geometry. A first Vesica Piscis is built and contained in the center of a larger Vesica Piscis. Below is the Vesica Piscis with the outline of the Great Pyramid.
The base leg is 2, the slope side is the Golden Ratio Phi (φ 1.618) and the height is the square root of Phi (√φ). The Great Pyramid has four faces with a golden angle of inclination 51° 51‘ 51“ or 51.84°.
The angle of a seven-pointed star 51.48 degrees is closely related to the slope angle of the Great Pyramid 51.84 degrees through the language of numbers. The Great Pyramid embodies the sacred number 7.
5,151 dots embodies the slope angle in degrees and minutes (51°51’) of the Great Pyramid. This is the total number of the dots in the triangular number 101.
 The Tetractys is the triangular number 4 with 4 dots at the base of the triangle. There is a total of 10 dots. The number 10 is said to be the perfect number as it connects the different scales and fields of things in the universe with some fundamental numbers set up in the general map of the cosmos. For example, 864,000 is said to be the diameter of the Sun in miles. Divide this number by 10, it results in the number of seconds in 24 hours which is 86,400 seconds. I explain further in my book how the Mayan Calendar can be built with some of these fundamental numbers, all of digits adding up to 9 and how this relate to the astronomical distances of the Moon and Sun. All is sealed with these numbers speaking as a divine conscious language.
© Salah-Eddin Gherbi, From the book The Etheric Particle 216
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¿DE DONDE SACA ESE CONOCIMIENTO HOLLYWOOD?
¿PORQUE ESTO NO SE ENSEÑA EN LAS IGLESIAS?
NARCISISMO
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22/7=3.14=PI
12 PUNTOS EN SU CIRCUNFERENCIA=RELOJ=SANTA CENA
LONGITUD CIRCUNFERENCIA=PIxDIAMETRO
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REPRODUCCION DE LOS CONEJOS EN FUNCION A LA SERIE DE FIBONACCI, INCLUSO DEL RELOJ Y DE LA MISMA SANTA CENA (MISMA MANZANA)
 
Apocalipsis 21
1. Vi un cielo nuevo y una tierra nueva; porque el primer cielo y la primera tierra pasaron, y el mar ya no existía más.
2. Y yo Juan vi la santa ciudad, la nueva Jerusalén, descender del cielo, de Dios, dispuesta como una esposa ataviada para su marido.
3. Y oí una gran voz del cielo que decía: He aquí el tabernáculo de Dios con los hombres, y él morará con ellos; y ellos serán su pueblo, y Dios mismo estará con ellos como su Dios.
4. Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque las primeras cosas pasaron.
5. Y el que estaba sentado en el trono dijo: He aquí, yo hago nuevas todas las cosas. Y me dijo: Escribe; porque estas palabras son fieles y verdaderas.
6. Y me dijo: Hecho está. Yo soy el Alfa y la Omega, el principio y el fin. Al que tuviere sed, yo le daré gratuitamente de la fuente del agua de la vida. (911 O SALMO 119)
7. El que venciere heredará todas las cosas, y yo seré su Dios, y él será mi hijo.
8. Pero los cobardes e incrédulos, los abominables y homicidas, los fornicarios y hechiceros, los idólatras y todos los mentirosos tendrán su parte en el lago que arde con fuego y azufre, que es la muerte segunda.
9. Vino entonces a mí uno de los siete ángeles que tenían las siete copas llenas de las siete plagas postreras, y habló conmigo, diciendo: Ven acá, yo te mostraré la desposada, la esposa del Cordero.
10. Y me llevó en el Espíritu a un monte grande y alto, y me mostró la gran ciudad santa de Jerusalén, que descendía del cielo, de Dios,
11. teniendo la gloria de Dios. Y su fulgor era semejante al de una piedra preciosísima, como piedra de jaspe, diáfana como el cristal.
12. Tenía un muro grande y alto con doce puertas; y en las puertas, doce ángeles, y nombres inscritos, que son los de las doce tribus de los hijos de Israel; (EL MISMO RELOJ, O SANTA CENA O LA MANZANA, LA TRASLACION EN EL TIEMPO)
13. al oriente tres puertas; al norte tres puertas; al sur tres puertas; al occidente tres puertas.
14. Y el muro de la ciudad tenía doce cimientos, y sobre ellos los doce nombres de los doce apóstoles del Cordero.
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales. (CUBO=ESPACIO/TIEMPO)
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel. (EL NEXO DE LA MANZANA, EL PENTAGONO, LA NUEVA JERUSALEN, EL CASTILLO SAN ANGELO DEL VATICANO E INCLUSO EL MISMO PENTAGONO DE WASHINGTON D.C. ES OBVIO EL NEXO DEL RELOJ CON LA MANZANA)
18. El material de su muro era de jaspe; pero la ciudad era de oro puro, semejante al vidrio limpio;
19. y los cimientos del muro de la ciudad estaban adornados con toda piedra preciosa. El primer cimiento era jaspe; el segundo, zafiro; el tercero, ágata; el cuarto, esmeralda;
20. el quinto, ónice; el sexto, cornalina; el séptimo, crisólito; el octavo, berilo; el noveno, topacio; el décimo, crisopraso; el undécimo, jacinto; el duodécimo, amatista.
21. Las doce puertas eran doce perlas; cada una de las puertas era una perla. Y la calle de la ciudad era de oro puro, transparente como vidrio.
22. Y no vi en ella templo; porque el Señor Dios Todopoderoso es el templo de ella, y el Cordero.
23. La ciudad no tiene necesidad de sol ni de luna que brillen en ella; porque la gloria de Dios la ilumina, y el Cordero es su lumbrera. (PROVERBIOS 25:11, OSEA LA MISMA MANZANA, OSEA UNA REFERENCIA AL SOL/ORO/HOMBRE Y LUNA/PLATA/MUJER, OSEA EL MISMO SUEÑO DE JOSE DE GENESIS 37)
24. Y las naciones que hubieren sido salvas andarán a la luz de ella; y los reyes de la tierra traerán su gloria y honor a ella.
25. Sus puertas nunca serán cerradas de día, pues allí no habrá noche.
26. Y llevarán la gloria y la honra de las naciones a ella.
27. No entrará en ella ninguna cosa inmunda, o que hace abominación y mentira, sino solamente los que están inscritos en el libro de la vida del Cordero.
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REPRODUCCION DE LOS CONEJOS EN FUNCION A LA SERIE DE FIBONACCI, INCLUSO DEL RELOJ Y DE LA MISMA SANTA CENA (MISMA MANZANA)
Apocalipsis 21
1. Vi un cielo nuevo y una tierra nueva; porque el primer cielo y la primera tierra pasaron, y el mar ya no existía más.
2. Y yo Juan vi la santa ciudad, la nueva Jerusalén, descender del cielo, de Dios, dispuesta como una esposa ataviada para su marido.
3. Y oí una gran voz del cielo que decía: He aquí el tabernáculo de Dios con los hombres, y él morará con ellos; y ellos serán su pueblo, y Dios mismo estará con ellos como su Dios.
4. Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque las primeras cosas pasaron.
5. Y el que estaba sentado en el trono dijo: He aquí, yo hago nuevas todas las cosas. Y me dijo: Escribe; porque estas palabras son fieles y verdaderas.
6. Y me dijo: Hecho está. Yo soy el Alfa y la Omega, el principio y el fin. Al que tuviere sed, yo le daré gratuitamente de la fuente del agua de la vida. (911 O SALMO 119)
7. El que venciere heredará todas las cosas, y yo seré su Dios, y él será mi hijo.
8. Pero los cobardes e incrédulos, los abominables y homicidas, los fornicarios y hechiceros, los idólatras y todos los mentirosos tendrán su parte en el lago que arde con fuego y azufre, que es la muerte segunda.
9. Vino entonces a mí uno de los siete ángeles que tenían las siete copas llenas de las siete plagas postreras, y habló conmigo, diciendo: Ven acá, yo te mostraré la desposada, la esposa del Cordero.
10. Y me llevó en el Espíritu a un monte grande y alto, y me mostró la gran ciudad santa de Jerusalén, que descendía del cielo, de Dios,
11. teniendo la gloria de Dios. Y su fulgor era semejante al de una piedra preciosísima, como piedra de jaspe, diáfana como el cristal.
12. Tenía un muro grande y alto con doce puertas; y en las puertas, doce ángeles, y nombres inscritos, que son los de las doce tribus de los hijos de Israel; (EL MISMO RELOJ, O SANTA CENA O LA MANZANA, LA TRASLACION EN EL TIEMPO)
13. al oriente tres puertas; al norte tres puertas; al sur tres puertas; al occidente tres puertas.
14. Y el muro de la ciudad tenía doce cimientos, y sobre ellos los doce nombres de los doce apóstoles del Cordero.
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales. (CUBO=ESPACIO/TIEMPO)
HEXAGONO=OCTAHEDRO =ESTRELLA DE 6 PUNTAS= SATURNO =CUBO/HEXAGONO= ESPACIO/TIEMPO =1 DE REYES 6:20 Y APOCALIPSIS 21:16
EL SEXTO DIA ES EL VIERNES Y EL OCTAVO EL DOMINGO. INCREIBLE
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel. (EL NEXO DE LA MANZANA, EL PENTAGONO, LA NUEVA JERUSALEN, EL CASTILLO SAN ANGELO DEL VATICANO E INCLUSO EL MISMO PENTAGONO DE WASHINGTON D.C. ES OBVIO EL NEXO DEL RELOJ CON LA MANZANA)
18. El material de su muro era de jaspe; pero la ciudad era de oro puro, semejante al vidrio limpio;
19. y los cimientos del muro de la ciudad estaban adornados con toda piedra preciosa. El primer cimiento era jaspe; el segundo, zafiro; el tercero, ágata; el cuarto, esmeralda;
20. el quinto, ónice; el sexto, cornalina; el séptimo, crisólito; el octavo, berilo; el noveno, topacio; el décimo, crisopraso; el undécimo, jacinto; el duodécimo, amatista.
21. Las doce puertas eran doce perlas; cada una de las puertas era una perla. Y la calle de la ciudad era de oro puro, transparente como vidrio.
22. Y no vi en ella templo; porque el Señor Dios Todopoderoso es el templo de ella, y el Cordero.
23. La ciudad no tiene necesidad de sol ni de luna que brillen en ella; porque la gloria de Dios la ilumina, y el Cordero es su lumbrera. (PROVERBIOS 25:11, OSEA LA MISMA MANZANA, OSEA UNA REFERENCIA AL SOL/ORO/HOMBRE Y LUNA/PLATA/MUJER, OSEA EL MISMO SUEÑO DE JOSE DE GENESIS 37)
24. Y las naciones que hubieren sido salvas andarán a la luz de ella; y los reyes de la tierra traerán su gloria y honor a ella.
25. Sus puertas nunca serán cerradas de día, pues allí no habrá noche.
26. Y llevarán la gloria y la honra de las naciones a ella.
27. No entrará en ella ninguna cosa inmunda, o que hace abominación y mentira, sino solamente los que están inscritos en el libro de la vida del Cordero.
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