Listed as one of the most sinister places in the world, Denver airport stands as a sanctuary full of hidden symbolism bleak unfolded through murals, commemorative plaques, sculptures, and spatial distribution based on the figure of the swastika. The explicit occult that surrounds the Denver International Airport seems a clear message to groups governed based on the New World Order, Masonic protocols, and a series of stormy prophecies.

 

Therefore this place goes far beyond a simple decorative airport with obvious bad taste but, disconcertingly, embodies a kind of New Age occultism Cathedral. Every detail of the space seems to have been meticulously planned and their cost exceeded the 4,800 million dollars, ie 3,100 million more than originally calculated. The Denver is the largest airport in the United States since it was built in 1995 on an area of ​​34,000 acres.

 

Besides containing odd iconic language, while building multiple abnormalities that stimulate the suspicions around this area were recorded. Apparently, to prevent an outside group fully dimensioned space, various builders were hired to address specific areas of the building. That is, no one had access to the full site plans. During its construction more than 110 million cubic yards of earth, which far exceeds the highest buildings in the world and suggesting that a gigantic underground space to which no access was developed were removed. What is confirmed is that it has huge tunnels through which can transit trucks, which are strangely disuse.

 

But let's review in detail the dark extravagance of this airport reviewing some of his most explicit elements.

 

In reaching this dark cathedral you get a colossal sculpture of a blue horse, veins and highlighted with a devilish eyes that light up at night with bright red. As if not enough the evil presence of the equine apocalyptic 32 feet, apparently the entity and took on a life of its creator. When installing a piece of sculpture he came off, fatally striking the sculptor Luis Jimenez.

 

Prophetic Murals

Covering four large walls of the airport, the artist Leo Tanguma reflected a series of murals that supposedly represent peace, harmony, and nature. However, to observe, hardly come to mind these ideas. Tanguma is a painter whose work generally aligns with the Chicano Art Style, however ever he said that to realize these murals received precise instructions and $ 100,000. He later retracted these statements and has avoided commenting on the curious symbols printed in this book.

Despite its cute title the central image of the mural is a group of visibly sad children, surrounded by presumably extinct species, and with a forest and a city in flames in the background. Analyzing in detail this work we can see that one of the kids holding their hands on a Maya stela representing the end of the world. Interestingly city burning in the background has been retouched or modified repeatedly, suggesting its importance in the composition, as if it were representing various wrapped urban concentrations in a strange process of destruction (showing a multicolored halo that surrounds them, perhaps raising a scenario plagued by biochemical weapons). Another child, a blond girl holds in her hands a Bible and a "Jewish" same yellow star that was used by the Nazis to mark the Jews. Indeed, beyond the contradictory title of this mural, it seems that all the elements represented in it were doomed to extinction.

 

Children dream of world peace

This work is divided into two parts. In the first, from left to right, we see an interracial group of children dressed in folk costumes, which are apparently delivering arms, wrapped in flags of different countries, a German child who is in the middle. This guy, representative of Bavaria (birthplace of modern Illuminati lineage) culture. The submission of the nations of the world around a common target refers, again, to the unification pursued by the New World Order. And no less intriguing than the center of this new order of global standardization of Teutonic origin a child appears.

 

 

In the second part of the mural, bundled to the first through a rainbow, an aggressive and fatal military entity appears, dressed in Nazi uniform and carrying an ancient mask. This macabre character holding a rifle in his hands and a kind of scimitar pointing the dove of peace. In the background we see some terrified parents holding the corpse presumably baby. In the lower right corner of the composition a scroll with the text of one such Herchenberg Harma, a 14-year-old apparently he died in Auschwits, perhaps in the gas chamber to which the apocalyptic subject is immune through his mask appears.

 

 

 

Perhaps the greatest manifestation of the extensive Nazi allegory present in the Denver International Airport is the deployment of the construction itself. This denotes a geometry possibly inspired by Nazi swastika resumed element of Hinduism, which can be seen through satellite photos. Again it would be hard to believe that this is a coincidence.

 

The presence of these evil entities in various churches and cathedrals has been controversial throughout history. Many scholars still are surprised at the location of these little monsters within these contexts. However, the fact that they appear along the corridors of an airport built in 1995 is even more strange.

 

Anu, the Egyptian god of death and life in the hereafter, will be invited to the mysterious new Denver International Airport. Considered one of the largest sites Masonic references and allegories about the Illuminati and the New World Order, now this dark place prepares for an exhibition dedicated to ancient King Tut of Egypt. And as a preliminary Advanced was installed this monumental totem of about eight meters high representing the god Anu.