Thanks Roscoe interesting lyrics...


Don't interrupt the sorrow
Darn right
In flames our prophet witches
Be polite
A room full of glasses
He says 'Your notches liberation doll'
And he chains me with that serpent
To that Ethiopian wall ( Cassiopeia 9 domain s-pira-l coming to us clockwise like Venus, our domain 6 Ursa Major - bears us )

Anima rising
Queen of Queens
Wash my guilt of Eden
Wash and balance me
Anima rising
Uprising in me tonight
She's a vengeful little goddess
With an ancient crown to fight

Truth goes up in vapors
The steeples lean
Winds of change patriarchs
Snug in your bible belt dreams
God goes up the chimney
Like childhood Santa Claus
The good slaves love the good book
A rebel loves a cause

I'm leaving on the 1:15 ( 1 = mon -singularity 15 = 1111 binary )
You're darn right
Since I was seventeen ( 17 summation = 153 fish net of Arqui-medes 1-7 moon mon-key fractal )
I've had no one over me
He says 'Anima rising-
So what-
Petrified wood process
Tall timber down to rock!'

Don't interrupt the sorrow
Darn right
He says 'We walked on the moon
You be polite.'
Don't let up the sorrow
Death and birth and death and birth and death and birth
He says 'Bring that bottle kindly
And I'll pad your purse-
I've got a head full of quandary
And a mighty, mighty, thirst.'

Seventeen glasses
Rhine wine
Milk of the Madonna
Clandestine
He don't let up the sorrow
He lies and he cheats
It takes a heart like Mary's these days
When your man gets weak



Modern European scholars beginning c. 1600[32] have considered the name to be derived from the Greek words aitho "I burn" + ops "face"


Mythology

Main article: Cassiopeia (mythology)

The constellation is named after Cassiopeia, a queen (in Greek Mythology). Cassiopeia was the wife of Cepheus, King of Aethiopia and mother of Princess Andromeda. Cepheus and Cassiopeia were placed next to each other among the stars, the King by his Queen and their daughter Andromeda.





The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production

The Magic Flute is noted for its prominent Masonic elements; Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some, the anti-Masonic Empress Maria Theresa.[6] Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno), ultimately to make "the Earth a heavenly kingdom, and mortals like the gods". ("Dann ist die Erd' ein Himmelreich, und Sterbliche den Göttern gleich." This couplet is sung in the finales to both acts.)










Cassiopeia Whitney Houston Queen of the night, sacrificed, 2-11-2012, 2 Capricorn 11 Taurus
2 = B -oaz tower base
Light blue the heptagram fractal on the galactic center singularity, Cat Eye Nebula constructred from the vesica piscis.
Light green the pentagram - Venus cycle fractal - the forbidden galactic apple.



Nasa seal with Cassiopea and son Andromeda which

http://www.youtube.com/watch?v=rFcnGLFGbL8

Pillars, peacock, chains, God Mercury casque, the wheel of time, etc




Ratzinger coat of arms - Cassiopea and Ursa Major with the singularity S-hell 96 spiral construction



Bonfire Lyrics Performed by Third Eye Blind

A little early in spring
A bonfire ring, she's shivering alone
I bumped into you somehow
You can wear, my duct taped vest
It's my party best, its really all I own
Everything's changing now

And I am high like a star thats flying
Cassiopeia
Everything's changing now
She said it's alright
She said no, don't die alone
There's no goodbyes

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on

If nothing else I am myself
It's all i have to give
Everything's changing now
And we could live like kings if we take the risk
Or we could live with doubt
Everything's changing now
Oh now
Come on, come on

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on

Some girls will break you down
Just to see you come undone
Everythings changing now
Maybe you and I are cursed
Or maybe you and I are one
And thats the universe
Spin round, keep changing

Lightning comes and lightning goes
And its all the same to me
Let it in
Cuz I want you so
I can hardly breathe, or release
Into on thousand pieces
I have broke in to, over you
That shame will soon be gone
but I keep burning on and on and on





Following the draconian Alan Parson Ammonia Avenue Cat keys

Year of the Cat is the seventh studio album by Al Stewart, released in 1976 and engineered by Alan Parsons; it is considered his masterpiece,[3] its sales helped by the hit single "Year of the Cat", "one of those 'mysterious woman' songs,"[4] co-written by Peter Wood. The other single from the album was "On the Border". Stewart wrote "Lord Grenville" about the Elizabethan sailor and explorer Sir Richard Grenville (1542–1591).[5]


THE YEAR OF THE CAT

On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre *
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don’t bother asking for explanations
She’ll just tell you that she came
In the year of the cat.

She doesn’t give you time for questions
As she locks up your arm in hers
And you follow till your sense of which direction
Completely disappears
By the blue tiled walls near the market stalls
There’s a hidden door she leads you to
These days, she says, I feel my life
Just like a river running through
The year of the cat

She looks at you so cooly
And her eyes shine like the moon in the sea
She comes in incense and patchouli
So you take her, to find what’s waiting inside
The year of the cat.

Well morning comes and you’re still with her
And the bus and the tourists are gone
And you’ve thrown away the choice and lost your ticket
So you have to stay on
But the drum-beat strains of the night remain
In the rhythm of the new-born day
You know sometime you’re bound to leave her
But for now you’re going to stay
In the year of the cat.