Diego ARMANDO MAR-ADONA tiene un fuerte nexo con el GRIAL. Recordemos que DIEGO, el jugador mas grande de toda la historia, era numero 10 y la "MANO DE DIOS" fue justamente en el contexto del partido contra GRAN BRETAÑA en el MUNDIAL DE FUTBOL DE 1986. GRAN BRETAÑA, YA HEMOS ANALIZADO, tiene un fuerte nexo con el GRIAL pricipalmente en el contexto a que es el PAIS DE LA REINA DE LOS MARES y su famosa bandera que es una estrella de 8 puntas, con fuerte nexo con ISHTAR, CON NEXO ESOTERICO EN EL CONTEXTO A LA RESURRECCION DE NUESTRO SEÑOR. EL 8 ES EL NUMERO DE LA RESURRECCION.
Argentina, tambien tiene un fuerte nexo con el grial en el contexto a la PUERTA DE PLATA/SILVER GATE/PUERTA DEL HIJO DEL HOMBRE/SOLSTICIO DE VERANO/ORION/PENTECOSTES.
LA MANO DE DIOS, EN EL CONTEXTO AL NUMERO 10 (DIEGO Y JUGADOR NUMERO 10) TIENE NEXO EN LA TORA CON EL "DEDO DE DIOS" Y LOS 10 MANDAMIENTOS. APARTE LA "MANO DE DIOS" TIENE NEXO CON EL NUMERO 119 (QUINTA LUNA LLENA DESDE EL PRIMERO DEL PRIMER MES HEBREO) SEGUN ESDRAS 7:9.
Porque el día primero del primer mes fue el principio de la partida de Babilonia, y al primero del mes quinto llegó a Jerusalén, estando con él la buena MANO DE DIOS
EL PRIMERO DEL QUINTO MES ES EN LUNA LLENA EL DIA NUMERO 119 DEL AÑO LUNI-SOLAR HEBREO.
2. Éxodo 31:18: Y dio a Moisés, cuando acabó de hablar con él en el monte de Sinaí, dos tablas del testimonio, tablas de piedra escritas con el DEDO DE DIOS.
3. Deuteronomio 9:10: y me dio Jehová las dos tablas de piedra escritas con el DEDO DE DIOS; y en ellas estaba escrito según todas las palabras que os habló Jehová en el monte, de en medio del fuego, el día de la asamblea.
Y él estuvo allí con Jehová cuarenta días y cuarenta noches; no comió pan, ni bebió agua; y escribió en tablas las PALABRAS
del pacto, los diez mandamientos.
CONCRETAMENTE DETRAS DE LA "MANO DE DIOS", en el contexto al NUMERO 10, estan los diez mandamientos en el contexto al VERDADERO SHAVUOT.
LA COPA, EN EL FUTBOL, y en la mayoria de los deportes tiene un fuerte nexo CON LA COPA DE LA SANTA CENA CRISTIANA. PARADOJICAMENTE que un deporte tan POPULAR COMO EL FUTBOL, tenga tantos mensajes subliminales GRIALICOS. Cuando CRISTO usa el DEDO en el contexto a la RAMERA (REFERENCIA ESOTERICA CON FUERTE NEXO CON MARIA MAGDALENA) estaba haciendo referencia al DEDO/MANO DE DIOS.
NO CONSPIRE MAS CONTRA LA VIUDA
274. Juan 8:7: Y como insistieran en preguntarle, se enderezó y les dijo: El que de vosotros esté LIBRE sin pecado sea el primero en arrojar la PIEDRA contra ella.
Apocalipsis 10 (DIE-GO/DIEZ) 10:1 Vi descender del cielo a otro ángel fuerte, envuelto en una nube, con el arco iris sobre su cabeza; y su rostro era como el sol, y sus pies como columnas de fuego. (EL ARCO IRIS TIENE CONNOTACION CON EL PACTO DE NOE EN CONEXTO AL LINAJE SEM=SEMEN=LINEA DE SANGRE=LINAJE=SANTO GRIAL. IRIS TIENE UN FUERTE CONTEXTO CON LA ILUMINACION. ISHTAR DA A LUZ UN HIJO Y ESE ES EL MENSAJE DE LA LUZ)
10:2 Tenía en su mano un librito abierto; y puso su pie derecho sobre el mar, y el izquierdo sobre la tierra; (Un nexo con el TERCER DIA de la creacion EN QUE FUERON CREADOS EL MAR Y LA TIERRA. LA RESURRECCION DE CRISTO TIENE FUERTE NEXO CON EL SANTO GRIAL)
10:4 Cuando los siete truenos hubieron emitido sus voces, yo iba a escribir; pero oí una voz del cielo que me decía: Sella las cosas que los siete truenos han dicho, y no las escribas. 10:5 Y el ángel que vi en pie sobre el mar y sobre la tierra, levantó su mano al cielo, (ALLI ESTA LA ALQUIMIA, OSEA LA ESCALERA DE JABOB)
ESCALERA DE JACOB (ALQUIMIA)=GRIAL 10:6 y juró por el que vive por los siglos de los siglos, que creó el cielo y las cosas que están en él, y la tierra y las cosas que están en ella, y el mar y las cosas que están en él, que el tiempo no sería más, (Fuerte nexo sabatico. EL SHABBAT SE LO GUARDA JUSTAMENTE COMO SIMBOLO DE QUE YHWH ES CREADOR O CREADORA)
10:7 sino que en los días de la voz del séptimo ángel, cuando él comience a tocar la trompeta, el misterio de Dios se consumará, como él lo anunció a sus siervos los profetas. 10:8 La voz que oí del cielo habló otra vez conmigo, y dijo: Ve y toma el librito que está abierto en la mano del ángel que está en pie sobre el mar y sobre la tierra. 10:9 Y fui al ángel, diciéndole que me diese el librito. Y él me dijo: Toma, y cómelo; y te amargará el vientre, pero en tu boca será dulce como la miel. 10:10 Entonces tomé el librito de la mano del ángel, y lo comí; y era dulce en mi boca como la miel, pero cuando lo hube comido, amargó mi vientre. 10:11 Y él me dijo: Es necesario que profetices otra vez sobre muchos pueblos, naciones, lenguas y reyes.
This pattern can be seen in the following list of the first 72 Fibonacci numbers:
0
0
1
1
2
1
3
2
4
3
5
5
6
8
7
13
8
21
9
34
10
55
11
89
12
144
13
233
14
377
15
610
16
987
17
1,597
18
2,584
19
4,181
20
6,765
21
10,946
22
17,711
23
28,657
24
46,368
25
75,025
26
121,393
27
196,418
28
317,811
29
514,229
30
832,040
31
1,346,269
32
2,178,309
33
3,524,578
34
5,702,887
35
9,227,465
36
14,930,352
37
24,157,817
38
39,088,169
39
63,245,986
40
102,334,155
41
165,580,141
42
267,914,296
43
433,494,437
44
701,408,733
45
1,134,903,170
46
1,836,311,903
47
2,971,215,073
48
4,807,526,976
49
7,778,742,049
50
12,586,269,025
51
20,365,011,074
52
32,951,280,099
53
53,316,291,173
54
86,267,571,272
55
139,583,862,445
56
225,851,433,717
57
365,435,296,162
58
591,286,729,879
59
956,722,026,041
60
1,548,008,755,920
61
2,504,730,781,961
62
4,052,739,537,881
63
6,557,470,319,842
64
10,610,209,857,723
65
17,167,680,177,565
66
27,777,890,035,288
67
44,945,570,212,853
68
72,723,460,248,141
69
117,669,030,460,994
70
190,392,490,709,135
71
308,061,521,170,129
72
498,454,011,879,264
Lucien Khan arranged these 60 digits of the pattern in a circle, as shown in illustration below:
Here he found other interesting results:
The zeros align with the 4 cardinal points on a compass.
The fives align with the 8 other points of the 12 points on a clock.
Except for the zeros, the number directly opposite each number adds to 10.
Lucien postulates that ancient knowledge of these relationships contributed to the development of our modern use of 60 minutes in an hour, and presentation of numbers on the face of the clock.
I found too that any group of four numbers that are 90 degrees from each other (15 away from each other in the circle) sum to 20, except again for the zeros. As an example, use 1, 7, 9 and 3, which appear one to the right of each of the compass points.
Additionally, every group of five numbers that define the points of the 12 pentagons on the circle also create a pattern. Four of the pentagons have even-numbered last digits of 0, 2, 4, 6, and 8. The remaining eight pentagons have odd-numbered last digits of 1, 3, 5, 7 and 9.
Another interesting pattern yet was observed by Lucien Khan: The 216th number is this sequence is 619220451666590135228675387863297874269396512. The sum of all the digits in that number add up to 216, as well. He notes that it is believed that the secret or hidden name of God contains 216 characters. There are many other fascinating relationships and sacred geometries, which are presented by Lucien Khan in more detail at the links below.
The height of the Statue of Liberty is 111′-1″ from bottom of foot to top of head. The 7 rays on the crown and the 11 points of the base star echo the proportions of the Great Pyramid’s 7:11 height to base proportion. The superb book Talisman by Graham Hancock and Robert Bauval convincingly shows this goddess is actually the Egyptian Isis.
Image courtesy Elcobbola under the Creative Commons Attribution-Share Alike 3.0 Unported license.
hace 3 días - Manipularon la historia a través de las fuentes de los textos en su lenguaje inventado llamado Latín, peeeeero no pudieron cambiar el ... Jose Alfonso Hernando ... la famosa batalla de Troya, y HASTA AHÍ NOS VAMOS PARA VER QUE ... “Las matemáticas nos hacen más libres y menos manipulables”.
hace 3 días - Principal / Valdeande Magico / ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!! ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!!
Troyes is the former capital of Champagne and is a perfect short trip visit from Paris. At just an hour and a half by train it can be a day trip but a couple of days and an overnight stay would be better because there’s so much to see and do in this lovely, vibrant city.
A town that is shaped like a Champagne cork in Champagne?
Troyes is an ancient city, once a Roman town with a direct road from Milan and onwards to Boulogne-sur-Mer on the Opal Coast in the north of France – the route for the invasion of Britain. Later the rich and powerful Counts of Champagne built a palace in Troyes and it was a prosperous place that attracted merchants from all over Europe. The counts fortified their town and though at that time Champagne didn’t even exist, the walls took the form of a Champagne cork.
Following a huge fire in 1524 that destroyed many of the ancient buildings that were constructed from wood, new brick buildings were erected and many of them remain to this day. Indeed the inhabitants of Troyes lived in these buildings pretty much as they had been for hundreds of years right up until the 1950s. It was a decade when the town council went on a bit of a renovation rampage to improve conditions since many of the old buildings had no bathrooms and poor hygiene conditions.
Fortunately they didn’t destroy too much and visiting Troyes is like stepping back in time. Every street seems to have its quota of half-timbered houses and there are cobbled streets and tiny alleyways that create a mesmerising maze in the centre of the old town of Troyes. In the little ruelle des Chats (Cats Alley) you’ll see it is so narrow that the houses lean in and touch via a central gutter at the top and cats could cross from houses on both sides of the roads. At the side of the office of the Mutuelle Societe at 111 rue Emile Zola you can enter a gate and at the back you’ll discover a stunning renaissance house looking exactly as it did when it was built. At the Cour du Mortier d’or, the ancient timber frames still bear the workman’s trademarks.
Everywhere you go here you’ll discover traces of history from hundreds of years ago, quaint, quirky and irresistibly charming…
Golden ratios appears in many geometric constructions, including triangles and squares in circles, the pentagon and also in solids such as the dodecahedron.
Ancient Metrology - Numbers Don't Lie - World Mysteries Blog
A. Sokolowski There is an underlying order in Cosmos. Our ancestors discovered it in ancient times and expressed it in their writings and monuments. This article is an invitation to all our visitor to explore and expand this subject. Please share facts that should be mentioned here (via comments and/or e-mail) – if you are […]
Chris and Penny at Regina University's Math Central (Canada) show how we can use any circle to construct on it a hexagon and an equilateral triangle. Joining three pairs of points then reveals a line and its golden section point as follows:
On any circle (centre O), construct the 6 equally spaced points A, B, C, D, E and F on its circumference without altering your compasses, so they are the same distance apart as the radius of the circle. ABCDEF forms a regular hexagon.
Choose every other point to make an equilateral triangle ACE.
On two of the sides of that triangle (AE and AC), mark their mid-points P and Q by joining the centre O to two of the unused points of the hexagon (F and B).
The line PQ is then extended to meet the circle at point R. Q is the golden section point of the line PR.
Q is a gold point of PR The proof of this is left to you because it is a nice exercise either using coordinate geometry and the equation of the circle and the line PQ to find their point of intersection or else using plane geometry to find the lengths PR and QR.
The diagram on the left has many golden sections and yet contains only equilateral triangles. Can you make your own design based on this principle?
Chris and Penny's page shows how to continue using your compasses to make a pentagon with QR as one side.
Equilateral Triangles and the Golden ratio J F Rigby, Mathematical Gazette vol 72 (1988), pages 27-30.
Modelled on the Roman Pantheon, the tiny church of Santa Maria della Maddalena, or simply La Maddalena, is a Venetian mystery. Perhaps its most notable feature are the masonic symbols above the door. The all-seeing eye inside an interlocking circle and triangle is one of the symbols of freemasonry and both the church’s architect and patron were freemasons. The mystery is amplified by the fact that the church is almost always closed to visitors – so much so that I’ve never seen the inside.
The 18th-century neoclassical edifice we see today is the work of Venetian architect Tommaso Temanza who entirely rebuilt an earlier church using a circular plan inspired by the Pantheon in Rome. The Roman Pantheon itself, one of the best preserved buildings of the antiquity, is a special design echoed by the much later symbols of freemasonry. It incorporates a circular wall plan and a rectangular portico while its circular dome has an eye-like opening in the centre of the roof called an oculus.
La Maddalena’s site, owned by the patrician Balbo (or Baffo) family, had a church as early as the 13th century. There is some evidence of the family’s association with the Knights Templar. In the 18th century, Venice had an influential fraternity of freemasons whose members also included the famous adventurer Giacomo Casanova. The owners of the old religious site who were also affiliated to the freemasonry contracted Temanza, also a member of the fraternity, to build a masonic church in Venice.
Judging by the symbol of the all-seeing eye above La Maddalena’s entrance and its Latin inscription attributed to Solomon: Sapientia edificavit sibi domum (“Wisdom has built a home for itself”), Temanza was also a dabbler in the same undercurrent of esoteric freemasonry as Mozart. The architect is buried inside the church and his headstone is apparently decorated with a line and set of compasses, the most common symbol of the freemasons whose members would see themselves as ‘builders’.
It is also no surprise that this peculiar small masonic church is dedicated to Mary Magdalene. Despite being the first witness to Christ’s resurrection, she is more commonly remembered as a reformed prostitute. This mysterious figure, sometimes rejected by the church, was instead beloved by the freemasonry whose members considered her a symbol of wisdom and the struggle against the obscurantism of the church. With her church in Venice almost never open to visitors, this struggle is apparently real.
Tema anterior
Q is a gold point of PR
