Copyright © 2001-2012 by Gary A. David.
Contact: e-mail garydavid52@hotmail.com

In the current development of Western civilization, the popular imagination has seized with a
peculiar ferocity upon the notion of the stargate as a sort of cosmic corridor leading to a whole
new world or a dimension radically different from ours. The cult classics Stargate and Contact as
well as astrophysicists’ theories about wormholes --a household word in the wake of Star Trek
and its ilk-- invest such ideas with an almost mythical potency. This phenomenon is not new but
may instead have accompanied human beings’ first realization of their own individual mortality.
Even if Near Death Experiences may not have been common in our evolutionary history, they
were certainly not unknown either. NDEs could have correlated the long tunnel which takes us to
brilliant white light of the afterlife and the birth canal which brings us into this life. Both may be
considered as forms of stargates-- the soul’s passageway to and from the celestial realm.


The Book of the Dead, an ancient Egyptian manual of resurrection technology, identifies both the falcon and the heron/phoenix as key icons, each of which is apparently associated with aspecific directional portal or doorway in the sky. In Spell 13, the Spell for going in and out of the West (symbolic of the Underworld), the afterlife journeyer states: “I have gone in as a falcon, I have come out as a phoenix...”1 The former bird corresponds to the southern stargate of what may be termed “ex-carnation,” (“..gone in...” to the Underworld), providing a conduit for the soul to leave the body after death. The latter bird corresponds to the northern stargate of incarnation (“...come out...” to the Earth), allowing the soul to return to a new body. The northern stargate is now located between the constellations Gemini and Taurus. Due to precessional shifting, this region of the sky was formerly known as the Gate of Cancer. The southern stargate located at the opposite end of the Milky Way between the constellations Sagittarius and Scorpio was likewise known as the Gate of Capricorn.2 We currently know that this latter region of the sky points to the center of our galaxy, where scientists believe a mysterious black hole lies hidden.

In the Spell for being transformed into a divine falcon, the Messenger addresses Osiris:
“O Lord of the Soul, greatly majestic, see, I have come, the Netherworld has been opened for me,
the roads in the sky and on earth have been opened for me, and there was none who thwarted
me.”3 In the same manner the Spell for being transformed into a heron states: “I am vindicated
on earth, and the terror of me is in the sky -- and vice versa; it is my strength which makes me
victorious to the height of the sky, I am held in respect to the breadth of the sky, my strides are
towards the towns of the Silent Land [the realm of the dead].”4 Spell 17 proclaims: “I am that
great phoenix which is in Heliopolis [in Lower Egypt to the north], the supervisor of what
exists... I go on the road which I know in front of the Island of the Just. What is it? It is Rosetjau
[or Rostau, the Netherworld]. The southern gate is in Naref [the necropolis at Heracleopolis, near
the Faiyum, or the lake and marshy area west of the Nile in Middle Egypt], the northern gate is in
the Mound of Osiris [Heliopolis]; as for the Island of the Just, it is Abydos [Upper Egypt far to
the south].”5

The oasis of the Faiyum was probably the naturalistic origin of the concept of the Field of
Rushes, or Field of Reeds, a sort of Egyptian Elysian Fields. Some of the vignettes for this region
in The Book of the Dead depict the Heron of Plenty perched upon a small pyramid. It is
interesting to note that the hieroglyph of a heron upon a pyramid corresponds to the word bah,
meaning “to flood, to inundate.”6 Also shown is a celestial bark containing a staircase (rather like
half of a stepped pyramid cut vertically), which connotes transcendence. Commenting on
Egyptian funerary literature, the renowned scholar Zecharia Sitchin writes: “The pictorial
depictions which accompanied the hieroglyphic texts surprisingly showed the Stream of Osiris as
meandering its way from an agricultural area, though a chain of mountains, to where the stream
divides into tributaries. There, watched over by the legendary Phoenix birds, the Stairway to
Heaven was situated; there, the Celestial Boat of Ra was depicted as sitting atop a mountain, or
rising heavenward upon streams of fire.”7 In papyrus illustrations of The Field of Rushes we also
find either the falcon or a small, human-headed bird representing the ba (homonym of bah), or
soul, perched atop a pylon, which is a massive rectangular gateway to a temple or hypostyle hall.8
Thus, the pylon is a perfect symbol for the stargate. In addition, the walls of the Field of Rushes
are made of iron, presumably meteoric iron, which further stresses its supernal connotation.9

Egypt is known as the Two Lands: Lower Egypt and Upper Egypt. Following the
Hermetic maxim “As above, so below,” these correspond to the northern and southern stargates
respectively, much like the twin poles of an umbrella base, located along the celestial Nile River,
i.e., the Milky Way. “The Milky Way will not reject me, the rebels will not have power over me,
I shall not be turned away from your portals, the doors shall not be closed against me...”10
In addition, Spell 109 asserts: “I know the northern gate of the sky; its south is in the Lake of
Waterfowl, its north in is the Waters of Geese...”11
In other words, the northern gate’s southern limit is where the heron’s domain begins, which is
probably a reference to the Faiyum, while the northern gate’s northern limit is symbolically
inhabited by geese. The goose is frequently equated with Geb (sometimes written Seb or Keb),
the god of Earth and husband of Nut, who is the personification of the sky. Geb’s chief seat is in
Heliopolis to the north where with his wife he produced the great Egg whence sprang the sun god
in the form of the phoenix.12 “The doors of the sky are opened for me, the doors of the earth are
opened for me, the door-bolts of Geb are opened for me, the shutters of the sky windows are
thrown open for me. It is he who guarded me who releases me, who binds his hand on me and
thrusts his hand on to me on earth, the mouth of the Pelican is thrown open for me, the mouth of
the Pelican is given to me, and I go out into the day to the place where I desire to be.”13
Significantly, the pelican is related to the phoenix in alchemical literature, and both are
associated with the color red. Perhaps it is not coincidence, then, that the Red Crown (Deshret)
comes from Lower Egypt, whereas the White Crown (Hedjet) is from Upper Egypt. The two
lands (i.e., Crowns) were united when King Menes of Hierakonpolis (about forty-five miles
south of Thebes) conquered the Delta circa 3100 B.C.14

As an anthropomorphism of the sky, Geb’s wife Nut is conceptualized as arching face
down over her supine husband, who is sometimes portrayed in an ithyphallic manner. Her fingers
and toes form the horizon, while stars glisten like semen on her dusky belly. Both figures are
positioned in the same direction, though some confusion exists about exactly which direction
they are oriented. Although the couple is sometimes seen with their heads pointing toward the
west, it makes more sense that the torso of Nut would represent the north-south orientation of the
Milky Way/Nile as seen during the pre-dawn and post-dusk periods of the vernal and autumnal
equinoxes. If we accept this positioning, her four outstretched limbs could represent the sunrise
and sunset solstice points on the horizon, while her vagina could signify the northern stargate and
her mouth the southern stargate. In this case, her head would be pointed south (similar to the
Orion Correlation at Giza). Egyptian lore recounts that when the Milky Way hugs the northern
horizon, arching from east to west during the pre-dawn winter solstice, Nut comes down to Earth
to lie with her husband Geb.

In his provocative book Signs In the Sky Adrian Gilbert compares the constellation Orion
with the biblical Jacob and the Milky Way with his ladder (Genesis 28:12).15 Indeed, the Egyptian
“bible” contains similar passages. The psychologist C.G. Jung observes:

“In one of the Pyramid Texts he [viz., Set, brother of Osiris] and Heru-ur (the
‘older Horus’) help Osiris [Orion] to climb up to heaven. The floor of heaven
consists of an iron plate, which in places is so close to the tops of the mountains
that one can climb up to heaven with the help of a ladder. The four corners of the
iron plate rest upon four pillars, corresponding to the four cardinal points. In the
Pyramid Texts of Pepi I, a song of praise is addressed to the ‘ladder of the twin
gods,’ and the Unas text says: ‘Unas cometh forth upon the Ladder which his
father Ra hath made for him, and Horus and Set take the hand of Unas, and they
lead him into the Tuat [or Duat, the Underworld].’”16

This narrative occurred before the two brothers became fierce enemies. Set’s abode was
traditionally in the north 17, so in the context of these “twin gods” we may assume that Horus
belongs to the opposite direction. Continuing the ladder imagery, the Spell for fetching a
ferry-boat in the sky reads in part:

“Hail to you, you plateau which is in the sky north of the Great Waterway
[the Milky Way], for whoever sees it will not die. I stand upon you, I appear as a
god, I have seen you and I will not die. I stand upon you, I appear as a god, I
cackle as a goose [of the north], I fly up as a falcon [of the south] upon the
branches.

“O Dew of the Great One, I cross the earth towards the sky, I stand up as
Shu [god of air, one of the Heliopolitan Ennead], I make sunshine to flourish on
the sides of the ladder which is made to mount up to the Unwearying Stars, far
from decapitation.”18

The heart-rending tone of this pilgrim’s words echoing through the realms of the dead is
readily evident as he/she expresses an ultimate desire for eternal wholeness in bodily form and life everlasting in spirit. Moreover, many passages from The Ancient Egyptian Book of the Dead emphasize the paramount role of Orion and his northern stargate in achieving this spiritual goal.

In the Spell for opening the mouth, a ceremony in which Horus uses an adze of meteoric iron to
pry open the deceased mouth, thereby allowing the latter to regain his/her faculties in the Nether
World, we find the following proclamation: “...I am Orion the Great who dwells with the Souls
of Heliopolis.”19 Another spell avers: “I am Orion who treads the land, who precedes the stars of
the sky which are on the body of my mother Nut, who conceived me at her desire and bore me at
her will.”20

Still another spell speaks in the voice of the guardian of the northern stargate: “I am the
guardian, I am his [Osiris’s] heir on earth. Prepare a path for me, O you who are at peace; see, I
enter into the Netherworld, I open up the beautiful West, I make firm the staff of Orion...”21 In the
reproductive sense this staff is the phallus of Orion, whose star-seed is packed with nebulae such
as M-42 and M-43. In a more war-like aspect Orion holds this staff in his right hand and points to
locus where the ecliptic crosses the galactic plane of the Milky Way, the location of the
previously mentioned northern stargate.

Orion’s warrior image is artfully conveyed on the reverse side of a shield-shaped palette
depicting King Narmer (or Menes, as previously mentioned) of the south vanquishing his
northern foes. Wearing the White Crown and holding upraised staff in his right hand ready to
strike, he holds his kneeling enemy with his left hand. Behind him is what has been deemed the
“sandal-bearer,” with a star blazing above her in the exact relationship that Sirius is to Orion. In
front of Narmer is a falcon perched on a fan of six papyrus stalks symbolic of Lower Egypt. This
image indicates that the bird of the southern stargate has conquered the quintessential plant of the
north. The bird also holds a rope in his claws that apparently binds the head of another bearded
captive seen in profile (perhaps Phoenician?). At the bottom of the palette is a pair of figures that
on the celestial plane possibly represents Gemini, although the constellation in the sky is seen
above rather than below Orion.22

The spell of the northern gate’s guardian continues: “...I am the mysterious phoenix, I am
one who goes in that I may rest in the Netherworld, and who ascends peacefully to the sky. I am
the Lord of Celestial Expanses, I travel through the lower sky [i.e., over Lower Egypt] in the train
of Re 23; my offerings in the sky are in the Field of Re; my gifts on earth are in the Field of
Rushes.” 24 In this incantatory longing for peace in the afterlife, the earth-sky duality is
obviously a sine qua non of the Egyptian spiritual cosmology.

As sundry passages from ancient Egyptian texts have shown, the heron/phoenix complex
and its associated deities Osiris and Set are associated with the northern stargate of incarnation,
whereas the falcon and Horus are connected with the southern stargate of ex-carnation. Two
contrasting terms clearly illustrate this dichotomy: chronology and horology. Chronos is the lord
of time in its linear procession-- of time tables and stone tablets; i.e., the Masonic square. More
than one source has identified Chronos (the Greek Kronos or the Roman Saturnus) with the
constellation Orion.25 On the other hand, horology is the measuring of time in its cyclical sense--
the passing of the “hours,” from which both the word “horology” and “Horus” derive; i.e., the
Masonic compass. A “horo-scope” allows one to view the wheel of the zodiac, the group of
twelve archetypal constellations spinning through the solar year, as it affects the individual. On a
much larger scale it permits us to see the influence of the precessional year (equaling 25,920
solar years) as it impacts the rise and fall of civilizations. (e.g., the Age of Taurus, the Age of
Aries, the Age of Pisces, the Age of Aquarius, etc.) Horology has a deeper meaning, however.
According to Jung, “Horos (boundary) is a ‘power’ or numen identical with Christ, or at least
proceeding from him.” Its synonyms are “he who leads across,” “emancipator,” and “redeemer.”26

The Egyptians conceptualized the phoenix --a.k.a. the Bennu bird of the northern
stargate-- as “the patron of reckoning time” and “the soul of Osiris.”27 In essence, he was an agent
of purification by fire in the Netherworld, allowing souls to be reborn on the Earth plane.
Conversely, Horus was perceived as the falcon god who ushered them through the southern
stargate, out of this temporal world and into eternity. Hence, the dual stargates of immanence and
transcendence served as ports along the great sidereal river whereon all souls sail.

 

http://www.theorionzone.com/egyptian_stargates.htm

STARGATE EGYPT AND WILLIAM HENRY'S OSIRIS STARGATE DEVICE
February 10, 2008

On January 13 my Stargate Egypt Tour loaded up in New York and for two weeks our entourage of 30 artists, musicians, writers, poets, healers, engineers (and, of course, a compliment of Magdalenes, Hatshepsuts and Moses’s!) ventured through the temples of ancient Khem, showing the gods everything we’ve got. It was an incredibly inspiring time, to say the least. (Seats are available for my April ’08 Stargate Egypt tour.) I was able to further my research into the ancient Osiris Stargate Device.

Our trip, expertly facilitated and guided by Mary Lomando and professionally orchestrated by Abercrombie & Kent, was timed so that we would be at the altar of the Sphinx for the full moon in Leo. An astrologer who joined the trip told us this full moon was an opportunity to receive Christed energy in a big way. Hmm. When I think of Christed energy I think of pure joy. From the smiles on the faces in the picture below I’d say we nailed it!

Part of the Stargate Egypt entourage at the altar between the paws of the Sphinx

“What the bleep?!” A tremendous anomaly is found at the Valley Temple beside the Sphinx. Who could shape this 50 plus ton red granite block and polish it to such a perfectly smooth surface? How did they do it?

 

After our visit to the Sphinx, we enjoyed private time inside the Ascension Room of the Great Pyramid.

In my life, nothing compares to the experience of meditating in this great red granite womb and beaming magnified love energy to my family and loved ones. Sitting at the exact geographical center of the landmasses of our planet (and designed to focus her energies), the Ascension Room (aka the King’s Chamber) takes you to a remarkably focused level of mind.

This time, I imagined activating the pyramid itself by feeling waves of love radiating from my heart and illuminating the Pyramid, ala the All Seeing Eye on the Great Seal of the United States. As I was doing this, one of the women on the tour, an intuitive and healer, suddenly marched over to me and tapped my shoulder. Am I in trouble? I asked. No. She said she just wanted to bathe in the shaft of light pouring through my crown chakra! Whew! You just never know! As Nike says, you just gotta do it.

BTW, I’m proud to say I ran the steps of the steeply slanted Grand Gallery (angled at a steep 26.3 degree) twice! Yeah Baby! ‘Course my thighs were talking to me for a day or so after.

OMM SETY

Egypt unexpectedly ‘called’ me to return last Summer. After my May ’06 tour I was fairly sure that I wouldn’t return to Ta-Mera (‘land of waters’ or ‘land of love’), as Egypt was called, for a while.

That abruptly changed with my Dreamland interview with Catherine Dees, author of Omm Sety’s Egypt. Her co-author, Hanny el Zeini, was the life long friend of Omm Sety, the Englishwoman formerly known as Dorothy Eady, who mastered the secrets of Egypt’s most sacred place, Abydos, and left a remarkable testament to a time and place mostly long forgotten. I was anxious to return to Abydos to further my research. I’m grateful to Mr. el Zaini, who joined us for an evening in Cairo.

Omm Sety’s story is alluring. After a childhood accident, she began having recollections of a life in ancient Egypt. As this life revealed itself, she learned she had been a vowed priestess of Isis in the court of King Sety, the 16th century B.C. Egyptian pharaoh who built the temple at Abydos. A forbidden relationship led to a unwanted pregnancy. To protect the king the young priestess took her life, leaving Sety wrecked, suffering, cut in two, a hollow and haunted man.

Sety offering ‘bread’ to Sokar. He wears the transparent ‘robe of light’, indicating he was an initiate of the Egyptian Stargate Mystery Schools

Sety (kneeling) in a sycamore tree receives the symbol of millions of years or immortality from Ptah seated on his throne

 

OSE tells Dorothy Eady/Omm Sety’s story of her current-era relationship with the illuminated King Sety. Beginning in the early 1900s and lasting until her death in 1981 the ancient king and the woman from Victorian England carried on the romance begun in 1500 B.C.

He usually appeared at night. They would talk about the things normal couples discuss. They often made love. Her body’s sekhem or life force supplied the power. He felt “real” in a “virtual” way to her. Then, he would disappear all of a sudden, crossing our 3-D world into the parallel reality the ancient Egyptians called Amenti, the realm of Osiris.

One fact makes Omm Sety’s story incredibly compelling. That is the greatest Egyptologists of her day, including the esteemed English Egyptologists E.A. Wallis Budge and William Flinders Petrie, acknowledged that Omm Sety possessed astonishing and verified knowledge about ancient Abydos beyond attribution to any known source. She maintained she remembered ancient Abydos and that Sety himself revealed its secrets to her.

DESTINY OR INTENTION?

Omm Sety’s story left me accepting the impression that the great king was so devastated over the loss of his priestess that he waited for or searched for over 3,000 years until, at last, he found his eternal love had reincarnated in England in 1904.

History dovetails with this inkling and reveals an incredible sense of destiny or cosmic timing about Dorothy Eady/Omm Sety’s reunion with Sety. Consider this chronology.

In 1817 Sety's phenomenal tomb (KV17) was found by Giovanni Battista Belzoni in the Valley of the Kings. His huge alabaster sarcophagus, carved in one piece and intricately decorated on every surface (including the goddess Nut on the interior base), was taken to Sir John Soane's Museum, in London, England. Soane bought it for exhibition in his open collection in 1824. (The museum tells me they are preparing a book about the sarcophagus for publication soon.) I’m planning on visiting the Soane during my Scotland/UK tour in August.

Then, in 1881, Sety’s extremely well preserved mummy was found in the mummy cache (tomb DB320) at Deir el-Bahri (and has since been kept at the Cairo Museum). Examination revealed that he appears to have been less than forty years old when he died unexpectedly.

Sety’s early death is a bit of a mystery considering his sons lived to advance ages. Intriguingly, it has been suggested that he died from a disease, which had affected him for years, possibly related to his heart. As if to emphasize the heart connection, Sety’s heart was found placed in the right side of his mummified body rather than the usual left. Some say that this was intended to assist Sety in using the energy of his heart in an amplified way in the afterlife. (Personally, I think he performed the Endura, the conscious death, but that’s for another time.)

Dorothy Eady was born in London, England in 1904, the very same place where Sety’s sarcophagus was delivered some eighty years before.

Based on Eady’s story one wonders if Sety was somehow orchestrating these events from behind the scenes?

CAN I GET A WITNESS?

Omm Sety’s story, and the mystery it emits, captures the heart and mind.

As Jonothan Cott, author of The Search for Omm Sety: Reincarnation and Eternal Love with Hanny El Zeini, tells it at his first meeting with his editor at Doubleday, Jacqueline Onassis, they both pulled out a worn clipping of a New York Times story about Omm Sety.

As I noted to my Stargate Egypt group at my first lecture in Aswan, from her apartment windows in New York Jackie O had a splendid view of a glass-enclosed wing of the Metropolitan Museum of Art, which displays the Temple of Dendur, a Nubian temple built during the Roman period around 15 B.C. It was dedicated to the goddess Isis, the gods Harpocrates and Osiris.

This was a gift from Egypt to the United States in gratitude for the generosity of the Kennedy administration, who had been instrumental in saving several temples and objects of Egyptian antiquity that would otherwise have been flooded after the construction of the Aswan Dam.

It was Mrs. Kennedy who personally chose the Temple of Dendur, now a centerpiece of the Met's collections, as Egypt's gift to the United States. “That’s my temple,” she is said to have declared upon seeing it for the first time.

Mrs. Kennedy popularized the ‘flip’ hairstyle of the Egyptian goddess Hathor. Was she a reincarnated Egyptian priestess as her connection to the Isis temple suggests?

 

THE TRANSFIGURED MAN

I take at face value Omm Sety’s claims that Sety had transfigured or metamorphosed (my terms, not Omm Sety’s) into a being of light who could materialize in human form and dematerialize into his ascended form.

If Sety is indeed a Transfigured or Metmorphosed Man, he possessed the same ability as the resurrected Jesus, who appeared repeatedly to his disciples to deliver Gnosis to them. The difference between Sety and Jesus is that while the Bible simply tells us Jesus resurrected, Sety left a visual record of how he did it.

That’s right.

What I have discovered is that Sety (or more likely his son, Rameses II) left incredible depictions of the technology Sety used to perform his Transfiguration or Metamorphosis into a light being. I call this technology The Osiris Stargate Device (more momentarily).

ABYDOS

“In that day shall there be an altar to the Lord in the midst of the land of Egypt, and a pillar at the border thereof to the Lord. And it shall be for a sign and for a witness unto the Lord of hosts in the land of Egypt.”
Isaiah 19:19,20

Long before Mecca or Jerusalem there was Abydos. It was a place of pilgrimage and sanctuary for over 3,000 years.

Known as the ‘Gate to the Underworld’, here is found the incredible Osirion, easily Egypt’s most mysterious place. It’s called the Tomb of Osiris, the Egyptian god of resurrection whose ‘body’ was cut to pieces and then re-membered by Isis. The Egyptian name for Abydos was Abdu, “the hill of the symbol or reliquary,' in which the sacred head of Osiris was preserved.

The archaeologists Flinders Petrie and Margaret Murray discovered the Osirion by accident while excavating Sety's Great Temple of Abydos in 1904 (the year Dorothy Eady was born).

The Osirion

Today, the Osirion is filled with water. Originally, it is thought that something was placed in the rectangular center area

 

 

YABADABADOO! Constructed of massive monolithic 50-250 ton red granite pillars, I remarked that the Osirion looks like something out of “The Flintstones”. This inspired one of my guests to promptly label the place ‘Yabadabados’

 

 

Me standing on the stairs leading to the floor of the Osirion

THE HEAD OF GOD

In the ancient Egyptian story Isis finds Osiris’s head buried at Abydos (rendering it a prototype of Gulgotha, ‘the place of the skull’, where Adam’s skull was buried and where the Crucifixion took place).

The hieroglyph for Osiris’s head features three symbols: the pillar of enlightenment with a serpent levitating upon it, the TET or backbone, and the altar or gateway.

I’ve used the hieroglyph for the head of Osiris on my business card for over ten years and have basically devoted my adult life to discovering its secrets

 

When assembled, these symbols form a mythic image, symbol or icon of the god and king called Osiris by the ancient Egyptians. Historically, it is referred to as the Ta-Wer or ‘the Bond Between Heaven and Earth’, indicating its function as a ‘ladder’ or ‘stairway to heaven’.  It is the sacred Tree of Life. In esoteric Christianity it is the Cosmic Cross of Christ, also known as the Scala Dei, the Ladder to Heaven.

In OSE Dorothy Eady says Sety claimed he had a dream in which Osiris appeared to him, led him to Abydos and told him to build his temple at that spot. On his temple’s exterior wall he etched the symbol for the head of Osiris.

My gut, combined with my research, tells me Sety discovered something of immense importance about Osiris and commemorated this discovery by placing the logo for Osiris’s head on the exterior wall of his temple, the one adjoining the Osirion.

That’s not all.

Inside Sety’s temple at Abydos, in the Osiris Chapel, is the magnificent depiction of Osiris. You won’t find many depictions like this – I’ve been to Paris, NYC, Boston and Egypt to catalog them all (that are public anyway). I’m convinced it is an out of place artifact from another time and place.

The Osiris Device

Several years ago I began calling it the Osiris Device as the word ‘device’ refers to a technology, a tool and, most importantly, a symbol. Remember, Abydos is known as the hill of the symbol. It should be emphasized that this appellation, Osiris Device or Osiris Stargate Device, does not appear in ancient Egyptian texts. It’s my term and is designed to distinguish my original research and deductions/speculations/opinions about it from previous works. However, I believe this accurately describes its function.

What does this device do? On the opposite wall of the Osiris Chapel at Abydos is the Osiris Device, enhanced, I noticed, with a wormhole-shaped ship of eternity attached to it. Pay particular attention to Sety who appears to have transformed his body into the Osiris Device or is coming out of it. This is a wonderful moment of resurrection.

The Osiris Stargate Device

A wormhole-shaped ship is attached to the Osiris Device. Is this an ancient scanning device that projected souls to distant galaxies or other dimensions?

A diagram of a wormhole. Notice the trumpet or lotus-shaped mouths on each end

The Osiris Device at Denderah with its wormhole-shaped ship of eternity

The addition of the wormhole-shaped ship suggested to me that the Osiris Device – the ladder or stairway to heaven – is either some form of ancient particle accelerator for opening wormholes or a scanning device that scanned Sety atom by atom and fed that information through the wormhole with instructions to reconstruct, reconstitute or “re-member” him ala the re-membered Osiris on the other side.

Sety has transformed into the Osiris Device

A wormhole connects a black hole (which sucks everything in) with a white hole (which blows everything out the other side). Once a wormhole is stabilized it opens into Hyperspace, a realm the ancient Egyptians called Aaru or “the Field of the Blessed.” A wormhole is stabilized by threading its throat with “exotic matter,” which forms a spherical shell. Time stands still in the middle of a wormhole. This is exactly the position in which Sety sits in the depiction at Abydos. Sety is portrayed in a sort of shell or cocoon. He has transformed into the ‘mast’ of the wormhole-ship.

If Sety is enclosed within a shell of exotic matter, it has negative mass and positive surface pressure. The negative mass ensures that the throat of the wormhole lies outside the horizon, so that he can pass through it, while the positive surface pressure prevents the wormhole from collapsing

Sety emerges from the other end of the wormhole. The food of life, the fruit from the Tree of Life, awaits him

 

Based upon the appearance of the wormhole-shaped ship and the transformation of Sety into the Osiris Device, I have proposed that the Osiris Device was, in fact, the Osiris Stargate Device, and that this is a resurrection or Transfiguration scene. Sety is in the process of being resurrected into a being of light.

Thus, what we see on the walls of Abydos is Sety’s resurrection technology.

It’s gratifying to me that engineer John Riley and physicist Dr. Brooks Agnew, who accompanied us on the Stargate Egypt tour, have accepted this premise and have taken such a deep interest in my work. Picking up this great torch of illumination that is the Osiris Device, they are dreaming about building a working model based upon the insights I have proposed. Stay tuned!

You can join me in April of ’08 to visit Abydos and see this incredible device for yourself. You won’t find anything like this anywhere. Only my Stargate Egypt tours can show you the amazing secrets of this device.

http://www.williamhenry.net/egyptfeb08.html