SUIZA (GENEVA/GINEBRA)/GEN DE EVA-NEXO CON EL VATICANO (CIUDAD DE 7 COLINAS)/ PLEYADES/ CONSTELACION DEL TORO/ TOROIDE / ANILLO / ACELERADOR DE PARTICULAS (ANGELES Y DEMONIOS) - BANCO / ANK / J-ANUK-AH / PLEYADES

The "Last SUPPER / UPPER Room" alchemical code -Part 1-

 

THE "UPPER ROOM" AS MULTI-DIMENSIONAL ASCENSIONAL POD (DOME)

in Leonardo Da Vinci / Bramante & Stanley Kubrick

 

(Mark: 14:13 -"Go ye into the city, and there shall meet you a man bearing a pitcher of water: follow him.

 And wheresoever he shall go in, say ye to the goodman of the house, The Master saith, Where is the guestchamber, where I shall eat the passover with my disciples?  And he will shew you a large 

upper room furnished and prepared: there make ready for us-")

A crucial tale-telling deleted scene from Kubrick's "2002 A Space Odyssey" depicts a painting class; observe the WHITE grid ceiling, the GREEN carpet, the BLUE walls and oval WATER pool, and the RED-ORANGE dresses, all which below you will find in the ethereal "Upper Room" ending scene of the film.

 

Notice the exact same painting format as the Kubrick film screen, this is Leonardo Da Vinci's earliest finished work: the Annunciation. Pay attention to the Renaissance piece of furniture, replicated by Kubrick's ending scene.

Black Monolith as etheric Grid Matrix ("Square") ; White Pod/Dome as Celestial Alignment ("Circle")

*{ -Mark "14:13" as pun of the Squaring of the Circle defined by Number PI=3.14 ('PI-tcher')- }*

     The only DOOR where astronaut David BoW-man comes from shows the Blue color of the Bath (symbolizing W-ater, and B-aptism; "BOW-man" as "Water & Baptism Man". But in a sarcastic pun, Kubrick uses the astronaut's name to imply humankind that BOWS to the "gods" via religion/politics/business/official education, all those aspects of false knowing that are designed to DULL humans; this is why the actor playing astronaut David -"King David"- Bowman was Keir Dullea - "Dull"-)
                                 

http://www.rense.com/general7/alchemkubrick.htm

Best cinematographer of all time Stanley Kubrick was counting on you to correctly identify the ROOM with the Grid "Square" and the Dome "Oval-Circle" that he is alluding to in the final scenes of his epic "2001 A Space Odyssey". He placed as many viable unmistakable clues to help you along the hard work of properly identifying this "Upper Room"; you must watch the following video from min 2:05 on as astronaut David Bowman enters this eerie 4Dimension  "Upper Room" as he arrives at it from traversing the stargate wormhole after reaching Jupiter in time for the celestial Alignment (as the last survivor of the officially titled "Mission to Jupiter" spaceship assignment):

                        http://www.youtube.com/watch?v=lj-OlW83b6U&feature=related

 

 

The OVAL ELLIPSE / arch as the KEY that ties the Square matrix geometry to the Circular celestial alignments

*(ELLIPSE as the DOOR-KEY to theSpace/Time StarGate)*

The 8x8 Grid is on the floor, to convey the notion that this "Upper Room" is at the upper dimensional 

Border-Realm form the 3Dimension (this 4D "floor" is the 3D "ceiling, that is); number 8 was used by 

Kubrick to help you identify where these 3D rooms are located; look for OCTAGONAL DOMES, he was saying.

 

On this crucial (but apparently trivial) scene, astronaut David Bowman wears the YELLOW suit symbolizing the EGG (i.e. The Beatles "Yellow Submarine" & "... I am the Eggman...") while "officiating" at the "podium/altar"; observe how this room is a 3-tier :window" scene, the 3-pods behind symbol for the 3-arch windows in Leonardo's "Last Supper" painting. Kubrick is telling us that there are 3 major DOMES on Earth, and also that these 3 are fractalized in one specific building, the Vatican:

The 3 external Domes of St. Peter's Basilica reflect the inner structure of 3-vaulted navels; you'd have to be color blind not to notice how the SOFTS CLEAR BLUESISH GRAY with the gold-like tones of the decorations, as exactly the same color tonal palette that Kubrick used for his "Upper Room" ending scene...!

On each lateral vaulted navel, you see on top a DOOR that perfectly matches the shape of the door

that was "accidentally" (we must believe) opened right below at the center of the Altar-Table

in Leonardo's "Last Supper" mural painting on the Santa Maria della Grazie church:

So the same central motif of a 3 ARCHED or VAULTED NAVELS with a semi-arched DOOR(s)

is identically repeated in Leonardo'd "Last Supper" painting, in St. Peter's Basilica in the Vatican,

and in Stanley Kubrick's "2001 A Space Odyssey" ending scene room (as well as in the

previous 3-Pod scene with a yellow suited astronaut David Bowman; in that room, the

 oval windows actually double as doors to each pod).

 

Here you see now the same room without the Pod, now replaced by the BLACK MONOLITH that is

ostensibly with the 8x8 floor WHITE GRID, and centrally ALIGNED with the bed and its

GREEN OVAL backrest, and with the oval in the ceiling, and with the arched false

window niche at the right, and with the back wall. The room evidently has a 4-tier SYMMETRY

to convey the idea of 4D, yet also to symbolize the 4-Pillared BLACK Altar at the under the 

OCATAGONAL Dome in St. Peter's Basilica in the Vatican, called the "Baldaquino".

 

The white classical statues in each arched apse are clearly echoed by Kubrick with the statues he 

placed under each false arched apse in his "Upper Room" room in the film. Here you see how the 

Monolith acts as the Baldaquino in the Vatican's basilica. Also in this view, the 8x8 floor Grid 

 becomes an 8x10 Grid, a slightly elongated Square:

 

 

 

Kubrick with this architectural plan is telling us that the INNER ROOM of the basilica is OCTOGONAL ("8x8" pun) while the OUTER ROOM of the St. Peter's "SQUARE" (or Piazza - "PI")  is slightly OVAL or ELLIPTICAL:

 

 

 

 

Observe how the St. Peter's Square colonnade area leads to the open back "door" so to speak,  

unto  

the BLUE WATER of the river; the attached blue bathroom in Kubrick's "Upper Room" 

represents this river area (fractal of the Blue Nile, evidently), and identically it is just an open 

threshold not a door per-se that connects both areas/rooms. The 2 chairs flanking the Monolith 

in this "OUTER ROOM" fractal of the "INNER ROOM", represent the 2 Green Fountains 

of the Piazza, at each side of the central Obelisk, which is the actual historical Egyptian obelisk that was in the city of Heliopolis (City of the Sun), brought to the Vatican.

 

 

http://saintpetersbasilica.org/Interior/HolyDoor/HolyDoor.htm

 

Here you see the "Porta Sancta" (Holy Door) of Door-To-Heaven, with its highly symbolic Papal ritual performed every 25 years as described in the link above; observe the 4x4 grid of rectangles 

and the BLACK 

surface, an unmistakable reminder of the Black Monolith 

and 

the white floor grid of Kubrick's "Upper Room"; 

Kubrick went to great lengths to o

ptically use the wide-angle lens so that the floor grid appears composed of elongated RECTANGLES, from each view the same distortion effect was made to occur.

 

A typical lighting effect produced by the windows in the Dome above the black Baldaquino altar in

St Peter's Basilica -akin to similar effect from the roman Pantheon-, that was mimicked 

by the space POD (representing the Dome) with its shining lights, in Kubrick's movie: