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General: JUNE 6TH 2024 DAY D ANNIVERSARY NORMANDY MADELEINE FRENCH EMMANUEL MACRON
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2024-06-06 23:11 Last Updated At:23:21
COLLEVILLE-SUR-MER, France (AP) — President Joe Biden marked the 80th anniversary of D-Day on Thursday by pledging “we will not walk away” from the defense of Ukraine and allow Russia to threaten more of Europe.
“To surrender to bullies, to bow down to dictators, is simply unthinkable,” he said during a ceremony at the American cemetery in Normandy. "If we were to do that, it means we'd be forgetting what happened here on these hallowed beaches."
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U.S. President Joe Biden, center second right, first lady Jill Biden, center right, French President Emmanuel Macron, center second left, and his wife Brigitte Macron, center left, and American WWII veterans attend a ceremony to mark the 80th anniversary of D-Day at the Normandy American Cemetery in Colleville-sur-Mer, Normandy, France, Thursday, June 6, 2024. World leaders are gathered Thursday in France to mark the 80th anniversary of the D-Day landings. (AP Photo/Virginia Mayo)
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https://www.bastillepost.com/global/article/3890831-biden-calls-for-solidarity-with-ukraine-at-d-day-anniversary-ceremony-near-the-beaches-of-normandy |
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Photos: World War II veterans honoured on D-Day’s 80th anniversary
World War II veterans from United States, United Kingdom and Canada are in Normandy to mark 80 years since the D-Day landings.
D-Day British veterans attend the UK Ministry of Defence and the Royal British Legion's commemorative ceremony marking the 80th anniversary of the World War II "D-Day" Allied landings in Normandy, at the World War II British Normandy Memorial near the village of Ver-sur-Mer which overlooks Gold Beach and Juno Beach in northwestern France. [Ludovic Marin/Pool/Reuters]
Published On 6 Jun 20246 Jun 2024
The United Kingdom’s King Charles has expressed “eternal admiration” to the Allied soldiers that reached France by sea and air to drive out Nazi forces, as world leaders and veterans celebrated the 80th anniversary of the D-Day landings.
“Let us pray such sacrifice will never be made again,” Charles said during a ceremony in Normandy.
“We recall the lesson that comes to us again and again, across the decades: Free nations must stand together to oppose tyranny.”
D-Day – which marked a turning point against Nazi Germany during World War II – remains history’s largest amphibious invasion. Many of the surviving veterans of the attack are now more than 100 years old.
On Thursday, French President Emmanuel Macron presented a Legion d’Honneur award – France’s highest honour – to Christian Lamb, a 103-year-old member of the wartime British naval service who helped plan the landings, describing her as “a hero in the shadows”.
“You have set us an example, which we’ll not forget. France will never forget the British troops who landed on D-Day and all their brothers in arms,” he said.
At a ceremony in Colleville-sur-Mer, where row after row of white marble crosses – some with names, some unmarked – show the toll the invasion took on allied forces, Macron also awarded the Legion d’Honneur to US veterans, many in wheelchairs.
“You are back here today at home, if I may say,” Macron told American veterans in English, saying France would not forget their sacrifice.
France's President Emmanuel Macron presenting an award to British World War II veteran, Christian Lamb, who helped to plan the D-Day landings. [Ludovic Marin/Pool/Reuters]
President Joe Biden and First Lady Jill Biden, greet a World War II veteran during ceremonies to mark the 80th anniversary of D-Day. [Evan Vucci/AP Photo]
Pipers from France, Germany and the United Kingdom during a procession at the Commonwealth War Grave Commission's Bayeux War Cemetery in Normandy. [Aaron Chown/Pool/Reuters]
A World War II veteran sits in a wheelchair on the day of a ceremony to mark the 80th anniversary of the 1944 D-Day landings in Normandy. [Elizabeth Frantz/Reuters]
The UK's King Charles, Queen Camilla, French President Emmanuel Macron and his wife Brigitte Macron attend a ceremony to mark the 80th anniversary of D-Day at the British Normandy Memorial of Ver-sur-Mer. [Hannah McKay/Reuters]
US World War II veterans listen to national anthems during a ceremony to mark the 80th anniversary of D-Day at the Normandy American Cemetery in Colleville-sur-Mer, Normandy. [Virginia Mayo/AP Photo]
The crowd waits for the start of a commemorative ceremony to mark D-Day 80th anniversary, at US cemetery in Colleville-sur-Mer, Normandy. [Daniel Cole/Pool/Reuters]
World War II veteran Warren Goss poses for a photo during a ceremony near Utah Beach near Saint-Martin-de-Vareville, Normandy. [Jeremias Gonzalez/AP Photo]
President Joe Biden, First Lady Jill Biden, French President Emmanuel Macron, his wife Brigitte Macron, walk on stage during ceremonies to mark the 80th anniversary of D-Day. [Evan Vucci/AP Photo]
https://www.aljazeera.com/gallery/2024/6/6/world-leaders-veterans-commemorate-d-days-80th-anniversary-in-normandy |
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Midnight in Paris
Midnight in Paris |
Theatrical release poster
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Directed by |
Woody Allen |
Written by |
Woody Allen |
Produced by |
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Starring |
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Cinematography |
Darius Khondji |
Edited by |
Alisa Lepselter |
Production companies |
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Distributed by |
Sony Pictures Classics (United States) Alta Films (Spain)[1] |
Release dates |
- May 11, 2011 (Cannes)
- May 13, 2011 (Spain)
- May 20, 2011 (United States)
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Running time |
94 minutes[2] |
Countries |
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Language |
English |
Budget |
$17 million[1] |
Box office |
$151.7 million[1] |
Midnight in Paris is a 2011 fantasy comedy film written and directed by Woody Allen. Set in Paris, the film follows Gil Pender (Owen Wilson), a screenwriter and aspiring novelist, who is forced to confront the shortcomings of his relationship with his materialistic fiancée (Rachel McAdams) and their divergent goals, which become increasingly exaggerated as he travels back in time to the 1920s each night at midnight.[3]
Produced by the Spanish group Mediapro and Allen's US-based Gravier Productions, the film stars Wilson, McAdams, Kathy Bates, Adrien Brody, Carla Bruni, Tom Hiddleston, Marion Cotillard, and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in the United States on May 20, 2011.[3][4] The film opened to critical acclaim. In 2012, it won the Academy Award for Best Original Screenplay and the Golden Globe Award for Best Screenplay. It was nominated for three other Academy Awards: Best Picture, Best Director and Best Art Direction.[5]
In 2010, disillusioned screenwriter Gil Pender and his fiancée, Inez, vacation in Paris with Inez's wealthy parents. Gil, struggling to finish his debut novel about a man who works in a nostalgia shop, finds himself drawn to the artistic history of Paris, especially the Lost Generation of the 1920s, and has ambitions to move there, which Inez dismisses. By chance, they meet Inez's friend, Paul, and his wife, Carol. Paul speaks with great authority but questionable accuracy on French history, annoying Gil but impressing Inez.
Intoxicated after a night of wine tasting, Gil decides to walk back to their hotel, while Inez goes with Paul and Carol by taxi. At midnight, a 1920s car pulls up beside Gil and delivers him to a party for Jean Cocteau, attended by other people of the 1920s Paris art scene. Zelda Fitzgerald, bored, encourages her husband Scott and Gil to leave with her. They head to a cafe where they run into Ernest Hemingway and Juan Belmonte. After Zelda and Scott leave, Gil and Hemingway discuss writing, and Hemingway offers to show Gil's novel to Gertrude Stein. As Gil leaves to fetch his manuscript, he returns to 2010; the cafe is now a laundromat.
The next night, Gil tries to repeat the experience with Inez, but she leaves before midnight. Returning to the 1920s, Gil accompanies Hemingway to visit Gertrude Stein, who critiques Pablo Picasso's new painting of his lover Adriana. Gil becomes drawn to Adriana, a costume designer who also had affairs with Amedeo Modigliani and Georges Braque. Having heard the first line of Gil's novel, Adriana praises it and admits she has always longed for the past.
Gil continues to time travel the following nights. Inez grows jaded with Paris and Gil's constant disappearing, while her father grows suspicious and hires a private detective to follow him. Adriana leaves Picasso and continues to bond with Gil, who is conflicted by his attraction to her. Gil explains his situation to Salvador Dalí, Man Ray, and Luis Buñuel; as surrealists, they do not question his claim of coming from the future. Gil later suggests the plot of "The Exterminating Angel" to Buñuel.
While Inez and her parents travel to Mont Saint Michel, Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He later finds Adriana's diary at a book stall, which reveals that she was in love with Gil and dreamed of being gifted earrings before making love to him. To seduce Adriana, Gil tries to steal a pair of Inez's earrings but is thwarted by her early return to the hotel room.
Gil buys new earrings and returns to the past. After he gives Adriana the earrings, a horse-drawn carriage arrives, transporting them to the Belle Époque, an era Adriana considers Paris's Golden Age, they go to the Moulin Rouge where they meet Henri de Toulouse-Lautrec, Paul Gauguin, and Edgar Degas, who all agree that Paris's best era was the Renaissance. Adriana is offered a job designing ballet costumes; thrilled, she proposes to Gil that they stay, but he, observing the unhappiness of Adriana and the other artists, realizes that chasing nostalgia is fruitless because the present is always "a little unsatisfying." Adriana decides to stay, and they part ways.
Gil rewrites the first two chapters of his novel. He retrieves his draft from Stein, who praises his rewrite. Still, he says that on reading the new chapters, Hemingway does not believe that the protagonist does not realize that his fiancée, based on Inez, is having an affair with the character based on Paul. Gil returns to 2010 and confronts Inez, who admits to sleeping with Paul but disregards it as a meaningless fling. Gil breaks up with her and decides to move to Paris. The detective following him takes a "wrong turn" and ends up being chased by the palace guards of Louis XVI just before a revolution breaks out. While walking by the Seine at midnight, Gil encounters Gabrielle. As it begins to rain, he offers to walk her home and learns that they share a love for Paris in the rain.
Main cast
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Apollo
Mankind set foot on the Moon for the first time on July 20th, 1969 as NASA's Apollo 11 mission successfully landed in the Sea of Tranquility, allowing the first astronaut Neil Armstrong to take his "one small step for (a) man, giant leap for mankind".
![](https://www.supertorchritual.com/underground/images/apollo11-moon.jpg)
The Moon has been shown to be a major component of the LHC secret design and here it is confirmed further by the fact that the Apollo program also intelligently interacts with the LHC…
- The Apollo Earth-Moon connection echoes the LHC-SPS relationship (= Earth-Moon ratio)
- CERN/LHC is partially situated in the French town Saint-Genus-Pouilly; the name "Pouilly" apparently comes from the Latin "Appolliacum"; in Roman times there was a temple dedicated to Apollo in the area (link 1, link 2)
- "Apollo" is also said to mean "to destroy" or "the destroyer" (= Apollyon) and right at CERN/LHC infamously stands a statue of Shiva, a Hindu deity known as "the Destroyer"
Now let's take a look at the Apollo program insignia…
![](https://www.supertorchritual.com/underground/images/15b/Apollo_program-insignia.jpg)
- The Orion constellation is centrally depicted in the middle of the insignia, resonating with the LHC "Orion stargate" code
- Orion represents Osiris the god of the underworld; the name "Apollo" is associated with a "bottomless pit" (underworld) via Apollyon/Abaddon in the Book of Revelation 9:11
Revelation 9:11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
After finding this many correlations, our next logical step is to check for any visual overlay interaction between the Apollo program insignia, which is circular, and the LHC/solar system/Orion Belt Stars diagram we've been working with.
For starters, here is a straightforward overlay arrangement:
![](https://www.supertorchritual.com/underground/images/15b/LHC-Orion-Apollo-overlay-2a.jpg)
Not much happening… except the Moon and the SPS actually appear identical in size. We can check this by putting the two together…
![](https://www.supertorchritual.com/underground/images/15b/LHC-Orion-Apollo-overlay-2b.jpg)
As you can see, they are the exact same size. The SPS representing the Moon matching the size of the Moon… making perfect sense.
But why did we have to move the Apollo insignia for this? It's curious and seems a bit clumsy because the rearrangement didn't result in any other additional alignments. We need to investigate this a little further…
Keeping the Moon snugly inside the SPS, let us now rotate the insignia 180 degrees, i.e. we turn it upside down, like this:
![](https://www.supertorchritual.com/underground/images/15b/LHC-Orion-Apollo-overlay-2c.jpg)
There it is, an unmistakable alignment! The flat feet of the big letter "A" now rest precisely on the solar system's equinoctial axis (red)!
At this point we have little reason to doubt we are dealing with a real hidden design here and not some happy coincidence. The following further confirms the reality of what we are uncovering…
Apollo 11 had its own insignia…
![](https://www.supertorchritual.com/underground/images/15b/Apollo11-insignia.jpg)
Let's bring together the two insignias (they are sized so that the inner edges of the circles match perfectly):
![](https://www.supertorchritual.com/underground/images/15b/LHC-Orion-Apollo-overlay-2d.jpg)
It's unmistakable: The same letter "A" stands tall like a pyramid right on the surface of the Moon!
The "pyramid" allusion here is no accident either.
There is this…
![](https://www.supertorchritual.com/underground/images/dollar-pyramid-0.gif)
![](https://www.supertorchritual.com/underground/images/dollar-pyramid.gif)
And there is also the Orion Correlation Theory: The Apollo insignia displays Orion and the Correlation Theory identifies Orion with the pyramids.
![](http://www.goroadachi.com/timerivers/fig-6.gif)
The Orion Correlation Theory emerged in the 1990s. The Apollo program was active back in the 1960s…
Somebody knew back then.
Both the Apollo program and CERN's LHC were enormous undertakings carried out by mankind to boldly go where no man has gone before. And we now see that they mysteriously interact with each other, whispering "Orion Stargate".
In Closing
So there you have it. I am confident I have provided enough compelling evidence to establish that CERN's Large Hadron Collider has a secret side that appears to be fully celestial in nature, ultimately pointing its ethereal finger to the Moon and Orion, as well as Mars.
Is the LHC a "Gate of the God", a "Tower of Babel", symbolically or literally connecting "heaven and earth"? Is it an "Orion Stargate" blueprint that can, if sufficiently decode, help us become a more inter-dimensional civilization?
And just who is behind the LHC secret design?
I don't have all the answers. It's all still very mysterious. The new revelations in this article, however, should serve as a major breakthrough paving the way for further investigation that will leads us to more stunning discoveries and more concrete answers to the big questions.
As always, if you are intrigued and would like to keep up with the latest, cutting-edge multicontextual discoveries (remember, a lot of the findings in this article are from my investigation all the way back in 2008-2010), consider joining STRUG (Super Torch Ritual Underground, our subscriber section), where information moves faster than the speed of light. Please also help us out by spreading the word. (If this article is met with silence, I might stop posting major public/free/Etemenanki articles.)
https://www.supertorchritual.com/underground/articles/CERN_Orion_Stargate.html |
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