'Metro' means 'meter' in Spanish, Italian, Portuguese, etc. The meter is historically defined as 1/10,000,000 of the distance between the North Pole and the equator through Paris, or in other words the Paris Meridian between the North Pole and the equator. The Paris Meridian is also the 'Rose Line' (an esoteric concept popularized by The Da Vinci Code) i.e. a 'Red Line'...

DC Metro Red Line = French/Columbian Rose Line

...traditionally implying the Blood Royal/Sangraal or the Marian/Columbian Bloodline of the Holy Grail.

In Bloodline of the Holy Grail Laurence Gardner writes of the House of Stuart, the royal bloodline to which Princess Diana and her children belong (pp. 344-5):

The senior Stewart descent goes all the way back to King Arthur's father, King Aedan of Scots, on the one hand and to Prince Nascien of the Septimanian Midi on the other. The Scots descent traces further back through King Lucius of Siluria to Bran the Blessed and Joseph of Arimathea (St James the Just), while the Midi succession stems from the Merovingians' male ancestral line through the Fisher Kings to Jesus and Mary Magdalene. Conjoining the lines from their 1st-century points of departure, the descent is in the succession of the Royal House of Judah. This is a truly unique line of sovereign lineage from King David in one of the key descents which comprise the Bloodline of the Holy Grail.

Nephilim/Bigfoot bloodline = Moon/Diana bloodline = Rose Line = Bloodline of the Holy Grail = Stuart Bloodline (?) = Princess Diana bloodline...

Was Princess Diana a product of a particularly special strain of the Grail bloodline and the Stuart bloodline? Perhaps (argued for instance in Princess Diana: The Hidden Evidence). But that's speculative and should be treated as a storyline rather than fact. It may well be that the name 'Diana' was all it took to make her 'special' in the esoteric context of Grail symbolism.

Nevertheless there is an interesting dichotomy in the current British Royal Family configuration more or less pitting the House of Windsor (Queen, Charles, etc.) against the House of Spencer/Stuart (Diana, William & Harry). The House of Windsor stems from the House of Hanover which back in the 18th century supersede the House of Stuart with a transitional period of King William III of the House of Orange (joint rule with his Stuart wife Mary II) sandwiched in between who acceded to the throne following the questionable removal of Stuart monarch King James II - an event of great significance for the 'Grail bloodline'. Following two years of challenging the 'userpers', James and his supports the 'Jacobites' were resoundingly crushed at the Battle of the Boyne on July 12, 1690, annually celebrated to this day as Orangemen's Day (which at the time using the old-style calendar was July 1st, Princess Diana's birthday).

That paved the way for the Parliament-centered rule of the incoming Germanic House of Hanover which would morph into today's House of Windsor. In that sense, the British Royal Family as it exists today stands in opposition to the supposed 'Grail bloodline' (the Stuarts), reflected in the Windsors' not-so-friendly relationship with Princess Diana. The Diana family in this context would at least symbolically (possibly literally) represent the special strain of the House of Stuart crawling its way back to the throne, with Prince William now just one or two steps away from destination. Reenacting, in a sense, the 'Return of King Arthur' - 'Once and Future King'.

Given the critical role played by King William III AKA 'King Billy' in driving the 'Grail bloodline' underground, we can't help but notice one of Michael Jackson's biggest hits called 'Billie Jean'...

[Watch video]

• 'Billie Jean' = 'Billy Gene' (bloodline of King Billy)
• Famous tennis player named Billie Jean King
• MJ = 'King of Pop' & 'Moonwalker' (Diana)
  • Moonwalk TV debut during 'Billie Jean'
• Music video emphasis on MJ's 'big foot'
• Lyrics about paternity (bloodline) of baby

Is this it? The long-awaited moment of the resurrection of the phoenix? A somewhat ironic rebirth of 'King William'?

Will they allow it?

Keep in mind that Michael Jackson was on the verge of a major comeback via 'This Is It' concerts in London when he  died. The opening night was scheduled for July 13 or the day after King Billy's 'Orangemen's Day'. I'd call that an omen.

Speaking of omens, a phoenix crop circle in England...

[cropcircleconnector.com]

...discovered on June 12 (2009), accompanied by Moon/Diana...

June 11 - Kaguya Moon Impact	June 12 - Film 'Moon' release

...closely preceded by a figure-8 crop formation appearing on the first anniversary of NASA's Phoenix landing on Mars (May 25)...

	[cropcircleconnector.com]
May 25, 2008 - NASA Phoenix Mars landing	May 25, 2009 - Figure-8 crop circle discovered in England

...alluding to the G8 summit (July 8-10) in L'Aquila, Italy or the epicenter of the April 6 'Bigfoot' earthquake. ('Aquila' means 'eagle', practically interchangeable with the phoenix). The G8 logo once decoded pinpoints June 12-13, i.e. the phoenix...

[cropcircleconnector.com]

It even knew where it was in time via the analemma.

[analemma]

Whispering 'Princess Diana' and 'Moon Impact'...

[Sun symbol]

...with the sun symbol precisely marking where the Sun was the day Princes Diana was killed, August 31, 1997! (Plus Michael Jackson's birthday August 29.)

The phoenix and the death of Diana... A combination unmistakably alluding to a 'resurrection'... presumably through Prince William, which is the Monolith emerging from the Moon.

That's more than a casual metaphor. The Monolith is from '2001' and '2010'. That's next year...

2010: The Year We Make Contact

[From 'Whisper of the Fifth Sun']

On board the Jupiter-bound spaceship Leonov in 2010 is Commander Kirbuk played by Helen Mirren. She is Queen Elizabeth II in the 2006 film 'The Queen' - all about the aftermath of the death of Princess Diana!

It's as if we are in for a major shift in the British Royal Family starting 2010 just in time for the 2012 London Olympics. A scenario or timeline I've been speculating on since the unveiling of the logo back in June 2007. (Following interpretation all done in July 2007 on STRUG.)

What I saw was a coronation scene with an allusion to ZZ Top and in particular their 1999 album 'XXX':

• Crown on cover (placed on 'Top'/head)
• In Roman numerals XXX = 30
  • In 2012 Prince William will be 30 years old
  • 2012 Olympics = 'Games of the XXX Olympiad'
  • 'XXX" in flag of Amsterdam which is capital of Netherlands, home to House of Orange/King William III

Amsterdam flag

• ZZ Top is from Houston AKA 'Space City' linked to Apollo program and Moon/Diana
• ZZ Top's main guy is Billy (Gibbons)
• ZZ Top derives its name from blues musician B.B. King ('King of Blues')

A straightforward interpretation would be that Prince William will become King William in or around 2012. If not literal, then this should at least be a major symbolic storyline set to (if not already) drive key world events in/around 2010-2012.

*      *      *

Additional data points:

• The Aquila G8 summit July 8-10 closely coincides with Michael Jackson's funeral (July 7) and what would have been his first 'This Is It' comeback/farewell concert (July 13) as well as a lunar eclipse (July 7), Obama meeting the Pope (July 10), the launch of space shuttle Endeavour STS-127 (July 11 or later), and the sunset alignment of Manhattan's street grid ('Manhattanhenge') around July 12/Orangemen's Day (NYC for a short time called 'New Orange' in honor of King Billy of Orange

• June 2009 began with the crash of Air France Flight 447 en route from Rio (Brazil) to Paris - Rio is famous for its Jesus statue and Paris is all about Mary-Isis-Diana, together evoking the 'Grail bloodline' (and something going wrong with it)

*      *      *

Epilogue

The death of Michael Jackson was a magma eruption from the underground stream Alpheus in Arcadia. We're talking The Da Vinci Code... or the Rennes-le-Chateau mystery that inspired the Dan Brown bestseller. In this more real-life modern Grail saga in southern France, one painting embodies the whole saga like The Last Supper does The Da Vinci Code. It's called Les Bergers d'Arcadie ('Shepherds of Arcadia') or 'Et in Arcadia ego' by Nicolas Poussin.

The theme is essentially the same but slightly time-shifted: Christ/King is here already in the tomb and Mary Magdalene is looking pregnant. (Or at least that's the popular, unofficial interpretation.) It's the timeless tale of the phoenix - the death and rebirth of the 'Once and Future King'.

It gets a little philosophical with the enigmatic phrase 'Et in Arcadia ego' engraved on the tomb. It literally means 'And in Arcadia I' or 'I am even in Arcadia', implying that death exists even in paradise (Arcadia). In other words, death is inevitable - even for Michael Jackson.

A walking Peter Pan syndrome, Jackson refused to grow up and for a long time lived in his private amusement park 'Neverland Valley/Ranch' named after Peter Pan's blissful island. He was in 'Arcadia'. Michael Jackson wasn't supposed to grow old, let alone die. On some level perhaps we all wanted to believe that too. Beneath all the ridiculing and genuine puzzlement, part of us secretly hoped he was Peter Pan who could conquer time and death so that maybe we could too.

On June 25, that unconscious wish was mercilessly snuffed out. It was more than just a passing of a great entertainer, it was time devouring Peter Pan, it was a morbid triumph of death. It had a profound archetypal resonance which made the death of the King of Pop all the more shocking.

Death comes to all - whispered the 'angels'. Jackson, Fawcett, Neda, and others - each presented to us as an 'angel' (of death) as discussed - collectively pointed at the tombstone in Arcadia. The delivery of the message was decidedly 'angelic' because, as Lynn Picknett & Clive Prince point out in The Sion Revelation (2006, pp.237-8), 'Et in Arcadia' has historically been something of an 'angelic' 'calling card:

The motto Et in Arcadia ego, highlighted from the very beginning of the Dossiers Secrets [of the Rennes-le-Chateau saga], remains open to interpretation in the context of the Priory [of Sion]. On a literal level, in their reconstruction of history, Arcadia in Greece is said to be where the Benjamite ancestors of the Sicambrians settled after leaving Palestine. On a symbolic level, attention is drawn to Nicolas Poussin's The Shepherds of Arcadia, which features the phrase on a tomb against a rural background; the painting is also alluded to in the coded parchment message, and the decoding in turn is said to have prompted Sauniere to study the painting in the Louvre. [...]

So why was this phrase... deemed so essential to the Priory myth?

It is relatively easy to identify the source and tradition from which the creators of the Dossiers Secrets drew the significance of the motto: it comes from a nonfiction work of Maurice Barres. In a collection of essays entitled The Mystery in the Open (La mystere en pleine lumiere), published posthumanly in 1926, he wrote of a kind of mystical brotherhood that has existed across the centuries to which artists of a particular spiritual mind-set - characterized by the prominence of angels in their work, implying they were inspired or even influenced by spiritual entities themselves - belong. Although Barres writes of these artists as simply sharing a common inner vision and artistic intent - a kind of mystical, rather than literal, solidarity across the centuries - many have seen this as a veiled reference to a rather mysterious confraternity of artists, the Angelic Society (Societe Angelique) of the seventeenth and eighteenth centuries, to which Poussin has also been linked. Barres seems to be hinting that the Angelic Society still existed in his day. [...]

Barres also reveals the "code" - a sort of call sign or password - by which members of the Angelic Society advertise themselves: "It must always be that we arrange for there to be, in some corner of our work, a tombstone with the famous inscription Et in Arcadia ego."

In a roundabout way the 'angels' were drawing our attention to the 'bloodline of the Holy Grail' storyline and tying that to Princess Diana and her bloodline/offspring. Presumably because certain things are about to be set into motion that will involve the British Royal Family through which Cupid's arrow will point at something more profound. Something cosmic.

Michael Jackson is an arrow, Moon is an arrow, Bigfoot is an arrow, crop circles are an arrow, Diana is an arrow, Et in Arcadia ego is an arrow, the Monolith is an arrow, Jupiter is an arrow... it goes on like time itself, marching forward slowly but surely toward the heart of the matter which is truth in the tomb, where we all end up one way or another. The great mystery...

In Washington D.C. the earth bound Rose Line runs between the Jefferson Memorial and the Presidential Mansion along the Prime Meridian of the new country. The short north-south aspect was dictated by the need to incorporate the great civilizing influence of the Native American and Egyptian mentors who taught their people that the soul was composed of five parts, Water, Earth, Air, Fire, and Light.. The west triangle off the Rose Line dictates the width and breadth of the mall. Lincoln, being a fallen hero needs to be memorialized in the west. Freedom, being the goddess of the New World Order needs to be on a pedestal to motherhood in the east. The soul matures during the experience of life. If the individual does not make a mockery of the trial of life the soul of the individual will merge all the apexes of the pentahedron into the highest apex. This is the point where the four created parts of the soul merge into the Eternal Light that is the essence of the Universal Being. To be One with God is a lofty goal, for sure. But, to deny the potential of one's own soul is simply a path to perdition. That is why great cultures have always crated Stairways to Heaven. That is also why the crystal pentahedron on the Washington mall is hidden in plane sight rising high above the grassy knoll upon the memorial phallus of the First Father of the nation for which Washington is the Rose Line and Capitol. Most people see the great obelisk, but to see the crystal pentahedron an individual must learn how to utilize the All Seeing Eye. The Beatles made the pathway to the top of heaven popular in a song about Mother Mary speaking words of wisdom, let it be. That is how we become adepts at cosmic accomplishments. We let the accomplishment unfold within us as we witness the All Seeing Eye through us in such manner that our own example is the example of heavenly righteousness. It is this spirit of righteous freedom that ruled the urban planners when they set out to raise an Eternal city of God out swamp lands of Maryland and Virginia.

Like Giza the soul of America needs cosmic alignment. The south is the physical being, the baboon, the body soul, and it is asexual. Thus, the Jefferson Memorial is a feminine monumental design dedicated to a masculine personality. That was Jefferson. The west is the land of the Ka. It is the eternal material essence. Our genes carry the Ka of billions of years of the ascending soul from one generation to the next. When we die we return to the Ka. Thus, the president who most immortalizes death as a resurrected spirit belongs in the west. No president comes close to Lincoln in this regard because he took the holocaust of the Civil War and made it an example of the United States of America. That is the Ka of our land. The north is the land of the mind, Imsety. It is here that we must place the president's mansion. What the country needs most in this mansion is a mind for the ascending soul of America. This is the House of Seth and the House of Horus. These two gods of Liberalism and Conservatism must perpetually cycle through the mansion to maintain balance throughout all the land for all ages. The final point on the plan of creation is the east. It is the direction of future rising stars. It is also the direction of the gaze of the Sphinx and the place where Wise Men see the rising stars of kings to come. This is the direction of Kingdom Come. This is the future of the intent present at the Moment of the First Occasion when the city designers set about to accomplish the will of God. On the rotunda of the Capitol stands the dream of Kingdom Come, she is a Goddess called Freedom and she is the spirit of the Native Peoples of the Land of the Free. This spirit still reverberates in the land even though the overt traditions of the Native Peoples remain hidden from the view of impious fools.

The four compass points are visible in the codex of the urban grid of Washington. And they were not placed by accident or by ruminating cows. They are intentional. There is one other point of prime interest. It is the monument at the center. The obelisk is the phallus of the God Father. He was George Washington, whose name carries on under his monument. That monument points skyward to show the way we must all strive toward. Once we can see the pyramid of the soul on the mall in Washington, we can merge all the elements of creation, body, earth, mind, and spirit into a vision of the divine. To get there we have to rise on the wings of the eagle. That eagle has the Seal of Solomon on its obverse and the vision of God on its reverse. It is the Eye of Oneness. The magic of paying attention will overcome chaos, doubt, and denial. Eventually the Great Man with the crown of innocence will walk with the Heavenly Host.

The five primary stars chosen to tell the story of the birth of the New Age are Regulus, Spica, Arcturus, Zaniah, and Mintaka, but the whole of the heavens is implied by the destiny of all Great Men. The axiom "as above, so below" must be applied in the projection down to earth. That means we must project the stars down to the earth as they are seen from beyond the stars. The image of the Potter's Field shown above is the mirror image of the Potter's Field in the District of Columbia. It is what we see when we turn our back to Mother Earth and face the heavens. This is the major stumbling block of all cosmic research. We want to project what we see onto the ancestral monuments. But, having taken our hand from the play we fall on our back sides to the Redemptoris Mater.

The Redemptoris Mater Chapel of Pope John Paul II shows Christ at the center of a revolving field of stars. This is the location of Polaris at the north pole. It shows Christ with his back to the heavens as he opens his arms to the four apostles before him. This is a crystal pentahedron of the Cosmic Soul in which the Light of the World comes back down to earth. This is the meaning of salvation.

The view from the heavens through the star field toward the earth at Washington D.C. is shown by the following correspondences:  Washington monument is Spica, Lincoln Memorial is Regulus, and the White House is Arcturus. The Jefferson memorial is a mirror image of the earthward projection. It says, "as above, so below" as a doubling unto the double of the Redemptoris Mater symbolized by the rotunda of the Jefferson Memorial. That projection represents the Birth of a Nation under Heaven on July 4, 1776.

More proof of the Birth of Kingdom Come? Why does the eastward line point through the Capitol at slightly less than one degree north of east? The only star that hits that alignment is Zaniah at the back of the head of Virgo. Zaniah was the Harlot of Babylon and it was the location of Uranus in the circular horoscope of Denderah. The metaphor at Denderah was the Dream of Kingdom Come. Did the Masonic urban designers want to restore the Harlot of Babylon? Would such a timeless moment memorialize the birth of a nation? In Egypt is was the Birth of the Age of Pisces. In America on July 4, 1776 it was Novus Ordo Seclorum meaning "thus is born a new order of the ages." These metaphors use the same stars and it is difficult not to see the same Eyes of the Gods. How could expatriates of England, France, and the rest of Europe see the ancient Egyptian message when Napoleon had yet to go to Egypt and inaugurate Egyptology? There must be a simple explanation. And it may be that the consequence of using stars to forecast the destiny of a new nation results in the founders of the new nation utilizing the Eyes of the Gods to establish a birthplace on earth as it is in the heavens.

The design of the mall of Washington was simply a birth chart for a nation. The most important celestial alignment is the one that reveals the Time of the Chart. That means that the east-west line is actually a "Time Line." It points to a specific time in the east and a specific time in the west. If it pointed due east-west that would provide a time of year for one of the equinoxes. Since the city is a government city we can exclude the vernal equinox in Pisces. The autumn equinox marked the astrological entrance into the Judgment Hall of Libra. This is not the celestial house of Libra on the zodiac it is the astrological house on the birth chart. By virtue of the precession we can unite the cosmic time with the horoscope time. Zaniah was just under 1 degree north of the autumn equinox on July 4, 1776. Thus, the offset is revealing where the vernal equinox was on the birth chart for July 4, 1776.

At 11:21 am on July 4, 1776 the Harlot of Babylon, Zaniah, aligned with the Statue of Freedom as viewed from the Washington Monument. With Saturn at her back, it was time for a Virgin birth. Neptune was at the top of her head as if he were lifting her out of the cosmic abyss. According to the historical records, Neptune had yet to become a twinkle in the eyes of man.

At 4:33 pm on July 4, 1776, Mintaka aligned with the Lincoln Memorial as would have been viewed from the Washington Monument. Above the head of Orion were Jupiter and Venus on the legs of the male Gemini and Mars was between the horns of the ancient Bull. Above the Eye of the Bull, Aldebaran, sat Uranus, the wandering star that carries the name of the Father of Time. As Uranus was setting in the west, his son, Saturn was just below the horizon preparing to rise in the east. Above Mintaka was the Son of Time, Jupiter, in conjunction with the Daughter of Love, Venus. These alignment would have been well known an well researched before picking the date of the birth of the first nation to carry the Greek promise of Freedom to a democratic society of man. The eyes of the gods said, "Annuit Coeptis."

Square on the zenith at the rising of Zaniah a Good Shepherd climbed a mountain with the plane of the earth fortified under his feet with a Grand Conjunction of five planets and the Sun. This is the return of Elijah at the Gateway of Men.

Directly opposite the Good Shepherd and at the Gateway of Gods the nadir rested in the Southern Crown beneath the sign witnessed by Constantine I (the Great) on the last night before he earned the title of Emperor of Rome by telling his soldiers, "In this sign you shall conquer." The sign for Constantine was a grand conjunction of planets stretching from Aquarius to Sagittarius. On July 4, 1776 as Zaniah rose in the east three wandering stars marked the ancient place of reincarnation, the Moon, Pluto, and the Earth, whose presence is shown by her shadow in the eyes of the Sage. Above the gateway a child in swaddling cloths in the mouth of Quetzalcoatl and a man wrestling with a serpent with one foot on the earth and one foot in the sea crushes the Great Red Dragon under his feet. The Great Red Dragon is the unbalanced desire of the Harlot of Babylon. But, "in this sign you shall conquer" means that a boy become a man when he can liberate unbalanced desire with the Virgin's Child with the hand of iron. Justice was born that day. And justice is born every day that Unbalanced Desire is divided into Balanced Desire. This is the word of god shown in the hieroglyph for neter between the Red Crown and Anubis.