New York City was not laid out by Sacred Cows or Righteous Lionesses. The intent behind New York City was efficient transit and maximum utility of a limited resource, land. They aligned the streets and the avenues to assure a thriving metropolis. The result was that NYC became the hub of rational commercial discourse. Nevertheless, Boston, Washington, and New York City clearly reveal design intent of Holy Cows, Sacred Fathers, and Commercial Enterprise. The designers put the spirit in each city at the Moment of the First Occasion for each city. The Moment of the First Occasion is the moment of the Intent to plan.

Artifacts found around ancient sacred cities clearly demonstrate that there was more than Bovine Intent when they started the project of civil construction. These artifacts may carry the essence of the Moment of the First Occasion, if they are the refuse of the original design. In archaeological undertakings we must assume that to be the case and then test the assumption by planning a city or sacred site around the artifacts we find. If the artifacts carry the true spirit of the planners the design will make itself known. However, if the rediscovered artifacts of the gods are interlopers or late comers, then we will be led down some primrose path. The next mistake is unconscionable. When we have false gods we must not force them to be the right gods for the sake of our own comfort. We desire to be on the right path. That is why the mistake of following false gods is unconscionable. We desire ourselves to be with the Right Gods and we have the power to choose which way we go. That power can get too close to usurpation and we fall into Perdition as the Eighth King of Seven. The Truth does not come with judgment, for that is when the truth dies in a mocker of a trial. The truth comes and comes and comes for ever when we witness is magical rebirth. It is for the sake of the rebirth of ancient truth that all great monumental cities were constructed. For what else is a monument is not a restoration of a Moment of the First Occasion.

That is why Judgment Day is the most important day in the processing of any plan. It is not a single Moment in Time. It is never being unconscionable for the sake of self righteousness. As such, it comes on the day of the last judgment when truth is self evident. In other words we have to see the false gods when we create them and before they become the habit of our own personality. Boston, Washington, and NYC are domains of the habitual where the people wander like ruminating beast chewing on the truth without swallowing its sweet grace.. The lay of the land creates the habits of the occupants of the land. We feel comfortable being loose and fancy free in Boston. That is how Boston became a focal point of Liberal Minds. We feel the need to do commerce in NYC. That is why The Big Apple is the greatest center of commerce in the world. We feel the governing power in Washington. That is why Washington has grown to become the city that governs all cities on earth. The plan in Boston was to ruminate. The plan in NYC was for enterprise. The plan in Washington was to govern.

In order to establish a City of the God of Government it is mandatory that the urban plan incorporate the Cosmic Design, otherwise the city is governed by chaos and it is without judgment, or worse it becomes a lair for tyrants and pirates. The urban planners of all great civil enterprises have understood this fundamental essence. In a  city dedicated to the Gods of Government special tasks must be performed because of the undeniable corruptive power of governing power. Planners of the Cities of God have to put cosmic order in their streets so that the King of Kings remains on the Throne of Truth. Consider the many tyrants who have tasted power without an appreciation for Cosmic Truth and you will see many nations at war. Was Giza, USA a Sacred Site, or was Giza, USA a commercial site, or was Giza, USA a pasture of good times? The way to find out is to unravel the lay of the Rose Line.

In Washington D.C. the earth bound Rose Line runs between the Jefferson Memorial and the Presidential Mansion along the Prime Meridian of the new country. The short north-south aspect was dictated by the need to incorporate the great civilizing influence of the Native American and Egyptian mentors who taught their people that the soul was composed of five parts, Water, Earth, Air, Fire, and Light.. The west triangle off the Rose Line dictates the width and breadth of the mall. Lincoln, being a fallen hero needs to be memorialized in the west. Freedom, being the goddess of the New World Order needs to be on a pedestal to motherhood in the east. The soul matures during the experience of life. If the individual does not make a mockery of the trial of life the soul of the individual will merge all the apexes of the pentahedron into the highest apex. This is the point where the four created parts of the soul merge into the Eternal Light that is the essence of the Universal Being. To be One with God is a lofty goal, for sure. But, to deny the potential of one's own soul is simply a path to perdition. That is why great cultures have always crated Stairways to Heaven. That is also why the crystal pentahedron on the Washington mall is hidden in plane sight rising high above the grassy knoll upon the memorial phallus of the First Father of the nation for which Washington is the Rose Line and Capitol. Most people see the great obelisk, but to see the crystal pentahedron an individual must learn how to utilize the All Seeing Eye. The Beatles made the pathway to the top of heaven popular in a song about Mother Mary speaking words of wisdom, let it be. That is how we become adepts at cosmic accomplishments. We let the accomplishment unfold within us as we witness the All Seeing Eye through us in such manner that our own example is the example of heavenly righteousness. It is this spirit of righteous freedom that ruled the urban planners when they set out to raise an Eternal city of God out swamp lands of Maryland and Virginia.

Like Giza the soul of America needs cosmic alignment. The south is the physical being, the baboon, the body soul, and it is asexual. Thus, the Jefferson Memorial is a feminine monumental design dedicated to a masculine personality. That was Jefferson. The west is the land of the Ka. It is the eternal material essence. Our genes carry the Ka of billions of years of the ascending soul from one generation to the next. When we die we return to the Ka. Thus, the president who most immortalizes death as a resurrected spirit belongs in the west. No president comes close to Lincoln in this regard because he took the holocaust of the Civil War and made it an example of the United States of America. That is the Ka of our land. The north is the land of the mind, Imsety. It is here that we must place the president's mansion. What the country needs most in this mansion is a mind for the ascending soul of America. This is the House of Seth and the House of Horus. These two gods of Liberalism and Conservatism must perpetually cycle through the mansion to maintain balance throughout all the land for all ages. The final point on the plan of creation is the east. It is the direction of future rising stars. It is also the direction of the gaze of the Sphinx and the place where Wise Men see the rising stars of kings to come. This is the direction of Kingdom Come. This is the future of the intent present at the Moment of the First Occasion when the city designers set about to accomplish the will of God. On the rotunda of the Capitol stands the dream of Kingdom Come, she is a Goddess called Freedom and she is the spirit of the Native Peoples of the Land of the Free. This spirit still reverberates in the land even though the overt traditions of the Native Peoples remain hidden from the view of impious fools.

The four compass points are visible in the codex of the urban grid of Washington. And they were not placed by accident or by ruminating cows. They are intentional. There is one other point of prime interest. It is the monument at the center. The obelisk is the phallus of the God Father. He was George Washington, whose name carries on under his monument. That monument points skyward to show the way we must all strive toward. Once we can see the pyramid of the soul on the mall in Washington, we can merge all the elements of creation, body, earth, mind, and spirit into a vision of the divine. To get there we have to rise on the wings of the eagle. That eagle has the Seal of Solomon on its obverse and the vision of God on its reverse. It is the Eye of Oneness. The magic of paying attention will overcome chaos, doubt, and denial. Eventually the Great Man with the crown of innocence will walk with the Heavenly Host.

The five primary stars chosen to tell the story of the birth of the New Age are Regulus, Spica, Arcturus, Zaniah, and Mintaka, but the whole of the heavens is implied by the destiny of all Great Men. The axiom "as above, so below" must be applied in the projection down to earth. That means we must project the stars down to the earth as they are seen from beyond the stars. The image of the Potter's Field shown above is the mirror image of the Potter's Field in the District of Columbia. It is what we see when we turn our back to Mother Earth and face the heavens. This is the major stumbling block of all cosmic research. We want to project what we see onto the ancestral monuments. But, having taken our hand from the play we fall on our back sides to the Redemptoris Mater.

The Redemptoris Mater Chapel of Pope John Paul II shows Christ at the center of a revolving field of stars. This is the location of Polaris at the north pole. It shows Christ with his back to the heavens as he opens his arms to the four apostles before him. This is a crystal pentahedron of the Cosmic Soul in which the Light of the World comes back down to earth. This is the meaning of salvation.

The view from the heavens through the star field toward the earth at Washington D.C. is shown by the following correspondences:  Washington monument is Spica, Lincoln Memorial is Regulus, and the White House is Arcturus. The Jefferson memorial is a mirror image of the earthward projection. It says, "as above, so below" as a doubling unto the double of the Redemptoris Mater symbolized by the rotunda of the Jefferson Memorial. That projection represents the Birth of a Nation under Heaven on July 4, 1776.

More proof of the Birth of Kingdom Come? Why does the eastward line point through the Capitol at slightly less than one degree north of east? The only star that hits that alignment is Zaniah at the back of the head of Virgo. Zaniah was the Harlot of Babylon and it was the location of Uranus in the circular horoscope of Denderah. The metaphor at Denderah was the Dream of Kingdom Come. Did the Masonic urban designers want to restore the Harlot of Babylon? Would such a timeless moment memorialize the birth of a nation? In Egypt is was the Birth of the Age of Pisces. In America on July 4, 1776 it was Novus Ordo Seclorum meaning "thus is born a new order of the ages." These metaphors use the same stars and it is difficult not to see the same Eyes of the Gods. How could expatriates of England, France, and the rest of Europe see the ancient Egyptian message when Napoleon had yet to go to Egypt and inaugurate Egyptology? There must be a simple explanation. And it may be that the consequence of using stars to forecast the destiny of a new nation results in the founders of the new nation utilizing the Eyes of the Gods to establish a birthplace on earth as it is in the heavens.

The design of the mall of Washington was simply a birth chart for a nation. The most important celestial alignment is the one that reveals the Time of the Chart. That means that the east-west line is actually a "Time Line." It points to a specific time in the east and a specific time in the west. If it pointed due east-west that would provide a time of year for one of the equinoxes. Since the city is a government city we can exclude the vernal equinox in Pisces. The autumn equinox marked the astrological entrance into the Judgment Hall of Libra. This is not the celestial house of Libra on the zodiac it is the astrological house on the birth chart. By virtue of the precession we can unite the cosmic time with the horoscope time. Zaniah was just under 1 degree north of the autumn equinox on July 4, 1776. Thus, the offset is revealing where the vernal equinox was on the birth chart for July 4, 1776.

At 11:21 am on July 4, 1776 the Harlot of Babylon, Zaniah, aligned with the Statue of Freedom as viewed from the Washington Monument. With Saturn at her back, it was time for a Virgin birth. Neptune was at the top of her head as if he were lifting her out of the cosmic abyss. According to the historical records, Neptune had yet to become a twinkle in the eyes of man.

At 4:33 pm on July 4, 1776, Mintaka aligned with the Lincoln Memorial as would have been viewed from the Washington Monument. Above the head of Orion were Jupiter and Venus on the legs of the male Gemini and Mars was between the horns of the ancient Bull. Above the Eye of the Bull, Aldebaran, sat Uranus, the wandering star that carries the name of the Father of Time. As Uranus was setting in the west, his son, Saturn was just below the horizon preparing to rise in the east. Above Mintaka was the Son of Time, Jupiter, in conjunction with the Daughter of Love, Venus. These alignment would have been well known an well researched before picking the date of the birth of the first nation to carry the Greek promise of Freedom to a democratic society of man. The eyes of the gods said, "Annuit Coeptis."

Square on the zenith at the rising of Zaniah a Good Shepherd climbed a mountain with the plane of the earth fortified under his feet with a Grand Conjunction of five planets and the Sun. This is the return of Elijah at the Gateway of Men.

Directly opposite the Good Shepherd and at the Gateway of Gods the nadir rested in the Southern Crown beneath the sign witnessed by Constantine I (the Great) on the last night before he earned the title of Emperor of Rome by telling his soldiers, "In this sign you shall conquer." The sign for Constantine was a grand conjunction of planets stretching from Aquarius to Sagittarius. On July 4, 1776 as Zaniah rose in the east three wandering stars marked the ancient place of reincarnation, the Moon, Pluto, and the Earth, whose presence is shown by her shadow in the eyes of the Sage. Above the gateway a child in swaddling cloths in the mouth of Quetzalcoatl and a man wrestling with a serpent with one foot on the earth and one foot in the sea crushes the Great Red Dragon under his feet. The Great Red Dragon is the unbalanced desire of the Harlot of Babylon. But, "in this sign you shall conquer" means that a boy become a man when he can liberate unbalanced desire with the Virgin's Child with the hand of iron. Justice was born that day. And justice is born every day that Unbalanced Desire is divided into Balanced Desire. This is the word of god shown in the hieroglyph for neter between the Red Crown and Anubis.

In Washington D.C. the earth bound Rose Line runs between the Jefferson Memorial and the Presidential Mansion along the Prime Meridian of the new country. The short north-south aspect was dictated by the need to incorporate the great civilizing influence of the Native American and Egyptian mentors who taught their people that the soul was composed of five parts, Water, Earth, Air, Fire, and Light.. The west triangle off the Rose Line dictates the width and breadth of the mall. Lincoln, being a fallen hero needs to be memorialized in the west. Freedom, being the goddess of the New World Order needs to be on a pedestal to motherhood in the east. The soul matures during the experience of life. If the individual does not make a mockery of the trial of life the soul of the individual will merge all the apexes of the pentahedron into the highest apex. This is the point where the four created parts of the soul merge into the Eternal Light that is the essence of the Universal Being. To be One with God is a lofty goal, for sure. But, to deny the potential of one's own soul is simply a path to perdition. That is why great cultures have always crated Stairways to Heaven. That is also why the crystal pentahedron on the Washington mall is hidden in plane sight rising high above the grassy knoll upon the memorial phallus of the First Father of the nation for which Washington is the Rose Line and Capitol. Most people see the great obelisk, but to see the crystal pentahedron an individual must learn how to utilize the All Seeing Eye. The Beatles made the pathway to the top of heaven popular in a song about Mother Mary speaking words of wisdom, let it be. That is how we become adepts at cosmic accomplishments. We let the accomplishment unfold within us as we witness the All Seeing Eye through us in such manner that our own example is the example of heavenly righteousness. It is this spirit of righteous freedom that ruled the urban planners when they set out to raise an Eternal city of God out swamp lands of Maryland and Virginia.

Like Giza the soul of America needs cosmic alignment. The south is the physical being, the baboon, the body soul, and it is asexual. Thus, the Jefferson Memorial is a feminine monumental design dedicated to a masculine personality. That was Jefferson. The west is the land of the Ka. It is the eternal material essence. Our genes carry the Ka of billions of years of the ascending soul from one generation to the next. When we die we return to the Ka. Thus, the president who most immortalizes death as a resurrected spirit belongs in the west. No president comes close to Lincoln in this regard because he took the holocaust of the Civil War and made it an example of the United States of America. That is the Ka of our land. The north is the land of the mind, Imsety. It is here that we must place the president's mansion. What the country needs most in this mansion is a mind for the ascending soul of America. This is the House of Seth and the House of Horus. These two gods of Liberalism and Conservatism must perpetually cycle through the mansion to maintain balance throughout all the land for all ages. The final point on the plan of creation is the east. It is the direction of future rising stars. It is also the direction of the gaze of the Sphinx and the place where Wise Men see the rising stars of kings to come. This is the direction of Kingdom Come. This is the future of the intent present at the Moment of the First Occasion when the city designers set about to accomplish the will of God. On the rotunda of the Capitol stands the dream of Kingdom Come, she is a Goddess called Freedom and she is the spirit of the Native Peoples of the Land of the Free. This spirit still reverberates in the land even though the overt traditions of the Native Peoples remain hidden from the view of impious fools.

The four compass points are visible in the codex of the urban grid of Washington. And they were not placed by accident or by ruminating cows. They are intentional. There is one other point of prime interest. It is the monument at the center. The obelisk is the phallus of the God Father. He was George Washington, whose name carries on under his monument. That monument points skyward to show the way we must all strive toward. Once we can see the pyramid of the soul on the mall in Washington, we can merge all the elements of creation, body, earth, mind, and spirit into a vision of the divine. To get there we have to rise on the wings of the eagle. That eagle has the Seal of Solomon on its obverse and the vision of God on its reverse. It is the Eye of Oneness. The magic of paying attention will overcome chaos, doubt, and denial. Eventually the Great Man with the crown of innocence will walk with the Heavenly Host.

The five primary stars chosen to tell the story of the birth of the New Age are Regulus, Spica, Arcturus, Zaniah, and Mintaka, but the whole of the heavens is implied by the destiny of all Great Men. The axiom "as above, so below" must be applied in the projection down to earth. That means we must project the stars down to the earth as they are seen from beyond the stars. The image of the Potter's Field shown above is the mirror image of the Potter's Field in the District of Columbia. It is what we see when we turn our back to Mother Earth and face the heavens. This is the major stumbling block of all cosmic research. We want to project what we see onto the ancestral monuments. But, having taken our hand from the play we fall on our back sides to the Redemptoris Mater.

The Redemptoris Mater Chapel of Pope John Paul II shows Christ at the center of a revolving field of stars. This is the location of Polaris at the north pole. It shows Christ with his back to the heavens as he opens his arms to the four apostles before him. This is a crystal pentahedron of the Cosmic Soul in which the Light of the World comes back down to earth. This is the meaning of salvation.

The view from the heavens through the star field toward the earth at Washington D.C. is shown by the following correspondences:  Washington monument is Spica, Lincoln Memorial is Regulus, and the White House is Arcturus. The Jefferson memorial is a mirror image of the earthward projection. It says, "as above, so below" as a doubling unto the double of the Redemptoris Mater symbolized by the rotunda of the Jefferson Memorial. That projection represents the Birth of a Nation under Heaven on July 4, 1776.

More proof of the Birth of Kingdom Come? Why does the eastward line point through the Capitol at slightly less than one degree north of east? The only star that hits that alignment is Zaniah at the back of the head of Virgo. Zaniah was the Harlot of Babylon and it was the location of Uranus in the circular horoscope of Denderah. The metaphor at Denderah was the Dream of Kingdom Come. Did the Masonic urban designers want to restore the Harlot of Babylon? Would such a timeless moment memorialize the birth of a nation? In Egypt is was the Birth of the Age of Pisces. In America on July 4, 1776 it was Novus Ordo Seclorum meaning "thus is born a new order of the ages." These metaphors use the same stars and it is difficult not to see the same Eyes of the Gods. How could expatriates of England, France, and the rest of Europe see the ancient Egyptian message when Napoleon had yet to go to Egypt and inaugurate Egyptology? There must be a simple explanation. And it may be that the consequence of using stars to forecast the destiny of a new nation results in the founders of the new nation utilizing the Eyes of the Gods to establish a birthplace on earth as it is in the heavens.

The design of the mall of Washington was simply a birth chart for a nation. The most important celestial alignment is the one that reveals the Time of the Chart. That means that the east-west line is actually a "Time Line." It points to a specific time in the east and a specific time in the west. If it pointed due east-west that would provide a time of year for one of the equinoxes. Since the city is a government city we can exclude the vernal equinox in Pisces. The autumn equinox marked the astrological entrance into the Judgment Hall of Libra. This is not the celestial house of Libra on the zodiac it is the astrological house on the birth chart. By virtue of the precession we can unite the cosmic time with the horoscope time. Zaniah was just under 1 degree north of the autumn equinox on July 4, 1776. Thus, the offset is revealing where the vernal equinox was on the birth chart for July 4, 1776.

At 11:21 am on July 4, 1776 the Harlot of Babylon, Zaniah, aligned with the Statue of Freedom as viewed from the Washington Monument. With Saturn at her back, it was time for a Virgin birth. Neptune was at the top of her head as if he were lifting her out of the cosmic abyss. According to the historical records, Neptune had yet to become a twinkle in the eyes of man.

At 4:33 pm on July 4, 1776, Mintaka aligned with the Lincoln Memorial as would have been viewed from the Washington Monument. Above the head of Orion were Jupiter and Venus on the legs of the male Gemini and Mars was between the horns of the ancient Bull. Above the Eye of the Bull, Aldebaran, sat Uranus, the wandering star that carries the name of the Father of Time. As Uranus was setting in the west, his son, Saturn was just below the horizon preparing to rise in the east. Above Mintaka was the Son of Time, Jupiter, in conjunction with the Daughter of Love, Venus. These alignment would have been well known an well researched before picking the date of the birth of the first nation to carry the Greek promise of Freedom to a democratic society of man. The eyes of the gods said, "Annuit Coeptis."

Square on the zenith at the rising of Zaniah a Good Shepherd climbed a mountain with the plane of the earth fortified under his feet with a Grand Conjunction of five planets and the Sun. This is the return of Elijah at the Gateway of Men.

Directly opposite the Good Shepherd and at the Gateway of Gods the nadir rested in the Southern Crown beneath the sign witnessed by Constantine I (the Great) on the last night before he earned the title of Emperor of Rome by telling his soldiers, "In this sign you shall conquer." The sign for Constantine was a grand conjunction of planets stretching from Aquarius to Sagittarius. On July 4, 1776 as Zaniah rose in the east three wandering stars marked the ancient place of reincarnation, the Moon, Pluto, and the Earth, whose presence is shown by her shadow in the eyes of the Sage. Above the gateway a child in swaddling cloths in the mouth of Quetzalcoatl and a man wrestling with a serpent with one foot on the earth and one foot in the sea crushes the Great Red Dragon under his feet. The Great Red Dragon is the unbalanced desire of the Harlot of Babylon. But, "in this sign you shall conquer" means that a boy become a man when he can liberate unbalanced desire with the Virgin's Child with the hand of iron. Justice was born that day. And justice is born every day that Unbalanced Desire is divided into Balanced Desire. This is the word of god shown in the hieroglyph for neter between the Red Crown and Anubis.

GENESIS 8:4-EL ARCA DE NOE, AL CLAVARSE EN EL MONTE DE ARARAT ("ARORO MI NENE", ARTURO/ARKTOURO/ARCA DE TAURO/ARCA DE LAS PLEYADES TIENE UN FUERTE NEXO CON LA GRAN PIRAMIDE DE GIZE, WASHINGTON D.C, BUENOS AIRES (INDEPENDENCIA DE ARGENTINA FUE UN 9 DE JULIO DE 1816, DIA NUMERO 119), VATICANO, ETC,ETC

 

EL OJO OMNISCIENTE EN LA PARTE SUPERIOR SIMBOLIZA AL SANTO GRIAL Y LA PIRAMIDE A MARIA/MARIA MAGDALENA. EL GRIAL PRIMERO FUE JESUCRISTO Y LUEGO JUAN MARCOS. La Piramide tiene un fuerte contexto con MARIA MAGDALENA PRINCIPALMENTE en el contexto a su ASUNCION EL 15 DE AGOSTO, dia numero 227=22/7=3.14=PI con UNA OBVIA REFERENCIA A LA FESTIVIDAD DE LOS TABERNACULOS EN SU OCTAVO DIA, SIMCHAT TORA O REGOCIJO EN LA TORA, el 22 del septimo mes tambien interrelacionado con el NUMERO PI EN UN CONTEXTO AL SALMO 119 , REGOCIJO EN LA TORA.

 

OBSERVEN QUE LA  VIRGEN TIENE FORMA DE CERRADURA. LA CORONA QUE LLEVA EN LA MISMA ES EL GRIAL. En funcion al cuarto dia de la creacion EL SOL/JACOB Y LA LUNA/RAQUEL (GENESIS 37) y las 12 estrellas son los 12 hijos. Segun EXODO 4:22 ISRAEL ES EL GRIAL MISMO O EL MESIAS MISMO. ISTAR/ISHTAR ES LA MADRE DE UNA ESTRELLA/GRIAL. La misma plaza de SAN PEDRO, en la parte superior de la PIRAMIDE/CERRADURA observen que tiene 8 puntas/salmo 119. EL CODIGO ES UN OBVIO NEXO CON EL ARCA DE NOE EN EL CONTEXTO DEL MONTE DE ARARAT. DICHA ARCA ES LA MISMA PLAZA DE SAN PEDRO, O MARTE EN LA PARTE SUPERIOR DE ISIS, O EL OJO OMNISCIENTE QUE APARECE EN LA PARTE SUPERIOR DE LA PIRAMIDE DEL BILLETE DE UN DOLAR O LA PIEDRA ANGULAR DE LA GRAN PIRAMIDE DE GIZE O EL OBELISCO QUE TIENE WASHINGTON D.C EN CONTEXTO A VIRGO Y ARTURO. RECORDEMOS QUE EL MISMO SIMBOLIZA A SPICA/ESPIGA DE TRIGO QUE ES EL MISMO GRIAL.

22 Entonces dirás a Faraón: "Así dice el SEÑOR: "Israel es mi hijo, mi primogénito. 23 'Y te he dicho: "Deja ir a mi hijo para que me sirva", pero te has negado a dejarlo ir. He aquí, mataré a tu hijo, a tu primogénito.

 

 

 

EL MISMO VATICANO ESTA DISEÑADO EN FUNCION A LA VIRGEN. EL CIRCULO SUPERIOR ES LA PLAZA DE SAN  PEDRO. EN CONTEXTO A APOCALIPSIS 12 (12 ESTRELLAS/ISRAEL) SOBRE SU CABEZA Y EN CONTEXTO A EXODO 4:22 LA PIRAMIDE ES ISRAEL MISMO. EL MESIAS TAMBIEN ES ISRAEL/VENCEDOR. EL DOLAR TAMBIEN TIENE ESTE MISMO PATRON. YHWH MANEJA TODO. LA LLAVE DE DAVID ES LA MISMA ESPOSA DE DAVID BETZABE (MADRE DE SALOMON). POR ESTA CAUSA JUSTAMENTE EEUU SE INDEPENDIZO EN PHILADELPHIA (APOCALIPSIS 3) . EN EL SANTORAL CATOLICO EL 4 DE JULIO ES EL DIA DE BETZABE

 

BETSABE, AL IGUAL QUE RAQUEL, TAMBIEN ES UN TIPO DE

 

OJO SOBRE PIRAMIDE DEL DOLAR Y SIRIO/UN OJO EN EL

 

LA LLAVE DE DAVID

 

CHI-RHO (PRIMERAS DOS LETRAS DE LA PALABRA CRISTO EN

 

 

EN ISIS SE VE EL MISMO PATRON. MARTE/MARS/HORUS/BENJAMIN

 

 

¿PORQUE USTED CREE QUE SE LLAMA MARCOS/MARTES EL HIJO DE CRISTO Y MARIA MAGDALENA?

 

MARCOS, PROVIENE DEL DIOS MARTE (MARTILLO)

Tranquilos, que nadie se asuste... no vamos a sufrir una invasión de demonios del averno (al menos eso espero ). Me he permitido la licencia de usar ese titular por un motivo concreto. Hoy, 21 de junio, es la fecha en el hemisferio norte (en el sur ocurre al contrario) del solsticio de verano. Arranca oficialmente la estación más calurosa del año y hoy el día tiene más horas de luz que ningún otro.

Como ya comentamos en el blog en su momento, los antiguos romanos contaban entre su nutrido panteón de dioses con la figura de Jano (Janus en latín), el dios de los solsticios. Era también el dios de las puertas, de todos los inicios y de los finales. Poseía una rica iconografía –de la que algún día hablaremos más a fondo–, en la que lo más destacado era su representación con dos rostros, cada uno de ellos mirando en direcciones opuestas. De ahí que se le denomine también como Jano bifronte.

En lo que respecta a la temática de este blog, lo que más nos interesa de él es que los collegia fabrorum (las cofradías de constructores romanos) le rindieron una devoción especial, siendo su patrón.

Como decía más arriba, se consideraba a Jano el dios de los solsticios, las «puertas solsticiales» o «puertas del cielo». Así, el solsticio de verano era llamado janua inferni, la "puerta del infierno" o de los hombres, y el solsticio de invierno, janua coeli, la "puerta de los dioses". Además de patrón de los constructores, Jano era para los romanos el dios de la iniciación a los misterios. Era la «puerta», no sólo solsticial, sino también iniciática.

Esta devoción se transmitió a los canteros medievales y pasó a la iconografía y la religión cristiana bajo el culto a los dos «san Juan»: el Bautista, que tiene su festividad el 24 de junio (solsticio de verano), y el Evangelista, que tiene su festividad el 27 de diciembre (solsticio de invierno). Hay casos muy significativos en este sentido, en los que esta pervivencia es evidente. Jean Hani, profesor emérito en la Universidad de Amiens, menciona un notable ejemplo en la basílica francesa de Saint-Remi, en Reims: «En una vidriera aparece un único san Juan, que engloba en una sola figura al Precursor y al Evangelista, fusión subrayada por la presencia, sobre la cabeza, de dos girasoles (los dos solsticios) dirigidos en sentido opuesto: una especie de Jano cristiano, en suma».

No es el único caso. Otro día hablaremos de la presencia de zodiacos en iglesias y catedrales medievales. Hoy es suficiente con comentar que junto a algunos de estos zodiacos, generalmente esculpidos en las fachadas de los templos, y a ambos lados de Cristo, aparecen en ocasiones los "dos Juanes". Están marcando, de este modo, las fechas de los solsticios. ¿Qué simboliza esto? Como bien explica de nuevo Hani:

Del mismo modo que ellos ‘abren’ los dos períodos de la historia marcados por las dos venidas del Salvador, igualmente, en el plano cósmico, ‘abren’ las dos fases del ciclo anual, símbolo reducido del ciclo universal del tiempo y la historia; y en esta función, han reemplazado, desdoblándolo por así decirlo, al Jano bifronte, del que los Collegia fabrorum, antepasados de los constructores de catedrales, celebraban la fiesta en los dos solsticios.

Además, la división en la janua inferni y la janua coeli aparece también en algunas representaciones medievales del Juicio Final, en las que se divide la escena en dos partes: por un lado, los condenados que van al infierno –descienden, igual que el Sol a partir del solsticio de verano, o janua inferni– y, por otro, aquellos que se salvan –ascienden, al igual que el Sol tras el solsticio de invierno, o janua coeli.

En los templos medievales las representaciones de Jano son bastante habituales –además de los casos mencionados–, sobre todo en los zodiacos. Os pongo las imágenes de varios ejemplos. La primera corresponde a una representación del dios existente en la catedral de Amiens, en una serie de los trabajos de los meses. La segunda y la tercera proceden de la catedral de Chartres, también en Francia. En ésta última imagen Jano –aunque no se aprecia en la fotografía– está rodeado de símbolos del zodiaco.

Por supuesto, y como algunos de vosotros ya habréis adivinado, este culto a Jano, y más tarde a los «dos san Juan» en las logias medievales, se conserva en la masonería actual, pues tanto las fiestas solsticiales como los dos «Juanes» tienen gran importancia.·.

Eso es todo. ¡Feliz solsticio! y ¡Feliz noche de San Juan el sábado! (ojito con las hogueras)