|
General: CONSTELACION DE LEO=ORTO HELIACO DE SIRIO=SANTO GRIAL=DEUTERONOMIO 33:22
Elegir otro panel de mensajes |
|
5. Génesis 3:13: Entonces Jehová Dios dijo a la mujer: ¿Qué es lo que has hecho? Y dijo la mujer: La SERPIENTE me engañó, y comí.
6. Génesis 3:14: Y Jehová Dios dijo a la SERPIENTE: Por cuanto esto hiciste, maldita serás entre todas las bestias y entre todos los animales del campo; sobre tu pecho andarás, y polvo comerás todos los días de tu vida.
7. Génesis 49:17: Será Dan SERPIENTE junto al camino, Víbora junto a la senda, Que muerde los talones del caballo, Y hace caer hacia atrás al jinete. (ESTE ES EL NEXO O EL "AGUJERO DE GUSANO" CON LA TRANSFIGURACION DE CRISTO, EN CESAREA DE FILIPO, PARALELO 33 Y MERIDIANO 33 DE PARIS, EN LA EX TRIBU DE DAN)
33. Mateo 10:16: He aquí, yo os envío como a ovejas en medio de lobos; sed, pues, prudentes como SERPIENTEs, y sencillos como palomas. (VERSICULO NUMERO 33 EN QUE APARECE SERPIENTE EN LA BIBLIA. NOTEN EL NEXO CON EL LOBO / BENJAMIN Y LA OVEJA / RAQUEL, EN EL MARCO A GENESIS 35. ES OBVIA LA REFERENCIA A LA CREACION DIVINA, COMO NEXO CON EL "AGUJERO DE GUSANO". EINSTEIN NACIO JUSTAMENTE UN 14 DE MARZO, OSEA UN 3:14, COMO NEXO OBVIO CON LA SERPIENTE EN FUNCION A GENESIS Y JUAN 3:14. CRISTO, AUNQUE USTED NO LO CREA, ESTA HACIENDO REFERENCIA A LA LEY DE LA RELATIVIDAD DE EINSTEIN.)
1. Génesis 49:27: Benjamín es LOBO arrebatador; A la mañana comerá la presa, Y a la tarde repartirá los despojos.
38. Juan 3:14: Y como Moisés levantó la SERPIENTE en el desierto, así es necesario que el Hijo del Hombre sea levantado,
3. Salmos 22:12: Me han rodeado muchos TOROS; Fuertes TOROS de Basán me han cercado. Impresionante la conjuncion entre DEUTERONOMIO 33:22 y salmos 22:12, con referencia al CACHORRO DE LEON como MARCO CON BASAN, que tenia fuerte relacion CON LOS TOROS. EL MISMO VATICANO ESTA DISEÑADO CON ESTE PATRON, OSEA LAS 7 COLINAS, SON UNA REFERENCIA A LA CONSTELACION DE TAURO / TORO / PLEYADES. AQUI ESTA LA CLAVE BIBLICA CON REFERENCIA A LA "MAQUINA DEL TIEMPO".
BIBLIA DE JERUSALEN (JUAN 3)
14. Y como Moisés levantó la serpiente en el desierto, así tiene que ser levantado el Hijo del hombre,
15. para que todo el que crea tenga por él vida eterna.
16. Porque tanto amó Dios al mundo que dio a su Hijo único, para que todo el que crea en él no perezca, sino que tenga vida eterna.
17. Porque Dios no ha enviado a su Hijo al mundo para juzgar al mundo, sino para que el mundo se salve por él. (JUZGAR /JUICIO / DAN (HEBREO. JESUCRISTO ESTA RELACIONANDO EN REFERENCIA A GENESIS 49:17, A LA SERPIENTE EN ESTE MARCO)
18. El que creee en él, no es juzgado; pero el que no cree, ya está juzgado, porque no ha creído en el Nombre del Hijo único de Dios. (JUICIO / (DAN / DENARIO / DIANA / DAN BROWN (CODIGO DA VINCI)) - TODO COMO NEXO CON LA SERPIENTE, OSEA EL MISMO SIGNO $. NUESTRO SEÑOR HACE REFERENCIA AL SANTO GRIAL)
19. Y el juicio está en que vino la luz al mundo, y los hombres amaron más las tinieblas que la luz, porque sus obras eran malas. (EL MUNDO CODICIOSO DE DOLARES, NO LOGRA DISCERNIR EL MAYOR SECRETO DE LA HISTORIA, EN SU MAYOR IDOLO, OSEA EL DIOS DINERO. PARADOJA DE UN MUNDO HIPOCRITA QUE HABLA DE LOS POBRES, PERO POR EL PODER)
20. Pues todo el que obra el mal aborrece la luz y no va a la luz, para que no sean censuradas sus obras.
21. Pero el que obra la verdad, va a la luz, para que quede de manifiesto que sus obras están hechas según Dios.» (SOLO CRISTO ES LIBERTAD PORQUE PREDICO UN DIOS DE AMOR. TODO LO DEMAS ES PURA EGOLATRIA E IDOLATRIA)
714. Mateo 23:17: ¡Insensatos y ciegos! porque ¿cuál es mayor, el ORO, o el templo que santifica al ORO?
Y dijo Dios: Sea la LUZ; y fue la LUZ.
2. Génesis 1:4: Y vio Dios que la LUZ era buena; y separó Dios la LUZ de las tinieblas.
Día, y a las tinieblas llamó Noche. Y fue la tarde y la mañana un día.
32. Génesis 30:6: Dijo entonces Raquel: Me juzgó Dios, y también oyó mi voz, y me dio un hijo. Por tanto llamó su nombre DAN.
CLAVE DEL OJO DE RA, EN EL MARCO AL DOLAR / SERPIENTE ES SU NEXO CON LA TRANSFIGURACION DEL SEÑOR, INSISTO, EN LA TRIBU DE DAN.
First Previous 2 to 2 of 2 Next Last |
Reply |
Message 2 of 2 on the subject |
|
171. Deuteronomio 33:22: A DAN dijo: DAN es cachorro de león Que salta desde Basán. (LEON-ARDO DA VINCI-DAN BROWN-EN UN MISMO VERSICULO ESTA LA CLAVE EN EL MARCO AL NUMERO 33)
3. Salmos 22:12: Me han rodeado muchos TOROS; Fuertes TOROS de Basán me han cercado. Impresionante la conjuncion entre DEUTERONOMIO 33:22 y salmos 22:12, con referencia al CACHORRO DE LEON como MARCO CON BASAN, que tenia fuerte relacion CON LOS TOROS. EL MISMO VATICANO ESTA DISEÑADO CON ESTE PATRON, OSEA LAS 7 COLINAS, SON UNA REFERENCIA A LA CONSTELACION DE TAURO / TORO / PLEYADES. AQUI ESTA LA CLAVE BIBLICA CON REFERENCIA A LA "MAQUINA DEL TIEMPO".
|
|
|
|
|
|
SISTEMA GIZE (LEON Y VIRGEN) "PROFETIZO" ZACARIAS 14 (FIESTA DE LAS CABAÑAS O TABERNACULOS= VINO = SANGRE DE CRISTO = LINAJE) EN FUNCION AL UNGIMIENTO DE LOS PIES POR NUESTRA MADRE MARIA LA MAGDALENA A NUESTRO SEÑOR.(LA REINA UNGE AL REY). EL SECRETO ESOTERICO DE LEONARDO DA VINCI TIENE ESTA CONNOTACION.
LEO=LEON=22/7 EN ACUARIO
NARDO=BETANIA (UNGIMIENTO DE PIES)
DAVINCI/DAVID/VID/LINAJE
LA UVA SE COSECHA EN SEPTIEMBRE
166. Zacarías 14:4: Y se afirmarán sus PIES en aquel día sobre el monte de los Olivos, que está en frente de Jerusalén al oriente; y el monte de los Olivos se partirá por en medio, hacia el oriente y hacia el occidente, haciendo un valle muy grande; y la mitad del monte se apartará hacia el norte, y la otra mitad hacia el sur.
167. Zacarías 14:12: Y esta será la plaga con que herirá Jehová a todos los pueblos que pelearon contra Jerusalén: la carne de ellos se corromperá estando ellos sobre sus PIES, y se consumirán en las cuencas sus ojos, y la lengua se les deshará en su boca.
Entonces María tomó una libra de perfume de nardo puro, de mucho precio, y ungió los PIES de Jesús, y los enjugó con sus cabellos; y la casa se llenó del olor del perfume.
211. Juan 13:5: Luego puso agua en un lebrillo, y comenzó a lavar los PIES
de los discípulos, y a enjugarlos con la toalla con que estaba ceñido.
El secreto esta en el alineamiento de GIZE (leo y Virgo) en funcion a los equinoccios (22/3 y 22/7). Recordemos que GIZE esta diseñado en funcion a LEO Y VIRGO. INCLUSO EL PATRON DE WASHINGTON D.C tambien tiene esta referencia. EL SECRETO ESOTERICO DEL CODIGO DA VINCI TIENE FUERTE NEXO CON GIZE EN EL CONTEXTO A LA ERA DE ACUARIO.
Esfinge de Gizeh en el equinoccio de primavera
La anotación de los periódos del año, equinoccios y solsticios, es importantísimo para la fijación del calendario anual, y para el seguimiento y datación de la precesión de los equinoccios, como veremos más adelante.
Equinoccios y Solsticios.
Vamos a ver en imágenes como se producía esta anotación en función de la esfinge de Gizeh.
1. Equinoccio de primavera. Durante el equinoccio de primavera, el 21 de Marzo, el Sol sale justo por el Este durante 2 días.
2. Solsticio de Verano.
Actualmente, cada 19 de junio del calendario gregoriano, la Nave Tierra en la que viajamos se coloca en el punto de su órbita en el que cruza por la línea que une al Sol y al centro de la Galaxia, es decir, que el planeta se coloca entre dos centros cósmicos: el centro del Sistema solar (el Sol) y el común a todas las estrellas, el Centro de la Galaxia. El centro del Ser galáctico es el punto de referencia fundamental para nuestra orientación en un Espacio en el que no existen fechas ni horas, y por ello es un "vacío terrible" para la mente acostumbrada a "marcapasos".
Teniendo en cuenta que el Sol (Sistema solar, y con él las órbitas de los planetas como la Tierra) gira alrededor de otro centro como puede ser el propio centro galáctico, y que los calendarios son estructuras mentales estáticas no vivientes y por ello incapaces de adaptarse a la dinámica de los movimientos de los astros en el Espacio, es fácil imaginar que hace 2000 años (por ejemplo) esta circunstancia ocurriera en otra fecha, en tal caso de hace 2000 años el 24 de mayo. Pero para los astros no existen nuestras fechas sino sus movimientos circulares y sus alineaciones que se producen cíclicamente en el infinito EspacioTiempo (88) del Ser universal. Sus astros (sus reflejos, sus señales, nuestros guías) son los puentes para la reintegración de nuestra conciencia en la dinámica universal. Los calendarios, al ser estáticos, "congelan" la conciencia, y se hacen útiles sólo para una existencia lineal con una esperanza media de 70 años (tal es la duración media de una persona moderna).
Durante el solsticio de verano, el 21 de Junio, el Sol salía por el Noreste a 28º a la izquierda de la visión de la esfinge.
3. Equinoccio de Otoño. Durante el equinoccio de otoño, el 21 de Septiembre, el Sol salía justo por el Este durante 2 días.
4. Solsticio de invierno. Durante el solsticio de invierno, el 21 de Diciembre, el Sol salía a 28º Sureste de la visión de la esfinge.
http://sercomunitario2010ulahumanidades.blogspot.com/2011/06/el-m-d-del-solsticiohor-em-akhet-del.html
La conexion con "la serpiente de bronce" esta codificada en funcion al mismo signo $$$ al tener forma de serpiente. Recordemos que la SERPIENTE segun GENESIS es la misma tribu de DAN con nexo con A-DAN.
7. Génesis 49:17: Será Dan SERPIENTE junto al camino, Víbora junto a la senda, Que muerde los talones del caballo, Y hace caer hacia atrás al jinete. 6. Génesis 3:14: Y Jehová Dios dijo a la SERPIENTE: Por cuanto esto hiciste, maldita serás entre todas las bestias y entre todos los animales del campo; sobre tu pecho andarás, y polvo comerás todos los días de tu vida.
8. Número 21:6: Y Jehová envió entre el pueblo SERPIENTEs ardientes, que mordían al pueblo; y murió mucho pueblo de Israel.
9. Número 21:7: Entonces el pueblo vino a Moisés y dijo: Hemos pecado por haber hablado contra Jehová, y contra ti; ruega a Jehová que quite de nosotros estas SERPIENTEs. Y Moisés oró por el pueblo.
10. Número 21:8: Y Jehová dijo a Moisés: Hazte una SERPIENTE ardiente, y ponla sobre una asta; y cualquiera que fuere mordido y mirare a ella, vivirá.
11. Número 21:9: Y Moisés hizo una SERPIENTE de bronce, y la puso sobre una asta; y cuando alguna SERPIENTE mordía a alguno, miraba a la SERPIENTE de bronce, y vivía.
LA ESFINGE DE GIZE TIENE CARA DE MUJER (VIRGO) CON CUERPO DE LEON (LEO). EN LA ERA DE ACUARIO, PROXIMA A COMENZAR SI ES QUE NO COMENZO, ACUARIO Y LEO JUSTAMENTE CAEN EN EQUINOCCIO PORQUE SON CONSTELACIONES ANTAGONICAS. ¿QUE LE QUIERO DECIR CON ESTO?
".
QUE EL SISTEMA GIZE ESTA DISEÑADO EN FUNCION AL COMIENZO DE DICHA ERA. PREGUNTO: ¿PORQUE ENTONCES ESTA ALINEADO GIZE=LEON A LOS EQUINOCCIOS? ¿PORQUE LA RELACION LEO CON EL 22/9 O 22 DE SEPTIEMBRE? QUIERO UNA RESPUESTA ESPECIFICA.
EN DICHA ERA ACUARIO COMIENZA EL 22/3 Y LEO EL 22/7 (NUMERO PI). ESTO ES UNA REFERENCIA A EZEQUIEL 1:10 Y APOCALIPSIS 4:7,8. ¿QUE LE QUIERO DECIR CON ESTO? ¿PORQUE EL DIA DE MARIA MAGDALENA ES EL 22/7 SEGUN LA IGLESIA CATOLICA? PORQUE LEO ACTUALMENTE COMIENZA EL 23 DE JULIO. Osea que es obvia la interrelacion entre dicho dia CON DICHA CONSTELACION. LOS DOS MESES ATRAZADOS EN EL CALENDARIO GREGORIANO (OBSERVEN QUE SEPTIEMBRE=SEPTIMO ES EL NOVENO MES GREGORIANO) ES UNA OBVIA REFERENCIA A LA ERA DE ACUARIO. RECORDEMOS QUE EN LA RESURRECCION DE NUESTRO SEÑOR COMENZO LA ERA DE PISCIS Y QUE EN EL CONTEXTO A ABRAHAM COMENZO APROXIMADAMENTE LA ERA DE ARIES (CORDERO). EL ZODIACO ACTUAL COMIENZA EN ARIES, OSEA UNA REFERENCIA AL CORDERO PASCUAL EN EL EQUINOCCIO DE PRIMAVERA (22/3)
EL PATRON GIZE (LEON-VIRGEN), AL ESTAR ALINEADO A LOS EQUINOCCIOS ES UNA REFERENCIA A LA ERA DE ACUARIO. LA REFERENCIA DE ZACARIAS 14, A QUE NUESTRO SEÑOR VA A PISAR CON SUS PIES (UNGIMIENTO DE PIES POR NUESTRA MADRE MARIA MAGDALENA) EL MONTE DE LOS OLIVOS, EN EL CONTEXTO A LA FESTIVIDAD DE LAS CABAÑAS (EQUINOCCIO DE OTOÑO) ES UNA REFERENCIA A GIZE. ¿QUE LE QUIERO DECIR CON ESTO? QUE EL SISTEMA GIZE FUE DISEÑADO EN FUNCION AL UNGIMIENTO DE BETANIA. LA PREGUNTA QUE QUEDA EN EL TAPETE ES DEL PORQUE LA INTERRELACION DE GIZE/ORION EN EL CONTEXTO A LEO. SABEMOS QUE EN SEPTIEMBRE ORION SALE POR EL ESTE A MEDIADOS DE SEPTIEMBRE A MEDIA NOCHE (HAY UNA OBVIA INTERRELACION ESPIRITUAL CON LA PARABOLA DE LAS 10 VIRGENES).
Everything is Connected and there are no coincidences
|
|
|
|
The Lions Gate
turret.
milky way in Simple Gematria Equals: 119 |
( |
m 13 |
i9 |
l 12 |
k 11 |
y 25 |
0 |
w 23 |
a1 |
y 25 |
) |
queen mary in Simple Gematria Equals: 119 |
( |
q 17 |
u 21 |
e5 |
e5 |
n 14 |
0 |
m 13 |
a1 |
r 18 |
y 25 |
|
hebrew calendar in Simple Gematria Equals: 119 |
( |
h8 |
e5 |
b2 |
r 18 |
e5 |
w 23 |
0 |
c3 |
a1 |
l 12 |
e5 |
n 14 |
d4 |
a1 |
r 18 |
mary magdalene in Simple Gematria Equals: 119 |
( |
m 13 |
a1 |
r 18 |
y 25 |
0 |
m 13 |
a1 |
g7 |
d4 |
a1 |
l 12 |
e5 |
n 14 |
e5 |
|
lionsgate in Simple Gematria Equals: 102 |
( |
l
12 |
i
9 |
o
15 |
n
14 |
s
19 |
g
7 |
a
1 |
t
20 |
e
5 |
) |
lions in Simple Gematria Equals: 69 |
( |
l
12 |
i
9 |
o
15 |
n
14 |
s
19 |
) |
gate in Simple Gematria Equals: 33 |
( |
g
7 |
a
1 |
t
20 |
e
5 |
) |
EL SOL, SI USTED MIRA HACIA EL NORTE Y EN EL CONTEXTO A QUE EL MISMO SALE POR EL ESTE Y SE PONE EN EL OESTE, SE MUEVE EN SENTIDO HORARIO, osea el mismo numero 6 y LA LUNA, en su movimiento de 29.53059 dias SALE EN EL OESTE Y SE PONE EN EL ESTE, osea que se mueve en sentido antihorario. SOL-O-MON / DOS LUMBRERAS / CUARTO DIA DE LA CREACION / MIERCOLES / MERCURIO / GOD /DOG / CONVERSION DEL MERCURIO EN ORO / ALQUIMIA /SANTO GRIAL. EL FLUJO MAGNETICO DE UNA BOBINA simula incluso al flujo del agua de un rio que simboliza al FLUJO DEL AGUA VIVA, simbolo del ESPIRITU SANTO/PENTECOSTES/SHAVUOT. El mismo flujo simboliza a la UNION ENTRE EL HOMBRE Y LA MUJER, ya que observamos se dan los dos tipos de flujos ya sean en sentido horario o antihorario.
JUSTAMENTE EN EL 22 DE DICIEMBRE, HAY UNA REFERENCIA A CYGNUS (CRUZ DEL NORTE) EN EL CONTEXTO AL AGUILA Y A LA SERPIENTE (FIN DE OPHIUCO) CODIFICADA EN EL MISMO SIGNO $ Y EN EL BILLETE DE UN DOLAR EN EL CONTEXTO A LA PIRAMIDE TRUNCADA. DESDE EL 11 DE FEBRERO (VIRGEN DE LOURDES) HASTA EL 22 DE DICIEMBRE TENEMOS 314 DIAS (NUMERO PI). ESTA TODO CODIFICADO PORQUE HAY UN DIOS TODOPODEROSO QUE MANEJA LOS HILOS DEL MUNGO QUE MERECE NUESTRA ADORACION.
En Hechos 12:12 (1+2,1+2:3,3 o 33) es PEDRO el que aparece con Maria la madre de Juan Marcos.
Hechos 12:12: Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre MARCOS, donde muchos estaban reunidos orando.
HOMBRE DE VITRUBIO-CUADRATURA DEL CIRCULO
MAGDALENE TIENE LAS LETRAS DE EAGLE/DAN/MMARY MAGDALENEEAGLE/DAN/M
A=ESCUADRA
L=COMPAS
G=GOD/GNOSIS/GALAXY/GRIAL
Sign Type
|
Zodiac
|
Celestial Position
|
Tribe
|
Living Creature
|
Fire
|
Leo
|
Fall Equinox
|
Judah
|
Lion
|
Air
|
Aquarius
|
Spring Equinox
|
Reuben
|
Man
|
Water
|
Scorpio
|
Winter Solstice
|
Dan
|
Eagle
|
Earth
|
Taurus
|
Summer Solstice
|
Ephraim
|
Ox
|
MERCURIO
La particularidad de esta línea de perihelio/afelio de Mercurio es que está alineada con la Línea fija formada por Orión/Sol/CentroGaláctico, y como la Tierra pasa cada 19 de junio entre el Sol y el Centro galáctico, eso significa que también en ese día pasa frente al afelio de la órbita Mercurio, y frente al perihelio el 19 de diciembre.
Si "eliminamos" la excentricidad y convertimos la órbita de Mercurio es un círculo racional perfectamente equidistante del Sol, resulta que la órbita de Mercurio inscribe a un pentágono (inscrito en la órbita "perfeccionada" de Mercurio), y este pentágono es la figura interior que resulta de la estrella de 5 puntas formada por la Tierra y Venus durante 8 órbitas de la Tierra y 13 de Venus (8 años), lo cual es el Ciclo Pentagonal.
ENLACES
MERCURIO ERA EL DIOS DE LOS MERCADERES
SAULO/PABLO ES MERCURIO SEGUN HECHOS 14
|
|
|
|
|
THE SPHINX UNLOCKS THE ORIGINS OF HUMANITY
Wayne Herschel, an author in the field of archaeo-astronomy launched his book internationally in 2002, and believes he has found the forgotton 'forbidden' secret behind Egypt's enigmatic Sphinx.
It was a secret that was hidden over the ages due to it revealing the sacred and equality of all human races... a secret that would hardly sit well with countries obsessed in plundering foreign nations for their treasures and to enslave their people.
Existing theories to date suggest that the side profile of the Sphinx represents the stars of Leo. However they do not explain convincingly why its architects would have chosen this constellation for its template. Wayne Herschel, an explorer of ancient civilisations for the last 17 years, proposes an entirely new theory. In his book, 'The Hidden Records', he sets out to prove that the Sphinx is the key to unlocking the secret behind a grand unified '50 pyramid' star map.
|
|
In 1995 author R. Bauval suggested that the three pyramids at Giza represented the three stars of Orion's 'belt'. However because his theory did not find a way to incorporate the entire field of pyramids, let alone the Sphinx, academics had difficulty accepting it.
In 2003 Wayne Herschel published his cosmic interpretation of the Sphinx which helped him interpret the pyramids in a completely new way. He discovered that the angle at which the Sphinx intersects the collective three Giza pyramids on the ground, is virtually identical to the angle at which the brightest star of Leo, aligns with the collective row of stars that form Orion's 'belt'. (See the image below).
Here are the critical clues in reasoning the theory. The Sphinx appears to have its stare fixed on the rising stars each night (not just the rising Sun). Then at a very unique moment in the night sky, the Sphinx watches its mirror image of itself rising in a perfectly upright stance as Leo.
It is here where the Sphinx is literally crying out:
"All the pyramids in Lower Egypt represent a ring of adjoining constellations around the Earth, and the secret of the star map begins here at my feet with Leo."
|
|
|
But there is more to the secret of the Sphinx merely telling us that all the pyramids reproduce a string of constellations. It is also the key to deciphering the pyramid mystery itself. It is showing the observer where to begin in cracking the mystery of the star map, urging one to follow the three star alignment direction of Orion's 'belt' as a 'cosmic signpost' to what seems to be the ultimate star.
Herschel's idea that the whole pyramid field in Lower Egypt represents stars was inspired by one of the oldest known prophecies. The mystic Hermes Trismegistus. claimed:
"Egypt is an image of the heavens… the 'whole' cosmos dwells here.
"Herschel subsequently conducted an experiment to prove all the pyramids in Lower Egypt represent stars. He overlaid a transparency of the stars onto a map of the pyramids. The result was breathtaking. All the brightest stars within the known constellations were represented in one complete 360 degree ring along side the Milky Way (which is also a ring around the Earth). All the brightest stars had all the pyramid counterparts on the ground. The star map started with the brightest star in the night sky Sirius... logical to start with one could say... and it has one star that is different to all the other 49 bright stars in the complete star map. It has this unique star set at the exact centre of the pyramid field... is this the 'x' that marks the spot? Logic again would suggest!
|
|
However, there were some important stars for which pyramids were apparently missing. In Giza for example, Herschel found four potential, as yet unrecognised pyramid ruins on an antique early map that would conclude a previously incomplete Orion interpretation at Giza.
|
|
For the full story on this 'New Orion interpretation' and the comparison to Robert Bauval's original Orion interpretation... Click here.
One finding would lead to another. Not only were his new correlations 'mirror images', but the pyramids were virtually divided into two separate layout scales on each side of the area of Abusir, thus providing another clue. It seems the Solar Temple obelisk was intentionally placed exactly at the epicentre of the pyramid field. What could this mean?
The giant obelisk was most likely the only ever gold capped monument. Perhaps to highlight that it was more important than any other. At last the meaning of the star map becomes clear.
Do we have the proverbial 'x' that marks the spot?
Does it provide the reason that would have prompted the ancients to design their star map using giant structures in the first place? One thing is certain, the star seems to be of paramount importance as the place in the heavens that the three Orion 'belt' stars align with.
|
|
|
The ancient Egyptians revered a Sun... but it was not our OUR Sun! Astronomers can confirm that the Solar Temple obelisk is the only monument in the entire pyramid field to emulate a 'Sun-like' star (Ref HD 283271 'G' spectrum) and it is relatively nearby.
Here is the full measurement of the Sun-like star The correlation only occurred at its most precise position 17 250 years ago, perhaps documenting the dawning of humanity. All the other pyramids match bright stars that are nothing like our Sun. Herschel suggests the 'Sun' Temple was named after a 'Sun'-like star and has nothing to do with our Sun at all.
|
|
|
|
|
|
Both halves of the star map (the two large images) are shown here as well as a zoom in on the Saqqara area with its real 'fly over' image. There are two independent layout scales on each side of the Sun Temple 'x' that marks the spot, located at the exact centre of the pyramid field. it is as if the ancients are saying as they do in all their ancient murals ... "look at the centre of the murals to see that which is most important. They did it with the Zodiac disc at Dendera.. they did it in the Senmut tomb... they did it in every important depiction involving the secrets of their star gods! The author is convinced that the reason for the pyramid star map was to isolate the 'star of the gods'. He believes it presents a whole new theory of who we are and where we come from.
To add fuel to the fire, Herschel believes that he has found evidence of a repeating geometric blueprint of the human form within other ancient pyramid and megalithic star map representations found across the globe.
The geometric blueprint is unique only to the human form and is identical to the original geometric man codex documented by a Roman engineer and writer, Marcus Vitruvius, who lived 25 years before the birth of Christ.
|
|
Leonardo Da Vinci has acceded to fame for his Vitruvian man, however few realise he reproduced it from an ancient manuscript. Da Vinci did not show the raised arms as you see here, but chose to reposition the arms where the square touches the circle.
He may have chosen to depict his version like he did to avoid the same fate that the German scholar, Agrippa (who lived at the same time as Da Vinci), faced for duplicating Vitruvius' work as seen in the image above. Agrippa died a horrific death. He was burned at the stake.
Without digressing too much, it is worth considering a few very important 'what if' scenarios.
One would naturally expect that if the star maps are true then why doesn't the Christ story mention it?
If what was encapsulated in the representation of the human form by Agrippa and Da Vinci had relevance to these star maps, why did Christ make no mention of this? It is indeed a very sensitive question and is currently open to debate on the author's website. There are many sources of early translations of the gospels that include references to the star associated with Christ's birth and other stars, such as Orion and the Pleiades. There is also a lot more being debated than this.
For starters, the meaning of 'Sang-real' has been rumoured to mean 'sacred lineage'.
What if the Holy Grail is real and contains an inscribed record of who we are and where we come? For arguments sake let us assume that it does. What if the ultimate secret was given to Judas by Christ (as the Judas codex seems to suggest) on a beautiful metal plate that was uniquely inscribed? (Wayne Herschel has a strong feeling that in Renaissance art this metal plate is shown symbolically behind Christ's head). If one refers to the recently discovered Judas gospel, one could even conclude that there is a chance Judas may have been captured by the Roman authorities with this artefact that was to become known as the grail in his possession. An artefact that had inscribed on it detail of humanity's lineage. for more, click the Grail link on the home page carousel.
If this hypothetical scenario does indeed prove to be true, then one would have to ask whether the Roman authorities murdered him to cover up the existence of this amazing artefact, and more specifically its contents.
Perhaps we are approaching a new renaissance age in which humankind will begin to question its true origins? It seems likely now that Vitruvius was not the first person to portray the human form in this unique way.
In his book, 'The Hidden Records', Herschel goes to great lengths in detailing the snowball effect of his story. He claims confidently that the geometry of the human blueprint is a code that fits accurately into the layout at Giza, as well as that of Stonehenge, and last but not least in the layout of the most controversial place of all. In the layout of what are perceived to be pyramids in an area researchers call 'Cydonia'.
In later years it appears this geometry of the 'human code' was also encrypted in the paintings of Leonardo Da Vinci and of his contemporary, Nicolas Poussin.
It may sound completely fabricated and fictional having such a vast collection of coincidences here, but in light of the importance of the claims, the author has made his fundamental research freely available for all to see. The human codex research, Renaissance paintings and star map images are now available at thehiddenrecords.com website.
In summary, the author believes that by encrypting the human form in ancient pyramid star maps in this unique way (a code that later made its reappearance in the paintings of the Renaissance era) the ancients appear to show us that the human lineage is 'divine' so to speak and from above.
Coincidently the recent Judas gospel codex discovery makes another earth shattering claim, the significance of which seems to have eluded most observers. Christ beckons Judas to look at the night sky and says to him:
"Follow the star above… it is also your star".
If the star maps are truly genuine, surely someone with a mission as unique as that of Christ would have wanted to pass on to humanity this extraordinary piece of knowledge, even if it was not ready for his time. He probably would want it to be revealed in the future at a time when it was safer to debate such a 'provocative' version of humankind's genesis.
In time, the star maps and human code theory may well challenge the mystery of the 'missing link', which academics on evolution are still grappling with to this very day. Perhaps human beings evolved elsewhere in our vast universe, replacing Neanderthal after arriving here on Earth.
The author has taken his Egyptian star chart template and has tested it on Stonehenge in the UK, Angkor in Cambodia, Tikal in Guatemala and on a nearby planet rumoured to have pyramid ruins. The results delineated on the internet and in great detail in his book speak for themselves.
So… at the end of the day, what does all this new material offer humanity?
A clear message is decipherable in three of the most conclusive cases of the star maps. They all appear to display the unique human blueprint geometry code. A pictographic story can be interpreted in relation to the star pattern.
Herschel believes its meaning is paramount in uniting all of humanity as one if the star map 'message' is true. Once we step back and review the original sources of great teachings from those that came from above, the truth emerges. It speaks clearly of the place of Creation of the universe, which has been told to humanity in many different lands, and sadly it has 'evolved' in every case, into very disparate interpretations that we call 'religion'.
The original sources of sacred texts must be given priority for true meaning. It is here where we have the chance of uniting humanity in one truth and understanding of a gentle Creator of the universe who has given us the gift of life. Our confusion about what we believe is fast manifesting itself in an ugly religious war that is playing out right now. Is it a coincidence that for the first time ever missiles are landing at a historical site near the northern boarder of Israel known as the valley of Meggiddo? It is here that prophecy has written where we will fight our last war.
If there is just a hint of truth in Wayne Herschel's collection of ancient star maps and his theory on the human blueprint, it should be reason enough for scholars to test it.
And if there is one crucial question that still remains unanswered it has to be: Who is the cosmic message intended for?
Why on earth is the grand secret represented with such massive constructions and pointing skywards?
Why can it only be deciphered completely, when it is viewed from a satellite?
Compare Egypt to Stonehenge ... then Tikal then Mars .
DISCOVERY OF SYMBOL CRACKS PYRAMID STAR SHAFT CODE
A forgotten symbol on the Dendera zodiac disc unlocks the secret of the position of the stars in the ancient night sky... ALL SCHOLARS GOT IT WRONG! And so did the authors that followed 1920's scholars errors on the meaning of some simple fundamental symbols meaning...
CLICK THE IMAGE BELOW TO SEE THE STAR SHAFT DISCOVERY
|
|
|
|
|
|
|
|
|
|
http://www.thehiddenrecords.com/sphinx.htm |
|
|
|
|
|
Rosslyn Chapel and 2012
Templar Crosses
by Jan Wicherink
|
|
|
While Rosslyn Chapel was a rather unknown tourist attraction in the Scottish village Roslin near Edinburgh, all of this changed after the publication of the book ’The Da Vinci Code’ by Dan Brown which turned Rosslyn Chapel into a real pilgrimage in the last few years. As long as the Holy Grail has not been recovered from the sealed crypt underneath the chapel, a real ‘treasure’ was revealed on ground radar scans, the rumours about the secrets that the chapel is supposed to hide will only increase. The Rosslyn Chapel Trust preserves the myth by not allowing the crypt to be opened. Ground radar scans made without the consent of the Rosslyn Chapel Trust have so far revealed a secret tunnel between the chapel and Rosslyn Castle.
The question however is if the Holy Grail that is supposed to be buried underneath Rosslyn Chapel is the chalice of the Last Supper, the Ark of the Covenant, or as some think Baphomet the head of John the Baptist? It is far more likely that the secret of Rosslyn Chapel concerns esoteric knowledge that was acquired by the Knights Templar during their crusades to Jerusalem and used in the design of churches, cathedrals and temples, possibly even this chapel.
According to scholars there is no clear documented connection between the Knights Templar and the founder of this chapel, the 3rd Earl of Orkney, Baron of Roslin, William Sinclair, however there are sufficient clues to suggest that such a connection must have existed. Officially the Sinclair’s were even present at the trial of the Knights Templar in Edinburgh in 1309 after pope Clement V had officially forbidden the Templar Order. This fact alone would contradict any supposed connections between the Sinclair family and the Knights Templar. In addition the first stone for the chapel was laid roughly 150 years after the abolishment of the Knights Templar.
It is a fact however that the chapel became a symbol of Scottish Freemasonry and that it has been a real pilgrimage for freemasons for centuries. In 1736 the 21st Baron of Rosslyn, co-incidentally also named William Sinclair, became the first Grand Master of the Grand Lodge of Scotland. The foundation of this Lodge is supposed to be the start of Scottish freemasonry, however as we will demonstrate the architecture of the chapel itself contradicts this claim and the relation between the chapel and freemasonry must be much older.
The chapel has multiple aspects that reveal its descent from freemasonry and its connection to the Knights Templar. The single Latin inscription that can be found in the church is already reason enough to suspect such connections. The inscription carved in stone reads: ‘FORTE EST VINUM, FORTIOR EST REX, FORTIORES SUNT MULIERES: SUPER OMNIA VINCIT VERITAS’ (Wine is strong, a king is stronger, female are stronger still, but truth conquers everything). This Latin phrase connects Rosslyn Chapel to Solomon’s Temple in Jerusalem, the temple where the Knights Templar supposedly discovered a big secret during their crusades. Zerrubbabel got permission from king Darius after winning a contest to rebuild the destroyed Temple of Solomon in Jerusalem and to lead the Jews from exile in Babylon back to Israel. Zerrubbabel won the winning price of Darius’s contest question ‘who or what was the strongest’. Zerrubbabel’s answered that the truth would conquer everything. As a reward he was allowed to rebuild the temple of Jerusalem. The winning answer to king Darius’s question is carved in stone in Rosslyn Chapel.
Also the depiction of two knights on a single horse that is displayed in Rosslyn Chapel is an image that can also be found in the official coat of arms of the Knights Templar.
A convincing clue that William Sinclair can be associated with the Knights Templar can be found on his grave in the chapel. The inscription on his grave reads: ‘William de St. Clair, Knight Templar’. Historians however point out that this statement is incorrect and that it is completely uncertain who of the many William Sinclair’s has been buried here.
Gravestone of William Sinclair with an eight pointed cross
What is far more interesting than this straight forward clue suggesting that William Sinclair was a Knight Templar, is the presence of an eight pointed cross on his grave stone. The official coat of arms of the Sinclair’s is a four pointed cross in a stitch pattern and it’s a well known fact that the Knights Templar used four and eight pointed crosses in their coat of arms (see the head of this article) as well.
We will demonstrate that these four and eight pointed crosses have a deep esoteric and astronomical significance that must be well known to the freemasons.
Sinclair coat of arms
When the grave stone of William Sinclair is studied in detail we notice that besides the eight pointed cross there is also a four pointed cross depicted. The name of the founder of Rosslyn Chapel is spelled in Lombardic letters ‘Willhm de Sinncler’. It’s remarkable that the last two letters ER are set apart and are reversed in spelling. It reads RE. RE in the author’s opinion is a reference to Amen-Re or Amen-Ra, the Egyptian solar deity. It makes sense since Rosslyn Chapel is not just some ordinary chapel, it is a solar temple. Rosslyn Chapel was inaugurated in 1450 as the ‘Collegiate Church of St. Matthew’ on the fall equinox (21st September). The chapel is perfectly aligned to the cardinal directions similar to the ancient solar temples. Another conspicuous feature is that the depiction on the grave stone resembles a key. Could this depiction be the key to the secrets of Rosslyn Chapel?
Depiction on the grave stone of William Sinclair, founder of the chapel.
At the east end of the chapel there are three very important pillars perfectly aligned to the East. These pillars are the Master Pillar, the Journeyman Pillar and the Apprentice Pillar. The authors Robert Lomas and Christopher Knight have shown that Rosslyn Chapel is a copy of Solomon’s Temple in Jerusalem. They argue that the Master Pillar and the Apprentice Pillar correspond with the two pillars Boaz and Jachin that stood in front of Solomon’s Temple.
In ‘The Stone Puzzle of Rosslyn Chapel’ Philip Coppens describes the initiation rituals of the freemasons; The pillars in Rosslyn Chapel correspond with the three degrees in freemasonry. In the initiation rituals of the freemasons these pillars correspond with the solstices and equinoxes. The novice initiated into the ‘Entered Apprentice’ degree in freemasonry is placed in the Lodge near the pillar in the north east corner (Jachin). This pillar corresponds with the summer solstice. A freemason who is initiated into the ‘Fellow craft Mason’ degree is placed in the south east corner (Boaz) corresponding with the winter solstice. A freemason who is finally initiated into the Master Mason degree is placed in front of the middle pillar corresponding with the equinox. During the ritual the candidate dies but he’s eventually resurrected from his death. At the moment of his resurrection a light of a five pointed star is lit. This five pointed star is the brightest morning star according to Coppens.
I believe that this ritual concerns the ‘resurrection’ and ‘rebirth’ of the Sun. The sun dies each year on the cross of the zodiac during the winter solstice to be fully reborn on the spring equinox in the annual cycle. During the spring equinox the sun is fully raised from the death as it revives nature that starts to blossom again.
Not only does the sun die to be reborn in the annual cycle, it also dies and is reborn in the larger astronomical cycle called the precession of the equinoxes. This cycle takes 26.000 years to complete and is caused by the wobbling of the Earth axis causing the spring equinox to shift. We are presently living in the Age of Pisces but as a result of precession we will enter the Age of Aquarius in the near future.
The most important thing of the extraordinary time that we live in, is that the sun will be reborn in the precession cycle around the year 2012, to be more specific in between the years 1978-2017. Around this time the sun will reside on the Milky Way at the winter and summer solstices. It coincides with the ending of the Maya calendar on December 21st 2012. The ending of the Maya calendar happens on the winter solstice when the sun aligns with the Milky Way. This event is regarded as the moment that the sun is reborn in the great cycle, the precession cycle.
In my opinion this extraordinary astrological event is symbolized by the initiation rituals in freemasonry. The pillar that is so important in freemasonry is a symbol of the Milky Way. When the Pillar of the Apprentice is studied we notice that at the base of the pillar eight snakes are sculptured. This pillar is associated with the World Tree that we find in many cultures around the world. In the Nordic mythology the World Tree is called Yggdrassil and it had eight snakes curling around its roots.
The World Tree or Axis Mundi represented the cosmological centre in ancient times; it connects the Earth with the four cardinal directions as well as the heavens with the underworld. In the Maya culture the World Tree represents the Milky Way or Wakah Chan according to Mayanist Linda Schele. To be more precisely the Wakah Chan is the crossing of the Milky Way and the ecliptic, the virtual track of the sun around the Earth. This cross point is exactly the place where the sun resides on the Milky Way on the winter solstice of 2012.
The initiation rituals of freemasonry where the candidates are placed near the pillars of the Lodge are associations with the solstices and equinoxes, they symbolise the astronomical alignment of the sun (candidate freemason) with the Milky Way (pillar). The pillar represents the World Tree or the crossing of the ecliptic and the Milky Way. The alignment of the sun with the Milky Way on an equinox or solstice is called a Great Celestial Conjunction (Smelyakov/Wicherink 2006). There are exactly four such conjunctions in a precession cycle of 26.000 years. Around 2012 this conjunction takes place again after 6480 years.
The initiation ritual of the Master Mason whereby the candidate is placed near the equinox (Journeyman Pillar) with the five pointed star that rises as the morning star, is I believe a astronomical reference to the start date of the construction of Rosslyn Chapel. The construction of Rosslyn Chapel started at ‘St. Matthew’s Day’ on the fall equinox of 1446. The ‘brightest five pointed star’ is no doubt a reference to Venus. Venus traces a pentagram (a five pointed star) along the zodiac in her conjunctions with the Earth and is the brightest morning star in the sky. At dawn on the day of the start of the construction of Rosslyn Chapel, Venus rose as a morning star. In addition there was a conjuncture of Venus and Regulus, the brightest star of Leo.
Regulus is one of the four royal stars Aldebaran, Regulus, Antares and Formalhaut. These four stars belong to the constellations Taurus (Aldebaran), Leo (Regulus), Scorpio (Antares) and Southern Fishes (Formalhaut). Southern Fishes is the equivalent of Aquarius since it opposes Aquarius on the ecliptic. It is these four signs Taurus, Leo, Scorpio and Aquarius that form the ‘Galactic Cross’ in ancient times. We will further discuss the importance of the ‘Galactic Cross’ in the context of this article below.
Fall equinox 1446, date of the start of the construction of Rosslyn Chapel, Venus rises as the morning star in conjuncture with Regulus
Rosslyn Chapel creates an atmosphere of a garden or forest due to the abundant sculptures of leaves, flowers and plants. The association of the three pillars with the World Tree is therefore very appropriate. A noticeable presence in the Chapel is the so called Green Man. From his mouth branches and leaves are growing. There are over a 100 of these sculptures in the chapel in Roslin.
The Green Man symbolizes regeneration in nature and the blossoming of life during spring. It therefore also symbolizes resurrection and rebirth and as such can be associated with the rebirth of the sun. It’s a remarkable fact that the Green Man in Rosslyn Chapel forms another eight pointed cross.
Because the Green Man was also found in 11th century Templar churches in Jerusalem we find another clue that the architecture of Rosslyn Chapel may have been strongly influenced by the Knights Templar.
The Green Man
The highest degree in English freemasonry is called the Royal Arch. It is a higher degree than the Master Mason degree. Freemasons of the Royal Arch are initiated into the deepest secrets of freemasonry. These secrets are conveyed by the so called Tracing Board. The Tracing Board of the Royal Arch shows the two pillars of Solomon’s Temple Boaz and Jachin with on top op these pillars the Royal Arch.
The two pillars in front of Solomon’s Temple are most likely copies of the ancient Egyptian temples dedicated to the Aten (solar disk). One or more pylons (entrance gates) were situated at the entrance of the temple. These pylons in the temples of the Aten consisted of sets of pillars symbolizing the two mountains of the horizon, the Akhet in between which the sun rose.
Notice that in the Tracing Board underneath the arch of the Royal Arch there’s not only an eight pointed cross, but a four pointed cross as well.
Tracing Board of the ‘Royal Arch’ of English freemasonry, To the left we see a four pointed cross underneath the arch, to the right an eighth pointed cross.
What can be so important about an arch in between two pillars such that it represents the highest degree in freemasonry? Let’s have a look at the pillars of Rosslyn Chapel, the pillars of the Apprentice, Fellow Craft and Master Mason.
Below we see a drawing of the three pillars and their arches.
What is prominent is that the east side of the pillars the arches consist of eight pointed crosses, while on the west side we notice the four pointed crosses with the stitch pattern. These last four pointed crosses resemble the coat of arms of the Sinclair’s!
Rosslyn Chapel with four and eight pointed arches.
What can be the meaning of these four and eight pointed crosses (Green Man, gravestone of William Sinclair) that we find in abundance in Rosslyn Chapel and why were they also used by the Knights Templar? Why do the freemasons attach so much importance to these arches and why is their highest degree in freemasonry called the Royal Arch? Why do we find the four and eight pointed crosses in the arches of the three most important pillars at Rosslyn Chapel?
Coat of Arms of the Knights Templar
The explanation can be found in the astrological alignment of two astronomical crosses. The zodiac has two different crosses. When both crosses are superimposed, an eight pointed cross is formed. When both these crosses overlap to form a single four pointed cross this event is called a Great Celestial Conjunction.
The first cross is the cross formed by the equinox and solstice axis. The four signs of the zodiac that belong to the equinoxes and solstices are Aries (March 21st, spring), Cancer (June 21st, summer), Libra (September 21st, fall) and Capricorn (December 21st, winter) in the tropical zodiac.
In the Tracing Board of the Royal Arch, three of these zodiac signs are depicted on the arch. On the left pillar Aries is depicted, in the centre at the so called keystone Cancer is depicted and finally on the right pillar Libra is depicted. This explains why the pillars in freemasonry correspond with the equinoxes and solstices.
Under the Royal Arch of the Tracing Board, we notice a shield with a four pointed cross. In the four quadrants of this shield, the zodiac signs Taurus, Leo, Scorpio and Aquarius can be found. These four so called fixed signs form a fixed cross in the zodiac. The importance of these signs is that they can be associated with the crossing of the ecliptic and the Milky Way.
The axis connecting 5° Gemini with 5° Sagittarius corresponds with the galactic equator and forms the axis of the galactic cross. 5° Gemini and 5° Sagittarius are the places where the ecliptic and the Milky Way intersect in the zodiac.
In ancient times the galactic cross was denoted by the zodiac signs Taurus, Leo, Scorpio and Aquarius instead of Gemini, Virgo, Sagittarius and Pisces which would have been more logical since the latter signs are the signs of the galactic cross. The reason is that only the former and not the latter signs are visible shortly before sunrise during a Great Celestial Conjunction on the equinoxes and solstices.
The importance of our present time is that the two crosses of the zodiac (galactic cross and equinox-solstice axis cross) that formed an eight pointed cross in the last 6480 years, now in the timeframe around 2012 merge to form a single four pointed cross again. This happens in between the years 1978-2017. After 2017 the two crosses separate again for the next 6480 years to form an eight pointed cross again.
Left zodiac crosses around the year zero, to the right around the year 2012 (in between 1978-2017)
The merger of the two crosses in the zodiac corresponds with the alignment of the sun with the Milky Way at the winter solstice in the period 1978-2017 also called the Galactic Alignment (John Major Jenkins). This moment signals the start of a new cycle in the precession cycle and this event I believe is expressed in the freemasonry initiation rituals when the candidate freemason (Sun) is placed in front of the pillar (Milky Way).
This knowledge of the merger of the two crosses must be the deepest secret of freemasonry and it is preserved by the Royal Arch. Jeff Nisbet in ‘Forbidden Religion’ explains that one of the Templars who was arrested on October 13, 1307 explained during his interrogation that in the initiation rituals of the Order the candidate was shown the Christian Cross and was told ‘Put not thy faith in this, for it is not old enough’.
And indeed it seems that the knowledge of this cross predates Christianity and can be traced back to Solomon’s Temple. In front of Solomon’s Temple two pillars were standing called Boaz and Jachin. In the holiest of holiest in the inner sanctuary of the temple the Ark of the Covenant was stored and it was guarded by two Cherubims.
Babylonian Cherubim
A Cherubim is a hybrid of a human and animals. We recognise the four zodiac signs that can be associated with the galactic cross in the animals of the Cherubim. The Cherubim has the head of a human (Aquarius), the body of a bull (Taurus), the back and tail of a lion (Leo) and the wings of an eagle (Scorpio or Aquilla). The zodiac sign of Scorpio is often replaced by the sign of the eagle (Aquilla).
In ancient Assyria the Cherubim was called a Karibu and it guarded the Tree of Life or the World Tree. Here we find a direct link with the Milky Way or better the crossing of the ecliptic and the Milky Way again, the galactic cross. In ancient Egypt we find the Cherubim in the form of Sphinxes that guarded the temples.
Finally the writers Tim Wallace Murphy and Marilyn Hopkins argue in their book ‘Rosslyn’ that Rosslyn Chapel is the destination of a pilgrimage route from Santiago de Compostella leading along French cathedrals including the cathedral of Toulouse, Orléans, Chartres, Notre Dame de Paris and Amiens. As we have been demonstrating in our research also the Chartres cathedral that has been built with the aid of the Knights Templar contains the same esoteric knowledge about the Great Celestial Conjunction around 2012. Compostella means campus stellea (field of stars) and as such can be associated with the Milky Way. I therefore believe that the pilgrimage symbolizes a journey along the Milky Way with the solar temple Rosslyn Chapel as its destination.
It seems that the Knights Templar discovered this rare event in the precession cycle that was of great importance to the ancients and is also known to the indigenous American Indians. According to the Maya this astronomical event taking place on the 21st of December 2012 signals the end of one era and the start of another, it heralds a new World Age.
I believe that the four and eight pointed crosses form the true ‘Da Vinci Code’ of Rosslyn Chapel; it reveals secret knowledge about the Great Celestial Conjunction that must have been known to the Knights Templar and the secret brotherhoods that originated from them like the English freemasons.
Jan Wicherink
The Great Celestial Conjunction is explained in my free e-book 'Souls of Distortion Awakening', now available also in a pocket edition
|
|
|
MUY BUENA PAGINA PARA ESTUDIAR
|
|
|
|
|
|
LA PIRAMIDE DE LOUVRE ESTA DISEÑADA EN FUNCION AL ORTO HELIACO DE SIRIO, YA QUE ESTA ALINEADA CON EL ARCO DEL TRIUNFO DE CARROUSEL Y ETOILE
EL COMPLEJO LOUVRE ES UNA REPLICA AL COMPLEJO GIZE, EN EL MARCO A LA ESFINGE QUE TIENE RELACION CON UN LEON E INCLUSO CON EL MISMO VATICANO, EN EL MARCO A LA RELACION FILADELFIA / SIRIO , TAMBIEN CON REFERENCIA AL ESTE DEL TEMPLO DE SAN PEDRO.
La Pirámide invertida del Louvre y “El Código Da Vinci”.
La sala donde se encuentra la pirámide Invertida del Louvre.
Hace ya algunos meses, el pasado 7 de Abril, escribí un post titulado “La pirámide de I. M. Pei” en referencia a la famosa Pirámide del Louvre que ocupa el centro del Cour Napoleon y sirve, hoy día, de entrada principal al recinto museístico.
Advertí también, entonces, de la existencia de una segunda pirámide mucho menos conocida y mucho más enigmática que la ya mencionada.
A este enigma ha contribuído el libro “El Código Da Vinci” de Dan Brown, otorgándole un grado de notoriedad esotérica y religiosa que anteriormente no tenía.
Desde entonces, esta pirámide ha sido considerada como uno de los puntos de la ciudad más importante para visitar por los turistas llegados a la capital de Francia en busca de referencias físicas para la comprensión de dicho libro.
Nos estamos refiriendo a la Pyramide Inversée o Pirámide Invertida del Louvre.
Desde el exterior del edificio no es fácil distinguir la posición de la Pirámide Invertida, que como su nombre indica, es una pirámide que nace a ras de suelo y el vértice superior, en este caso inferior, está en el subterráneo.
Si nos situamos en el Arco del Triunfo del Carrousel y fijamos nuestra mirada en la Pirámide principal, nos encontramos a mitad de camino con una rotonda que soporta una gran circulación de vehículos, es la Place du Carrousel. Aparentemente es una rotonda como otra cualquiera que tiene en su circunferencia unos setos de aproximadamente un metro de altura. Pues bien, estos setos enmarcan la base cuadrada de la Pyramide Inversée.
El seto de la rotonda oculta la estructura de cristal y acero de la pirámide Invertida.
Al igual que la principal, está fabricada en acero y cristal y su inclinación es de 51º, como las pirámides egípcias.
El vértice inferior de la misma no llega al suelo, sino que se queda aproximadamente a un metro y medio de distancia del mismo.
Justo debajo de la estructura modernista de cristal y acero, se construyó una pequeña pirámide de piedra que cubre esa distancia, dejando de separación entre ambos vértices el espacio aproximado de una cabeza.
A esta pequeña pirámide se refiere Dan Brown en su libro como el lugar donde se encuentra el misterio del Santo Grial, la tumba de María Magdalena.
A este punto, situado en el subterráneo del Museo del Louvre viajan al año millones y millones de turistas, unos simplemente para admirar la belleza de su construcción, otros, por el contrario, para conocer el lugar que el autor norteamericano eligió como escondite secreto del Santo Grial en su obra más conocida.
Después, muchos, reflejan su descontento al conocer la realidad de la construcción y la ficción del episodio novelado.
Antes de ver el texto donde aparece esta escena, si quieres conocer otros artículos publicados sobre París y “El Código da Vinci” puedes pinchar aquí La Virgen de las Rocas y “El Código Da Vinci”, o aquí En Saint Sulpice, “El Código Da Vinci” miente, o aquí “La Rue Haxo y El Código Da Vinci”.
El texto de El Código da Vinci dice así en sus dos últimas páginas:
Ahora, avanzando a toda prisa por la Rué de Rivoli, Langdon sentía que su destino estaba cerca. A menos de una travesía.
Bajo la antigua Roslin el Grial con impaciencia espera tu llegada. Las revelaciones parecían sucederse las unas a las otras. La manera antigua de escribir Rosslyn… la espada y el cáliz… la tumba adornada por artes de maestros. «¿Era por eso por lo que Saunière tenía que hablar conmigo? ¿Había adivinado yo la verdad sin saberlo?» Empezó a correr, sintiendo que la Línea Rosa bajo sus pies le guiaba, le empujaba hacia su destino. Al entrar en el largo túnel del Passage Richelieu, el vello de la nuca empezó a erizársele de la emoción anticipada. Sabía que al final de ese túnel se encontraba el monumento más misterioso de París, concebido y encargado en la década de 1980 por la esfinge en persona, Francois Mitterrand, un hombre del que se rumoreaba que se movía en círculos secretos, un hombre cuyo legado final a París había sido un lugar que Langdon había visitado hacía sólo unos días. «En otra vida.» Con un esfuerzo final, Langdon salió del pasaje, llegó a una explanada que le resultaba familiar y se detuvo. Sin aliento, levantó la vista muy despacio, con cautela, intentando abarcar la brillante estructura que tenía delante. «La Pirámide del Louvre.»
Iluminada en la oscuridad. La admiró sólo un instante. Estaba más interesado en lo que le quedaba a la derecha. Se volvió y notó que una vez más los pies se le movían solos por el camino invisible de la antigua Línea Rosa y lo llevaban hacia el Carrousel du Louvre —el enorme círculo de césped rodeado en su perímetro por unos setos bien cortados—, en otro tiempo escenario de primitivas fiestas de culto a la naturaleza… alegres ritos de celebración de la fertilidad y la diosa. Al meterse entre los setos y acceder a la zona de césped, Langdon se sintió como si estuviera entrando en otro mundo. Aquel suelo horadado estaba rematado en la actualidad por uno de los monumentos más atípicos de la ciudad. En el centro, hundiéndose en la tierra como un abismo de cristal, se encontraba la pirámide invertida que había visto hacía unos días al entrar en el la zona subterránea del Louvre. «La Pyramide Inversée.» Tembloroso, se fue hasta el borde y contempló el museo que se extendía a sus pies, iluminado por una luz dorada. No sólo se fijaba en la impresionante pirámide invertida, sino en lo que había justo debajo. Ahí, en el suelo de la sala se veía una estructura minúscula, una estructura que Langdon mencionaba en su texto. La posibilidad de que aquello pudiera ser cierto lo mantenía plenamente despierto. Volvió a alzar la vista y contempló el museo y notó que sus enormes alas lo rodeaban… aquellos pasillos llenos de las mejores obras de arte… Leonardo da Vinci, Boticcelli… Adornada por artes de maestros, ella reposa al fin en su morada. Maravillado, miró hacia abajo una vez más a través del cristal y vio la diminuta estructura. «¡Tengo que bajar como sea!» Salió de allí y cruzó la explanada en dirección a la pirámide que hacía las veces de entrada al museo. Los últimos visitantes de aquel día ya iban saliendo. Empujó la puerta giratoria y bajó por la escalera circular. Notaba que el aire se iba haciendo más fresco. Al llegar abajo, entró en un largo túnel que, bajo el patio del Louvre, llegaba a La Pyramide Inversée.
Al otro lado del túnel había una sala grande. Delante de él, colgando desde las alturas, estaba la pirámide invertida, un asombroso perfil triangular hecho de cristal. «El cáliz.» Los ojos de Langdon siguieron su forma decreciente desde la base hasta la punta, suspendida más de dos metros por encima del suelo. Y ahí, justo debajo de ella, se encontraba la diminuta estructura. Una pirámide en miniatura. De apenas un metro de alto. La única cosa en aquel inmenso complejo que se había hecho a pequeña escala. El ensayo de Langdon, además de tratar sobre la colección artística dedicada a la diosa que albergaba el museo, hacía un breve comentario sobre aquella discreta pirámide. «Esa estructura en miniatura sobresale del suelo como si fuera la punta de un iceberg, el ápice de una enorme sala piramidal sumergida debajo como una cámara oculta.» Iluminadas con la luz tenue de aquel sótano desierto, las dos pirámides se apuntaban la una a la otra, y sus puntas casi se tocaban. «El cáliz encima. La espada debajo.» Custodios y guardianes de sus puertas serán por siempre el cáliz y la espada. Langdon oyó las palabras de Marie Chauvel. «Un día lo entenderás.» Estaba ahí de pie, bajo la antigua Línea Rosa, rodeado de «artes de maestros». «¿Qué mejor lugar que aquel para que Saunière pudiera estar siempre vigilante?» Ahora, al fin, le parecía que entendía el verdadero significado de los versos del Gran Maestre. Alzando los ojos al cielo, miró a través del cristal. La noche estaba cuajada de estrellas. Y el manto que la cubre en su descanso no es otro que la bóveda estrellada. Como los murmullos de los espíritus en la oscuridad, resonaron unas palabras olvidadas. «La búsqueda del Grial es literalmente el intento de arrodillarse ante los huesos de María Magdalena. Un viaje para orar a los pies de la descastada, de la divinidad femenina perdida.» Con repentina emoción, Robert Langdon cayó postrado de rodillas. Por un momento le pareció oír la voz de una mujer… la sabiduría de los Tiempos… que susurraba desde los abismos más profundos de la tierra. FIN.
Vista aérea del recinto palacial del Louvre. Junto al círculo rojo podemos ver el cristas superior de la pirámide Invertida del Louvre. El tráfico rodado y unos altos setos impiden apreciarla desde la calle.
* Si te ha gustado este post, puedes pinchar en “me gusta”, o retwittearlo, o quizá incluirlo en tu página de Facebook. Un sólo click ayudará a difundir este blog y su contenido. No es más que un segundo. Muchas gracias por tu visita y por dedicarnos tu tiempo.
https://aparisconelena.wordpress.com/2014/07/10/la-piramide-invertida-del-louvre-y-el-codigo-da-vinci/
|
|
|
|
LA LANZA DE LONGINO.-FUERTE RELACION ESOTERICA CON EL SANTO GRIAL
Éxodo 15:3: Jehová es varón de GUERRA; Jehová es su nombre.
Versiculo en contexto al EXODO DE EGIPTO y al cantico de MARIA Y MOISES. ES OBVIO EL NEXO DE LA TORA DE EGIPTO CON EL PLANETA MARTE.
153=MARIA LA MAGDALENA
En Babilonia fue el cuento Solar de la diosa-pez Derceto/Atargatis con el dios Oannes/Joannes, también incluyendo a Nammu y Tiamat. En el cuento Bíblico, como Jesús, nacido de María, de donde viene Marino, o donde viene el agua se le envió a través de Oannes/Jonah, quien alegóricamente hizo la misma hazaña dentro del Útero/Tumba del Mamífero marino más grande del mundo.
Yahweh concluyó igualmente en el Antiguo Testamento, subyugando a la Serpiente marina Leviatán ( “Ballena" en hebreo). La sediciosa evolución del historiador natural, Charles Darwin también dio énfasis a esta creencia implicando que el útero gestante del acuoso gestando era igualmente interdependiente de los ritmos lunares de las mareas, vinculando nuestra herencia y orígenes al mar.
"porque, cuando Jonás estaba en la barriga del pez tres días y tres noches, así el Hijo de Hombre estará en el corazón de la tierra tres días y tres noches".
- Mateo12:40
Como acompañado por la historia del pez de Jesús, ayudando milagrosamente a sus discípulos a hacer una captura de 153 peces, este mismo hecho también es extrañamente logrado por Pitágoras quinientos años más temprano en una antigua leyenda registrada por el neo-platonista Porfirio. El propio Pitágoras prediciendo el número exacto de peces a ser cogidos, con el número 153 siendo un número sagrado Pitagórico, asociado con el "Vesica Piscis" o "Envase del Pez ".
GUERRA/ MARTE / MARTILLO / MARCOS
¿PORQUE LA DIVINIDAD DISEÑO CON ESTE DISEÑO GEOMETRICO LOS DOS OJOS QUE TENEMOS? ¿QUE MENSAJE NOS QUIERE DAR YHWH? VESICA PISCES TIENE RELACION CON EL NUMERO 153.
EL 15/3 EN LA IGLESIA CATOLICA ES EL DIA DE SAN LONGINO
San Longinos fue el centurión que por órdenes de Poncio Pilato, estuvo con otros soldados al pie de la cruz de Nuestro Señor y el que traspasó su costado con ...
San Longinos, Mártir 15 de Marzo. San Longinios fue el centurión que por órdenes de Pilatos, estuvo con otros soldados al pie de la cruz de Nuestro Señor y el ...
Longino (santo)
De Wikipedia, la enciclopedia libre
San Longinos o Longino de Cesarea fue, según algunas tradiciones cristianas, el soldado romano que traspasó el costado del cuerpo de Jesús con su lanza; conocida como La Santa Lanza. El individuo no tiene nombre en los evangelios que relatan el hecho, pero suele identificarse con el centurión que, ante la muerte de Jesús, exclamara: “En verdad este era el Hijo de Dios”.[1] La leyenda de Longino se originó en la Baja Antigüedad y el Medioevo, agregando datos sobre su vida, su nacimiento en Lanciano, Italia, conversión al cristianismo y su muerte, hasta llegar a ser considerado un santo por la Iglesia Católica y otras comuniones cristianas.
Hay una obvia interrelacion de la LANZA DE LONGINO, CON LA SANGRE DE CRISTO, OSEA EL GRIAL MISMO. En funcion a EXODO 15:3 en el contexto a que JEHOVA ES LA GUERRA/MARTE es obvio la interrelacion del rojo/sangre/Longino. ¿Porque justo en la IGLESIA CATOLICA EL SANTORAL DE dicho santo es el 15/3 o 15/MARZO=MARTE? Porque le insisto amigo. YHWH NO TIRA LOS DADOS. ESTA TODO CODIFICADO.
El gran error de la tradicion religiosa es la DEMONIZACION DE LA CULTURA EGIPCIA cuando observamos que en la misma esta el secreto del GRIAL. Es que MARIA LA MAGDALENA SIMBOLIZA a todas las naciones gentiles demonizadas por la tradicion religiosa, aunque en este aspecto la IGLESIA CATOLICA ES LA MAS DESARROLLADA. LOS PROTESTANTES SON MAS FARISEOS EN ESTE CONTEXTO.
LA CLAVE DE LA LANZA DE LONGINO EN UN CONTEXTO KAVALISTICO ESTA EN SU INTERRELACION MATEMATICAS CON LA ASUNCION DE LA VIRGEN. El 15/3 es el dia numero 74 del calendario gregoriano y si le sumamos justamente dicho numero llegamos al 227, que es justamente insisto, el 15/8, osea el dia que la iglesia catolica, por su origen egipcio, determino la ASUNCION DE MARIA que en realidad es MARIA LA MAGDALENA. No descarto que TEOLOGOS DE ALTO RANGO DEL CATOLICISMO SEPAN QUE MARIA EN REALIDAD ES LA ESPOSA DE CRISTO. ¿EL MUNDO ESTA PREPARADO PARA ESTE TIPO DE PREDICA?
JUAN MARCOS/
MARTE/MARTILLO/GRIAL
|
|
|
|
Pennsylvania Avenue
|
Several people have pointed out, and others have produced their own cut and paste versions of the story, that Sirius appears on the horizon, not far from the opposite axis; that is looking at the sunrise over the Capitol as seen from the WH.
My intention here, is to point out that it is a stretch of the truth to say that "Pennsylvania Avenue aligns with the rising Sirius, like the axis of the Egyptian temple at Dendera". But that's the extreme version of this tale.
Of course you can check for yourself by going to "Your Sky", changin the settings to 39 north and 78 west, and clicking 'make sky map'. Click 'view horizon', set the field of view to 65 degrees and the time for 0:20 on 01-01 and hit update. Now you can advance the time and get a good idea of what the southeastern sky looks like on New Year's at DC. Note that Sirius rises very near the ESE marker, which is 112.5 degrees azimuth, or 22.5 degrees south of due east.
Hoovering
Let's look first at the more loosely worded version of that. In "DaVinci in America", a book that claims to unlock the secrets of Dan Brown's next book before it even comes out, we read:
"Authors Graham Hancock and Robert Bauval raise the possibility of an alignment along Pennsylvania Avenue, between the White House and the site of the Capitol building (Jenkins Hill), with the rising of the brightest star in the sky, Sirius... (They) point out that any observer looking along Pennsylvania Avenue at dawn in 1793 would have seen Sirius 'hovering' over the proposed site of the Capitol, a feature they believe could not have been missed by individuals like the astronomer Ellicott.
"That such portentous astral symbolism could have gone unnoticed by the group of important Freemasons and astronomers who planned Washington and decided the locations of its principal structures, seems most unlikely."
This phrase "hovering over the proposed site" is what I want to question. Since the CB is 180 feet tall, this is not saying that the star hovers over the building, just the end of the avenue. You see people claiming that it rises over the Capitol Building, which it does not.
[Please note that at one mile, a variation or deflection of 1 degree is 91 feet wide; meaning at the mile and a half between the CB and WH, a degree is 135 feet wide or off.]
22 degrees
At opencheops.org we see:
"The alignment of roads is very obvious. The city of Washington’s main alignment is of course Pennsylvania Avenue, which links up Capitol Hill with the White House... It is aligned approximately 22 degrees to the North of West and several people have pointed out that there is possibly a solar alignment in consideration here. There is a lot of work being done on this by a British author David Ovason. He has noted that the sun, on a particular day in August, is in alignment with Pennsylvania Avenue.
Now the alignment of 22 degrees North of true West... is the alignment of Pennsylvania Avenue, (which) amazingly falls, if... passed over the Capitol and extend it eastward... is the position at sunrise of the star Sirius. Now that this is a coincidence is highly unlikely."
Of course the author means to say the rising of the star and not the "sunrise" of it, but we get the point- Penn Ave and the rising of Sirius (as seen from the WH) are 22 degrees south of due east. Note that the meaning that people are reading into the avenue is that is it essentially a solar alignment tool. Ovason's "one day" arguement holds no water, because he is just aiming at a constellation (30 degreres of the sky). The Sirius one depends on what we want to accept as an alignment.
21 degrees
In home.hiwaay.net we read:
"The 21° angle of Pennsylvania Avenue south of due east has pointed to the rising point of Sirius at the latitude of Washington D.C. since the avenue was laid out over 200 years ago. Looking southeast down Pennsylvania Avenue, Sirius rises directly over the Capitol building."
OK, first the author gives us a different angle, which may mean that he was finding a rounded off figure for the azimuth of Sirius when it rises at the latitude of DC. Next we are told that the avenue was "pointed to the rising point of Sirius" when it was laid out, which indicates a monument on the ground, not in the air. Next we see that it rises "directly over the Capitol building". Our monument for this one is considerably eleveated from the previous assertion.
Refer to the image at the top of the page as you read more from this page; note that the stars move to the right and up as they rise (2 oclock), and that Sirius is following Orion.
"Orion's belt points towards Sirius, the brightest star in the sky, and while Orion is rising and low on the eastern horizon. Higher in the sky, Orion is also above Sirius and above the Capitol building from the viewpoint of Pennsylvania Avenue as Sirius rises over the horizon."
He says here that Orion as well as Sirius can be seen above the Capitol. Doesn't it seem that, if this were true, that someone would be posting images of this?
19 Degrees
Here is a page that deals with the East Building of the National Gallery of Art, located on Penn Ave in Washington DC. The website has pictures of what they call the 19 degree corner of that building. Here's a quote from there:
"The West entrance and the famous 19 degree corner. The smaller right triangle, the 19 degree corner of which repeats the angle formed by Pennsylvania Avenue and the Mall, is seen at the center below and in the rows below."
[A three degree variation of estimates of the azimuth of PA gives us a 400 foot range. The Capitol of 751 feet wide, so half of that is 375. The variation of three degrees is wider than the half width of the building.
19.5 Degrees
The conspiracy contingent tends to support a value of 19.5 degrees, very close to what the people at the National Gallery are claiming; and they offer images like this as support, with half of 39 being 19.5
Remember that the Washington Monument does not bisect this 39 degree angle, as it was located 123 feet to the south of due west from the Capitol.
A
The notion of Over the Capitol Building doesn't work well, when you look at images of that. In this image you can see Sirius as it breaks the horizon, and Orion is indeed right above it; but the belt doesn't really point to Sirius.
The above image puts it between 105 and 120 east, that's 15 and 30 degrees south of due east. The image below (with a little terrain) puts it right ae ESE, that is 22.5 degrees south of due east.
Adding a bit of a hill puts it even further south.
It's beginning to look like someone read something and went to a book and found the fact that they needed, 22.5 degrees, and claimed that the avenue matched that in one of a sortment of ways. As it turns out, at a mile and a half, 3 degrees (22.5 - 19.5) produces a displacement of about 400 feet, but the Capitol Building is only 750 feet long, so, at best, Sirius at 22.5 would be to the right of the southeast corner of the CB.
And the fact that it moves right in our field of view (see image above) prohibits it from ever being over Pennsylvania Avenue or the Capitol Building, which is anothjer 180 feet tall, above it's 88 foot elevation off of the river. Note that the image at the top of the page represents Orion and Sirius as they pass the meridian, due south; in this view, Sirius clearly follows Orion who faces the Bull (see Aldeberan).
Virginia Avenue
On a webpage named "Secrets of America's Founding" there is an excerpt from a 1994 book that makes another claim about a solar alignment in the DC map:
"Just as ancient sites such as Stonehenge are aligned to the positions of the sun and moon, the same is true of the Washington Monument. For example, a line of sight for the winter solstice can be established from the top of the monument to the southeast, down Virginia Avenue." 1994 "The Deeper, Secret Roots of America's Founding"
The total solar arc in DC is 62 degrees, meaning that the winter solstice sunrise occurs 31 degrees south of due east there. If you look at the above image you can see that Virginia Avenue, running southeast from the Wash Mmt, parallels the middle section of Penn Ave (between the CB and WH), which we just determined is running about 20 degrees south of due east. It is Not True that Virginia Ave aligns with the winter solstice sunrise.
|
|
|
|
|
milky way in Simple Gematria Equals: 119 |
( |
m 13 |
i9 |
l 12 |
k 11 |
y 25 |
0 |
w 23 |
a1 |
y 25 |
) |
queen mary in Simple Gematria Equals: 119 |
( |
q 17 |
u 21 |
e5 |
e5 |
n 14 |
0 |
m 13 |
a1 |
r 18 |
y 25 |
|
hebrew calendar in Simple Gematria Equals: 119 |
( |
h8 |
e5 |
b2 |
r 18 |
e5 |
w 23 |
0 |
c3 |
a1 |
l 12 |
e5 |
n 14 |
d4 |
a1 |
r 18 |
mary magdalene in Simple Gematria Equals: 119 |
( |
m 13 |
a1 |
r 18 |
y 25 |
0 |
m 13 |
a1 |
g7 |
d4 |
a1 |
l 12 |
e5 |
n 14 |
e5 |
MILKY WAY/VIA LACTEA/GALATAS/GALAXIA
MARY MAGDALENE ES NUESTRA MADRE
YHWH TIENE TODO CODIFICADO PARA QUE LE GLORIFIQUEMOS Y LE ADOREMOS. LA VIA LACTEA TIENE UN FUERTE NEXO CON EL GRIAL. EL CRUCE SAGITARIO/EAGLE/AGUILA TIENE UN FUERTE CONTEXTO GALACTICO.
105. Salmos 119:142: Tu justicia es justicia eterna,Y tu ley la VERDAD.
106. Salmos 119:151: Cercano estás tú, oh Jehová, Y todos tus mandamientos son VERDAD.
107. Salmos 119:160: La suma de tu palabra es VERDAD,Y eterno es todo juicio de tu justicia.
252. Juan 8:32: y conoceréis la VERDAD, y la VERDAD os hará libres.
NO CONSPIRE MAS CONTRA LA VIUDA
274. Juan 8:7: Y como insistieran en preguntarle, se enderezó y les dijo: El que de vosotros esté LIBRE sin pecado sea el primero en arrojar la PIEDRA contra ella.
EINSTEIN (SIGNIFICA PIEDRA)
¿CASUALIDAD O CAUSALIDAD?
EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENCES
Teniendo en cuenta que en el año 2001, en el contexto a luna nueva en luna llena, el 11 de septiembre cayo en YOM KIPUR, osea el dia del juicio. En funcion a JUAN 8, cuando los fariseos le tiraban piedras a la ramera, la referencia de la misma ES EL CHIVO EXPIATORIO DEL DIA DE LA EXPIACION. OSEA QUE LOS FARISEOS BUSCABAN UN CHIVO EXPIATORIO EN LA RAMERA. Es notable la interrelacion de JUAN 8 CON LOS DOS TESTIGOS, osea una fuerte referencia al 11 de septiembre a las DOS TORRES GEMELAS E INCLUSO AL NOVENO MANDAMIENTO. Sabemos que segun levitico 25, EL JUBILEO COMENZABA EN EL DIA DE LA EXPIACION, osea el 9/10 del septimo mes hebreo, osea que hay una relacion del mismo con EL CHIVO EXPIATORIO. Sabemos que segun levitico 25, insisto, habia 7 años sabaticos y el año 50 era de jubileo, que era el año de la liberacion espiritual y economica. Si le sumamos 50 años al 11 de septiembre del 2001, es notable que en el mismo 11 de septiembre DEL AÑO 2051 cae en el 22/7 o 22 del septimo mes hebreo, que segun LEVITICO 23:33,36 ERA EL DIA DEL REGOCIJO EN LA LEY DE DIOS, EN EL CUAL LOS JUDIOS LEEN EL SALMO 119, MUY RELACIONADO CON EL 11 DE SEPTIEMBRE. OSEA QUE EL PATRON DEL NUMERO 8, en la creacion divina tiene este nexo, OSEA UNA REFERENCIA AL JUBILEO. HAY UNA CLARA REFERENCIA A LA CONSTELACION DE LEO EN EL MISMO TERMINO JUBI-LEO. EN ESTE MARCO, LOS OCHO DIAS DE LA CREACION ("MAQUINA DEL TIEMPO"), ES OBVIO QUE TIENE ESTE NEXO. ESTE PATRON NO ES POR CASUALIDAD. OSEA QUE ES OBVIO QUE JUAN 8 (NO ES CASUALIDAD QUE ES JUSTO EL NUMERO 8) TIENE ESTE MARCO. EL PERIODO DE 50 AÑOS (618 CICLOS LUNARES OSEA MUY RELACIONADO CON EL NUMERO PHI=1.618) TIENE ESTA CONNOTACION. ESTE PATRON ES MUNDIAL. ESTA EN TODAS LAS CULTURAS YA SEA GIZE, TEOTIHUACAN, LOUVRE, VATICANO, ETC,ETC,ETC. LA ESTRELLA DE 8 PUNTAS DEL VATICANO, EN EL MISMO ESTE DEL TEMPLO DE SAN PEDRO, TIENE ESTA REFERENCIA.
LOS 8 DIAS DE LA CREACION SON UNA REFERENCIA A LOS 7 AÑOS SABATICOS, OSEA 49 AÑOS MAS EL AÑO DE JUBILEO, QUE ERA EL AÑO 50 QUE JUSTAMENTE COMENZABA EN YOM KIPUR, EL DIA DEL JUICIO. LA REFERENCIA 11/7, EN EL MARCO AL 11 DE SEPTIEMBRE, TIENE RELACION CON LA GRAN PIRAMIDE COMO HE EXPUESTO EN MENSAJES ANTERIORES, CON REFERENCIA AL RADIO DE LA TIERRA MAS EL RADIO DE LA LUNA.
EL ALFA Y EL OMEGA, SON UNA REFERENCIA AL SALMO 119, EL SALMO MAS LARGO DE LA BIBLIA, MUY RELACIONADO CON EL 11/9 O 9/11.
|
|
|
|
|
¿CRISTO NACIO EN EL ORTO HELIACO DE SIRIO?
REDATING THE BIRTH OF THE COSMIC CHRIST
We have seen repeatedly how the early Gentile Church adopted for the birth of "Jesus"December 25th as the Winter solstice and we have seen repeatedly how this was connected with the Ancient's understanding of the birth or "rebirth" of the Sun from the dead.
But throughout history there has been a belief that somewhere in the world (most likely in the East) there exists a brotherhood, or order of initiates, secretly guiding the destiny of mankind. Towards the end of the last century a number of intrepid explorers, mostly Russians and including such well-known esotericists as Madame H.P. Blavatsky, Alexandra David-Neale, P.D. Ouspensky and G.I.Gurdjieff scoured the East in search of these "Masters of Wisdom". Today modern scholarship has found traces linking this lost brotherhood with the Magi story of Matthew's Gospel. Evidence suggests that the Magi were expecting the birth of a King/Messiah not on our so-called Christmas Day of 25th of December, (which is in any case based on the old pagan festival of the Birth of Mithras) but rather on 29th July 7 BC. On this day there was a special configuration in the sky. Each year at that time the Sun would rise in the "King's Birthday" position: conjunct with the "Little King" or "Lion Heart" star of Regulus in Leo. At the same time, just prior to the dawn, Sirius, the brightest star in the sky, would make its first appearance after a period of invisibility. According to the mythology of Egypt, Sirius was the special star of the goddess Isis. Her reappearance represented the goddess coming out of confinement to give birth, at dawn. to her son Horus, represented by the Sun-conjunct-Regulus.
The mythology behind this arrangement of stars was Christianized by the early church so that Sirius now represented Mary giving birth not to Horus but to her own son, Jesus, symbolized as the dawn Sun. Other stars visible at dawn on that day are also significant. Orion, which in Egypt represented Osiris, the consort of Isis now became Joseph. The star Procyon, which like Sirius rises after Orion, had probably represented Isis's sister Nephthys. It now became the ‘mid-wife’, who also appears in some of the Nativity stories. Adrian Gilbert in his Magi: The Quest for a Secret Brotherhood has interesting insights for the interested student that I highly recommend.
Rev. Robert Taylor believes states in his Devil's Pulpit that there are the four royal stars, as they were through eternal ages of by-gone time, located in the visible heavens, to mark the place which the Sun nears or approaches, as he annually divides to us the four seasons of the year. Regulus is one of the four Royal Stars of the ancient Persians. The other three are Aldebaran, Antares and Fomalhaut. There are four because there are but four seasons of the year, over which these four royal Stars preside. Many scholars believe the names of Matthew, Mark, Luke, and John are the names derived from these 4 royal stars since their names are never found in the language of any Jewish nation upon earth and only surface connected with the Gospels that bear them today after 180 A.D. Out interest is with Regulus in the constellation Leo. Regulus is believed to be the origin for the Saint Matthew, or Cor Leonis, the heart of the lion, which the Sun enters about the 2nd of July, and leaves about the 23d of August, when the earth begins to give her fruits; and thence this Star gets the name of Saint Mat Thew, which is, most literally, the Sun, the gift, the God, the most expressive designation of the Sun's bounty, and of the heat at that season. And here is Matthew, not only with his lion, but in his lion, the very heart of the lion.
After Leo comes Virgo the virgin of the harvest season. Summer passes, the story of Jesus’ journeys continues. We eventually come to the end of Summer, the month of August, and it's harvest time! Harvest time is the best time of the year, the time we’ve all been waiting for. In August the Sun has moved out of Leo, the strong lion of summer, and into a new constellation that represents the harvest, that food which grows out of the virgin soil of the earth. Hence the constellation for harvest time is a female virgin holding a sheath of wheat. The constellation the Sun enters in August is Virgo, the eternal celestial virgin, holding a sheath of wheat representing harvest time. Farmers who till the fields are said to be wedded to this celestial virgin for which they wait for each year. Thus they are known as "husbandmen," and their tools such as tractors are known as implements of husbandry. It is time we move on to the study of Virgo and trace the movement of Jesus in the "Jesus Story" as we further find that he is the personified Sun in its path through the Zodiac.
Answer for yourself: What have we seen? I think it is becoming rather certain by now that the "Jesus Story" is actually an allegory for what would naturally be the oldest and most important story humans would notice and write down, that of the annual passage of the seasons of the year and the Sun through its path through the various constellations of the Zodiac as well as the influence of other stars upon it throughout its yearly cycle.
Let us continue with the next article in this series.
BET EMET MINISTRIES
Hebrew For "The House Of Truth"
Craig M. Lyons Ms.D., D.D., M.Div.
bennoah1@verizon.net
In our CD of all our websites contained on one disk we provide a "study plan" for the student and give detailed instructions as how to study these websites "in order" to facilitate one's study. Please inquire for the CD for such thorough study will take you some time if you ever hope of cracking the "Jesus Puzzle" and coming to the answer of the question: "Who do men say I am?" Hidden in this study is the manner by which you, a Christian, can come to the point in your life where the true power and demonstration of the Power of God in your life can be found and experience, where you can "say" to the mountains in your life "be gone" and they really flee. Just ask my wife who raised the Christ to life in her life, in a few short months, to reverse a disease process in her body and is alive today when medical science said otherwise. A mistaken literal and historical understanding of the sacred Scriptures "killeth," but a "mystical" and "metaphysical" understanding of the true indwelling Christ in you, as the real St. Paul teaches, raises you from the dead in this Earthly life and gives you the power and demonstration of the Power of God in your life. No tricks here, but just truth, truth kept from us by less than truthful group of men that changed the original understanding of the Ancient Wisdom to keep humanity ignorant and in fear, thus selfishly controlling them when they no longer had enough swords to do so. Don't let this ignorance of the truth continue in your life. It is time to experience the resurrection of Christ from the dead in you NOW!
- Bet Emet Ministries
- Rev. Craig Lyons Ms.D., D.D., M.Div.
- 902 Cardigan
- Garland, Texas 75040
- Home: 972-496-4238
- Cell: 972-480-7690
- E-Mail: bennoah1@verizon.net
|
|
|
|
Just some thoughtsthere are three pyramids at the Louvreone large one and two smallerthree pyramids of GizaGiza pyramids superimposed over the three stars of Orion's Beltthe Giant with the club in the starsOrion correlation theoryThe stars of Orion were associated with Osiris, the sun-god of rebirth and afterlife, by the ancient Egyptians.The Sphinx is a representation of the constellation Leothe pattern of stars that is "frozen" on the ground at Giza in the form of the three pyramids and the Sphinx represents the disposition of the constellations of Orion and Leo as they looked at the moment of sunrise on the spring equinox during the astronomical "Age of Leo" (i.e., the epoch in which the Sun was "housed" by Leo on the spring equinox.) Like all precessional ages this was a 2,160-year period. It is generally calculated to have fallen between the Gregorian calendar dates of 10,970 and 8810 BC. (op. cit., p.189)The Last day of Cancer is 7/22 and the first day of Leo is 7/227/22 is the feast day of Mary MagdaleneA date of 10,500 BC is chosen because they maintain this is the only time in the precession of the equinoxes when the astrological age was Leo and when that constellation rose directly east of the Sphinx at the vernal equinox. They also suggest that in this epoch the angles between the three stars of Orion’s Belt and the horizon was an “exact match” to the angles between the three main Giza pyramidsThis time period also coincides with the American psychic Edgar Cayce’s “dating” of Atlantisfrom Ben Hammotts sitethe fringe around Magdalene is yellow triangles or pyramid like shapesthe mountain in the background has a look of a pyramidthe cloud in the background has a sphinx like appearance"At the Cross her station keeping, stood the mournful Mother weeping, close to Jesus to the last". there are two women at the cross seen both named Mary and both possibly Mothers the M stands for Mother and MaryA document, possibly written by Ermengaud of Béziers, undated and anonymous and attached to his Treatise against Heretics, makes a similar statement.The 13th-century Cistercian monk and chronicler Peter of Vaux de Cernay claimed it was part of Catharist belief that the earthly Jesus Christ had a relationship with Mary Magdalene, described as his concubineAlso they [the Cathars] teach in their secret meetings that Mary Magdalene was the wife of Christ. She was the Samaritan woman to whom He said, "Call thy husband." She was the woman taken into adultery, whom Christ set free lest the Jews stone her, and she was with Him in three places, in the temple, at the well, and in the garden. After the Resurrection, He appeared first to her.http://en.wikipedia.org/wiki/Mary_Magdalenethe church of Magdalene is located in Cathar countryperhaps this was the most dangerous secret the Cathars
_________________ Everything is Connected and there are no coincidences
|
|
|
Primer
Anterior
22 a 36 de 66
Siguiente
Último
|
|
|
|
©2024 - Gabitos - Todos los derechos reservados | |
|
|