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MARIA MAGDALENA - SANTO GRIAL: EL TESORO DE RENNES-LE-CHATEAU-¿UN MISTERIO RESUELTO?
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EL TESORO DE RENNES-LE-CHATEAU. UN MISTERIO RESUELTO (En papel)
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Datos del libro
- Nº de páginas: 390 págs.
- Encuadernación: Tapa blanda
- Editoral: JAGUAR
- Lengua: ESPAÑOL
- ISBN: 9788496423350
Resumen del libro
Resumen del libro
En 1890, el párroco de Rennes-le Chteau descubrió un espectacular tesoro que primero desconcertó a sus parroquianos y más tarde al resto del país. Rumores más fantásticos dieron fuelle a este misterio que nunca fue completamente investigado ni resuelto de manera creíble. ¿De veras Berenguer Saunière descubrió un tesoro fabuloso en la iglesia de Rennes-le-Chteau que le permitió reconstruir dicha iglesia y le proporcionó un rico patrimonio? ¿Se trataba del tesoro robado en el templo de Jerusalén cuando los romanos saquearon la ciudad en el año 70 a. C., o simplemente descubrió un secreto por el que compraron su silencio? Bill Putnam y John Edwin Word revelan la verdadera fuente de la bonanza de Saunière y desenmarañan el increíble engaño al que conducían las pistas. Se trata de una elaborada farsa que incluye desde falsas genealogías hasta conspiraciones internacionales.
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Now let's lets a look at the church, garden and Calvaire. I know most of you already have knowledge about the mirrored image - that the garden layout mirrors the church. Some people have seen codes in this, thinking it's part of a clue, left to us by Sauniere. I read somewhere someone suggested it's all sacred geometry. And there's that quote about heaven and earth. http://www.renneslechateau.nl/2007/12/1 ... he-domain/ http://www.renneslechateau.nl http://www.philipcoppens.com/ So the garden layout does indeed seem to be a mirror of the church. But maybe there is another solution. A more simple - and less mystic - solution than previous suggestions? Hans already said it. Why does the two village streets lead to this point? Well, perhaps since this was the gate house to the fortress. Now how does this add up to church and the garden? Let's have a look at some random gate houses:       Gate houses come in all sizes and all forms. A very common shape is the kind you see above. You get the point. There is a possibility here that the mirror shape is actually a gatehouse where some of it's ground structures and foundation stones survived over the centuries.  I appologize if this has already been suggested elsewhere.
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Your eye in the sky.
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I remember a scetch, painted by Plantard or de Sede, where a tower was painted on that place. And I remember an old photo, taken from the eastside of RlC, where ruins of thick walls are visible on that place.  .  hope it can help you. regards Hans
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Yes, I am living in a world of shit, but I am alive...
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here is another crop circle discovered next to the Silbury Hill (Wiltshire) in England in 2002.  The 13 "scales" or "fans" or "sweeps" (orbits, i.e., years) between points are interesting because, according to our calculations, the Venus-Earth pentagram rotates in the solar plane and overlaps the next point in 12¾ earth years. There is a macro vs. micro view in the crop circle as well. In the macro we get orbits and in the micro (inner 5-point star) we get the two kinds of the golden triangles for the orbitals (72, 72, 36 and 36, 36, 108 degrees). Article about Poussin's pentacle using the golden triangles degrees http://andrewgough.co.uk/mrrigby.htmlOrbit ratios. Mayan astronomers first observed, measured, and applied the periodic relationship between the planet Venus and Earth. It turns out these two bodies have interlocked orbits in a ratio and that means that the planetary orbits of Venus and Earth are not independent of each other. The ratio is very close to 8:5 -- for every eight Venus orbits (cycles), our Earth completes five orbits (years). While this is not a source of orbit problems, the orbit's fixed ratio (interlock) allows Venus and Earth to become effectively a single planet in one orbit. The resulting merged planet is moving close to the midpoint between Venus and Earth because both of these planets are of about the same size (have about the same mass). From the Sun's point of view the positions of both Venus and Earth periodically occupy the same two spots on the solar plane and the merged planet is then also in a spot it occupied before. Every time Venus catches up with Earth the merged planet reaches its aphelion, the farthest distance from the center of the Sun. For such merged planet the time between aphelions happens every 1.6 earth years. The interlock of the two orbits merges both planets yielding one highly elliptical orbit that rotates and repeats every eight years -- that is, the merged planet passes the same starting point every eight years while its path is curved. During these eight years the merged planet reaches aphelion five times, tracing a star with five points and taking 1.6 years between points. http://www.hyperflight.com/venus-five-pointed-star.htmSome of Rennes Chateau pentagrams on the tablecloth of the stained glass window over the altar the stars on the roof of the church the landscape of the area the chapel with the glass roof with stars above it at Rennes Poussins Shepherds of Arcadia The whole chapel has roses which is Venus Mary's and Isis favorite flower...which is connected to the pentacle
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Everything is Connected and there are no
coincidences
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Rennes-le-Chateau. Blanchefort. Bezu. Serre de Lauzet. La Soulane. Five mountains, equal distances apart, they form the shape of a pentagram.  This pentacle points at the North Pole. As it existed 10000 years ago.  Precession |
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 in the corners are the trefoils in Saunieres study I love this picture of the Meandros and the cubes at Rennes http://www.rennes-le-chateau-rhedae.com/rlc/chl/dallage.jpgthere is magic inside the church at Rennes  Merovingian shield 
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Everything is Connected and there are no
coincidences
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I love your pictures of the Dolmen there and the Romanesque Pillars and the star on the outside
It has a sacred well
All the ingredients of worship of the goddess .....Notre Dame ....Our Lady
the 13th century chapel looks like it is built over a pagan site
but Nic I want you to observe the wall paper in side ....has that brick like pattern
very much like Rennes Chapel
the wall paper behind Magdalene it has little squares on the edge of random brick pattern and a design kinda like a cross ....but the chapel at Centeilles has the random brick pattern and a star lots of stars ...like Sauniere's Magdalene chapel The sacred image of Isis with the Horus Child in Rome often became a model for the Christian Madonna with the Child Jesus and many of the epithets of the Egyptian Mother of God came to be used for the Christian Mother of God  A picture of a Black Isis ...or Black Madonna 
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Everything is Connected and there are no
coincidences
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the gargoyles of Rennes http://www.flickr.com/photos/mrachab/5057315154/Gargoyles are said to frighten off and protect those that it guards, such as a church, from any evil or harmful spirits. A French legend that sprang up around the name of St. Romanus ("Romain") (AD 631–641), the former chancellor of the Merovingian king Clotaire II who was made bishop of Rouen, relates how he delivered the country around Rouen from a monster called Gargouille or Goji. La Gargouille is said to have been the typical dragon with batlike wings, a long neck, and the ability to breathe fire from its mouth. There are multiple versions of the story, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is led back to Rouen and burned, but its head and neck would not burn due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits, and used for protection.[4] In commemoration of St. Romain, the Archbishops of Rouen were granted the right to set a prisoner free on the day that the reliquary of the saint was carried in procession (see details at Rouen). The ancient Egyptians, Greeks, Etruscans and Romans all used animal-shaped waterspouts  Themes of gargoyles disembodied heads....like the Celtic head hunters Giants....devouring open mouth giants Green man Sex objects The pagan symbolism runs through like Rosslyn Chapel's green man The mouth pulled open is a frequent symbol of devouring giants.....the Giants a recurring theme in the Bible and throughout many cultures http://www.cwrl.utexas.edu/~bump/oxford/gargoyles.html
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Everything is Connected and there are no
coincidences
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And there is the mystery of the hands on Magdalene at the altar at Rennes these hands show up in different places such as the Magdalene at Our Lady of Knock in the Caravaggio painting at the Miraculous Medal Shrine at Perryville Mo I believe it was at Rennes Les Bains Magdalene and then the supposed Grandmaster of the Priory ....Cocteau's hands folded as Magdalene at Rennes isn't that mysterious.....isn't it possible that it carries a "secret" for those who "See" It means nothing to some people but to others it must mean something very spiritual and important But heh ...you guys don't see the secrets and the mystery to Rennes and yet you hang around  ....waiting and watching   http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=1450Is this a S and P or a S and J ....and it is a winged serpent such as the winged serpents (dragons) found at the base of the Apprentice Pillar at Rosslyn chapel? Cathars were connected to "dragons" ....Blanche Castile ....cut the head of the dragon at Montsegur were all the Cathars killed or did they go underground and yes the Templars fought along side them in the Crusades  Ireland ....home of the Celts....Magdalene has her hands folded the same as at Rennes vandalized and yet someone tied a ribbon around her hands Why? to distract the viewer or attract the viewer Its a mystery or a coincidence but some can see it and others can't
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Everything is Connected and there are no
coincidences
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Are you referring to the Station of the Cross at Rennes Chateau? It's about Truth
station of the cross 2
at Rennes Chateau
John 18:38
Quid est veritas?.
"Truth? What is truth?" Pilate asks
“You are a king, then!” said Pilate. Jesus answered, “You say that I am a king. In fact, the reason I was born and came into the world is to testify to the truth. Everyone on the side of truth listens to me.”
“What is truth?” retorted Pilate. With this he went out again to the Jews gathered there and said, “I find no basis for a charge against him.”
The Truth can be distorted and hard to find
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Everything is Connected and there are no
coincidences
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 the meandros is a symbol used at Rennes Chateau, and Chartres, this is the Memnon pieta Interest in Greek art lagged behind the revival of classical scholarship during the Renaissance and revived in the academic circle round Nicholas Poussin in Rome in the 1630s. Though modest collections of vases recovered from ancient tombs in Italy were made in the 15th and 16th centuries these were regarded as Etruscan. It is possible that Lorenzo de Medici bought several Attic vases directly from Greece;
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Everything is Connected and there are no
coincidences
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All over the Magdalene chapel lies the Rosy crosses at Rennes https://en.wikipedia.org/wiki/Rennes-le ... becken.JPGThey are above each station of the cross https://en.wikipedia.org/wiki/Rosicruci ... _18eme.jpgAccording to the writings of the Masonic historian E.J. Marconis de Negre,[19] who together with his father Gabriel M. Marconis is held to be the founder of the "Rite of Memphis-Misraim" of Freemasonry, based on earlier conjectures (1784) by a Rosicrucian scholar Baron de Westerode[20] and also promulgated by the 18th century secret society called the "Golden and Rosy Cross", the Rosicrucian Order was created in the year 46 when an Alexandrian Gnostic sage named Ormus and his six followers were converted by one of Jesus' disciples, Mark. Their symbol was said to be a red cross surmounted by a rose, thus the designation of Rosy Cross. From this conversion, Rosicrucianism was supposedly born, by purifying Egyptian mysteries with the new higher teachings of early Christianity.[21]
According to Maurice Magre (1877–1941) in his book Magicians, Seers, and Mystics, Rosenkreutz was the last descendant of the Germelshausen, a German family from the 13th century. Their castle stood in the Thuringian Forest on the border of Hesse, and they embraced Albigensian doctrines. The whole family was put to death by Landgrave Conrad of Thuringia, except for the youngest son, then five years old. He was carried away secretly by a monk, an Albigensian adept from Languedoc, and placed in a monastery under the influence of the Albigenses, where he was educated and met the four Brothers later to be associated with him in the founding of the Rosicrucian Brotherhood. Magre's account supposedly derives from oral tradition.
Around 1530, more than eighty years before the publication of the first manifesto, the association of cross and rose already existed in Portugal in the Convent of the Order of Christ, home of the Knights Templar, later renamed Order of Christ. Three bocetes were, and still are, on the abóboda (vault) of the initiation room. The rose can clearly be seen at the center of the cross.[22][23] At the same time, a minor writing by Paracelsus called Prognosticatio Eximii Doctoris Paracelsi (1530), containing 32 prophecies with allegorical pictures surrounded by enigmatic texts, makes reference to an image of a double cross over an open rose; this is one of the examples used to prove the "Fraternity of the Rose Cross" existed far earlier than 1614 https://en.wikipedia.org/wiki/Rosicrucianism
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Everything is Connected and there are no
coincidences
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