Washington DC, diagrama de avenidas con líneas, triángulos, hexágonos y óvalos formando la "flor de la vida" etc. 

WH=Casa Blanca (White House), HOT=Casa del Templo (House of the Temple), CAP=Capitolio (Capitol), Nat.Arcv.=Archivos Nacionales (National Archives), Wash.Mon=Monumento a Washington (Washington Monument, el obelisco de 555 pies), Linc.Mon.=Monumento a Lincoln, Jeff Mmt=Monumento a Jefferson (Jefferson Monument), Wash. C.=Óvalo de Washington (Washington Circle), Dupont C.=Óvalo de Dupont (Dupont Circle), Scott C.=Óvalo de Scott (Scott Circle), Logan C.=Óvalo de Logan (Logan Circle), Med&Surg=Academia de enfermeras médicas y cirúrgicas? (Academy of Medical Surgical Nurses?)

  
Diagrama vial de Washington DC con un pentagrama, con un cubo y con una pirámide incompleta - el rectángulo de la Casa Blanca con triángulos y con la pirámide no terminada

  
Washington DC con diseño vial con pentagrama, cubo, triángulos y pirámide incompleta - el billete de 1 dólar con una pirámide incompleta con 13 escalones y con el piramidión con un ojo

  
Washington DC, la pirámide completada con un piramidión con ojo como está en el billete de 1-dólar - poniendo el ojo de Horus ese ojo está precisamente el la Casa del Templo, también llamada Consejo Supremo o Consejo Principal del Mundo (Mother Council of the World) etc.

John Russel Pope ha construido casi todos los edificios y monumentos en Washington DC (https://en.wikipedia.org/wiki/John_Russell_Pope).

Washington DC, la Casa del Templo con 2 esfinges, 33 columnas, su altura es 33 pies, y hay otra pirámide incompleta con 13 escalones

[La indicación de Scott Onstott que la pirámide tendría 33 escalones es falsa. Cada uno/a puede contar eso. Lo mismo vale para la pirámide en el billete de 1 dólar. El número 13 es el número del calendario lunar]. 

La fantasía de un "Jesús" con 33 milagros y él murió con 33 - ¡es claramente una invención de los francmasones!

If you look back at an image of the tree on the cathedral, you can see that the equilateral triangle that forms the top of the tree there, projects past the edge of the building, to where we don't know; but what that means is there is no way for us to tell, at this time, if the cathedral builders sought to incorporate all of Metatron's Cube in the plan, or not. However, with the DC map, we need not wonder about that.

And you can see (above), one corner of the outer hexagon of Metatron's Cube is marked by the Capitol Building. Below you can see all the elements of the cube spelled out in the map image. The second image below is an undiluted planning map image for comparison, so that you can see which lines are actually represented by streets in the map.

You will want to notice several things about the map cube. First of all the red outer corner opposite to the Capitol (in the northwest) is Georgetown. Secondly, the triangle in the map, that is equilateral in the Cube image, has 52 degree base angles, like the Great Pyramid and the latitude of the Stonehenge. All the elements in the map have been shortened, circles, hexagons, rectangles and pentagons. Not the ellipse below the White House, which results from shortening a circle.

And finally, the bottom half of the DC cube is not symmetrical. As you can see by the blue rectangle above, the CB is located several hundred feet north of the ideal location for the cube. Notice how it's current position puts a "dog leg" in Pennsylvania Avenue. Note also how the extension of New York Avenue, southwest of the White House, does not match the diagonal of the blue rectangle either, as it has been positioned mirroring the alignment of Penn. Ave.

To the southwest of the Capitol, running toward the Jefferson Memorial, Maryland Avenue mirrors Penn. Ave running to the northwest. The extension of Maryland running northeast from the Capitol, does not line up with the other segment, because it mirrors Penn. Ave. running toward the river in the southeast. Had the CB been locate a little bit to the south, all of these alignments would have been different.

The reason for the relocation of the CB can be seen in the topographic image above; the ideal location for the building was on the side of a steep hill. L'Enfant placed it as close as he could to the crest of the hill, a location he called a pedestal waiting for a monument. After he was fired from his position as chief planner, there was mich discussion about moving it to a higher place to the east, 1) because some feared that the foundation would not be safe there, and because, if it were located there, the hills to the east, would impede the view from that direction.

As you can see, even after 200 years of landscaping, there is a steep drop off to the west of the building, which is negotiated by a lengthy set of steps.

Pennsylvania Avenue is not a straight line due to the location of the Capitol Building. The avenue is composed of three segments; 1 runs from Georgetown, in the northwest, to the White House, 2 from there to the CB, and 3 from there to the river. If we extend the first segment past the WH, it falls in the same place as the end of segement 3 at the river.

If the CB had been positioned to the south a little bit, the avenue would have been straight from the river in the southeast to Georgetown in the northwest.

Note that, at the location of the White House, Penn and NY Avenues form two sides of the pentagram there, and that their crossing forms 47 degree angles. On the west side of the Capitol, Maryland and Pennsylvania (both in purple) form a 39 dgeree angle, while on the east side they form a 50 degree angle. In both cases, Maryland was drawn symmetrical to whatever the angle of Penn Ave was there.

Moving the CB south would straighten Penn Ave, and if we redraw Maryland symmetrical to that, it would cause the crossing of those two to be identical to the crossing of PA and NYA, a 47 degree angle. This would move the position of Capitol Street and Lincoln Square, but could be done without altering the angles formed by the other set of streets crossing at the CB.

Looking at this topographical map you can see the reason for moving the Capitol; the spot it needed to be in was on the side of a steep hill.

 

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Returning to the elements in Metatron's Cube in relationship to the map, the first figure we see is the pentagram (red), with New Hampshire Ave (yellow) connecting the dots on the west side of that. Note that this line runs to the location of the Arlington House, in the southwest, across the Potomac River. Note also that a straight line connects the AH with the Lincoln Memorial and the center of the ellipse south of the WH.

 

Another side of the triangle (yellow) is provided by a line that connects two more of the corners on the east side of the pentagon. This line intersects New Hampshire Ave where it crosses 16th Street (the top point of the yellow triangle), and runs southwest of the Capitol. Note that it does not intersect with the CB because that was moved to the north, as shown above. Had the Capitol been located a little bit to the south, this (yellow) line would have passed through the dome of that structure.

 

Penn Ave and New York Ave form two of the other sides of the pentagon. Extending these provides the diagonals for the larger rectangle of the cube figure, with one corner at the CB and another in Georgetown. Notice that the top line of this rectangle passes through Scott Cirlce on 16th Street, north of the WH.

The smaller rectangle is formed by connecting Washington Circle with Mt Vernon Square (two corners of the pentagon), and dropping horizontal lines from both of those points. Adding a few more lines (blue) completes the hexagon in the map.

 

Note below that when PA is straightened, and we drop a horizontal line from Mt Vernon Square, it intersects the new Penn Ave line at the National Archives Building.

 

Another set of (yellow) lines from the top corners of the large rectangle through two corners of the hexagon (or small rectangle) determines the new position for the Jefferson Memorial, based on straightening PA.

 

This image overlays the shortened version of Metatron's Cube, composed of thirteen ellipses, onto the DC map. At the center we see the White House. Directly above that, at the top point of the hexagon, we see Scott Circle, located at the center of an ellipse. On the right side of the hexagon, we see Mt Vernon Square and the National Archives Building, also at the centers of their respective ellipses. Washington Circle, on the left hand side of the hexagon, occupies the center of an ellipse. The other two corners of the hexagon are occupied by the Navy Medical and Surgical Center and the Washington Monument, both of which are offset from the centers of their ellipses.

 

Both the Jefferson Memorial and the Capitol Building are locate north of the centers of their ellipses due to the "dog leg" in Pennsylvania Avenue. The corner of the rectangle opposite to the CB is centered in Georgetown. The Scottish Rites House of the Temple (circled in yellow at the top) lies south of the center of the ellipse there, so that a horizontal line there truncates the triangle (pyramid) image. I have yet to discover any kind of monument that coincides with the other two corners of the larger rectangle.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ground-plan of the Tabernacle of Israel

In Exodus 25:8 God commands Moses to make a sanctuary for Him.

⁸ “Then have them make a sanctuary for me, and I will dwell among them. ⁹ Make this tabernacle and all its furnishings exactly like the pattern I will show you.

It is noteworthy that when we examine the mathematical and geometric pattern God refers to here, it emerges from the sacred measures that Moses got from God by revelation, corresponding to the geometric canon called the Phi ratio or divine proportion. The God-given architectural plan for both the Tabernacle and Temple was designed to embody the framework of the celestial structure of Creation in miniature, on the earthly plane. This view is supported in the following quote from Nigel Pinnock, who details some key elements in the pattern given by God to Moses and David:

 The Tabernacle stood inside a court whose geometry was a double square [1 x 2 rectangle], 100 cubits long by 50 cubits wide. Inside the double square enclosure was a triple square 30 cubits long and 10 cubits wide. Its walls were constructed of wooden planks 1.5 cubits wide and 10 cubits high, held in line by strong horizontal bars of wood. The whole structure was covered with skins sewn together in strips 30 cubits long by 4 cubits wide. The Tabernacle was placed in the court towards the west, but with its entrance oriented east-wards, so that according to Josephus: “when the Sun arose it might send its first rays upon it.” The interior of the Tabernacle was divided into two compartments, a scheme which was copied later in the Temple…..The outer compartment called the Holy Place, was a double square 20 by 10 cubits, whilst the inner compartment, the Holy of Holies, comprised a single square. As the height of the Tabernacle’s ceiling was also 10 cubits, the Holy of Holies enclosure was thus a perfect cube (containing the Ark of the Covenant)….The Altar of Sacrifice was the outer equivalent of the Ark of the Covenant. It stood at the center of the outer of the two squares of the enclosure… This altar represented one of the two poles at the center of two squares-each upon its own center of polarity… The dimensions of the Temple, like the Tabernacle before it, were precisely detailed: [I Chron. 28, II Chron. 3]. A triple square double the size of the Tabernacle, and the walls of the Temple were hewn stone lined inside with wood overlaid with gold. The interior comprised a double square rectangular holy place, and a single square Holy of Holies. The interior was 20 cubits high, making the Holy of Holies again, a cubic enclosure. At the very center of the Holy of Holies stood the Ark of the Covenant which formerly had occupied the central point of the  of the Tabernacle… The actual entrance to the Temple was 5 cubits in width, and opened from a porch which comprised two squares of 10 x 10 cubits. It was this porch which supported the two pillars….Jachin and Boaz. 1

An example of the geometry for the 1 x 2 golden rectangle referred to above is seen below.

Plate 1. The Golden Ratio Rectangle

Here is a simple way to draw and understand a rectangle using the Golden Ratio:

Draw a square (of size “1”)
Place a dot half way along one side
Draw a line from that point to an opposite corner (it will be √5/2 in length)
Turn that line so that it runs along the square’s side

Then you can extend the square to be a rectangle with the Golden Ratio. This rectangle above shows us a simple formula for the Golden Ratio.

When one side is 1, the other side is:

The square root of 5 is approximately 2.236068, so the Golden Ratio is approximately (1+2.236068)/2 = 3.236068/2 = 1.618034. This is an easy way to calculate phi and related geometry we find in blueprints of the Temple and Tabernacle.

This is a key topic in our study of Biblical Astronomy principles evident in other studies on our [www.try-god.com] website, like The Calendar of the Biblical Patriarchs. This study points out among many other things that the cycles of the Sun and Moon are correlated via the phi ratio [1.618] in the 50-year Jubilee cycle, because there are 618 full moons every 50 solar years. This not only exhibits another phi relation in our solar system, but also links this divine knowledge to the Hebrew calendar as commanded in Levitcus 25. So, God has designed the phi ratio in our solar system, even as He has all the other phi/Fibonacci/ Lucas relations, throughout the Natural World, exhibiting the Creator’s symmetrical Intelligent Design across multi-levels of His Creation. The preponderance of the phi ratio through the Four Kingdoms of Life, is an awesome testimony to the Creator’s Temporal Order. This phi ratio, is arrived at by a scale invariant comparison. The relationship that becomes evident in this comparison is divine, because it is found throughout all levels of the Natural World, including the micro to the macro. In this comparison of the divine proportion, the whole is to the larger as the larger is to the smaller. This relationship is seen in Plate 1 above as the linear Phi ratio divided into the square root of 5/2 and 1/2. As we observe the appearance of the Phi ratio in the Temple and Tabernacle, we also find the examples of the two altars within the courts of the Temple/ Tabernacle pattern as a whole.

These ground plans of the Tabernacle and Temple of Israel depict the heavenly image of eastern access to God’s presence, via the High Priest’s annual ministry behind the veil, in the holiest of all. The pattern of access from the east mentioned above, holds true not only for Solomon’s Temple of the Old Testament, but also remained for the later Temple referred to in Ezekiel 43:1-5. The two celestial poles of the ecliptic / Equator are mirrored terrestrially in the physical counterparts of their altars, in both the holy of holies and the holy place. As Pinnock states, regarding the brazen altar of burnt offering:” This altar represented one of the two poles at the center of two squares -each upon its own center of polarity….”2

This terrestrial arrangement mirrors the Venn Diagram at the North Astronomical pole, [Figure A.]. These two altars illustrate the bipolar structure of the heavens, seen not only in the galactic poles of the two great celestial circles of the ecliptic and the Equator in northern skies, but also in their reflection in the Earth’s magnetic and geographic bipolar system. The interplay between these galactic poles exhibits a precession of the poles, where the pole star receded from Thuban of Draco, to Polaris of Ursa Minor, over the last five thousand years, [as seen above in the banner for this study]. This embodies the shift of spiritual power from the dragon at the North pole to Cepheus the enthroned human king, [Christ at God’s right Hand] with the North Star Polaris under his feet [Eph. 1:19-22] in this precession of spiritual power. Within the common space shared between the poles of these two circles moving in opposite directions, lies the astronomical vesica or Venn Diagram of the North Pole. [Fig. A]

This quote above from Pennick gives us an indication of how the original principles of “sacred geometry” are preserved in the dimensions and measures of the Tabernacle and Temple and the corresponding elements of their walls, furniture, columns, curtains, altars, orientation, and architecture. This divine celestial plan modeled in the Hebrew Temple and Tabernacle, is the foundation of the “sacred geometry” adopted by Freemasons and others before them, who have tainted these truths in the defiled context of mysticism, divorced from their authentic roots in Judaism and the Astronomy of the Biblical Patriarchs. This study endeavors to return the roots of Astronomy to its genuine origins, dispensing with the corrupt astrological influence and heathen mythology of various ancient cultures and secret societies. Figure A illustrates the double square rectangle, based on the phi ratio, that provides key aspects of both the “pattern of the Tabernacle” and  Temple of Israel. [Heb. 8:5, Exod. 25:9, 40]

This view powerfully depicts how the Temple and Tabernacle symbolized God’s celestial design of the heavens, seen in their two altars, mirroring the two poles of the ecliptic and the Celestial Equator. This also agrees with many of the principles seen in the pattern of God’s Intelligent Design inherent in His Creation. Since this God given “pattern of the Tabernacle” is constructed upon the phi ratio also known as the “divine proportion” or the golden section we find definitive Biblical evidence that this universally recognized standard of measure is truly divine in origin, since the dimensions of these sacred architectural structures were given by revelation from God to Moses and King David. By prioritizing a godly view of this evidence, it allows us to catch new glimpses of glories long hidden from the astrologers and empiricists, whose practices for too long have clouded the inherent grandeur of the Creator’s sacred architecture.

Figure B. The Plans of the Hebrew Temple and Tabernacle

Figure A above shows another view of the precession of the poles from the perspective of the interlocking wheels of the ecliptic and Equator, with the fish shaped lozenge of the vesica between them. This “vessel of the fish” is formed from the lozenge of these two inter-locking circles, the center of each located on the perimeter of the other. Archimedes called the formula associated with this, the “Measure of the fish,” and it is also linked to John’s Gospel record in [Jn. 21:11], where the disciples caught 153 fish following Jesus’ directions. Its import to math and geometry was found in the ratio of its height to its length [153:265], and that it represented the nearest whole number approximation of the square root of three, along with controlling ratios of equilateral triangles.³