EN GENESIS (GEN DE ISIS) 3:15 ESTA CODIFICADA LA GEMATRIA DE MARIA MAGDALENA EN GRIEGO (297) EN EL TERMINO SEED (GEMATRIA EN INGLES=33)-YHWH, EL/LA CREADOR/CREADORA DEL UNIVERSO NOS DA CODIGOS MATEMATICOS PARA QUE SALGAMOS DE LA MENTIRA Y LLEGUEMOS A LA VERDAD

Gen 3:15 And I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.	Bk Chpt Vs
Verse # = 71   |   Words = 15   |   Letters = 61 Data from Strong's Concordance KJV Hebrew Strong's # Value And I will put שית H7896 shiyth 710 enmity איבה H0342 'eybah 18 between thee and the woman, אשה H0802 'ishshah 306 and between thy seed זרע H2233 zera` 277 and her seed; זרע H2233 zera` 277 it shall bruise שוף H7779 shuwph 386 thy head, ראש H7218 ro'sh 501 and thou shalt bruise שוף H7779 shuwph 386 his heel. עקב H6119 `aqeb 172	Total = 4266 Original Text Hebrew Value Inc ואיבה 24 אשית 711 בינך 82 ובין 68 האשה 311 ובין 68 זרעך 297 ובין 68 זרעה 282 הוא 12 ישופך 416 ראש 501 ואתה 412 תשופנו 842 עקב 172

¿CASUALIDAD O CAUSALIDAD?

EL ORO DE O-PHI-R ES EL GRIAL MISMO

phi in Simple Gematria Equals: 33

(

p 16

h 8

i 9

)

of Ophir.

אופיר

H0211 'Owphiyr

297

 

 

Mary	Μαρια	G3137 Maria	152
Magdalene.	Μαγδαληνη	G3094 Magdalene	145

 

152 MAS 145 ES IGUAL A 297=33X9

TODO CODIFICADO PARA GLORIA DE YHWH

Profundizar en el conocimiento esotérico en el viaje de 9 código, otro secreto esotérico se puede encontrar dentro de un diagrama masónica creada en 1893 y se muestra a continuación.

.

Este diagrama muestra G en su centro, que creo que simboliza a Dios. G en el centro del universo cíclico eterna descrito anteriormente; un universo con una singularidad en el centro de un sistema dinámico, de expansión y contracción, obligada por su propio equilibrio, creando un potencial infinito dentro de un límite finito. 

 Si se mira de cerca la "G" como se coloca en el centro del diagrama y dentro de una representación del Sol, lo que representa una fuente central de energía. La estrella en sí (estrella de David) es en realidad dos triángulos superpuestos que representan dos fuerzas opuestas que se unen para crear el equilibrio.

Las letras que se muestran dentro de la estrella son L, E, C, I, N, M y G. LECINMG centro en A = 1 Gematria es igual a: 63 = 9

Todas las letras L mostrado, E, C, I, N, M, G, I, H y Z en Gematria judío equivale a: 631 = " Señor Dios creador de todo "

Los cuatro números muestran 1,8,9 y 3 también tiene significado guematria: 

"Arquitectura Diseños del Cielo y de la Tierra" en Gematria judío equivale a: 1893

"La expansión del Universo" en Gematria judío es igual a: 1893

Lo que es aún más interesante es un conjunto de símbolos situados en la esquina inferior izquierda del diagrama.

Contamos con una letra "N" y un símbolo que se parece al planeta Saturno con un pequeño punto por debajo de ella. Lo que estamos viendo es una ecuación matemática que data de 1893 para determinar el diámetro de un agujero negro en el centro de un cuerpo planetario.

La ecuación se lee como este: N - el diámetro del cuerpo planetario (representada por la línea a través del círculo) (dividido por) el diámetro del agujero negro central (el punto).

Aquí tenemos la letra "M" con una cruz que sobresale hacia arriba desde el centro de la misma. Este símbolo representa la "Medición Santo" un número muy venerado en la arquitectura antigua y mucho, mucho más como se indica en mis otros 9 blogs de investigación. El número de "Santo medición" es 144 (1 + 4 + 4 = 9).  Así que si ahora sustituimos la letra "N", con el número 144, ahora podemos determinar el diámetro del agujero negro central dentro de cualquier cuerpo planetario simplemente dividiendo el diámetro del cuerpo por 144.

Article by Ralph Miller

Since I wrote the first article about the DaVinci Code, I have received emails from readers who have suggested that there is more information contained within Leonardo DaVinci's drawing "Proportions of the Human Figure". I have continued researching the subject myself as well. In order to give some more of the information, I decided to write this second installment. I would also like to thank those who have sent me these ideas.

There seems to be a connection between all things. In other words, the nature of reality itself, or at least what we would consider consensual reality or 3D, seems to be holographic in nature. Each part of nature contains clues that unlock the puzzle of all the rest of reality, or to the whole of creation. DaVinci's drawing contains incredible information that shows the connection between humans and all of reality. There is a geometry hidden within the human body that reflects the geometry in everything else.

During an Ayahuasca journey, many people experience a perception of everything as part of an extraordinary mathematical equation. They see themselves in mathematical form. From nature around them to even their thoughts and emotions, everything is somehow represented as part of a beautiful mathematical geometry. Ayahuasca unlocks or awakens the visionary brain. The visionary brain completes the human ability to perceive. It unlocks the capacity of a greater seat of understanding that is located in the heart.

This expanded perception of reality cannot be simply intellectualized. We are used to conceptualizing ideas with our 'thinking' minds, and this is far too elaborate and complicated to grasp at that level. There is however, an expanded state of consciousness that elicits a 'knowing'. Knowing is quite different from 'understanding.' This knowing relies on a perception and trust that comes from the heart. It is very strange, because as soon as you trust … is as quick as you know.

Somehow 'knowing' is the feminine counterpart of masculine 'understanding'. We have had generations of conditioning around understanding, to the point where much of the art of knowing has gone dormant. This is all changing now. We are moving through a transition as humans. We are moving back to remembering our feminine selves.

The first DaVinci Code article showed step-by-step how a perfect six-pointed star could be constructed within the human figure. Some suggest that the six-pointed star also represents two three-dimensional tetrahedrons. A tetrahedron is a four-sided solid, where each side is an equilateral triangle. The two interlocking tetrahedrons together form a solid called a star tetrahedron.

Click on the image below to launch a slideshow explaining the concepts here. Once in the slideshow, you can hover over the right side of the image and click to navigate to the next image.

The star tetrahedron also represents what some believe to be the human energy field, also called the Merkaba. I don't think any of us can be certain that the human energy field looks like this, but there are some very synchronistic relationships that are revealed.

If you place a star tetrahedron inside of a sphere, with one of the apexes of the tetrahedron at the 'North' pole and one at the 'South' pole of the sphere, then the other six apexes of the star will touch or intersect the sphere at 19.47° above and below the "equator" of the sphere.

Consider the fact that the earth is a thin solid crust that is rotating at great speed around what is basically a liquid magma center. The result is an upwelling of great force that occurs at 19.47° North and South, that seemingly comes from nowhere. In any case the result is that a large amount of volcanic activity occurs at those latitudes. It is theorized that these forces are hyper-dimensional in nature and cascade into three-dimensional reality resulting in volcanoes.

Many of the sacred sites of ancient civilizations are also located at or very near to 19.47° North or South of the earth's equator including the Pyramid of the Sun at Teotihuacan, Mexico (19°, 36' N of equator).

Further, volcanic activity is pronounced at 19.47° on other bodies in our solar system, including:

Another synchronicity that occurs in DaVinci's drawing is that you can take the two-dimensional six-pointed 'Star of David' and if you interpret it as a view of a three-dimensional object it is a perfect dipyramid. The pyramids that were constructed by the Egyptians were not 3-sided tetrahedrons but were 4-sided pyramids, because they had a square base, plus four triangular sides. A dipyramid is simply two pyramids stuck together at their base.

If you rotate the dipyramid represented by the Star of David in DaVinci's drawing, by an amount equal to 36.26° (90° minus 19.47° divided by 2) the dipyramid will move into a perfect right-angle, two-dimensional view. The pyramids of Egypt were not quite perfect pyramids, as they were constructed slightly squatty. But even so, there is definitely a connection. Remember they are located at 19.5° North latitude!

Click on the image below to launch a slideshow explaining the concepts here. Once in the slideshow, you can hover over the right side of the image and click to navigate to the next image.

The ayahuasca journeys unfold reality into an extraordinary fractal mathematical representation. There is such a vast amount of information that is encoded into us already; it is simply a matter of unlocking the brain in order to perceive it. Somehow there is a connection between the dimensions of the human body to the earth; to the location of volcanoes; to the location of sacred sites; and to even to the pyramids themselves.

Incredible! To review, you have a perfect six-pointed Star of David in DaVinci's drawing, which can be extended into a three-dimensional star tetrahedron, unfolding a story about unknown hyper-dimensional physical forces occurring at 19.47° North and South. The two-dimensional Star of David can also be represented as a three-dimensional dipyramid, that when rotated by 35.26° which happens to be a mathematical factor of 19.47°, will return back to a two-dimensional representation of a dipyramid. Half of the dipyramid is a perfect equilateral pyramid.

The divine nature of man is hidden inside of reality itself, and the true nature of reality is hidden within humans. In our modern world we have developed myopia to such a degree, that we have collectively distorted our perception of where we really are and who we really are. But, many are making the journey back. A journey of remembering.

© Ralph Miller 2004