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General: SANTA CENA=NUMERO 13=VESICA PISCIS=MISA CATOLICA="AGUJERO DE GUSANO=SANTO GRIAL
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Respuesta  Mensaje 1 de 181 en el tema 
De: BARILOCHENSE6999  (Mensaje original) Enviado: 04/11/2014 15:32
 
TABERNACULO =TEMPLO DE SALOMON = KAABA = GIZE= VATICANO= WASHINGTON D.C = NUEVA JERUSALEN = JUAN MARCOS
CENACULO DE JERUSALEN=SAN MARCOS= EUCARISTIA CATOLICA (VESICA PISCIS)= SANTA CENA (NUMERO 13=VESICA PISCIS =ESTRELLA DE 6 PUNTAS)= SANTO GRIAL= ALQUIMIA="AGUJERO DE GUSANO"
 
"AGUJERO DE GUSANO MUNDIAL" ES VESICA PISCIS. NEXO CON EL CUBO
En diversos periodos de la historia ha sido tema de especulaciones místicas; probablemente los primeros fueron los Pitagóricos, que la consideraban una figura sagrada. La razón matemática de su anchura (medida por los puntos extremos del "cuerpo", sin incluir la "cola") por su altura fue aproximada por el cociente 265:153. Esta razón, que da 1,73203, se consideró un número sagrado llamado la medida del pez. Exactamente, la razón geométrica de estas dimensiones es la raíz cuadrada de 3, o 1,73205... (ya que si se traza la línea recta que une los centros de ambos círculos, junto con los dos puntos donde los círculos se intersecan, se obtienen dos triángulos equiláteros unidos por un lado). El cociente 265:153 es una aproximación a la raíz cuadrada de 3, y tiene la propiedad de que no se puede obtener ninguna aproximación mejor con números más pequeños. El número 153 aparece en el Evangelio de Juan (21:11) como el número de peces que Jesús hizo que se capturaran en la milagrosa captura de los peces, lo que algunos consideran como una referencia cifrada de las creencias pitagóricas.
 
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SANTA CENA=NUMERO 13=VESICA PISCIS ="AGUJERO DE GUSANO" ="MAQUINA DEL TIEMPO"
       

(ABCD) Double Square in Solomons Temple

 
EL LUGAR SANTISIMO DEL TABERNACULO Y DEL TEMPLO DE SALOMON TENIA FORMA DE CUBO
 
 
 
NOTEN LA ESTRELLA DE 5 PUNTAS EN EL CENTRO DEL EXAGONO CENTRO DE LA ESTRELLA DE 6 PUNTAS
EL EXAGONO TAMBIEN ES UNA REFERENCIA AL CUBO.
 
NOTEN QUE EN ESTA ESTRELLA DE 6 PUNTAS HAY 13 TRIANGULOS DE 5 PUNTAS, OSEA QUE NOS DA UN NEXO CON LAS 12 CONSTELACIONES DEL ZODIACO, CON LAS 12 HORAS DEL DIA, CON LAS 12 LUNAS QUE HAY EN EL CALENDARIO, CON LA SANTA CENA EN EL CONTEXTO A LOS 12 APOSTOLES, CON LAS 12 TRIBUS DE ISRAEL, CON EL MERIDIANO DE GREENWICH E INCLUSO CON ROSE LINE, ETC,ETC. TODO TIENE COMO PATRON LA ESTRELLA DE 6 PUNTAS, OSEA LA UNION ENTRE EL HOMBRE Y LA MUJER QUE LA TRADICION RELIGIOSA "OLVIDO". ESTE ES EL PATRON ESOTERICO DETRAS DE APOCALIPSIS 22 EN SU RELACION CON VENUS.
Image
 
Religion-Star-of-David-Jewish-Judasim-Custom-Wall-Clock-100-FREE-S-H-Worldwide

FLOWER-of-LIFE

floweroflife_giza1

 
Noten el MONSTRUOSO NUMERO 36, incluso con la FORMA DE ORION, en una estrella de 6 puntas. Son siete pelotitas, con 6 perimetrales. 6x6=36



 

  

 

  • There are 13 leaves on the left olive branch with 13 berries.

  • 13 stripes on the middle shield.

  • 13 arrows on the right.

  • 13 stars above the eagles head.

  • 13 letters in the "E Pluribus Unum" on the ribbon.

  • 13 letters in Annuit Coeptis.

  • There are 13 blocks top to bottom on the pyramid.



NOTEN EL NEXO DE LA SANTA CENA CON EL NUMERO 13 (PATRON ALQUIMICO MUNDIAL="AGUJERO DE GUSANO")
 
  • EL DISCIPULO AMADO DE LA SANTA CENA ES EL MISMO JUAN MARCOS-IMPRESIONANTE CLAVE DEL EVANGELIO DE MARCOS CON JUAN 13 (SANTA CENA)
Juan
13:1 Antes de la fiesta de la pascua, sabiendo Jesús que su hora había llegado para que pasase de este mundo al Padre, como había amado a los suyos que estaban en el mundo, los amó hasta el fin. (David significa amado. David es el escritor del salmo 119)
13:2 Y cuando cenaban, como el diablo ya había puesto en el corazón de Judas Iscariote, hijo de Simón, que le entregase, (Hay como una referencia a que JUDAS CONSPIRA CONTRA JUAN MARCOS al mostrar que la palabra es "HIJO DE SIMON")
 

13:3 sabiendo Jesús que el Padre le había dado todas las cosas en las manos, y que había salido de Dios, y a Dios iba,
13:4 se levantó de la cena, y se quitó su manto, y tomando una toalla, se la ciñó.
 
13:5 Luego puso agua en un lebrillo, y comenzó a lavar los pies de los discípulos, y a enjugarlos con la toalla con que estaba ceñido.
13:6 Entonces vino a Simón Pedro; y Pedro le dijo: Señor, ¿tú me lavas los pies?
13:7 Respondió Jesús y le dijo: Lo que yo hago, tú no lo comprendes ahora; mas lo entenderás después.
13:8 Pedro le dijo: No me lavarás los pies jamás. Jesús le respondió: Si no te lavare, no tendrás parte conmigo.
13:9 Le dijo Simón Pedro: Señor, no sólo mis pies, sino también las manos y la cabeza.
13:10 Jesús le dijo: El que está lavado, no necesita sino lavarse los pies, pues está todo limpio; y vosotros limpios estáis, aunque no todos.
13:11 Porque sabía quién le iba a entregar; por eso dijo: No estáis limpios todos.
13:12 Así que, después que les hubo lavado los pies, tomó su manto, volvió a la mesa, y les dijo: ¿Sabéis lo que os he hecho?
13:13 Vosotros me llamáis Maestro, y Señor; y decís bien, porque lo soy. (El mismo termino MAESTRO/MASTER tambien tiene una analogia con METER (MADRE EN GRIEGO Y METRO EN FRANCES) /METRO. Esto es una analogia esoterica a LA LINEA ROSA QUE PASA POR PARIS. ESTO SE CONFIRMA POR EL NEXO PEDRO CON EL GALLO EN ESTE MISMO CAPITULO. Recordemos que el metro esta diseñado en funcion al MERIDIANO DE PARIS)
 MASTER/MAESTRO/MOTHER-SON/MOTHER-STAR/MASON-
13:14 Pues si yo, el Señor y el Maestro, he lavado vuestros pies, vosotros también debéis lavaros los pies los unos a los otros. (El termino maestro/master esconde un nexo esoterico con EL SALMO 119. En la ARGENTINA NO ES CASUALIDAD QUE EL DIA DEL MAESTRO ES EL 11 DE SEPTIEMBRE. DIOS MUEVE LOS HILOS DE TODO. NOTEN QUE SARMIENTO NACIO EN SAN JUAN, TIERRA DEL VINO Y MURIO EN ASUNCION DEL PARAGUAY. Hay un OBVIO NEXO CON MARIA MAGDALENA EN CONTEXTO A LA TIERRA ROJA PARAGUAYA Y A LA ASUNCION DE LA VIRGEN)

13:15 Porque ejemplo os he dado, para que como yo os he hecho, vosotros también hagáis.
13:16 De cierto, de cierto os digo: El siervo no es mayor que su señor, ni el enviado es mayor que el que le envió. (Aqui tenemos un NEXO CON NOE EN CONTEXTO a CAM que es declarado SIERVO DE SEM. Hay un obvio nexo CON EL LINAJE. GENESIS 9)
13:17 Si sabéis estas cosas, bienaventurados seréis si las hiciereis.
13:18 No hablo de todos vosotros; yo sé a quienes he elegido; mas para que se cumpla la Escritura: El que come pan conmigo, levantó contra mí su calcañar.
13:19 Desde ahora os lo digo antes que suceda, para que cuando suceda, creáis que yo soy.
13:20 De cierto, de cierto os digo: El que recibe al que yo enviare, me recibe a mí; y el que me recibe a mí, recibe al que me envió. (IMPRESIONANTE EL MARCO CON EL NIÑO DE MARCOS 9:37, tambien en contexto al SALMO 119)

MARCOS

 
9:35 Entonces él se sentó y llamó a los doce, y les dijo: Si alguno quiere ser el primero, será el postrero de todos, y el servidor de todos. (UNA REFERENCIA ESPIRITUAL ESOTERICA CON EL SALMO 119, OSEA APOCALIPSIS 1:8, OBVIAMENTE CON FUERTE NEXO CON EL DISCIPULO AMADO Y LA RESURRECCION)
9:36 Y tomó a un niño, y lo puso en medio de ellos; y tomándole en sus brazos, les dijo:
9:37 El que reciba en mi nombre a un niño como este, me recibe a mí; y el que a mí me recibe, no me recibe a mí sino al que me envió. (ES CLARO QUE CRISTO ESTA HABLANDO DEL GRIAL AQUI Y TAMBIEN ES CLARO EL FUERTE MARCO DE LA SANTA CENA, INSISTO EN JUAN 13, CON ESTE NIÑO. RECORDEMOS QUE JUAN MARCOS EN LA EPOCA DE CRISTO ERA UN NIÑO Y QUE INCLUSO LA SANTA CENA FUE EN LA CASA DE MARIA, LA MADRE DE ESTE ULTIMO.)
 
 
VOLVIENDO CON JUAN 13
13:21 Habiendo dicho Jesús esto, se conmovió en espíritu, y declaró y dijo: De cierto, de cierto os digo, que uno de vosotros me va a entregar.
13:22 Entonces los discípulos se miraban unos a otros, dudando de quién hablaba.
13:23 Y uno de sus discípulos, al cual Jesús amaba, estaba recostado al lado de Jesús. (ES OBVIO EN TODO ESTE CONTEXTO QUE EL DISCIPULO AMADO ES JUAN MARCOS)
¿EL DISCIPULO AMADO FUE MARIA MAGDALENA O JUAN
13:24 A éste, pues, hizo señas Simón Pedro, para que preguntase quién era aquel de quien hablaba.

13:25 El entonces, recostado cerca del pecho de Jesús, le dijo: Señor, ¿quién es?
13:26 Respondió Jesús: A quien yo diere el pan mojado, aquél es. Y mojando el pan, lo dio a Judas Iscariote hijo de Simón.


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Respuesta  Mensaje 62 de 181 en el tema 
De: BARILOCHENSE6999 Enviado: 24/05/2015 16:05

en.wikipedia.org
Chi Rho
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Búsquedas relacionadas con CHI-RHO

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C=VELOCIDAD DE LA LUZ
 
R=RELATIVIDAD DE EINSTEIN= "OJO DE RA" (RA-QUEL)= BENJAMIN

Respuesta  Mensaje 63 de 181 en el tema 
De: BARILOCHENSE6999 Enviado: 24/05/2015 16:47
 
Image



Image


The following Cartesian coordinates define the vertices of an icosahedron with edge-length 2, centered at the origin:
(0, ±1, ±φ)
(±1, ±φ, 0)
(±φ, 0, ±1)
where φ = (1+√5)/2 is the golden ratio (also written τ). Note that these vertices form five sets of three concentric, mutually orthogonal golden rectangles, whose edges form Borromean rings.
If the original icosahedron has edge length 1, its dual dodecahedron has edge length , one divided by the golden ratio.


Image

Image

Gold nanoparticle - monoatomic gold - alchemy symbolic transmutation


Image

Luca Pacioli - gyroscope -borromean rings - hourglass


Image

Luca Pacioli - icosahedron - Sem priest - Leopard skin

Image

Earth grid - Phi - Icosahedron


Image


Image

Dali Tiger - The beast


Image

William Blake Tyger poem

TIGER, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?



Image

The Lamb
William Blake

Little Lamb, who made thee
Does thou know who made thee
Gave thee life & bid thee feed.
By the stream & o'er the mead;
Gave thee clothing of delight,
Softest clothing woolly bright;
Gave thee such a tender voice.
Making all the vales rejoice:
Little Lamb who made thee
Does thou know who made thee

Little Lamb I'll tell thee,
Little Lamb I'll tell thee;
He is called by thy name,
For he calls himself a Lamb:
He is meek & he is mild,
He became a little child
I a child & thou a lamb,
We are called by His name,
Little Lamb God bless thee,
Little Lamb God bless thee.

_________________
E.T.A.E
 
http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=600

Respuesta  Mensaje 64 de 181 en el tema 
De: BARILOCHENSE6999 Enviado: 25/05/2015 15:46
 
Anoche he visto nuevamente las dos peliculas de VOLVER AL FUTURO I Y II. Impresionante. Al comienzo de la primera version el PERRO ES EL PRIMERO EN TRASLADARSE EN EL TIEMPO EXACTAMENTE EL 26 DE OCTUBRE DE 1985, A LA 1:19 MINUTOS, UN NEXO CON EL 11 DE SEPTIEMBRE DEL 2001 E INCLUSO CON EL SALMO 119 (YO SOY EL ALFA Y EL OMEGA, EL PRINCIPIO Y EL FIN EN FUNCION A APOCALIPSIS 1:8 Y 22:12).
INCLUSO EN LA SEGUNDA VERSION, SE VE QUE EL NACIMIENTO DE MARTY (MICHAEL FOX) ES EL 6 DE AGOSTO DE 1968 (TRANSFIGURACION DE CRISTO) E INCLUSO QUE EL PADRE (GEORGE MCFLY, obviamente relacionado con la ISLA SAN GIORGIO EN VENECIA) muere el 15 de MARZO DE 1973, debido a UN ACCIDENTE QUE BROWN Y MARTY, LUEGO TIENEN QUE REPARAR AL VOLVER AL 12 DE NOVIEMBRE DE 1955. (15 DE MARZO=SAN LONGINO=15/3 (VESICA PISCIS)). CUANDO MARTY, EN LA PRIMERA VERSION, TIENE QUE VOLVER AL 26 DE OCTUBRE DE 1985, DESDE EL 12 DE NOVIEMBRE DE 1955, tambien me llamo la atencion que BROWN, OSEA EL CIENTIFICO, LE AFIRMA QUE FALTAN 7 MINUTOS Y 22 SEGUNDOS PARA QUE CAIGA EL RAYO, QUE VA A PRODUCIR LOS 121 GIGAWATIOS QUE NECESITA EL VEHICULO PARA REGRESAR EN EL TIEMPO. ES OBVIA LA REFERENCIA AL DIA DE MARIA MAGDALENA, EL 22 DE JULIO. INCLUSO TAMBIEN EN LA PRIMERA VERSION, SE VE QUE CUANDO VUELVE A 1985, EL VEHICULO CHOCA UNA IGLESIA CRISTIANA. ES OBVIA LA REFERENCIA EN ESTE MARCO. ESTAS PELICULAS SON OTROS CODIGOS DA VINCIS, OSEA QUE HAY QUE VERLAS MUCHAS VECES POR TODO EL MENSAJE ESOTERICO QUE TIENEN.
 
 
EVERYTHING IS CONNECTED AND THERE ARE NO COINCIDENCES
 

Mensajes Subliminales en VOLVER AL FUTURO - YouTube

www.youtube.com/watch?v=uxckIsLbBPA20 Mayo 2014 - 12 min. - Subido por SECRET UNIVERSAL en español
Salfate revela mensajes subliminales de la pelicula Volver al Futuro.
  • El error mas grande de Volver al Futuro - YouTube

    www.youtube.com/watch?v=YbgvorfWKnk20 Jul. 2012 - 2 min. - Subido por Adam Fender
    Este es a mi juicio el error mas grande de mi película favorita Volver al futuro. Si Einstein viajo ...
  • REGRESO AL FUTURO 4 TRAILER OFICIAL - YouTube

    www.youtube.com/watch?v=ClUVPCeRaDo28 Jun. 2013 - 3 min. - Subido por Marti Mcflay
    REGRESO AL FUTURO 4 TRAILER OFICIAL. ... no te voy a insultar, porque tambien eres fan ...
  • 13 Predicciones de Volver al Futuro 2015 / Predictions ... - YouTube

    www.youtube.com/watch?v=_8lnLoNCtFs11 Ene. 2015 - 8 min. - Subido por JackIncongruente
    Predicciones de Volver al futuro II cumplidas en el 2015. Predictions back to the future part II ...
  • Regreso al futuro 1 tráiler en castellano - YouTube

    www.youtube.com/watch?v=NDS1myoYUzs16 Oct. 2012 - 3 min. - Subido por amboliatoto
    La típica leyenda de la máquina del tiempo llevada a cabo de una manera cómica y fresca.
  • Volver al Futuro 4 - YouTube

    www.youtube.com/watch?v=D9rVOnQhzXI3 Jun. 2010 - 3 min. - Subido por miamifiction
    Inicio de la cuarta entrega de Volver al Futuro. Filmada por los Estudios Universal en 1991 y ...

  • Respuesta  Mensaje 65 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 27/05/2015 14:56
    The structure featured mosaics with Christian symbols such as fish and a dedicatory inscription “to God Jesus Christ.” Dated to around 230 C.E
    http://www.google.com/imgres?q=Megiddo+ ... 00&bih=770

    http://www.armageddonchurch.com/?Transl ... do_mosaics

    the fishes
    153
    The Gospel of John (chapter 21:1–14) includes the narrative of the Miraculous catch of 153 fish as the third appearance of Jesus after his resurrection.[6]

    The precision of the number of fish in this narrative has long been considered peculiar, and many scholars, throughout history, have argued that 153 has some deeper significance.
    Writers claiming a major role for Mary Magdalene have noted that in Greek isopsephy her epithet "η Μαγδαληνή" bears the number 8 + 40 + 1 + 3 + 4 + 1 + 30 + 8 + 50 + 8 = 153, thus, it is suggested, revealing her importance.[14] Similarly, the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153

    Writers claiming a major role for Mary Magdalene have noted that in Greek isopsephy her epithet "η Μαγδαληνή" bears the number 8 + 40 + 1 + 3 + 4 + 1 + 30 + 8 + 50 + 8 = 153, thus, it is suggested, revealing her importance.[14] Similarly, the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153
    Louis de Montfort, in his fifth method of saying the Rosary, connects the catch of 153 fish with the number of Hail Marys said (3 plus 15 sets of 10
    http://en.wikipedia.org/wiki/153_(number)#In_the_Bible

    I got to keep things in order

    _________________
    Everything is Connected and there are no
    coincidences
     
    http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=925

    Respuesta  Mensaje 66 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 27/05/2015 15:27
    153
    the mysterious number from the Miraculous catch
    the phrase "τὸ δίκτυον" (the net) used in the passage bears the number 1224 = 8 × 153,

    the net is a criss cross pattern sometimes square
    http://images.search.yahoo.com/images/v ... k.UUdshM49
    the pattern above hit the link

    like the Meggido Mosaic floor has the checkerboard pattern....a net to catch the fishs on the symbol

    like a web of a spider


    Rules for fishing were stringent. When the haul was brought ashore, the fish first had to be sorted into clean and unclean fish. According to Leviticus 11:9-12, fish with scales and fins were regarded as clean, but those without them, such as catfish and eel, were unclean. Then they were counted. Counting was necessary for tax purposes and in order to ensure that each party received his due. Fish had to be sold while the water still remained on them.

    Much of the catch was taken to Magdala. Salting of fish for preservation had been in vogue since the time of the Ptolemies. The center of this industry was Magdala, where fish was dried and exported to various parts of the Roman Empire. Magdala in Greek is Tarichaea, which means —dried fish.— There, the fish would be packed in baskets for export and the fishermen would take it on wagons pulled by mules to shops in Jerusalem, or to a seaport where they would be loaded on ships and taken to Rome. Dried fish from Galilee was considered a delicacy among the Roman aristocracy. We know, too, that fish from Galilee were also popular in Damascus.

    153 the Magdalene

    the center of the fishing industry Magdala


    At the archaeological site at Bethsaida (which means —house of the fishermen—), numerous fishing implements have been found: a clay seal, which was probably used to stamp jar handles, depicting two fishermen in a small boat; lead weights, hooks, bronze and iron needles, basalt and iron weights and anchors. There is no doubt that fishing was a major occupation of the people of Bethsaida. An unfinished fishing weight suggests that there may have been a factory in Bethsaida for the making of fishing equipment. Flax spores have been found in abundance. Fishing nets were made of flax, as were the sails for fishing boats.

    At Bethsaida the government of Philip Herod sold fishing rights to wealthy individuals with the means of underwriting a large business, and they sublet the rights to fishermen. The fishermen paid a hefty tax to the investors and little love was lost between them. Matthew, the tax collector, may have been one of these. Five of the apostles—Peter, Andrew, James, John and Philip—came from Bethsaida.

    http://www.americancatholic.org/newslet ... an0704.asp

    _________________
    Everything is Connected and there are no
    coincidences
     
    http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&sid=e54de4b8b1e7221ed8cf966314a8cc5c&start=950

    Respuesta  Mensaje 67 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 28/05/2015 18:50
    XIII ?


    Image


    Leo XIII
    Lumen in Caelo


    Serpent/dragon - Ophiuchus XIII

    Revelation 20
    King James Version (KJV)
    20 And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand.

    2 And he laid hold on the dragon, that old serpent, which is the Devil, and Satan, and bound him a thousand years,

    3 And cast him into the bottomless pit, and shut him up, and set a seal upon him, that he should deceive the nations no more, till the thousand years should be fulfilled: and after that he must be loosed a little season.

    _________________
    E.T.A.E

    http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=1025
     

    Respuesta  Mensaje 68 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 31/05/2015 14:57

    Respuesta  Mensaje 69 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 31/05/2015 16:09
    PART II - THE GALACTIC CONNECTION

    The giant ones of old were called "Els" because they could make the 90 degree el (as in El-o-him) between circle/light in matter, vs. line/light as energy. This is a meaning of picking up off "the cross" (of time and space) and following (the principle of) Crystos.

     

    The story we tell is that if you connected the seven places in Pennsylvania named seven, the arrow would point through the crown of the Eagle to where the Pleiades should be when the Earth’s tilt is corrected. At any rate, just east of Oriole the eye, is the town of "El-ims-port." They could come and go from here.

    As Earth tilts to new symmetry with the galactic 12-faced zodiac, the cup runneth over, and the serpent feeds the eagle. This refers to the sweet Kundalini tantric sting proceeding up the spine to the center of vision, the Cave of Brahma in the brain. The return of Quetzlcoatl, the many plumed one (an eye on each plume-consumed in perspective) is presaged by this drink from the silver cup, when the serpent nour-ishes the eagle. The rivers will flow on a new tilt.

    Perhaps, as our psychologists would say, we are "just" projecting?

     

    First the holographic film we call biomass, the surface of Earth, is cre-ated by zodiacal projection, then those dodecahedral faces permit us to project the "memories of biology" (or shall we say, how to turn light donuts into biology and metabolize starlight directly) into the cosmos.

    An important angelic colleague of ours has this to say about the Eagle in the zodiac projected onto the Earth’s grid:

    "The Eagle eats awareness. The Eagle is one of the four (cardinal) elemental logo figures for the zodiac. Each logo, as a zodiac figure, represents an aspect of consciousness."

    Further research leads us to Don Juan’s first rule of the nagual as it pertains to the eagle (cf. Castanada’s Eagle’s Gift).

    "The power that governs the destiny of all living beings is called the Eagle, not because it is an eagle, but because it appears to the seer as an immeasurable jet-black eagle, standing erect as an eagle stands, its height reaching to infinity… The Eagle is devouring the awareness of all the creatures that, alive on Earth a moment before and now dead, have floated to the Eagle’s beak, like a ceaseless stream of fireflies, to meet their owner, their reason for having had life".

    The evolution of consciousness as feedback narrowing-into-aper-ture is a description of the evolution of perception.

     

    By grasping the threads of ray’s tracing light into optical cortex hologram, the finer resolution phase/face locks the reality to which the symbol points. Result: take back the grid. Own her. Re-own re-sponse-ability for the nest. Only the inner optical hologram fed by phase discipline (Hebrew) to the coherent light of its maker, actually affects the matter (cross-ings) of light which it sees.

     

    Here the symbol participates in the reality to which it points.

    The grid is ours to weave. The inner (w)hologram (opticus Eagle’s eyrie) bends the focus of light which made matter. Persuade ma to terr, light to cross, line to circle; E=mm see^2, because momentum in a line is energy. Entering the circle/the turn/the labyrinth, entering into mass, requires symmetry. Order is the price a ray pays attention to.

    To create is to see clearly. Only that resolves. Coherence is the eye beam which sharpens the shadows. Make a conscious resolution. Since after the dust settles only ONE coherence is possible.

    So the two light cones, Yod and Vau (say them slowly to see their shape), knew that there was more here than the present eye could see. To wit, wishing to see more, they made a holographic film onto bio-mass Earth. This was like yearning to zoom in on a fractal on high res-olution film. You can only focus in so far until you encounter a grainy quality. Even God couldn’t focus on anything smaller than the light waves She was shining in.



     
     
    Reply Hide message Delete message  Message 6 of 6 on the subject 
    From: BARILOCHENSE6999 Sent: 31/05/2015 13:02
     
    The twelve houses of the zodiacal dodeca project-ed through a plane, makes a round table, which on Chartres’ maze opens a space in the center for the 13th ONE. There, new symmetry consumes all the faces round the table in a new order/dimension. The fractal projection of the zodiac on the faces of the tectonics of Earth, became an exercise in recreating the object which rendered the film in the first place.

     

    All of this place making on the crystallizing clay of the tectonics, amounts to an unpacking of image out of star seed which planted in that first cup: the grid. No wonder they grew into a chip off the old block. Those planet faces are wearing their paternity suit.

    The inner fire of Gaia becomes a cup that runneth over, when her light warps back up the spine of the galaxy, which will taste sweetness.

     

    If the light shining through the film is (phase) coherent with the light that made the hologram in the first place, then you can USE the mirror and the magnifying glass INSIDE of the hologram to see objects OUT-SIDE the same hologram. The fire inside Earth is that light. The designer genes of womb man are the lens, the mirror and the magnify-ing glass. Who is the ONE who sees? Whom does the grail serve?

    Arthur and the land are ONE.

    And how was this cryst-all architecture etched onto the fabric of history?

    After those two halves of the green stone breastplate of Earth divided across the rib cage of the Atlantic, they were still hinged and connected. It was up to the Reverend Mothers to shepherd the genepool to touch those breast plate faces, so that prophecy could be kept alive. The seers and the seer stones, the Sirius stones, these kept the light of the long wave here focused, far from downtown.

    So let us matriarchally reinterpret history: from a motherly per-spective.

    The "God-Men" did more than to announce to an advanced age Rachel and Sarah that they were with child. Rachel was ritually virgin for temple rites producing a genetic cement between neighboring king-doms.

    This was the practice of the time. Only in this case, the king-doms whose gene pools needed cementing, were separated by galactic space.

    The great women of the bible knew how to save the seeds. They were tantric. They could raise the red fire of their own passion up through the green stone of the heart to the blue aura of tantra: "The Blue Fire." This training enabled them to meet the star men whose command was: "From y branch unto x a cross this gene Isis."

    When the Pleiadean starseed outpost was established here to enrich the genepool, the original assignment was the males were to fertilize the indigenous peoples on Earth but the females were to abstain. I believe this had to do with the y chromosome’s additive pres-ence? Y is branch, X is cross, here they needed a branch.

    Apparently the presence of "space people" or "star people" or "God men," was quite common. The literature suggests common associations with Latvians, Mayan, and Hebrew.

    What the green moss does for the stone is chelate the mineral so that maximized surface area makes the memory of pattern in mineral accessible to the touch/digestion/absorption (consumed perspective) of biology. What the fold of membrane in the skull of the holy women does is surface unpack the memory (the pressure waves) of touch with stars seeds.

     

    The skull of Magdalen was the vessel which contained the star seeds of Jesus. Her perfect Heart was the green cross point between red-orange passion/erotic energy and the blue light aura around their tantric heads. Thus she saved the seeds. His sperm con-tained DNA lightning. In proper kundalini process, the force of sperm not ejaculated is collected and pooled by tantric sexual excitation. (There are references to the unusual nature of young Jesus’s late unmarried state. In Kazantzakis’ Last Temptation of Christ, there is even reference to what all that sperm did to his brain.)

    The coiled braid of DNA contains a lightning life force. It is the ulti-mate programming language because braid within braid within braid can contain the complete discipline to nest machine code within assem-bler within Dbase within Report Form Generator within whatever many times over. All switches are morphic/shape active site-aligned & switched context-dependent.

     

    Aligning active sites switches the codes of DNA on and off. The braid aligns the sites. Coherence is the intelligence of emotion to (s)witch DNA. The braid within braid of DNA is woven phase coherent (long wave nested in "synch" with short) by ecstatic coherent emotion/Eros/tantra. The lightning of the memories within the high baud rate gene pool of Jesus and Magdalen (recombinant starseed) were thus unpacked and saved for biology that way.

    The role of tantra in the necessary high voltage/pressure incubation of starseeds should be taught. Frequent pregnancies not accompanied by sexual intercourse (virgin birth) are described in women with kun-dalini experience. Thus describing something about the profound func-tion of the ritual virginity of Sarah, and Mary. The massaging of infor-mation into the haploid genetic egg, is the perfect symmetry to mate with the half helix which is lightning, and kundalini. ("ANGLE"-ic touch.) It is potentially a profoundly erotic marriage with a larger con-textual body. In my personal experience, Earth responds dramatically and erotically to kundalini.

    She yearns for meaningful touch, a massage, even deeper than we do. Her response is to relax/align her geometry of pressure (tectonic/jet stream). In the past this would have been a technology so advanced as to be indistinguishable from magic (once said of comput-ers). A simple emotional alphabet (of long wave beat note ratios) con-nects us to the planet metabolism. In this way we can "phase lock"/ become at one, with our symbiotic role.
     

    The genepool is a grail cup, a chalace, and a light receiving vessel.

    There is a long history of the need to hide the starseed origin of branches of the genepool. This was why the priests of Egypt were sys-tematically poisoning the Kingship/Pharaonic line. The message of ONEness which Tut and Akhnaton brought would unify the dream force of the people, creating a "Godforce."

     

    Schizophrenic dreams for the people were preferred by the priests so the illusions of their control over the kindergarten could be maintained.

     

    Tut and Akhnaton’s line possessed the classic indications of starseed genetic origins: pointed skull up and back, nose length, dis-tended belly, and extra braid or turn on the muscles of the inner organs (hence the need to hide these in Canopic jars.)

     

    The starseed contingent overlooking the Earthly blossoming of their seeds, wanted to orchestrate an avataric birth in the Egyptian the-ater (cf: Secret Places of the Lion by George Hunt Williamson). However, when the interference of the priests became too great, other destinies were arranged. This pat-tern repeats itself with the Coptic, the Albigensian, the Cathar, the Templar, and the Druid.

    The priests represent a false-faced Patriarchy, NOT the true Father.

     

    In fact, the story of the concealment of the true star origins of Father seed, BECAME literally "The Myth of the Birth of the Hero" (also a book by Otto Rank). It is the story of the "virgin" birth of Moses and Jesus. Tantric ladies could preserve the seed. Tut took a secret Jewish lover.

     

    They bore twins Moses and Aaron. That Jewish lover mothered Moses her real son, by concealing his Father in the Starseed and Pharaoh’s genetic line. In this way the flame of Starseed was passed from Joseph in Egypt, via Tut, back out of Egypt into the Hebraic theater, one hopefully more responsive to the Oneness mes-sage of the "God" men.

     

    The Pleiadean and Sirian forces never wished to be mythologized as "separate" from the ONE God. They knew that only one "form" of coherence was possible. (In an interfering system, when interactions go to their "limit" only ONE phase-locked coherent system can remain.)

    So let us go back to our biblical remothered interpretation.

    Rachel’s passage of starseed went to Benjamin, and Joseph (whose coat/raiment was of many colors). Benjamin’s lineage beget Magdalen.

    Joseph’s story tells of Benjamin’s link to a cup among the seeds. The genepool is a grail cup. "Blossoming gene, cup of the grail". DNA’s chalice is a web work planar surface or an infinite tube, tempting light out of the fast lane into biology..

    Joseph’s seed includes Jesus. Benjamin’s seed is Magdalen (born of his lineage). Jesus and Magdalen had three children. (Holy Blood Holy Grail). The passage of the contents of those recombinant starseed becomes our story.

    So, having filtered some of the false patriarchy out of our look at biblical times, a matriarchal lineage also emerges.

    To review: Abraham undertakes an important rite with Sarah, when three "God Men," Sirius representatives, announce that she, Sarah, would bear her first child then, even though she was over 100. Apparently she was not barren, but rather ritually virgin (teacher of tantra?) as part of her priestess line (a significant lineage of matri-arch). The rite they did was always done when royal blood was mar-ried to her lineage. She was fertilized as if by lightning from the stars, presaging another "angel" Gabriel who came to Mary.

    Sarah, as ancestor to Magdalen, received starseed as did others in the feminine tradition of "The Myth of the Birth of the Hero(ine)" in which one of the chief features was the concealing of true (starseed?) parentage.

    We can now understand the symbolism of tearing off the roots, ADAMic meant damned or stopped up or segregated, literally red mak-ing or hard making power. The "red" hard making was damming (in the sense of creating a stoppage in the flow of light: matter). Adamic race would create the illusion that the stars did not Father them. The parental lineage from Godhood was exactly what patriarchy would segregate or forget (Siriusly).

    Remember that in the mother all the eggs are born with her, so that all human eggs were born at once with the first mother, irretriev-ably rooted. IEVE means tempted unto knowledge of separateness by WORD (the illusion that substances are "separate" as shape symbol or womb).

    So then, in the Hebraic story as starseed, Isaac, the Magical child of Sarah & Abraham, begets Jacob with Rebeccah. Of Jacob’s 12 sons, the magical ones are by Rachel (whose lineage was said to begin the Messianic age?). These are Joseph (coat of colors & link to Egypt) and the favorite young one, Benjamin.

    From Joseph, the attempt to incarnate an avatar moves to Egypt. Akhnaton is straight Pleiadean, or starseed blood, as is Nefertitti. Tut, their son, undertakes the message of ONEness, and the familial ideal. Patriarchy and the priests poison this. SO, Tut fathers Moses (& twin) by a secret Hebrew lover (amidst great intrigue ) and Moses returns the identity and coherence of the starseed lineage to Hebrews.

    Then, Magdalen is born of the Benjamin line, Jesus is born of the Joseph line, they have three children which begins the "Holy Blood, Holy Grail" story.

    It is lightning quickening her story.

    Thus, Iesus/Magda is adiabatically the reunion of the (star)seeds through Rachel. He folds seeds, she unpacks –– matriarchy now leads to unfolding of Bio-logos’ seeds to galactic Milky spaces.

    After the death of Joseph, the husband of Mary/mother of Jesus. The household was run by older brother Lazarus. Lazarus was a bit Father intoxicated, over-imbued with his new role as "head of house-hold". Young sister Magdalen, really a cousin of Jesus, (the Essenes were a carefully bred extended family) decided she must exit from under the oppression of Lazarus & family.

     

    She runs away, and later manages to acquire a fortune running a house of prostitution in Northern Palestine. This was consistent with her promise to herself, that if she couldn’t have the ONE man (Jesus) she would have every man. (When Jesus was at an age appropriate for betrothal, as he reached out for beautiful Magdalen, he was struck down as if by light-ning. The sense of electrical seizure is on occasion an unwitting tantric moment, but with the Earth itself. Sometimes the lover cannot resist.)

    The wealth of Magda became the seed for the Templar treasure she founded. (Even the cobalt blue of the Templar Marianist Gothic Cathedrals was taught by her, the tantric blue only seen as you turn.) What she managed to save in that oldest profession was not just mate-rial currency/symbol for human energy, but also a treasure of informa-tion. She became consort to the rulers of nations and expert in the energy of sexuality.

    So, when Magdalen becomes expert at Tantra, while running the celebrated house of prostitution in northern Palestine, before Jesus returned from his initiatory travels, she was learning a critical biologi-cal lesson on saving the seeds. Her former profession paid for his later travels, and her skills to conserve the lightning of tantra, created the genetic nest for his children to redeem history. Magdalen is empowered feminine. She is here with us, as is her green stone.

    We approach the mysteries of the green stone itself, and the crys-tal skull, and the skull and crossbones.

    Jesus meantime had departed for India, and later initiations in Egypt at around age 13-14. Instead of the prescribed marital energet-ics, his Eros was conserved for initiation. On his travels he gradually learned an appropriate Yogic Tantric discipline for the lightning in his loins. His seed moved explosively upward. However a critical break-through was required before he could taste the sweetness from the sil- ver cup. Silver cords of information-sweet lightning pounded for access to the cave of Brahma in his brain. But there was a necessary stricture.

    At this juncture, a knowledge of Kundalini’s biological mechanics is essential to understand the true origins of the green stone.

    The highest frequency, ultraviolet & information-richest, nectar of the collective cells of the body are focused in the lower sexual glands. Erotic attention concentrates them into a pool. They are assembled in the male via the gonads into a genetic single arrow/haploid helix/light-ning bolt. The prostate surrounds them with sweetness.

    Discipline in what is consumed visually and informationally can con-serve the excitation/aggravation of these lower glands. This translates to mean that red meat and "dirty" (sex without love) movies make for a different quality of sperm release than whole grain and readings on love and oneness.

    There is a suction tube at the lowest tip of the spine, the stinging tail of the serpent, the "organ kundabuffer" of Gurdjieff. When the pool of sweetness around the sexual organs is full and still, this pump-ing tube in the clear liquids of the spine, can "come" to have access to this sweetest nectar of biology.

     

    Particularly in the beginning when this pump is just being primed, great care and discipline are required to nourish this alternate flow of erotic energy. If successful, the nectar will ultimately spill over in the high brain, exploding the psychoactivity there with congruent unflowering of the cells of the third eye/pineal pituitary complex. The cave of Brahma (in the brain) has the organs of Eros as its entry point.

    The pelvic tilt and electric relaxation at the point of orgasm are some of the discipline that feed this "Sushumna" up the spine. Another very vital ingredient to achieving the flooding of the upper brain with these everlasting life-producing juices is described in the literature on the "Sacro Cranial Pump." The part most relevant to our understanding of the Green Stone has to do with the function of the heart in making this pump work.

    Getting these sweet Tantric juices into the spine does not happen unless there is a pumping action upward. The motor for this pump is the sound waves created by the glands at the moment of emotional coherence. Understand please, that the electrical information product of the collective orgone cellular process exists largely in the blue ultra-violet.

     

    This is the energy current which drives all of cellular mechanics. The human egg draws to itself the chosen sperm/information seed, by a blue UV tractor beam. Exactly in the same way mother Earth Gaia draws to herself her chosen information seed by a blue UV tractor beam. She however must draw that high frequency information folded-ness up the human spine into the realm of the longer waves within which is her bloodstream of mind.

    The frequency distance between the UV (ultraviolet) currency of cellular reproductive Eros, and the sonic information fabric of ecstasy arranging liquids to crystal in brain, is seven octaves!

     

    At each chakra glandular/nervous plexi, an additional turn or braid of light is woven on the petals of the lotus.

    The sacro cranial pulse so perceptible in the Upledger school, is the low frequency sonic coherence which massages the envelope of the spinal pump upward. The key turning point in that process upward is the sound of the heart. The heart, half way between red erotic orgone energy and the blue aura of tantra, is also the green stone.

    Her sweet immaculate heart sets the peritoneum around the heart to ring. It massages the spine, pumping the sweetness. Pure heart does it all. Magdalen taught Jesus that, as he embraced her.

    It is common, as the force of kundalini surges upward for block-ages to be balled up and expelled. This is often in the form of dense mucus, but it can also be actual calcified excipient from the lymph pas-sages. This has been called a lingum stone. It comes from above the plate above the mouth, which is the classic tantric switch to the "micro-cosmic orbit." The tongue touching the back roof of the mouth per-forms this switching. That same area is connected to the sphenoid/occiput gate which opens to permit the sweetness to enter the brain.

    That stone released in dramatic cases of kundalini arising is a potent electrical "ball of lightning." His lingum stone, the symbol of released blockage, became the green stone. She treasured it.

    Her skull held his tantric star seeds. Her feet walked those green stone faces of Earth. From Jerusalem, to Southern France, to the Scottish Highlands, she massaged the envelope of Earth, guiding her children there. Shepherding the lineage of the genepool of her children across that sequence of tectonic green breastplates, across lifetimes, was the Marian legacy; reverend mothers touching the stones of the breastplate in sequence to massage alive the envelope of prophecy for a’closing time.

     

    Face locking as they walked the memories of Earth, crystallized unpacked in stone faces, into one consumed perspective: body of Gaia: fractal of Zodiac.

     


    Respuesta  Mensaje 70 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 09/06/2015 00:39
    Mientras preparaba un post para el hilo de "La ultima cena ¿quien estaba presente?" he hechon un analisis detallado de Marcos 14, 15-20 y en uno de los versiculos he hallado LA PRUEBA INEQUIVOCA DE QUE LA CENA FUE EN JERUSALEN Y NO EN BETANIA. Y esto no solo porque la tradicion asi lo dice, y no solo porque era la costumbre el hacerlo en Jerusalen, sino porque el texto lo deja bien claro. Mire usted:
    Marcos 14:15-20
    15 Entonces él os mostrará un gran aposento alto[a] ya dispuesto. Haced allí los preparativos para nosotros.
    16 Fueron sus discípulos, entraron en la ciudad, hallaron lo que les había dicho y prepararon la Pascua.[b]
    17 Cuando llegó la noche vino él con los doce.
    De ser en Betania la cena no se podria decir que "entraron en la ciudad". Y esto por dos motivos obvios, el primero ¡porque ya estaban en Betania! y por tanto no puede decir "entraron". Y el segundo porque Betania era en el siglo I una pequeña aldea de apenas 30 casas segun los arqueologos e historiadores.
    De haber sido en Betania el evangelista no hubiera dicho "entraron en la ciudad" puesto que ya estaban en Betania y mucho menos hubiese llamado "la ciudad" a Betania.
    paz y bien
     
     
    Reply Hide message Delete message  Message 9 of 52 on the subject 
    From: BARILOCHENSE6999 Sent: 15/01/2012 22:13

    MARÍA, LA MADRE DE JUAN MARCOS. Madre de Juan Marcos y tía de Bernabé (Colosenses 4:10), puso su hogar a disposición de los creyentes como centro de adoración. Quizá fue allí donde se realizó la última cena, y el Pentecostés. También consta que al salir de la prisión Pedro fue allá (Hechos 12:12). Además, María era mujer de recio carácter; probablemente era una viuda acaudalada, que poseía casa propia y sirvientes (Hechos 12:13). Se dice que el hogar de María estaba en el extremo occidencial en tiempos de Jesús.

     
     
     
    Reply Hide message Delete message  Message 10 of 52 on the subject 
    From: BARILOCHENSE6999 Sent: 10/06/2012 20:15
    SE LEE MARCOS 14 EN LA FESTIVIDAD DE "CORPUS CRISTI" EN LA IGLESIA CATOLICA
     

    Corpus Christi

     
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  • Respuesta  Mensaje 71 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 09/06/2015 00:50
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    Respuesta  Mensaje 72 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 10/06/2015 01:29
    From: BARILOCHENSE6999  (Original message) Sent: 09/06/2015 22:08


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    From: BARILOCHENSE6999 Sent: 09/06/2015 22:14
     
     
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    Respuesta  Mensaje 73 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 10/06/2015 02:09

    Respuesta  Mensaje 74 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 10/06/2015 02:11

    Respuesta  Mensaje 75 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 10/06/2015 02:39
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    INICIACIÓN A LOS NÚMEROS DE LA ARQUITECTURA O DE COMO DARLE FORMA A UN EDIFICIO

    Los números pueden estar explicados matemáticamente en la “red” pero el problema que plantea el conocimiento de la arquitectura es: ¿cómo se le da forma con esos números a un edificio?. En arquitectura los números operan a partir de los polígonos estrellados formando concatenaciones, tal y como a continuación vamos a describir.

    Pentágono

    NÚMERO DE ORO - PENTÁGONO

    El número de oro viene dado por la solución a la ecuación de segundo grado
    x + x² = 1     x =   1+√5 /2  =  1,618033989
    Propiedades  1/ 1,618   =  0,618        1,618... x 1,618...  =   2,618...
    Dado una circunferencia de radio 1 el lado del decágono inscrito en él es 0,618...
    Dado un pentágono de lado 1, las diagonales de ese pentágono = 1,618...
    La técnica con la que opera la arquitectura es la de las concatenaciones.
    Una de ellas, la más usual, es la que presentamos en el dibujo. Si la circunferencia en color azul tiene R=1 el radio de la roja es R= 2,618, correspondiente a la que presentamos en El vitruvio” de Leonardo da Vinci en la portada de este trabajo.

    Se aplicará en la restitución de una tabla de F. Brunelleschi  Nº 6.
    Octógono
    Hexágono

    NÚMERO DE PLATA - EL OCTÓGONO

    Así como el número de oro está asociado a la √5 el número de plata está asociado a √2 y presenta una serie de propiedades similares a las del número de oro.
    √2 = 1,414213562        tg. 22,5º = 0,414213562
    tg.67,5º = 2,414213562
    1/2,4142... =  0,4142...          2,4142... x 1,4142... =   3,4142...
    Observa nuevamente la concatenación, esta vez con el octógono, de la circunferencia en color azul sobre la de color rojo.
    Si el radio de la circunferencia azul es 1 la de color rojo es 2,4142....
    Si el radio de la circunferencia azul es 0,4142... la de rojo es 1.
    Aquí tenéis un ejemplo.

    Se aplicará en la Rix House de J. Soane  Nº 3.

    NÚMERO DE PLATINO - EL HEXÁGONO

    De igual forma que el número de oro está relacionado con la √5 y el de plata con la √2, el de platino lo va a estar con la √3
    √3 = tg.60º = 1,732050808
    1,732... x 2,732...  =  4,732...
    Combinación, esta, muy utilizada por Andrea Palladio.
    Observa la concatenación de la circunferencia azul sobre la de rojo, a través del hexágono, directamente a la circunferencia azul. Si el radio de la circunferencia color azul es 1 el de la circunferencia en color rojo es 2 y el lado del triángulo inscrito es 2 x 1,732...
    Este polígono es el más prolífico en la historia de arquitectura como vamos a verlo en los ejercicios.
    Aquí tenéis un ejemplo.

    Se aplicará al resto de los trabajos Nº 1 - 2 - 4 y 5.
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    From: BARILOCHENSE6999 Sent: 08/06/2015 23:19
    LA CURVA DEL SENO, QUE ES EL PATRON MUNDIAL DE TODOS LOS TIPOS DE ONDA, SI LA DIVIDIMOS EN OCHO TENEMOS:
     
    SENO 45=1/√2
    SENO 90=1
    SENO 135=1/√2
    SENO 180=0
    SENO 225=-1/√2
    SENO 270=-1
    SENO 315=-1/√2
    SENO 360=O
     
    NOTAMOS LA RELACION CON EL NUMERO DE LA PLATA.


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    From: BARILOCHENSE6999 Sent: 09/06/2015 23:33
     
    VENUS, EN CUANTO A SU CICLO SIDEREO, NOTAMOS LA RELACION CON EL 225, QUE TAMBIEN ESTA RELACIONADA CON EL NUMERO OCHO.
     
     
     
    OCHO CICLO TERRESTRES=13 CICLOS DE VENUS

    Respuesta  Mensaje 76 de 181 en el tema 
    De: BARILOCHENSE6999 Enviado: 15/06/2015 15:30
    LA MISA CATOLICA ESTA DISEÑADA EN FUNCION AL COMIENZO DE LA "ERA DE ACUARIO", OSEA EL MISMO PATRON DE DISEÑO DE LA GRAN PIRAMIDE
     
    OTRO DATO INTERESANTE ES QUE 2160 ES EL DIAMETRO DE LA LUNA EN MILLAS, OSEA QUE LA GRAN PIRAMIDE ESTARIA DISEÑADA, EN EL CONTEXTO A LA LUNA, EN FUNCION AL COMIENZO DE LA ERA DE ACUARIO.
     
     
    Reply  Message 8 of 8 on the subject 
    From: BARILOCHENSE6999 Sent: 15/06/2015 12:15
    DIAMETRO DE LA TIERRA             (MILLAS INGLESAS) =7920=720*11
    DIAMETRO DE LA LUNA                (MILLAS INGLESAS) =2160=720* 3
    RADIO TIERRA MAS RADIO LUNA (MILLAS INGLESAS) =5040=720* 7
    7920/5040=11/7 (11 DE SEPTIEMBRE/SEPTIMO/7)
    5040*2*22/7=3168*10 (3168=GEMATRIA DE NUESTRO SEÑOR JESUCRISTO)
    5040/(7920/2=RADIO DE LA TIERRA)=5040/3960=1.618 (NUMERO DE ORO)
     
    SECRETO 9/11 (TAMBIEN 7/11) ESTA 100% CONECTADO A LA GRAN PIRAMIDE Y LA NUEVA JERUSALEM (MISMO PATRON). La pregunta es del porque de la referencia a la LUNA EN EL MARCO A LA TIERRA. Sabemos que el SOL ES JACOB y que la LUNA ES RAQUEL segun el sueño de Jose de GENESIS 37.
    ¿Pero la luna en el marco a RAQUEL NO SIMBOLIZA AL HIJO DE RAQUEL?   Sabemos que en el sistema solar LA TIERRA ES LA QUE GIRA ALREDEDOR DEL SOL Y LA LUNA GIRA ALREDEDOR DE LA TIERRA. 
     La simbologia esoterica es como que nos da a ENTENDER QUE LA GRAN PIRAMIDE SIMBOLIZA A LA MADRE Y LA PIEDRA ANGULAR AL HIJO DE LA MISMA. Otro dato asombroso es la interrelacion del PATRON DE LA TIERRA/LUNA/ALQUIMIA CON la misma semana de 7 dias en funcion a la luna y que incluso la cantidad de minutos que contiene la misma equivale matematicamente al RADIO DE LA TIERRA MAS EL RADIO DE LA LUNA.


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