What did Hans Jenny find in his investigations?

“The more one studies these things, the more one realizes that sound is the creative principle. It must be regarded as primordial. No single phenomenal category can be claimed as the aboriginal principle. We cannot say, in the beginning was number, or in the beginning was symmetry, etc. These are categorical properties which are implicit in what brings forth and what is brought forth. By using them in description we approach the heart of the matter. They are not themselves the creative power.”

“This power is inherent in tone, in sound”

-Hans Jenny

vowel ‘A’ in sand

Hans Jenny produced both the Chladni figures and Lissajous figures in his experiments.

He discovered also that if he vibrated a plate at a specific frequency and amplitude – vibration – the shapes and motion patterns characteristic of that vibration appeared in the material on the plate. If he changed the frequency or amplitude, the development and pattern were changed as well.

• http://www.world-mysteries.com/sci_cymatics.htm

Three-Dimensional Geometric Wave Patterns Caused by Sound Vibrations in Water (Dr. Hans Jenny)

Chladni figures 

Chladni figures for a square steel plate (adapted from Waller 1961) demonstrates the fantastic variety of standing wave patterns that can arise from a simple resonating system. A square steel plate is clamped at its midpoint and sprinkled with sand. It is then set into vibration either by bowing with a violin bow, or by pressing dry ice against it.

The resultant standing wave patterns are revealed by the sand, that collects at the nodes of the oscillation where the vibration is minimal.

• http://cns-alumni.bu.edu/~slehar/webstuff/hr1/hr2.html

• http://www.world-mysteries.com/newgw/sci_blueprint2.htm

Lo Shu Turtle or Tortoise

In Mesopotamia we have the story of the Bab-Ilu.
note: the turtle or tortoise shell appears a match for the African turtle associated with the Bab-Ilu.

Lo Shu Magic Square or 3×3 Magic Square of Saturn

ZENER CARDS vs. PHOsphenes and 7 SIGNS for God 

Zener cards are cards used to conduct experiments for extra-sensory perception (ESP), most often clairvoyance. Perceptual psychologist Karl Zener designed the cards in the early 1930s for experiments conducted with his colleague, parapsychologist J. B. Rhine.[1]

There are just five different Zener cards: ONE LINE – a hollow circle (one curve) TWO LINES  – a Greek cross (two lines) THREE LINES – three vertical wavy lines (or “waves”) FOUR LINES – a hollow square (four lines) FIVE a hollow five-pointed star. There are 25 cards in a pack, five of each design.

After being introduced to phosphenes can you now see why these cards would be effective?

Pillar at the Bahai’ Temple House Chicago exhibits phosphene symbolism on its columns.

NASA and PHOSPHENES

• http://breakfornews.com/forum/viewtopic.php?p=73929#73929

Recent Publications on PHOsphenes

• http://www.seeingwithsound.com/newpubs/phosphenes/

See with your Ears!

The vOICe

• http://www.seeingwithsound.com/

Then Jesus said, “He who has ears to hear, let him hear.”

A new device that restores a form of sight to the blind is turning our understanding of the senses upside down.

HEARING is the NEW SEEING?

Sensory hijack: rewiring brains to see with sound

• http://www.newscientist.com/article/mg20727731.500-sensory-hijack-rewiring-brains-to-see-with-sound.html?full=true

IF a sensitivity to ‘phosphenes’ is allowing blind people to see, imagine what it could do for you and me?
Maybe help us with our imaginations?

• http://www.seeingwithsound.com/

Double Vajra or Vajra Cross

VAJRA and Double Vajra or Vajra Cross

The vajra is used symbolically by the Dharma traditions of Buddhism, Jainism and Hinduism, often to represent firmness of spirit and spiritual power.

In the cosmographic description of Mount Meru a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immoveable support or foundation of the mandala palace

• http://www.rigpawiki.org/index.php?title=Double_vajra

It is not difficult to link the double vajra with the double axe found in Knossos along with the Linear B script and to the vesica piscis too!

• Egyptian – Cretan – Labyrinths – DNA – String Theory – I Ching – Swastika – OS

In the center of the mandala above we see the double vajra which appears to be a match with the image below generated by a frequency of 690 hz.

690 hertz

Using Chladni technology the above ‘cross’ was formed using a frequency of 690 hertz.

Note how the node lines that formed would (bracket) the TENET cross.

To join in the discussion on a forum go here:

• EvIL Eye PHOtons/PHOsphenes = symbols/names for god?

Twin towers
Symbols

See: 911 symbology Pillars (columns)  911 false flag  11

[vid] Do You Believe in Magick? IV

Rik Clay - The Cosmic Mind: Zion 2012 Olympics

Freedom Tower

THE SYMBOLISM of 9-11 CONSIDERED

http://www.jordanmaxwell.com/articles/questions/questions11.html

Tarot Notice that this is the very aspect of imagery from “The Tower” card of the Tarot: Note: The lightening bolt (or Sig rune) striking the tower.

[vid] Do You Believe in Magick? IV   Twin Towers and Saturn

The Kaaba in Mecca

Isis standing between the pillars   Isis between the pillars. Dark pillar on the left.

An architect friend David Shipway had a hunch that the original Twin Towers might match the proportions of the columns of Boaz and Jachin (as described in the Bible) that were part of Solomon’s temple and a part of every Freemasonic lodge in the world. I made a model in SketchUp and verified this is indeed the case. The Twin Towers are overlaid as rectangles, drawn with real-world proportions: http://www.secretsinplainsight.com/2011/08/08/110-111/

Recall that Towers 1 and 2 had 110 stories each. If you include the roof level, the North and South towers had 111 floors. http://www.secretsinplainsight.com/2011/08/08/110-111/
 

Astana, Khazakhstan

http://www.jordanmaxwell.com/articles/questions/questions11.html

Europe http://www.jordanmaxwell.com/articles/questions/questions11.html

Wembley