EL 52, EL NÚMERO DEL CÓDIGO DE SIRIO

God's Word for You (Thursday, May 19, 2011)

A Daily Devotion by Pastor Tim Smith

Job 38:12-15

  12 “Have you ever given orders to the morning,
      or shown the dawn its place,
  13 that it might take the earth by the edges
      and shake the wicked out of it?
  14 The earth takes shape like clay under a seal;
      its features stand out like those of a garment.
  15 The wicked are denied their light,
      and their upraised arm is broken. (NIV)

God is now talking about the appearance of dawn every day. Job has no control over the appearance of the morning, even though there were pagans in ancient times who made sacrifices to ensure that dawn would return every day. The image of the passage revolves around the word “wicked” in verses 13 and 15. In verse 13, the wicked are shaken off the earth like crumbs from a tablecloth. In verse 15, the wicked are denied the cover of darkness. A robber seems to be pictured with his arm up in the air just as light breaks in the east. His “light” (which is darkness, the thing that enables him to do his wicked work) is denied him as the true light of day brightens the world and shows the truth of things as they are. “Like clay under a seal,” the morning light shows us what is really there all around us.

The light of God was new on the first day of creation, and the return of the light every day reminds us that God’s mercies are new every morning (Lamentations 3:23). His justice is as constant as the return of the sun each day (Zephaniah 3:5).

A Hebrew Oddity:

Some time after the time of Christ (and the Dead Sea Scrolls) but before 500 AD, a few unusual markings were put into manuscript copies of the Hebrew Bible. These included four places where a letter in the text was raised slightly. One is in Judges 18:30 (where an n was put into the middle of the name of Moses—I’ll talk about that in our devotions on Judges in the future). Another is in Psalm 80:14 in the word “forest.” I have no explanation for that case.

The other two are here in Job 38:13-15 in the word rashaʻim רשעים “wicked.” The letter ayin (a y-shaped letter) is raised both times the word wicked occurs in verses 13 and 15. This seems to show that the older scribes were not sure about the word “wicked” here. The word rashaʻim usually means wicked, but in this case it might be the name of a star or constellation—whose light would also be “denied” at dawn. One suggestion is that this might be a reference to Sirius, the Dog Star, one of the last stars to vanish in the morning light because of its brightness. This is probably because of the Arabic name of Sirius, Ash-Shira, “the Leader.” Some think that Ash-Shira sounds a little like the word rashaʻim, but unless the Hebrew term (which we don’t have) was different than the Arabic, it’s doubtful that this is a good explanation.

Another suggestion along the same lines is that the “upraised arm” in verse 15 could be a constellation that was once called “the Navigator’s Line,” a string of stars to the left of Orion including Sirius, Procyon, and the twin stars Castor and Pollux. Perhaps this focus on constellations is due to the reference to other constellations coming up later in the chapter (Job 38:31-32).

Four or five hundred years after these letters began to be written in this superscript way, a group of Hebrew Scribes called the Masoretes made careful notes about the text of the Old Testament, but by the time of the Masoretes, the reason for the raised letters had been forgotten. There is no good explanation I have found for all four cases of these raised letters. The letters are part of the inspired text, but the raised placement of the letters is not.

http://www.wlchapel.org/worship/daily-devotion/job_3812-15/

Sirius A Brightest visible star in the sky.	Sirius B Brightest X-ray source in the sky. Sirius A is the smaller image at the upper right.

Scientific, linguistic, and mythological evidence places the Sirius star system, Sirius A and Sirius B, at the origin of the creation.

Eastern and western mythological and religious traditions agree that a primal sound, a Word, is the origin of the creation. Quantum physics also agrees that vibration (sound) is the essence of all forms in the creation.

“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through Him, and without him was not anything made that was made.”
– Bible, John 1:1

The Rig Veda and the Vedic Sanskrit tradition revealed long ago that this primal sound, this Word of God, is AUM.

OM and AUM are the same. In Vedic Sanskrit, O is the vowel combination AU.

The acoustics and mythology of the Sirius Star System will reveal the truth concerning this Word of God.

All celestial objects, including Sirius A and B, are moving in helical spirals, and generate tones and sounds.

With the computer’s help, we can hear the perfect harmony generated by the orbital sounds of our own planetary system, the harmony of the spheres, as predicted by Johannes Kepler in the sixteenth century. Kepler said:

“. . . we should not be surprised that men have discovered the beautiful, effective succession of tones in the musical modes, when we see that in doing so, they are imitating God’s work by bringing down to earth the sounds of the celestial motions.”

This image shows the actual helical spiral pathways of the Sun, Mercury, Venus, Earth, and Mars. It even looks musical.

The computer also allows us to transpose into audible range and hear the orbital sounds of atoms, and their sound combinations as molecules.

The three sounds and tones of AUM are generated by the individual orbits and double helical spiral shaped linear motion of Sirius A and B in the same way as the harmony of the orbital sounds of our planetary system, and happens in the following way.

1. The A is generated by Sirius B’s orbital motion, and is said like the a in America, uh, in the tone F.
2. The U is generated by Sirius A’s orbital motion, and is said like the u in tune in F#.
3. The M is generated by their combined double-helix linear motion, and is said in the tone G.

Their combined linear motion produces the nasalated M in the tone G, completing the three sounds and tones of AUM.

The picture below shows the actual orbits and double helical linear pathway of Sirius A and B, and how these motions generate the three sounds and tones of AUM.

Because the orbits and double helical linear motion of Sirius A and B produce the three sounds and tones of AUM in the F, F#, G, tritone, the question arises:

The F, F#, G, tritone is the fabled quintessence of the alchemists, who said that this sound accompanies all creative processes, including, of course, the creation of the universe. They are correct. AUM is the quintessential creative sound, the Word of God that was in the beginning.

The F, F#, G, tritone of AUM is the creative sound that accompanies the miracles of:

A.  Creation: AUM is the fractal sound pattern of the Big Bang.
B.  Cell division (mitosis): when the DNA makes a copy of itself and checks it for errors.
C.  Photosynthesis: when light becomes living matter.

“The F, F#, G, forms the key tension in the nitrogen atom during photosynthesis when sunlight is transformed into chlorophyll, into living green. From sunshine grows living matter. The word made flesh.”
Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 70

From the single DNA molecule we all once were, our entire organism has unfolded by way of the F, F#, G, tritone of AUM.

Saying AUM correctly in the creative tritone induces resonance in the soft palate in the roof of our mouth, and transfers this resonance to our pineal gland, which sits directly above the soft palate.

The specific resonance induced by saying AUM in the F, F#, G, tritone, causes our pineal gland to secrete dimethyltryptamine into our blood.  Dimethyltryptamine is a powerful mind-manifesting, visionary, and meditative substance.

Our pineal gland is known as our third eye, and is recognized as a connecting point between our physical and spiritual being. This sound resonance connection to our pineal gland was designed into our DNA by the Creator.

By saying AUM in the F, F#, G, tritone, we are creating the fractal sound formula of our own DNA, and consciously activating our pineal gland (our third eye) using sound resonance.

The miraculous and creative F, F#, G, tritone of AUM is the only sound ever banned by the Catholic Church, who declared it to be the diablos en musica, the devil in music.

Because AUM cannot be said correctly without using the tritone, the Catholic Church has in effect banned the Word of God.

When contacted, Catholic Church authorities were unable to explain or offer any reason. In any case, they do not want us to say the Word of God, and access the visionary consciousness that was designed into our being by the Creator.

These images of Shiv (Shiva) show the AUM symbol in the star Sirius.

This image of the Goddess shows AUM in the star Sirius directly over her head.   The Sanskrit word tara, meaning star is one of the Goddess’ thousand names, and applies specifically to Sirius, the brightest star. Tara is synonymous with AUM. The Sanskrit-English Dictionary, Clarendon Press, Oxford, 1899, defines ‘tara‘ as 1. the mystic syllable AUM, and 2. star or asterism.

The Goddess, (Sirius A), is very bright. Her male counter-part, (Sirius B), is totally invisible without a telescope), and is also very heavy (he is the size of the Earth, but weighs as much as the Sun). He is the brightest X-ray source in the sky, and is known as the God who sees through everything.

Sometimes Shiv(a) is shown standing with AUM behind him. AUM is in fact, behind His image. He is an icon (eye-con) of AUM.    His first orbital movement caused the first sound in the progression of orbital movements and sounds that is AUM. The name of the blue God in Sanskrit, is Shiv, meaning orbit, hem, or border, in reference to Sirius B’s orbit. The Dogon people of Mali, West Africa know that Sirius B’s orbit is the source of creation.

Sirius A and Sirius B are the origin of the Yin and Yang symbol, they are the Yin and Yang. They are two parts of one thing, and the source of AUM, the sound that created the universe.   Far into pre-history, the religions and mythologies of the world have given divine status to Sirius A and Sirius B as the star forms of the God and Goddess. Sirius A as the Goddess, in red, and Sirius B as the God, in blue.

Sirius plays a large role in the life of Jesus. Sirius is known as the Morning Star. In the Bible, Jesus says, “I am the bright Morning Star.” Rev. 22:16.  The Three Wise Men, the Magi of Persia, were followers of the star Sirius. Upon their arrival in Jerusalem to attend the birth of Jesus, the Magi said in court, “We have seen His Star in the east” Matthew 2:2.

Is Jesus Sirius? Does Jesus in some real way personify AUM, this Word of God in the sky? Jesus said he was the Alpha and Omega, the first and last sound. AHA.

AUM is also known to be the origin of the fifty sounds of the Vedic Sanskrit language. These fifty sounds are shown distributed throughout the Sri Yantra. Vedic Sanskrit is the language of the hymns of the Rig Veda, and is the visionary Mother Tongue of the planet.

We will have fun exploring the scientific basis of these remarkable facts.

http://aumstar.com/the-sirius-star-system-as-the-source-of-creation/

Lincoln Cathedral, Starry Guardian of the Chateau at Rennes

by Dan Green (Callum Jensen)

Rennes-le-Chateau

As a long term researcher into the enduring global mystery that began at Rennes-le-Chateau , in an attempt to try solve at least a part of whatever is the conclusion of the enigma, I have tried to explore every possible aspect, my starting point being somewhat original, having drawn attention to parallels between the famous village and the Gothic Cathedral of Lincoln in England, on the ground and finally leading up into the starry heavens.

Lincoln Cathedral

Having had what on reflection appears to have been something of a puzzling destined visit to RLC in 1986 involved some interesting adventures there, including the discovery of a rock crop tomb sealed at two points of entry not too far away from Les Labadous, home of the authoress Elizabeth Van Buren who also had stumbled across this tomb, visiting it to sprinkle holy water and call it her special place. Contemporary Godfather of Sacred Geometry, David Wood also knew of this tomb, and apart from our young French guide Daniel who still lives in the Rennes environs, I wonder who else knew at the time or even now of this location which has a stone marker nearby and a babbling stream that you swear you can almost hear whisper. Leonardo Da Vinci in his version of Virgin of the Rocks (Mary without halo) paints it as an incidental inclusion at the top of his work.

My visit to Rennes left me musing my original major comparisons – how here was a church dedicated to Mary Magdalene at the top of a high hill, and containing a demon guardian statue.

Asmodeus - Rennes Guardian demon

Back in Lincoln, at the Gothic Cathedral, high up a hill until 60AD there stood a church dedicated to Mary Magdalene, shamefully knocked down to make way for the Minster in 1097 which would in the 13thc introduce its own Demon Guardian, the notorious ‘Lincoln Imp’.

The Lincoln Imp - Demon Guardian

Three quite unique similarities there, I thought. Then, in 2005 it was discovered that at the scene of the Last Supper at the Great East Window of the cathedral , having gone unnoticed since the windows were placed, there sits a dog on Christ’s platter, rather than a loaf of bread or glass of wine! Deciding to collect up any other anomalies within the Cathedral, I soon found out our canine friend reappears a total of three times, and when my collection was complete the ‘Lincoln cathedral code’ was born, synchronizing perfectly with the many clues associated with the Rennes mystery in France. We had a pregnant shepherdess, clues relating to painters Poussin and Teniers, the enigmatic ‘681’, the ‘horse and cross of God’ , our demon guardian friend, and the phenomenon of ‘blue apples’ whereby the sun striking through a pane glass on a specific time-date causes the dancing, dappling effect upon a key area.

Blue Apples at Rennes

Blue Apples at Lincoln Cathedral

Assembling all these clues into a sequential paper chase led to a precise spot at the burial grounds of the shepherdess St Margaret, opposite the SE corner of the Cathedral where once stood Margaret’s church demolished in 1781 to parallel the same year of the death of Marie de Negre who almost certainly knew the Rennes secret. Attempts to GPR scan under this location where a tomb belonging to the Rayner family stands were initially granted by cathedral authorities only for them to later renege and go silent without any believable explanation.

Another parallel aspect between RLC and Lincoln cathedral is almost as puzzling as the entire mystery itself! Readers of the best selling ‘Holy Blood, Holy Grail’ will be well aware of a what is held to be a spurious document ‘The Dossier Secrets’, deposited in the Bibliotheque nationale de France in 1967 - purporting to be part of the history of the Priory of Sion - and it turns out that the Lincoln Cathedral Code has its own!

A reader of my initial book ‘The Lincoln Da Vinci Code’, who was living in Grantham and who was a student of Victor Hugo – allegedly the second last Grand Master of the Priory of Sion – told me I should be getting myself to the Library in Grantham, for there they held a most curious 30 page document deposited in file that had been in their safe keeping since 1917, interestingly enough the same year that Parish priest Berenger Sauniere , curator at Rennes and who was singularly responsible for the birth of the RLC mystery, died. Entitled ‘The Quest’, handwritten and illustrated, it claims to be the handiwork of France’s most famous novelist, although having compared the calligraphy, it clearly isn’t! Hugo was exiled from France in 1855 –the very year that the window at the Great East Window at the Cathedral was installed - and lived in Guernsey until 1870. There is no official record that he ever frequented England. This encounter of a Quest also surfaced in a magazine the ‘Lincolnshire Highlights’ in 1983, the first five pages presenting itself as a search for a ‘lost cathedral and city of Wyville’, as opposed to the small actual hamlet of Wyville where the quest starts, and which is situated SW of Grantham on the Lincolnshire/Leicestershire border not too far from a Knights Templar preceptory that once existed at South Witham and where in 2008 I found a hidden 14thC coffin slab relating to the panel painting Head at Templecombe.

This fantastic if spurious account ends at the top of a hill with a spring head, five houses and the word ‘thalassa’ which is rather intriguing as the Lincoln Cathedral Code quest also ends at the top of a hill that once had five houses and a (lost) spring head. The word ‘thalassa’ is actually one of the meanings assigned to the name Mary in Martianay’s edition of St Jerome’s works 1699. ‘Pikra thalassa’ means ‘bitter sea’ based on the assumption that the name ‘Miryam’ is composed of the Hebrew words ‘mar’ (bitter) and ‘yam’ (sea) The translated inscription upon the headstone of Rene d’Anjou’s ‘La Fountaine’, that some researchers involve in the RLC mystery, mentions bitter water. Amidst the cryptic 30 pages are numerous passing references including ‘a stone coffin at present lying in the small churchyard, its date not later than the 12th century’...’the hidden story written in the stones’...’and what kings sat throned upon that hill’. Two poems are also in the library file, one entitled ‘The Quest’ also, from 1917 initialled H.P., and another ‘To Wyville’, this search starting as far away as in Scotland, no less! ‘The Quest’ allegedly written by Hugo appears to be a search for a lost cathedral, and I wonder is this the ‘lost’ Cathedral of the Magdalene given that Lincoln Cathedral may have been secretly known to be dedicated to her and not the Virgin Mary. Is the stone coffin and the churchyard references hinting at the actual St Margaret’s burial grounds where until, 1781 it stood, where ‘For Dagobert II King and for Sion is this treasure and it is death’ as reads one of the RLC parchments? Is the story written in the stones referring to the many anomalies of the architecture of Lincoln Cathedral that parallel with RLC, and does ‘what kings sat upon that hill’ mean lost Rose-Line descendants? Apart from ‘The Professor, who first heard of Wyville, a man who digs for earth’s treasures’, the most interesting figure mentioned throughout the account is referred simply to simply as ‘The Padre’..very Sauniere-like! I suspect that this lost ‘Wyville is a Masonic play-on word for ‘Wife Hill’, the hill upon which something belonging to Jesus’ wife Mary Magdalene belongs. The word ‘Wye’ almost certainly originates from the Old English ‘weoh’ meaning ‘idol shrine’. Strange stuff indeed. Interested readers can see the file for themselves at the Grantham library even though the puzzled library themselves cannot offer any information as to who donated the items or exactly when. To conclude this strange parallel with RLC and the ‘Secret Dossier’, Grantham Library resides inside the Isaac Newton Shopping Centre with his statue facing it outside, Isaac himself an alleged Grand Master of the Priory of Sion from 1691.

Having had enough of stuff on or under the ground that seem to indicate resonance between Rennes and Lincoln, I felt it was high time to investigate any possible links involving the starry heavens. As this was way above my head (pun intended) and beyond my abilities, I sought the aid of a far more capable individual by way of a mathematician by the name of Greg Rigby who had already contributed to the Rennes saga by way of having discovered pentagonal geometry in Poussin’s ‘Shepherds of Arcadia’ masterpiece – key to the RLC mystery, and in 1996 having written a book entitled ‘On earth as in heaven – Revelation of French cathedrals’, in which Greg announced that the ancient Celts established holy sites in Northern France reflecting on the ground the constellation Ursa Major with its handle pointing to Rennes-le-Chateau as Polaris, the Pole Star. As our starting point, Greg came over from Florida to precisely orientate and align Lincoln Cathedral for me and with the aid of his computer software, astronomical star maps , co-ordinates and alignments, set about to discover what secrets the Cathedral may have been hiding and if we could correlate it with what was known over at Rennes. All Gothic Cathedrals have their Rose Windows at the West – not at Lincoln though! Here we find it placed at the North, disguised as a Northern ‘Star Clock’ whereby if the glass were removed and one were to stand in a certain position within the Cathedral at night one would see the revolving northern constellations including Ursa Major.

 'Star Clock', Lincoln cathedral Copyright crichtonmiller.com

Not surprisingly to me at least, there was something of a significant discovery. The star that is reflected on the ground by Lincoln cathedral is Arcturus, found in the constellation of Bootes and the third most brightest in the night sky. Arcturus is the ‘Guardian of the Bear’ that is Ursa.

Arcturus, Guardian of the Great Bear

January 17th is a most celebrated date in the RLC Mystery. Not only is it a date when it is alleged certain key figures including Sauniere died, it is also the date when at mid-day the phenomenon of the ‘blue apples’ occur in the small church and confirm a part of a coded cipher, the sun striking through a small pane to create the impression of blue apples joining red ones – red and blue circles – that slowly moves along to settle upon the altar and later a statue of Saint Anthony the Hermit. Lincoln Cathedral is a veritable orchard of blue apples all year round courtesy of its decorative Southern windows, this phenomenon, by contrast with Rennes, falling upon a crucial location relevant to the Cathedral code at mid-day on 22nd July, Feast of the Magdalene, dancing alongside the tomb of Queen Eleanor of Castille who stands high up the SE corner of the Cathedral in direct line, pregnant, and staring over at the Lincoln Cathedral Code location at the burial grounds of the shepherdess Margaret. What is most important, however, is that at mid-day at the Cathedral on 17th, Not only is the constellation of Ursa Major overhead, but the Cathedral altar faces directly at Arcturus and resonates with St Anthony at the Chateau when we learn that Kabbalists associate the star with the 9th Tarot Trump, the Hermit. The Cathedral initially drew my attention with it’s dog symbology to ponder if it may be a concealed Temple to the dog star Sirius, but Greg and I struggled to find any confirmation and it may possibly just be drawing reference to the blazing star known to be Sirius that is found in Masonic Lodges given that the structure was laid out to Templar influence, as was the very structure of Masonry. However, according to ancient China the stars of the Great Bear associated with the celestial Palace of the Lord on High, Star God of Longevity, the Heavenly Mountain, Paradise of the immortals, and Sirius the Heavenly Wolf guarded this celestial Palace. Utterance 302 of the Pyramid texts found on the Northern face of Unas’ pyramid also provides a link that may exist between the heliacal rising of Sirius and Ursa Major.

With Arcturus the Guardian of the Ursa bear of which the Chateau is the Pole star of the constellation, I wonder that I may be right that the Gothic Cathedral reflecting it on the ground is indicative of also being its guardian, and therefore would also be guardian of the ‘treasure’ that Rennes announced to the world via the priest Sauniere.

Copyright by Callum Jensen ('Dan Green').
Presented with permission of the author.

* * *http://www.world-mysteries.com/knighttemplars1.htm